Fans pick 96 books like Why I'm No Longer Talking to White People about Race

While the Black freedom struggle is often approached through the activism of Black males, the history of the struggle in Europe—like in the United States and elsewhere in the world—owes much to Black women, Black female scholar-activists, and Black feminist and Queer networks. Yet they remain woefully underrepresented in scholarship and collective memory.

I, therefore, chose this edited volume, because it uniquely presents the stories, intersectional experiences, and visions of contemporary Black female activists, artists, and scholars from across the continent. This not only uncovers the significant intellectual, political, social, and cultural contributions of Black women, but also expands definitions of (political) activism to include, among others, motherhood and the home.

Written in a riveting style, this book by Black British writer and photographer Johny Pitts likewise combines personal narrative with journalism and historical research. Pitts recounts his journey visiting numerous, often invisible Black urban communities across the European continent. By highlighting their lived experiences and identity formations, Pitts’ account challenges conventional understandings of ‘Black Europe’ and the ‘Black Atlantic.’ These are too often drawn from the Black British experience and its connections to the Americas, even though the majority of Europeans who identify (or are identified) as Black live on the continental mainland, speak languages other than English, and came to Europe after World War II. Memories of slavery and the transatlantic slave trade accordingly are not always central to their identities. Above all, the book uncovers the multi-layered and personal meanings of ‘Blackness,’ while underscoring the poignant ways in which those whom Pitts dubs as ‘Afropeans’ in individual European… show more.

As one of the first scholarly attempts to investigate the Black experience on a continental scale (as opposed to in individual European nations), this edited volume presents a good introduction to the multifaceted questions and approaches that emerge when studying this topic. Offering insights from various scholarly disciplines and 20th and 21st-century case studies from individual countries such as France, Germany, Italy, Britain, and the Netherlands, it provides thoughtful essays that explore the meanings of ‘Blackness’ and belonging in Europe, and the roles the local, national, global, and metaphysical play within (imaginary) diasporic discourse and identity. As such, it invites critical thinking about the strengths and limitations of the usability of ‘Black Europe’ as a concept and unit of analysis.   

This impressively well-researched study focuses on the reception of Angela Davis, Audre Lorde, Toni Morrison, and Alice Walker in post-World War II Germany. Although it only marginally references the Black German perspective (for that I recommend among others the work of Tina Campt, Tiffany Florvil, and Fatima El-Tayeb), it skillfully shows how Europeans perceive notions of race and racism through the prism of (African) Americanization.

Gerund illuminates particularly how White Germans’ interactions with (Black) America can provide pivotal insights into the meaning of ‘Whiteness’ and ‘citizenship’ in a European national context. This matters, because this in turn shapes (mis)understandings of the Black European plight and thus what anti-racism activists are up against. Like the works by Black scholars on the Netherlands, such as Gloria Wekker’s White Innocence and Philomena Essed’s edited volume Dutch Racism, Gerund’s study contributes to our understanding of how (fighting) notions of race must include grasping… show more.

L.D. Lapinski’s incredible Strangeworlds series will definitely sweep you into another world – into as many other worlds as you can count! Step into your suitcase and go on a journey to somewhere beyond imagining with Lapinski’s amazing cast of characters. When Flick stumbles into a dusty old shop and meets a young man named Jonathan Mercator, it’s the beginning of a life-changing adventure – across the multiverse – for them both.

Rina Kent writes hot, dark, erotic novels that stick with you for a long time. Her writing is spectacular, and her male characters are the types that I love to hate. Red Thorns is an opposites attract, enemies to lovers novel, and is not for the faint of heart but it’s a wild ride on the dark side that will make your heart race and require you to keep an ice cold drink nearby.

These days, the word fascist is pretty quickly pulled out as a handy insult. Orwell warned even back in the 1940s that the term was used so much that it was becoming meaningless. But when I listen to some of the race-obsessed autocratic leaders lurking in today's politics, I’m convinced “fascist” is a tailor-made description rather than an easy epithet.

I love this book because it helped me get past the hesitation with using that word and is, to my mind, the ultimate philosophical dissection of today’s fascism. For philosopher Alberto Toscano and the thinkers he discusses, fascism is a process at the heart of capitalism itself, "a dynamic that [even] precedes its naming."

His book describes the many aspects of fascism from well beyond Europe in the early twentieth century. If we look around, we can see the percolations of this process producing and reproducing "the racial fantasy of… show more.

In this 1994 cri de coeur Brent Kennedy discusses the Melungeon branches of his family tree.  One branch is on my family tree, twice since my paternal grandparents were cousins. This book provided my first hint that my own family tree harbored some mysterious ancestors. It launched me on a ten-year quest to discover who the Melungeons were, where they came from, and whether or not my ancestors had been among them. The book also launched an Appalachian liberation movement of sorts, as many who had been taught to conceal their racially mixed ancestry rushed to claim it – and proclaim it.

The year is 2003, and I’m finishing up my first year at NYU’s Creative Writing Program. And a colleague of mine tells me a recent Korean-American graduate will be publishing her first novel. He tells me that Caroline’s book is a romantic comedy in novel form. And I pause for a moment – ten years ago I could not name a single Korean American writer, and now we have our own Jennifer Weiner? How cool is that? And how cool is In Full Bloom? You probably have never heard of this novel, and now that you have, you will thank me when you race through these hilarious pages. Ginger Lee is our heroine, and yes, that type of punny humor is de rigueur in this book. I don’t know who I love more, Ginger or her mother. Probably her mother. 

Writing a really good spooky short story is hard. Writing 13 of them is near-impossible. Yet Allen has put together an anthology of sheer terror, with each story hinging on something simple and mundane. Basically, Allen makes you afraid of everything, and does it with a smile.