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I love a good story that crosses genres; seeing where they mesh together, playing with where they differ, and letting the various parts spark into a whole that’s greater still. Though my writing usually takes place in the “real” everyday world, I often introduce supernatural elements. Partly because, while I’m an atheist, I still believe there are more things in the universe and on earth than we yet know. And partly because these elements, whether real or imagined on the part of the character, can act as splendid metaphors – or help to understand a state of mind.
A new Western novel that already feels classic in its ready use of all the key elements of the genre. Interestingly, the eponymous main character is Chinese, proving that our Western heroes and antiheroes are perfectly open to diversity. Intriguing fantasy elements are found in Ming’s Chinese guide, The Prophet, and in the circus performers with whom Ming travels across the harsh Western landscape. A wonderful read!
Orphaned young, Ming Tsu, the son of Chinese immigrants, is raised by the notorious leader of a California crime syndicate, who trains him to be his deadly enforcer. But when Ming falls in love with Ada, the daughter of a powerful railroad magnate, and the two elope, he seizes the opportunity to escape to a different life. Soon after, in a violent raid, the tycoon's henchmen kidnap Ada and conscript Ming into service for the Central Pacific Railroad. Battered, heartbroken, and yet defiant, Ming partners with a blind clairvoyant known only as the prophet. Together the two set out to…
I love a good story that crosses genres; seeing where they mesh together, playing with where they differ, and letting the various parts spark into a whole that’s greater still. Though my writing usually takes place in the “real” everyday world, I often introduce supernatural elements. Partly because, while I’m an atheist, I still believe there are more things in the universe and on earth than we yet know. And partly because these elements, whether real or imagined on the part of the character, can act as splendid metaphors – or help to understand a state of mind.
This anthology “blends western grit with the magical and mysterious unknown that waits beyond the next horizon” and includes both a great range of stories and some delightful illustrations. “Abishag Mary” by Frances Rowat brings sea-based imagery deep into the landlocked deserts. “Frank and Earnest” by Tonia Brown features some cracking dialogue, not to mention a villain who seems entirely out of place and mostly baffles the two heroes. Other stories venture beyond the Old West, including "Fifteen Seconds" by Scott Hungerford featuring an alien invasion of a different kind in a more recent West. An excellent collection!
The untamed frontier is a challenge, a test of character, a proving ground for the soul. It's a place where pioneers rewrite their future, or end their days…for better or worse. In the spirit of Bret Maverick, Cat Ballou, Kwai Chang Caine, and James West, The Weird Wild West blends western grit with the magical and mysterious unknown that waits beyond the next horizon.
With thrilling stories by Jonathan Maberry, Gail Z. Martin and Larry N. Martin, John G. Hartness, RS Belcher, Diana Pharaoh Francis, Misty Massey, James R. Tuck, Robert E. Waters, David Sherman, Tonia Brown, Liz Colter, Scott…
Being a lifelong fan of fantasy and horror, I've always embraced stories of creepy monsters and vainglorious gods, especially novels that mash-up genres, like Stephen King's Gunslinger, Neil Gaiman's American Gods, and Mary Doria Russell's The Sparrow. But my fascination always circles back to the supernatural, especially sorcerers who raise the dead. After writing my dark fantasy Shackled Verities series, I decided to venture into the Old West with a twist—monsters, magic, and mayhem, featuring, of course, a necromancer gnome. So let me present a spellbinding list of stories about these doers of the dark arts that span genres, from spine-chilling to lighthearted—because who says raising the dead has to be serious?
This rollicking set of whip-smart short stories through a supernatural Wild West is guaranteed to engage readers, with tales ranging from uncannily magical cards to steampunk bordellos to undead outlaws.
Delivering chaotic gunslinger fun from start to finish, Dead Man's Hand explores the intersecting worlds of the living and undead in many delightful and unforeseen ways. As a supernatural storyteller myself, I couldn't stop turning the pages to see what new fantastical creature or magical spell the authors would envision next.
It was my faithful companion through many late nights crafting my own novel, inspiring me with its spirited inventiveness of mysterious beings and magical mayhem.
HOW THE WEST WAS WEIRD! From a kill-or-be-killed gunfight with a vampire to an encounter in a steampunk bordello, the weird western is a dark, gritty tale where the protagonist might be playing poker with a sorcerous deck of cards, or facing an alien on the streets of a dusty frontier town. Here are twenty-three original tales - stories of the Old West infused with elements of the fantastic - produced specifically for this volume by many of today's finest writers. Included are Orson Scott Card's first "Alvin Maker" story in a decade, and an original adventure by Fred Van…
I love a good story that crosses genres; seeing where they mesh together, playing with where they differ, and letting the various parts spark into a whole that’s greater still. Though my writing usually takes place in the “real” everyday world, I often introduce supernatural elements. Partly because, while I’m an atheist, I still believe there are more things in the universe and on earth than we yet know. And partly because these elements, whether real or imagined on the part of the character, can act as splendid metaphors – or help to understand a state of mind.
