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Trees of Georgia and Adjacent States.
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As a child I was drawn to the forest by its aesthetics. I felt as if I were wandering through a masterpiece painting. As I grew older, I wanted to know more about the many working parts of nature. I quickly learned this: If I wanted to know nature intimately, I needed to know what the Native Americans knew. After years of study and honing skills, I undertook seasonal, self-imposed “survival trips” in remote areas of the National Forest. As an adult I served as a naturalist for the Georgia Conservancy, wilderness director for High Meadows Camp, and as director of my own wilderness school – Medicine Bow – in the Appalachian Mountains.
The McPhersons cover a lot of ground: tool making, hide tanning, fire making, cooking, traps, containers, shelters, all of it geared mostly toward the Great Plains since they live in Kansas. I found the accompanying photographs to be a big plus, making the skills easier to replicate for the reader. The voice of the authors is personable and believable.
As a child I was drawn to the forest by its aesthetics. I felt as if I were wandering through a masterpiece painting. As I grew older, I wanted to know more about the many working parts of nature. I quickly learned this: If I wanted to know nature intimately, I needed to know what the Native Americans knew. After years of study and honing skills, I undertook seasonal, self-imposed “survival trips” in remote areas of the National Forest. As an adult I served as a naturalist for the Georgia Conservancy, wilderness director for High Meadows Camp, and as director of my own wilderness school – Medicine Bow – in the Appalachian Mountains.
For a basic understanding of how the plant world functions and fits into the web of life, this book will give the reader a good foundation for entering into the vast domain of botany. The study of plants should be the first undertaking of the survival student. Why? Because plants provide most of your resource materials, and – unlike animals – they are accessible all the time. Meaning, they don’t run away.
As a child I was drawn to the forest by its aesthetics. I felt as if I were wandering through a masterpiece painting. As I grew older, I wanted to know more about the many working parts of nature. I quickly learned this: If I wanted to know nature intimately, I needed to know what the Native Americans knew. After years of study and honing skills, I undertook seasonal, self-imposed “survival trips” in remote areas of the National Forest. As an adult I served as a naturalist for the Georgia Conservancy, wilderness director for High Meadows Camp, and as director of my own wilderness school – Medicine Bow – in the Appalachian Mountains.
The most critical stage of using plants is identification. An error in naming a plant could result in tragedy. Nature manufactures many chemicals harmful to humans. A plant practitioner must never guess. An ID must be positive. For that purpose, any woodsman/woman needs a reliable field guide with a user key that allows the reader to determine the name of a plant before any part of it is harvested. Mr. Newcomb has developed a user-friendly key for the layperson. It is much more efficient than most field guides without overwhelming the reader with intricate botanical vocabulary.
Lawrence Newcomb's system of identification on wild flowers is based on natural structural features that are easily visible to the untrained eye and enables amateurs and experts to identify almost any wildflower quickly and accurately.
As a child I was drawn to the forest by its aesthetics. I felt as if I were wandering through a masterpiece painting. As I grew older, I wanted to know more about the many working parts of nature. I quickly learned this: If I wanted to know nature intimately, I needed to know what the Native Americans knew. After years of study and honing skills, I undertook seasonal, self-imposed “survival trips” in remote areas of the National Forest. As an adult I served as a naturalist for the Georgia Conservancy, wilderness director for High Meadows Camp, and as director of my own wilderness school – Medicine Bow – in the Appalachian Mountains.
Putting a wild plant into one’s mouth must be preceded by positive identification. This book’s text and photos offer guidance and recipes. It doesn’t try to cover a huge number of plant species, but the plants that are included are covered in more detail than in most plant books. The introduction alone, in my opinion, is worth the price of this book.
Already a huge success in previous editions, this must-have field guide now features a fresh new cover, as well as nearly 400 color photos and detailed information on more than 200 species of edible plants all across North America. With all the plants conveniently organized by season, enthusiasts will find it very simple to locate and identify their desired ingredients. Each entry includes images, plus facts on the plants habitat, physical properties, harvesting, preparation, and poisonous look-alikes. The introduction contains tempting recipes and theres a quick-reference seasonal key for each plant.
Season-by-season guide to identification, harvest, and preparation of more…
As a gardening instructor and designer, I've been recommending these five books for years. They were the core texts of the Fundamentals of Gardening course I've been teaching at the New York Botanical Garden for over a decade. Since the publication of The New Gardener’s Handbook, which covers all these topics in a more abbreviated way, I still recommend these five books to my students if they want to dig deeper. These books are what I call “keeper texts.” I own fewer and fewer actual gardening books these days, but it's a fact that a copy of each of these excellent resources resides on my office bookshelf where I refer to them frequently.
