Here are 61 books that When You & I Were Young, Whitefish fans have personally recommended if you like
When You & I Were Young, Whitefish.
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I am a history-phobe turned history fanatic thanks to a snippet of a family story about my great-grandmother. Casual interest morphed into a focused passion when I learned that she truly had homesteaded-- all by herself and in her late teens-- in eastern Montana in 1917. Her accomplishment inspired four years of research and writing, resulting in my first historical novel, Hattie Big Sky, which earned a Newbery Honor award and spent weeks on the New York Times bestseller list. More importantly, that bit of family lore revealed my purpose as a writer and I have since devoted my career to bringing the past alive for today’s young readers.
Evocative and clear-eyed introduction to the western landscape; this compelling read orients readers firmly in place and time. It’s carefully researched nonfiction that reads like a suspense thriller; you’ll spend many nights reading it past your bedtime.
A New York Times Editors' Choice for Book of the Year Winner of the Pacific Northwest Booksellers Award Winner of the PEN West Creative Nonfiction Award
"No one has evoked with greater power the marriage of land and sky that gives this country both its beauty and its terror. " --Washington Post Book World
In 1909 maps still identified eastern Montana as the Great American Desert. But in that year Congress, lobbied heavily by railroad companies, offered 320-acre tracts of land to anyone bold or foolish enough to stake a claim to them. Drawn by shamelessly inventive brochures, countless homesteaders--many…
I am a history-phobe turned history fanatic thanks to a snippet of a family story about my great-grandmother. Casual interest morphed into a focused passion when I learned that she truly had homesteaded-- all by herself and in her late teens-- in eastern Montana in 1917. Her accomplishment inspired four years of research and writing, resulting in my first historical novel, Hattie Big Sky, which earned a Newbery Honor award and spent weeks on the New York Times bestseller list. More importantly, that bit of family lore revealed my purpose as a writer and I have since devoted my career to bringing the past alive for today’s young readers.
This book convinced me I would never have survived as a homesteader! Though not a professional writer, Wollaston does an incredible job of drawing in the reader and sharing heartwarming and heartwrenching details about the homesteader’s life.
"His memories flow as naturally as his writing. . . . The reader is transported back to the day when a six-year-old stepped from the train into a new life."-Smithsonian
As a grown man, Percy Wollaston almost never spoke of the homestead where he grew up-until, in 1972, nearing the age of 70, he wrote this book about his childhood years.
Lured by the government's promise of land and the promotional literature of the railroads, six-year-old Percy Wollaston's family left behind their home in North Dakota in 1909, heading West to "take up a claim." They settled near Ismay, Montana,…
I am a history-phobe turned history fanatic thanks to a snippet of a family story about my great-grandmother. Casual interest morphed into a focused passion when I learned that she truly had homesteaded-- all by herself and in her late teens-- in eastern Montana in 1917. Her accomplishment inspired four years of research and writing, resulting in my first historical novel, Hattie Big Sky, which earned a Newbery Honor award and spent weeks on the New York Times bestseller list. More importantly, that bit of family lore revealed my purpose as a writer and I have since devoted my career to bringing the past alive for today’s young readers.
The story behind this book is nearly as fascinating as the book itself. Evelyn Cameron—Lady Cameron!—accompanied her ne’er do well husband to Montana with a scheme to raise thoroughbreds. When that failed, her husband fell into despair and it was up to Evelyn to put food on the table. She did that by photographing what she saw around her: everything from staged and romanticized “Western photos” that she sold to magazines back East, to interiors of dreary homestead claim shacks. Her glass plate negatives were converted to greenhouses after her passing but were thankfully discovered and restored, resulting in this incredible book of photographs.
Leaving behind her childhood world of the English gentry, Evelyn Cameron began ranching on the harsh and beautiful plains of eastern Montana in 1889 with her husband, Ewen. When their initial venture--raising polo ponies--failed, Evelyn turned to glass-plate photography to help support her family. Nearly 2,000 negatives remained in a friend's basement for 50 years after Evelyn's death until author Donna M. Lucey tracked down the exra-ordinary collection. Photographing Montana showcases more than 150 photographs of life in Montana from the 1890s through the 1920s. Evelyn Cameron's work portrays vast landscapes, range horses, cattle roundups, wheat harvests, community celebrations, and…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I am a history-phobe turned history fanatic thanks to a snippet of a family story about my great-grandmother. Casual interest morphed into a focused passion when I learned that she truly had homesteaded-- all by herself and in her late teens-- in eastern Montana in 1917. Her accomplishment inspired four years of research and writing, resulting in my first historical novel, Hattie Big Sky, which earned a Newbery Honor award and spent weeks on the New York Times bestseller list. More importantly, that bit of family lore revealed my purpose as a writer and I have since devoted my career to bringing the past alive for today’s young readers.