These fourteen essays explore the hybrid “weird west” genre, examining a range of texts including some by Native American authors, as well as TV series, films, fiction, roleplaying games, and comic books. It makes for an interesting read – and is thought-provoking in its conclusion that despite weird westerns challenging and destabilizing many of the old cliches, they have yet to “imagine an existence outside of colonial frameworks”. This has given me much food for thought, as it seems to me that frontiers (wherever found) are an intrinsic part of the western genre, and frontiers tend to imply conflict between the inhabitants and the invaders, between the new and the established. Maybe I’m wrong! In any case, this proves that we still have a long way to go before we’re done exploring all the possibilities of this intriguing genre!
2021 Top Ten Finalist for the Locus Awards in Nonfiction
Weird Westerns is an exploration of the hybrid western genre-an increasingly popular and visible form that mixes western themes, iconography, settings, and conventions with elements drawn from other genres, such as science fiction, horror, and fantasy. Despite frequent declarations of the western's death, the genre is now defined in part by its zombie-like ability to survive in American popular culture in weird, reanimated, and reassembled forms.
The essays in Weird Westerns analyze a wide range of texts, including those by Native American authors Stephen Graham Jones (Blackfeet) and William Sanders…
I am a teacher of primitive survival skills. As a young boy, I was fascinated with the concept of courage. At seven, I read the pseudo-biography of Wyatt Earp, a wonderfully written account of a courageous man. This book began my lifelong interest in Mr. Earp. Eventually, I met many of the giants in Western history research and accompanied them into the field. After 65 years of collecting the facts, I wanted to use my novelistic skills to portray the life and times of Wyatt Earp as best as the record shows.
Within these pages lie the latest gems of research that expands our knowledge of Wyatt Earp’s life events and character. Each of these contributions by a variety of authors is considered a revelation in the field of Earpiana. Readers cannot know the whole story of Earp without these long-lost chapters of Western history.
Wyatt Earp is one of the most legendary figures of the nineteenth-century American West, notable for his role in the gunfight at the O.K. Corral in Tombstone, Arizona. He was a product of his time, often walking both sides of the street, sometimes on the side of law and order and sometimes as the law-breaker. Some see him as the "Lion of Tombstone," a hero lawman of the Wild West, whereas others see him as yet another outlaw, a pimp, and failed lawman.
Roy B. Young, Gary L. Roberts, and Casey Tefertiller, all notable experts on Earp and the Wild…
I am a teacher of primitive survival skills. As a young boy, I was fascinated with the concept of courage. At seven, I read the pseudo-biography of Wyatt Earp, a wonderfully written account of a courageous man. This book began my lifelong interest in Mr. Earp. Eventually, I met many of the giants in Western history research and accompanied them into the field. After 65 years of collecting the facts, I wanted to use my novelistic skills to portray the life and times of Wyatt Earp as best as the record shows.
Boessenecker has achieved a fine reputation for honesty and thoroughness in his research, plus he has learned how to structure his books to carry a reader forward as a novel does. His book puts into scope how major an event it was for Wyatt Earp to go up against the organized crime gang (known as the “cow-boys”) that had corrupted Southern Arizona. Many of these outlaws had drifted west from New Mexico after taking part in the bloodbath called the Lincoln County War. Ride the Devil’s Herd is more than a history book. It’s a great ride in itself.
Winner of the Best Book Award by the Wild West History Association
A ripsnortin' ramble across the bloodstained Arizona desert with Wyatt Earp and company… A pleasure for thoughtful fans of Old West history, revisionist without being iconoclastic. —Kirkus Reviews
Wyatt Earp is regarded as the most famous lawman of the Old West, best known for his role in the Gunfight at the O.K. Corral in Tombstone, Arizona. But the story of his two-year war with a band of outlaws known as the Cowboys has never been told in full.
Drawing on groundbreaking research into territorial and federal government records,…
Growing up in West Texas, westerns were just as good as bedtime stories to me. I grew up with all the greats… and the not as greats. The quality didn’t always matter because the spirit was the same. Freedom, opportunity, and possible lawlessness. Survival of the quickest draw. An untamed place where anything could happen. Someone once said that the western genre was America’s genre. It was invented here and our frontier spirit inspired the world. When I decided to write Hour Glass, I channeled the independent spirit of those westerns I grew up with. I wrote the first draft in sixteen days out of pure passion for the subject matter.
This book is probably the closest title to my own. Doc is centered around everyone’s favorite dandy gunslinger, Doc Holliday. It is a truly entertaining and informative tale of the real Doc’s life before his legendary stand at the O.K. Corral in Tombstone. While Wyatt and Morgan Earp play important roles in the story, Doc Holliday is definitely your Huckleberry.
If you love it like I do, the author wrote a continuation called Epitaph: An O.K. Corral Story. You won’t be sorry.
