60 books like Camp Damascus

I’m a horror and speculative fiction author who reads everything but who is tired of strict genre definitions and loves introducing people to work they might not have considered—especially the spooky stuff, and especially when I’m asked about horror recommendations for non-horror lovers. I think dark fiction gives us a way to process painful emotions in a safe space; it offers catharsis for being alive in a difficult world; it can definitely be a lot of fun while also giving you a way to empathize with people outside your own direct experience. I’ve tried to hit on all of that in this list!  

I’m a horror and speculative fiction author who reads everything but who is tired of strict genre definitions and loves introducing people to work they might not have considered—especially the spooky stuff, and especially when I’m asked about horror recommendations for non-horror lovers. I think dark fiction gives us a way to process painful emotions in a safe space; it offers catharsis for being alive in a difficult world; it can definitely be a lot of fun while also giving you a way to empathize with people outside your own direct experience. I’ve tried to hit on all of that in this list!  

I’m a horror and speculative fiction author who reads everything but who is tired of strict genre definitions and loves introducing people to work they might not have considered—especially the spooky stuff, and especially when I’m asked about horror recommendations for non-horror lovers. I think dark fiction gives us a way to process painful emotions in a safe space; it offers catharsis for being alive in a difficult world; it can definitely be a lot of fun while also giving you a way to empathize with people outside your own direct experience. I’ve tried to hit on all of that in this list!  

I’m a horror and speculative fiction author who reads everything but who is tired of strict genre definitions and loves introducing people to work they might not have considered—especially the spooky stuff, and especially when I’m asked about horror recommendations for non-horror lovers. I think dark fiction gives us a way to process painful emotions in a safe space; it offers catharsis for being alive in a difficult world; it can definitely be a lot of fun while also giving you a way to empathize with people outside your own direct experience. I’ve tried to hit on all of that in this list!  

I grew up on a dairy farm on the outskirts of a town with about a hundred residents. I remember walking to town with my sister and two brothers to buy candy and rent a VHS movie from the tiny grocery store. My first job off the farm was doing dishes at the local café, where my father and the other farmers would drink coffee and read the newspaper at table 10. These experiences shaped me as a person and hooked me on small-town living. I believe it’s the people in the smallest of towns that have the biggest of hearts.

I’ve been a reader all my life. It started with books like Where the Red Fern Grows, and as I got older, I moved on to books like The Bean Trees by Barbara Kingsolver and Skipped Parts by Tim Sandlin. Whatever I was reading, it was taking place somewhere in the wilds of the mid and western United States. I’m from a small town, and growing up, everybody knew their neighbor’s business. These are the places I love to read and write about. Add some steamy romance, and I’m there! So when the MMC from my first book, Burned, cowboy Jack Cade, showed up in my head, I knew he was from a small town.

I’ve been fascinated with true crime since a serial killer operated in my hometown when I was a kid. I’m now an expert on criminal psychology, which I teach at DeSales University. I’ve appeared in more than 200 crime documentaries and was an executive producer on Murder House Flip (my idea) and A&E’s Confession of a Serial Killer: BTK. I’ve published more than 72 books, and over the past 12 years, I’ve penned a blog on the dark side of the human psyche for Psychology Today. Currently, I’m writing a fiction series based on a female forensic psychologist who runs a PI agency and consults on unique death investigations. 

I am a freelance journalist who started writing about animals after getting and falling in love with a flock of chickens. Animals are fascinating in their own right but the way we talk about them, and our relationships, shine a fascinating light on humans and what we value. My work has appeared in The New York Times, The Washington Post, The Guardian, Country Living, and many others. 

I am a world traveler, who has been blessed to live in many different countries, studying human interactions and culture. People matter. I’m fascinated to see how people react and relate to each other. As a proficient people watcher, it makes sense that when I read or write a book, characters are most important to me. They make or break the story with their quirks and hurts and hang-ups. It always gives me great pleasure to see my own characters grow as the story develops. I enjoy putting them into situations that may not be comfortable for them and then seeing what God does to bring them through. 

My first introduction to the art of reading and storytelling was my dad’s bedtime stories. Sometimes he’d read a favorite, but most times he made them up; complete with sound effects. He was a journalist and inspired my love of reading and writing. My imagination was developed at an early age and shows no sign of slowing down or disappearing. I still gravitate toward fantasy, but am also a history buff and plan to read and write for the rest of my life.