The author, a history professor and Tennessee State Historian, provides an in-depth look into Montana history, region by region. The academic tone is nicely balanced by the people and events presented on the pages – plain folk to preachers and everything in between. A great companion to Jonathan Raban’s Badland.
Montana writer and historian Joseph Kinsey Howard described Montana as "high, wide, and handsome." It is difficult to find better words for Montana's geography. Between these covers, Carroll Van West discusses Montana's physical and historical landscapes, the settings for important events involving exploration, the military, Native Americans, miners, cowboys, homesteaders, and railroad builders as well as the physical remnants of Montana's prehistoric past. With this guide in hand, readers can discover a Montana past unavailable in more standard histories.
My first introduction to the art of reading and storytelling was my dad’s bedtime stories. Sometimes he’d read a favorite, but most times he made them up; complete with sound effects. He was a journalist and inspired my love of reading and writing. My imagination was developed at an early age and shows no sign of slowing down or disappearing. I still gravitate toward fantasy, but am also a history buff and plan to read and write for the rest of my life.
Not only is Hattie Big Sky a Newbery Award Honor Book, it’s a beautifully written story based on the author’s own history and ancestors.
At the ripe ol’ age of sixteen, the main character, Hattie Brooks, moves to Montana to work the homestead of her great uncle. Alone, I might add. I felt Hattie’s fear, tragedy, determination, and triumph throughout the story.
This Newbery Honor winning, New York Times bestseller celebrates the true spirit of independence on the American frontier.
For most of her life, sixteen-year-old Hattie Brooks has been shuttled from one distant relative to another. Tired of being Hattie Here-and-There, she summons the courage to leave Iowa and move all by herself to Vida, Montana, to prove up on her late uncle’s homestead claim.
Under the big sky, Hattie braves hard weather, hard times, a cantankerous cow, and her own hopeless hand at the cookstove. Her quest to make a home is championed by new neighbors Perilee Mueller, her German…
I’ve always been attracted to the overlooked, the obscure, the forbidden. Maybe it’s as simple as the fact I grew up in a time when it seemed natural to rebel against norms. Or maybe it’s that I inherited an oddball gene from some ancient ancestor. Anyway, it led me to interesting adventures—hanging out with a crew of gun runners in eastern Turkey—and interesting career choices—strike organizer, private detective, etc. It also shaped my reading and my writing. I read everything, but I’m particularly drawn to the quirky—Grendel, the fiction of Christine Rivera Garza for instance. And in my writing too: Lynerkim, the protagonist of my novella, is undoubtedly an odd duck.
There are three novellas collected in the volume titled Legends of the Fall. The first two, Legends of the Fall and Revenge, you almost certainly know from their movies. The third story, The Man Who Gave Up His Name, everyone ignores and it’s the one I recommend. In the story Nordstrom leaves his lucrative job, dances alone at night, goes to New York, battles a drug dealer, and ends up in the Florida Keys as a chef, dancing again. I love this story because I love Harrison’s use of language. His sentences attack. But mostly I love this story because it’s about a man struggling to find his place in life. That’s a situation I like to throw my characters into: reinvention, for good or bad. And the story of my own life.
New York Times bestselling author Jim Harrison was one of America's most beloved and critically acclaimed writers. The classic Legends of the Fall is Harrison at his most memorable: a striking collection of novellas written with exceptional brilliance and a ferocious love of life. The title novella, "Legends of the Fall"--which was made into the film of the same name--is an epic, moving tale of three brothers fighting for justice in a world gone mad. Moving from the raw landscape of early twentieth-century Montana to the blood-drenched European battlefields of World War I and back again to Montana, Harrison's powerful…
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
I’m a voracious reader, an author, and also a book critic, so hundreds of books cross my desk. What I love the most is the feeling of discovery—reading a book whose likes I haven’t seen on any bestseller list or on a front display in a bookstore. There are so many, many hidden gems—books that have stayed with me long after the publication day, and I always want others to have the same devotion to them that I do!
Henderson’s a prize winner and she should be on the top of every reader’s list! Here, she creates a protagonist like no other: a mortician Mary Crampton, living in a stomach-cramp of a town.
What’s surprising and wonderful is that she loves her work, and treats it as art—and I was so fascinated to learn about it. As her town crumbles away, a young man enters her life—a man whose brother was killed in a grain mill. As the two grow closer, the town becomes angrier, making Gal take new stock of the life she has—and the life she could create. So haunting!
High Plains Book Award Winner for Fiction * Western Writers of America Spur Award Winner for Best Contemporary Western Novel * WILLA Literary Award Winner in Contemporary Fiction * Montana Book Award Honor Book
With the quiet precision of Jane Smiley's A Thousand Acres and the technical clarity of Mary Roach's Stiff, this is a novel about a young woman who comes most alive while working in her father's mortuary in a small, forgotten Western town.
"The dead come to me vulnerable, sharing their stories and secrets . . . "
I am a son of the contemporary American West—born near the Pacific Coast, raised in Texas, and an inveterate traveler of its byways and odd corners. Through the duality of my upbringing, as the son of a well-traveled mother, a suburban sportswriter stepfather, and a father who worked in extractive industries, I’ve seen up close both harmony and dissonance. The work I’m drawn to, whether on the creation end or the consumptive end, goes deep into the lives that play out in these places.
Sometimes the compelling central character of a book is the author. So it is with this one, by the current poet laureate of Montana. Page after page, I was mesmerized by what La Tray could weave out of a single, seemingly simple thought that, it turned out, contained galaxies of complexity and nuance.
I think La Tray is a true original in Western letters, a man of deep conviction, conscience, humor, righteousness, and love. His talents are on full display here.
"La Tray is a perimeter man, seeing the reality in wildness yet dealing the best he can at
rec onciling truth in nature." - Barry Babcock author of Teachers in the Forest
This book is a collection of poems and essays from the writer's experiences of travelling through landscapes both wild and civilized. They speak with delicate simplicities ranging from the death of a favorite pickup truck, to the joy of hitting the trail with a four-legged companion. There are…
I spent most of my life in the western United States. Born and raised in northern Idaho, a professorial position attracted me to Tucson, Arizona, the long-time home of Edward Abbey. Cactus Ed said it best: “The idea of wilderness needs no defense. It only needs more defenders. Remaining silent about the destruction of nature is an endorsement of that destruction.” Upon reading books by Abbey and others writing about the American West, I became a defender of the idea of wilderness.
Guthie’s autobiography describes the wild, western United States from his perspective as a 64-year-old westerner. Born in 1901, Guthrie provides a compelling account of the rugged beauty of the West. Guthrie’s writing is lucid and compelling. I had read most of his books by the time I turned 30.
"It was a fine country to grow up in. To find riches, a boy had only to go outside," writes A. B. Guthrie, Jr., aobut his childhood in Montana early in the twentieth century. This autobiography was originally published in 1965 when he was sixty-four and still had miles to go. It recounts lively adventures and reflects on a career that brought fame for The Big Sky (1947) and led to the Pulitzer Prize for The Way West (1949).
In an afterword David Petersen, who edited Big Sky, Fair Land: The Environmental Essays of A. B. Guthrie, Jr. (1988), describes…
Tourists and local residents of St. Augustine will enjoy reading about the secret wonders of their ancient city that are right under their noses. Of course, that includes a few stray corpses and ghosts!
As a college instructor and a student of Western American Literature for many, many years I have read a great number of western novels for my classes and for my literary studies. In addition to my doctoral dissertation on the topic, I have written and published numerous articles and reviews on western writers, and I have given many public presentations as well. I have a long-standing interest in what makes good works good. As a fiction writer, I have published more than thirty traditional western novels with major publishers, and have won several national awards for my western novels and short stories.
The Big Sky is a masterpiece of historical fiction and an often-cited classic novel of the American West. It earns this distinction because of its original characterization, its use of historical and geographical accuracy, its thematic depth, and its symbolism. It is set in the mountain man or fur trade era, and it shows the consequences of White men going into the wilderness. This book introduces the idea, in cultural and environmental terms, that in the occupation of the American West, people ruin the thing they love. This book not only makes it to the top of the lists by western writers, but it also is well appreciated by scholars and students in Western American Literature.
