Here are 100 books that Weird Westerns fans have personally recommended if you like
Weird Westerns.
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I set out to write my novel, a magical realism western, despite knowing nothing about magical realism or Westerns. I had to quickly get myself versed in both, and I was somewhat surprised to discover that, even in the 21st century, the Westerns that are often held up as the best feature a lot of tired stereotypes about brave white men, lawless people of color (when they are mentioned at all), women without agency, and a wild land that requires taming. I believe that my novel upends some of these Western tropes, and I am happy to report that many other novels in recent years have done the same.
Orphaned young, Ming Tsu is the son of Chinese immigrants but was raised by a ruthless gang of outlaws during the California Gold Rush. When, as an adult, his wife is kidnapped, Ming Tsu goes on a quest for revenge that pits him against some of the same men from his youth. And this is happening at the same time a bitter fury rages across the nation at the Chinese men brought into the US during westward expansion.
Lin's book is gritty and propulsive, and Ming Tsu is an ass-kicker on par with any cowboy John Wayne ever played.
Orphaned young, Ming Tsu, the son of Chinese immigrants, is raised by the notorious leader of a California crime syndicate, who trains him to be his deadly enforcer. But when Ming falls in love with Ada, the daughter of a powerful railroad magnate, and the two elope, he seizes the opportunity to escape to a different life. Soon after, in a violent raid, the tycoon's henchmen kidnap Ada and conscript Ming into service for the Central Pacific Railroad. Battered, heartbroken, and yet defiant, Ming partners with a blind clairvoyant known only as the prophet. Together the two set out to…
I love a good story that crosses genres; seeing where they mesh together, playing with where they differ, and letting the various parts spark into a whole that’s greater still. Though my writing usually takes place in the “real” everyday world, I often introduce supernatural elements. Partly because, while I’m an atheist, I still believe there are more things in the universe and on earth than we yet know. And partly because these elements, whether real or imagined on the part of the character, can act as splendid metaphors – or help to understand a state of mind.
This short novel is heaps of fun! It’s another take on the Tombstone story, told from Doc Holliday’s point of view with great wry wit. This Doc is an engaging and unexpectedly kind character, with little or no hint of his reputed “mean disposition”. Weird elements include steampunk – with Thomas Edison living in Tombstone and bringing not only electric light but cyborg sex workers – as well as an undead Johnny Ringo, and supernatural justice wielded by the Native American shamans. It’s delightful!
Welcome to a West like you've never seen before, where electric lights shine down on the streets of Tombstone, while horseless stagecoaches carry passengers to and fro, and where death is no obstacle to The Thing That Was Once Johnny Ringo. Think you know the story of the O.K. Corral? Think again, as five-time Hugo winner Mike Resnick takes on his first steampunk western tale, and the West will never be the same.
I love a good story that crosses genres; seeing where they mesh together, playing with where they differ, and letting the various parts spark into a whole that’s greater still. Though my writing usually takes place in the “real” everyday world, I often introduce supernatural elements. Partly because, while I’m an atheist, I still believe there are more things in the universe and on earth than we yet know. And partly because these elements, whether real or imagined on the part of the character, can act as splendid metaphors – or help to understand a state of mind.
This anthology “blends western grit with the magical and mysterious unknown that waits beyond the next horizon” and includes both a great range of stories and some delightful illustrations. “Abishag Mary” by Frances Rowat brings sea-based imagery deep into the landlocked deserts. “Frank and Earnest” by Tonia Brown features some cracking dialogue, not to mention a villain who seems entirely out of place and mostly baffles the two heroes. Other stories venture beyond the Old West, including "Fifteen Seconds" by Scott Hungerford featuring an alien invasion of a different kind in a more recent West. An excellent collection!
The untamed frontier is a challenge, a test of character, a proving ground for the soul. It's a place where pioneers rewrite their future, or end their days…for better or worse. In the spirit of Bret Maverick, Cat Ballou, Kwai Chang Caine, and James West, The Weird Wild West blends western grit with the magical and mysterious unknown that waits beyond the next horizon.
With thrilling stories by Jonathan Maberry, Gail Z. Martin and Larry N. Martin, John G. Hartness, RS Belcher, Diana Pharaoh Francis, Misty Massey, James R. Tuck, Robert E. Waters, David Sherman, Tonia Brown, Liz Colter, Scott…
Being a lifelong fan of fantasy and horror, I've always embraced stories of creepy monsters and vainglorious gods, especially novels that mash-up genres, like Stephen King's Gunslinger, Neil Gaiman's American Gods, and Mary Doria Russell's The Sparrow. But my fascination always circles back to the supernatural, especially sorcerers who raise the dead. After writing my dark fantasy Shackled Verities series, I decided to venture into the Old West with a twist—monsters, magic, and mayhem, featuring, of course, a necromancer gnome. So let me present a spellbinding list of stories about these doers of the dark arts that span genres, from spine-chilling to lighthearted—because who says raising the dead has to be serious?
This rollicking set of whip-smart short stories through a supernatural Wild West is guaranteed to engage readers, with tales ranging from uncannily magical cards to steampunk bordellos to undead outlaws.
Delivering chaotic gunslinger fun from start to finish, Dead Man's Hand explores the intersecting worlds of the living and undead in many delightful and unforeseen ways. As a supernatural storyteller myself, I couldn't stop turning the pages to see what new fantastical creature or magical spell the authors would envision next.
It was my faithful companion through many late nights crafting my own novel, inspiring me with its spirited inventiveness of mysterious beings and magical mayhem.
HOW THE WEST WAS WEIRD! From a kill-or-be-killed gunfight with a vampire to an encounter in a steampunk bordello, the weird western is a dark, gritty tale where the protagonist might be playing poker with a sorcerous deck of cards, or facing an alien on the streets of a dusty frontier town. Here are twenty-three original tales - stories of the Old West infused with elements of the fantastic - produced specifically for this volume by many of today's finest writers. Included are Orson Scott Card's first "Alvin Maker" story in a decade, and an original adventure by Fred Van…
I am a son of the contemporary American West—born near the Pacific Coast, raised in Texas, and an inveterate traveler of its byways and odd corners. Through the duality of my upbringing, as the son of a well-traveled mother, a suburban sportswriter stepfather, and a father who worked in extractive industries, I’ve seen up close both harmony and dissonance. The work I’m drawn to, whether on the creation end or the consumptive end, goes deep into the lives that play out in these places.
Sometimes the compelling central character of a book is the author. So it is with this one, by the current poet laureate of Montana. Page after page, I was mesmerized by what La Tray could weave out of a single, seemingly simple thought that, it turned out, contained galaxies of complexity and nuance.
I think La Tray is a true original in Western letters, a man of deep conviction, conscience, humor, righteousness, and love. His talents are on full display here.
"La Tray is a perimeter man, seeing the reality in wildness yet dealing the best he can at
rec onciling truth in nature." - Barry Babcock author of Teachers in the Forest
This book is a collection of poems and essays from the writer's experiences of travelling through landscapes both wild and civilized. They speak with delicate simplicities ranging from the death of a favorite pickup truck, to the joy of hitting the trail with a four-legged companion. There are…
I have loved the history of the West since I was a child, as my family has lived here for over a century. I devoured historical fiction about pioneer girls in grammar school (including the works of Laura Ingalls Wilder), and as I got into college, I expanded my reading universe to include books about women’s roles in the West, and the meaning of this region in overall American history. This concept is what drew me to study the cultural influence of dude ranching, where women have always been able to shine -- and where I placed the protagonist of my first novel.
If you’re a fan of Deadwood or, going further back, the 1953 Doris Day movie, Calamity Jane, you will be fascinated by Jones’s book about the buckskin-wearing Martha Jane Canary, a.k.a. Calamity Jane. Details about her life are either sparse or exaggerated, so Jones tells us what the frontier legend has symbolized, both in her own time and in ours. Dressing like a man made her stand out and made her the object of both derision and decades of bad biographies. She still serves as a symbol of the way that women could defy expectations in the West, and Jones’s book gives us a Calamity Jane we can root for.
A fascinating new account of the life and legend of the Wild West's most notorious woman: Calamity Jane
"In this vivid and compelling biography, Karen Jones recovers the remarkable creativity of Martha Jane Canary, who helped to invent the mythic West by reinventing herself. As Calamity Jane, she told wild tales of adventure and blurred the lines between legend and history, male and female, and truth and possibility."-Alan Taylor, author of The Internal Enemy
Martha Jane Canary, popularly known as Calamity Jane, was the pistol-packing, rootin' tootin' "lady wildcat" of the American West. Brave and resourceful, she held her own…
I’m a retired English prof with a lifelong interest in history. My father fostered my fascination with Civil War battlefields, and growing up in Florida, I studied the Seminole wars in school and later at FSU. While teaching at the University of Idaho (nearly 50 years), I pursued my interest in the Indian wars of the mid-19th century and developed a curiosity about tribes in the inland Northwest, notably the Coeur d’Alene, Spokane, and Nez Perce. My critical biography of Blackfeet novelist James Welch occasioned reading and research on the Plains tribes. I recommend his nonfiction book,Killing Custer: The Battle of Little Bighorn and the Fate the Plains Indians.
As a boy, I encountered Kit Carson via the Landmark Books, and I could not resist rediscovering him in juxtaposition with his friend but non-kindred spirit, John C. Frémont, who nearly became president in 1856. Although Roberts mercifully spares us from exposing Frémont’s Civil War blunders, his account of the disastrous 1848-49 expedition renders the “Pathfinder” in his grandiosity a less sympathetic figure than the laconic scout. As Roberts notes in his epilogue concerning the feats of his two flawed subjects, “pure heroes or villains do not exist outside the pages of bad literature.” He likens the evolution of Carson as “thoughtless killer of Apaches and Blackfeet” to “defender and champion of the Utes” to a similar reversal in the case of General George Crook.
In A Newer World, David Roberts serves as a guide through John C. Frémont's and Kit Carson's adventures through unknown American territory to achieve manifest destiny.
Between 1842 and 1854 John C. Frémont, renowned as the nineteenth century's greatest explorer, and Kit Carson, the legendary scout and Indian fighter, boldly ventured into untamed territory to fulfill America's "manifest destiny." Drawing on little-known primary sources, as well as his own travels through the lands Frémont and Carson explored, David Roberts recreates their expeditions, second in significance only to those of Lewis and Clark. A Newer World is a harrowing narrative of…
My love for both the Weird and the Wild West started somewhere in the 90s. I watched many movies and adored playing Deadlands (TTRPG) with my friends. I picked this theme because most Western-themed books and movies were very male-orientated, yet I always found myself drawn to the heroines in these stories. While I loved characters like Billy the Kid and Wild Bill Hickok, I could better relate to Calamity Jayne or Belle Starr. During our Role Play game nights, I often played female gunslingers. That’s how I ended up creating Coyote, who inspired me to write her story in a series of novels.
“Margaret Parker and Hattie LaCour never intended to turn outlaw,” but sometimes life just hands you a rough deal. Especially if you are a woman in the Wild West. This novel is an interesting journey of strong women choosing to take fate into their own hands. They don’t want to end up on their backs to make money, and decide they rather take the money they feel the world owes them. Heresy is a classical Wild West tale with a bit of a female twist. A good read for any lover of this genre.
The Parker-LaCour Gang. The first and only all-female band of outlaws in the American West. Ignored during their time. Written out of history.
Margaret Parker and Hattie LaCour never intended to turn outlaw.