This book perfectly demystifies the art of pruning trees and shrubs for even the most apprehensive gardener. Turnbull’s conversational style and matter-of-fact presentation of all you need to know to do it right and not wreck your plants, has been a fan favorite for years. I recommend it to my gardening students that may find the Brown/Kirkham pruning book a bit on the dry side. Cass makes pruning sound fun, and important, blending her horticultural knowledge and skill with a keen political sensibility that stresses the ethics of doing things the right way for the health and well-being of your plants.
This 3rd Edition of Cass Turnbull's Guide to Pruning covers more than twenty additional plants in three new chapters. The result is the new definitive guide for the home gardener with friendly, expert advice from Cass Turnbull, founder of Seattle's PlantAmnesty, whose mission is "to end the senseless torture and mutilation of trees and shrubs caused by mal-pruning." Nothing about pruning is obvious. In fact, most of it is downright counterintuitive. People try to prune plants like they cut lumber or hair. But that doesn't work to get what they want. Your plants are actually telling you how they want…
In the past ten years, I have had to guide my young children through two unexpected and tragic deaths of loved ones. Both times, I was struggling with my own grief and wasn’t sure what my kids understood or didn’t. I made a lot of mistakes (as my son’s therapist can attest) but through it all, I learned a great deal about how much children notice, how deeply they feel a loss, and how to tend to our own grief and our children’s. From that pain, I wrote You’ll Find Me, and since then, have been able to use that book as a jumping-off point to discuss grief with others.
I did not buy this book because I thought it was a grief book. I got it to do a tree unit for my kids’ preschool. But a year after my father-in-law (also named Steve) died unexpectedly, I couldn’t finish reading this book aloud without crying.
While not a traditional grief book, this is the story of a tree that has become inextricably intertwined with a family’s daily life, until one day a storm blows it over and the children come home to Steve in a new form, as a treehouse. A great way to discuss how we can find our lost loved ones in new ways.
Dear Kids, A long time ago, when you were little, Mom and I took you to where we wanted to build a house. . . . I remember there was one tree, however, that the three of you couldn’t stop staring at. . . .
After the family spares him from the builders, Steve the tree quickly works his way into their lives. He holds their underwear when the dryer breaks down, he’s there when Adam and Lindsay get their first crushes, and he’s the centerpiece at their outdoor family parties. With a surprising lack of anthropomorphizing, this is a…
I am now considered by many as the expert on creating allergy-free and allergy-friendly gardens and landscapes. I have lectured on the subject all across the US and Canada, and also in Israel, Ireland, the United Kingdom, New Zealand, and Australia. For 30+ years now I’ve been researching the connections between urban landscaping and allergies and asthma. My articles have appeared in dozens of fine publications, including The New York Times, The London Times, The Guardian, The Los Angeles Times, Atlas Obscura, Scientific American, Der Spiegel, and The New Scientist. I have owned two nurseries and taught horticulture for twenty years.
I own hundreds of books on plants and trees. The two finest books written on American trees were both written by Donald Culross Peattie. His book on Western trees is amazing. When he looks at and writes about a particular tree, he mentions everything about it. What it looks like, where it grows, how big it gets, what it is used for, what animals, birds, insects use this tree. He also mentions in detail how it flowers, sets seeds, grows….he misses next to nothing. Totally recommended!
A lovely reprint of Peattie's 1950 classic with the fine wood engravings and a new (4 page) introduction by Robert Finch. This editio printed on alkaline paper. Annotation copyright Book News, Inc. Portland, Or.
I am now considered by many as the expert on creating allergy-free and allergy-friendly gardens and landscapes. I have lectured on the subject all across the US and Canada, and also in Israel, Ireland, the United Kingdom, New Zealand, and Australia. For 30+ years now I’ve been researching the connections between urban landscaping and allergies and asthma. My articles have appeared in dozens of fine publications, including The New York Times, The London Times, The Guardian, The Los Angeles Times, Atlas Obscura, Scientific American, Der Spiegel, and The New Scientist. I have owned two nurseries and taught horticulture for twenty years.
A Natural History of Trees of Eastern and Central North America by author and naturalist Donald Culross Peattie is probably the very best book on trees that I have ever read. I used this book (and also his book on Western trees) as a marvelous resource when I was working on my books.
I learned many a new thing from this book, things I could not find in books written by botanists or horticulturists. This in large part is because Peattie was first and foremost, a naturalist. He tells the reader things that others didn’t bother to mention (for example, that with Honeylocust trees, each branch is of only one sex). The author also has a wonderful way of writing that makes the text come alive…always interesting. As a naturalist, Peattie looks at the whole picture; one of the few writers about trees who was also a dedicated ecologist. A…
Although I grew up in New York City, from a young age I was drawn to the natural world, particularly through gardening and camping trips. