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World War II has been the background of my life. My Viennese family fled the Nazi regime. My childhood was peopled with Holocaust survivors and other people displaced by war. My uncle was a refugee and was trained as a Ritchie Boy and sent to war. I have been inspired by how people can survive traumatic times and come out stronger and kinder.
A poignant, well-written and deeply researched non-fiction story of the author’s search for the girlfriend her grandfather had left behind in Vienna. As my family left Vienna because of the Nazi regime, and my own novel takes place in Vienna, I found Ms. Wildman’s book especially meaningful, raising the question not only of what had happened to the woman but also of how much guilt and responsibility the grandfather carried?
One woman’s journey to find the lost love her grandfather left behind when he fled pre-World War II Europe, and an exploration into family identity, myth, and memory.
Years after her grandfather’s death, journalist Sarah Wildman stumbled upon a cache of his letters in a file labeled “Correspondence: Patients A–G.” What she found inside weren’t dry medical histories; instead what was written opened a path into the destroyed world that was her family’s prewar Vienna. One woman’s letters stood out: those from Valy—Valerie Scheftel—her grandfather’s lover, who had remained behind when he fled Europe six months after the Nazis annexed…
Elizabeth Rynecki is the great-granddaughter of Polish-Jewish artist, Moshe Rynecki (1881-1943). She grew up with her great-grandfather's paintings prominently displayed on the walls of her family home and understood from an early age that the art connected her to a legacy from "the old country": Poland. Elizabeth has a BA in Rhetoric from Bates College ('91) and an MA in Rhetoric and Communication from UC Davis ('94). Her Master's thesis focused on children of Holocaust survivors. Her book, Chasing Portraits: A Great-Granddaughter’s Quest for Her Lost Art Legacy, was published by NAL/Penguin Random House in September 2016. Her documentary film, also titled Chasing Portraits, had its world premiere in Poland in 2018 and has screened at numerous film festivals across North America. The film can be streamed on Amazon, iTunes, Kanopy, and OvidTV.
Glenn Kurtz’s grandparents traveled to Poland in August 1938, one year before the outbreak of the Second World War, to visit family. They filmed parts of that trip, including 3 minutes in Poland, footage that ultimately became one of the last records of a once vibrant Jewish community. Decades later, Kurtz painstakingly set out to identify the people in the film. He ultimately located seven living survivors, including an eighty-six-year-old man who appeared in the film as a thirteen-year-old boy. A heartfelt and powerful telling of what it means to rescue history and stories of survival.
Traveling in Europe in August 1938, one year before the outbreak of World War II, David Kurtz, the author's grandfather, captured three minutes of ordinary life in a small, predominantly Jewish town in Poland on 16 mm Kodachrome colour film. More than seventy years later, through the brutal twists of history, these few minutes of home-movie footage would become a memorial to an entire community, an entire culture that was annihilated in the Holocaust. Three Minutes in Poland traces Glenn Kurtz's remarkable four year journey to identify the people in his grandfather's haunting images. His search takes him across the…
I am an award-winning author of two five-star rated memoirs, and the creator/performer of the 90-minute solo show My Whorizontal Life: The Show!. I'm co-host of the podcast My Index to Sex, and I am a Juilliard Drama Graduate and the former #1 escort in the country. My desire in writing about the secret work of love and pleasure is first to create unexpected delight by leading the reader or audience into the surprisingly fascinating, funny, wild, misunderstood, and imagined life underground where so many women secretly work. Through my writing, I hope to give an authentic voice, knowledgeable, true, and uncynical to this experience.
When I was secretly working as an escort, living and working ‘underground’, and came upon this book, I was immediately drawn in because here, too, despite and thankfully many different circumstances, was a woman witnessing and taking notes not only to keep herself sane but also to bear witness to the real events as they affected women in this terrible and extraordinary moment in history.
Instead of events and general washes of the main players, as is so often what we get when studying a period of history, here was a true, authentic voice of the actual effects and aftermath of the war on the people living through it. And she wrote it as it was being lived! …” with nothing but a pencil stub, writing by candlelight since Berlin had no electricity…”
As the author, she chose to remain anonymous to protect herself. This choice resonated with me until…
For eight weeks in 1945, as Berlin fell to the Russian army, a young woman kept a daily record of life in her apartment building and among its residents. "With bald honesty and brutal lyricism" (Elle), the anonymous author depicts her fellow Berliners in all their humanity, as well as their cravenness, corrupted first by hunger and then by the Russians. "Spare and unpredictable, minutely observed and utterly free of self-pity" (The Plain Dealer, Cleveland), A Woman in Berlin tells of the complex relationship between civilians and an occupying army and the…
Andrew is a long-time WWII history buff and writer who looks for any excuse to do a deep dive into his favorite history topics. For his WWII horror novel One Last Gasp, he spent over a year researching the Battle of the Bulge, from first-hand accounts of front-line soldiers to official U.S. Army documents.