The year is 1878, peak of the Texas cattle trade. The place is Dodge City, Kansas, a saloon-filled cow town jammed with liquored-up adolescent cowboys and young Irish hookers. Violence is random and routine, but when the burned body of a mixed-blood boy named Johnnie Sanders is discovered, his death shocks a part-time policeman named Wyatt Earp. And it is a matter of strangely personal importance to Doc Holliday, the frail twenty-six-year-old dentist who has just opened an office at No. 24, Dodge House. Beautifully educated, born to the life of a Southern gentleman, Dr. John Henry Holliday is given…
I am a teacher of primitive survival skills. As a young boy, I was fascinated with the concept of courage. At seven, I read the pseudo-biography of Wyatt Earp, a wonderfully written account of a courageous man. This book began my lifelong interest in Mr. Earp. Eventually, I met many of the giants in Western history research and accompanied them into the field. After 65 years of collecting the facts, I wanted to use my novelistic skills to portray the life and times of Wyatt Earp as best as the record shows.
The public was introduced to Wyatt Earp’s story by Walter Noble Burns and Stuart Lake around 1930, but the novelistic liberties taken by these two writers produced two books of fantasy. Other writers who reacted to this fiction swung to the other end of the spectrum and wrote damning indictments against Wyatt Earp. Tefertiller gives us the facts and leaves it to the reader to parse Wyatt Earp, the man.
I have visited many a Sonoran Desert site with Mr. Tefertiller—places where events in the Earp saga took place. There we have engaged in conversations and batted around ideas. I judge him to be a most reliable and dedicated researcher/writer.
"Quite impressive. I doubt if there has been or will be a more deeply researched and convincing account." --Evan Connell, author Son of the Morning Star: Custer and the Little Bighorn "The book to end all Earp books--the most complete, and most meticulously researched." --Jack Burrows, author John Ringo: The Gunfighter Who Never Was "The most thoughtful, well-researched, and comprehensive account that has been written about the development and career of an Old-West lawman." --The Tombstone Tumbleweed "A great adventure story, and solid history." --Kirkus Reviews "A major contribution to the history of the American West. It provides the first…
I am a teacher of primitive survival skills. As a young boy, I was fascinated with the concept of courage. At seven, I read the pseudo-biography of Wyatt Earp, a wonderfully written account of a courageous man. This book began my lifelong interest in Mr. Earp. Eventually, I met many of the giants in Western history research and accompanied them into the field. After 65 years of collecting the facts, I wanted to use my novelistic skills to portray the life and times of Wyatt Earp as best as the record shows.
I know Gary Roberts personally, and I have always considered him to be “the voice of reason” in debates concerning Western American history. He is, in my opinion, one of the top three most authoritative researchers in the field of Wyatt Earp. Others who know him treat his conclusions as the final word on a topic. His scholarly work is beautifully written for all levels of readers, from beginner to aficionado to expert. His book on Doc Holliday can be thought of as the companion reader to Mr. Tefertiller’s book.
"You can't beat this story for drama...An omnibus of everything ever known, spoken, or written about Doc Holliday." -Publishers Weekly "An engagingly written, persuasively argued, solidly documented work of scholarship that will surely take its place in the literature of the Old West." -Booklist In Doc Holliday: The Life and Legend, the historian Gary Roberts takes aim at the most complex, perplexing, and paradoxical gunfighter of the Old West, drawing on more than twenty years of research-including new primary sources-in his quest to separate the life from the legend. Doc Holliday was a study in contrasts: the legendary gunslinger who…
There is nothing I detest more than what I have dubbed the “John Wayne Mythos” – the idea the West was populated with righteous gunslingers going about “taming” the West by killing anyone who was not abiding by or submitting to white, Anglo-Saxon, Protestant standards and morality. The West, of which Arizona was an integral part, was much more complex than this, and the heroes of legend were oft-times the real-life villains. I consider myself to be a historian of the “New Western History” school, which recast the study of American frontier history by focusing on race, class, gender, and environment in the trans-Mississippi West.
The true story of the misdemeanor arrest in Tombstone gone terribly wrong that has resounded for almost a century and a half. There are literally dozens of books on this subject, but this is by far the best. Ms. Marks accurately, and without hyperbole, researched the motivations of the men involved in the Earp-Cowboy feud and precisely documents the conflicts which arose between them. As one reads her book, one realizes that the Earp mythos which has been and continues to be touted by other authors and the film industry is erroneous. There were really no good guys or bad guys, just regular men whose political and social ambitions led to bloodshed.
The gunfight at the OK Corral has excited the imaginations of Western enthusiasts ever since that chilly October afternoon in 1881 when Doc Holliday and the three fighting Earps strode along a Tombstone, Arizona, street to confront the Clanton and McLaury brothers. When they met, Billy Clanton and the two McLaurys were shot to death; the popular image of the Wild West was reinforced; and fuel was provided for countless arguments over the characters, motives and actions of those involved. "And Die in the West" presents an objective narrative of the celebrated gunfight, of the tensions leading up to it,…