After being run off their ranch by a greedy cattleman, their family is left destitute. As women alone they have few choices: marriage, lying on their backs for money, or holding a gun. For Margaret and Hattie the choice is easy. With their small makeshift family, the gang pulls off a series of heists across the West.
Though the newspapers refuse to give the female gang credit,…
Long ago, in college in Colorado, I discovered Edward Abbey’s Desert Solitaire—the classic that grew from journals he kept while a ranger at Utah’s Arches National Park. I’d grown up in the West, visiting national parks and revering park rangers. Abbey gave me the model—live and write in these wild places. After graduating, I snagged jobs myself as a seasonal ranger/naturalist at Arches and Capitol Reef national parks. I was thrilled. Since then, I’ve spent decades exploring and photographing Western landscapes. After working on 25 books about natural history, Native peoples, and conservation, Capitol Reef still remains my “home park” and Utah Canyon Country my spiritual home.
Ellen Meloy just might be my favorite Utah writer. She’s smart and witty. She’s laugh-out-loud funny. She’s self-deprecatory and never preachy. She gets her natural history right. And her writing is gorgeous. She died far too young, at 58, in 2004, and I miss her. As she wanders outward across Bears Ears National Monument from her home in Bluff, Ellen’s musings apply equally to the slickrock spine of the Waterpocket Fold in Capitol Reef. So I was determined to include her in my own book. I chose an excerpt from The Anthropology of Turquoise—a terrific piece on sensual canyon country wildflowers, “slickrotica.” In her book, Ellen follows turquoise to the ends of the earth, but she always brings us back to her home territory in the canyons.
In this invigorating mix of natural history and adventure, artist-naturalist Ellen Meloy uses turquoise—the color and the gem—to probe deeper into our profound human attachment to landscape.
From the Sierra Nevada, the Mojave Desert, the Yucatan Peninsula, and the Bahamas to her home ground on the high plateaus and deep canyons of the Southwest, we journey with Meloy through vistas of both great beauty and great desecration. Her keen vision makes us look anew at ancestral mountains, turquoise seas, and even motel swimming pools. She introduces us to Navajo “velvet grandmothers” whose attire and aesthetics absorb the vivid palette of…
I’m a narrative nonfiction writer interested in a broad range of topics, including but not limited to: food and the people who bring it to us; travel and life in faraway places; human health and the role of medicine; memoir as one person’s story yet illustrative of the human spirit; and the unique and remarkable role dogs play in our lives. I am the same kind of reader: I read across a range of topics, mostly nonfiction. The bookshelves in my house and the record of titles I’ve checked out from my local library show an eclectic taste, as do the books I’m recommending here. I hope you’ll enjoy them!
I had never heard of Rinker Buck—nor of C-Span Book TV, for that matter—when one day, flipping through channels, I landed on him giving a talk about his then-new book, The Oregon Trail. I was smitten. As soon as his talk ended, I rushed to my local library to check out a copy.
Part travelogue, part memoir, part history lesson, The Oregon Trail had me mesmerized from the first page. “Exceptional” is not too strong a word to describe Buck’s skill as a writer and his extraordinary 2000-mile journey in a real covered wagon pulled by mules, tracing the pioneers’ arduous trek.
His insights, humor, and a personality that “doesn’t suffer fools gladly” provide a true understanding of the difficulty such a journey posed 150 years ago.
#1 NEW YORK TIMES BESTSELLER • #1 Indie Next Pick • Winner of the PEN New England Award
“Enchanting…A book filled with so much love…Long before Oregon, Rinker Buck has convinced us that the best way to see America is from the seat of a covered wagon.” —The Wall Street Journal
“Amazing…A real nonfiction thriller.” —Ian Frazier, The New York Review of Books
“Absorbing…Winning…The many layers in The Oregon Trail are linked by Mr. Buck’s voice, which is alert and unpretentious in a manner that put me in mind of Bill Bryson’s comic tone in A Walk in the Woods.”…