A bit dry and occasionally over-focused on rattling off official numbers and unit designations, The Fall Of Berlin is also a low-key horror novel. Surrounded on all sides by a massive Russian army hell-bent on revenge, the people of Berlin are caught between those invaders and their own leadership forcing them into a suicidal last stand. The scale of brutality is numbing; this is a battle fought without mercy by two adversaries locked in a death struggle.
"A tale drenched in drama and blood, heroism and cowardice, loyalty and betrayal."-Jonathan Yardley, The Washington Post
The Red Army had much to avenge when it finally reached the frontiers of the Third Reich in January 1945. Frenzied by their terrible experiences with Wehrmacht and SS brutality, they wreaked havoc-tanks crushing refugee columns, mass rape, pillage, and unimaginable destruction. Hundreds of thousands of women and children froze to death or were massacred; more than seven million fled westward from the fury of the Red Army. It was the most terrifying example of fire and sword ever known.
I’m a Lithuanian-American with a Chinese name, thanks to my husband. Thirty years ago, I found papers among my uncle’s possessions telling a WWII story about our ancestral Lithuania. I had heard about it in broad terms, but I could hardly believe what I was reading. I spent years validating the material. The result was Amber Wolf, a historical novel about a war within the war: the fight against the Russian occupation of Eastern Europe. While many countries were involved in separate struggles, I focused on Lithuania and their David and Goliath fight against the Russian army. After all this time, the story still moves me.
Bloodlands is a story about the dead. Using archives made available after the break-up of the Soviet Union, Mr. Snyder sheds light on both Stalin’s and Hitler’s brutality.
In a confined area that includes just eastern Poland, Ukraine, Belarus, and the Baltic countries, 14 million civilians died from the 1930s to the end of the war. Most were either starved or shot. Even more startling were the plans to kill millions more.
Stalin said, “a single death is a tragedy, a million deaths are a statistic.” Mr. Snyder reminds us of the tragedy.
Americans call the Second World War "the Good War." But before it even began, America's ally Stalin had killed millions of his own citizens-and kept killing them during and after the war. Before Hitler was defeated, he had murdered six million Jews and nearly as many other Europeans. At war's end, German and Soviet killing sites fell behind the Iron Curtain, leaving the history of mass killing in darkness. ? Assiduously researched, deeply humane, and utterly definitive, Bloodlands is a new kind of European history, presenting the mass murders committed by the Nazi and Stalinist regimes as two aspects of…
My father never talked about his experiences during the war. After he died at 67, we found his handwritten itinerary of three years and ten days in the Army Signal Corps. Plotting it on a map sparked a passion that continued for years, taking me twice to sites in Europe and through hundreds of records and books. I am amazed at all he never told us—the Queen Mary troopship, his radar unit’s landing on Omaha Beach (D+26), the Normandy Breakout, Paris after liberation, fleeing Bastogne, and so on. I grew up on WWII films but never grasped till now what my dad may have seen.
To learn about the Holocaust, I read personal remembrances, eyewitness accounts, and detailed descriptions of ghettos, camps, and transports, but this graphic novel based on Spiegelman’s father captured me like none of the others. Its words tell its terrible story masterfully and its drawings fill in what words can’t say, both as his father lived it and as his son learns about it. Banning it from U.S. schools would be completely wrongheaded. It should be required reading.
The first and only graphic novel to win the Pulitzer Prize, MAUS is a brutally moving work of art about a Holocaust survivor -- and the son who survives him
'The first masterpiece in comic book history' The New Yorker
Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Approaching the unspeakable through the diminutive (the Nazis are cats, the Jews mice), Vladek's harrowing story of survival is woven into the author's account of his tortured relationship with his aging father.
I am deeply passionate about human resilience. From Louis Zamperini's unwavering spirit in the face of war and captivity to Santiago's quiet determination against nature's harsh realities to Michael Jordan's relentless drive to overcome setbacks, these narratives resonate with me on a profound level. I'm particularly drawn to how these stories explore not just physical resilience but emotional and psychological strength as well. They serve as a powerful reminder that true victory lies not in the outcome but in the unwavering spirit we bring to life's struggles.
This book is unequaled for its raw, inspiring portrayal of human resilience. Louis Zamperini's journey from troubled youth to Olympian to war hero captivated me from the first page. I was deeply moved by his unwavering spirit in the face of unimaginable hardships, especially during his harrowing 46 days at sea and brutal experiences as a POW.
I felt as if I were right there with Louis, experiencing every triumph and setback. What touched me most was Louis's eventual path to forgiveness and redemption. His ability to overcome trauma and alcoholism, rekindle his marriage, and find peace left me in awe. This book reminded me of the incredible strength of the human spirit and the power of forgiveness. I couldn't put it down and still find myself thinking about Louis's remarkable story.
In this captivating and lavishly illustrated young adult edition of her award-winning #1 New York Times bestseller, Laura Hillenbrand tells the story of a former Olympian's courage, cunning, and fortitude following his plane crash in enemy territory. This adaptation of Unbroken introduces a new generation to one of history's most thrilling survival epics.
On a May afternoon in 1943, an American military plane crashed into the Pacific Ocean and disappeared, leaving only a spray of debris and a slick of oil, gasoline, and blood. Then, on the ocean surface, a face appeared. It was that of a young lieutenant, the…
My father never talked about his experiences during the war. After he died at 67, we found his handwritten itinerary of three years and ten days in the Army Signal Corps. Plotting it on a map sparked a passion that continued for years, taking me twice to sites in Europe and through hundreds of records and books. I am amazed at all he never told us—the Queen Mary troopship, his radar unit’s landing on Omaha Beach (D+26), the Normandy Breakout, Paris after liberation, fleeing Bastogne, and so on. I grew up on WWII films but never grasped till now what my dad may have seen.
Matthew Rozell was teaching history in Hudson Falls, NY, when he asked his students to find people in town who had served in World War II. Interviewing them was very well received and became his passion. By 2004, he had published his first book of interviews with WWII veterans. Since then, he has produced seven additional volumes, spanning both European and Pacific Theaters. Face-to-face interviews are becoming harder to come by and Rozell did a wonderful job for history in compiling personal descriptions that detail the daily lives of soldiers in WWII.
WHEN YOU STEP OFF THE LANDING CRAFT into the sea, bullets flying at 0630, how do you react to your vision of your mother opening the telegram that you have been killed? WHEN YOUR GLIDER CRASHES AND BREAKS APART, what do you when you are shot and the Germans are bearing down on you, and you know your dogtags identify you as a Jew? — “I had a vision, if you want to call it that. At my home, the mailman would walk up towards the front porch, and I saw it just as clear as if he's standing beside…
My father never talked about his experiences during the war. After he died at 67, we found his handwritten itinerary of three years and ten days in the Army Signal Corps. Plotting it on a map sparked a passion that continued for years, taking me twice to sites in Europe and through hundreds of records and books. I am amazed at all he never told us—the Queen Mary troopship, his radar unit’s landing on Omaha Beach (D+26), the Normandy Breakout, Paris after liberation, fleeing Bastogne, and so on. I grew up on WWII films but never grasped till now what my dad may have seen.
I haven’t found anyone better at describing the personal situations and experiences of soldiers in war than Ernie Pyle. In this compilation, he interviews soldiers at every level, in a wide variety of duties, with honesty, directness, humor, and literary style. It is no wonder that his syndicated columns appeared in over 400 daily and 300 weekly newspapers, making him the voice of war-time America.
The best of Ernie Pyles World War II dispatches. For those of us to whom World War II has been only images in newsreels or monolithic history in a book. Ernie's words breathe like an intimate conversation. He is our eloquent bridge across time.
My father never talked about his experiences during the war. After he died at 67, we found his handwritten itinerary of three years and ten days in the Army Signal Corps. Plotting it on a map sparked a passion that continued for years, taking me twice to sites in Europe and through hundreds of records and books. I am amazed at all he never told us—the Queen Mary troopship, his radar unit’s landing on Omaha Beach (D+26), the Normandy Breakout, Paris after liberation, fleeing Bastogne, and so on. I grew up on WWII films but never grasped till now what my dad may have seen.
Concentration and termination camps may have been one of the topics least talked about by those who saw them. This catalog of text and photos was created for the 2003 documentary exhibition at the Dachau Concentration Memorial Site, created by survivors of the camp and an International Committee. Dachau developed and tested the appalling procedures that became standard for the whole network of camps in Europe. I recommend the book for its concise history, chronologies, maps, biographical sketches of prisoners and officers, and hundreds of photos. They are invaluable as a case study of how the Holocaust was designed and implemented.
Catalogue for the exhibition "The Dachau Concentration Camp 1933-1945" to accompany the new design of the Dachau Concentration Camp Memorial Site. Illustrated with photographs. Includes CD.
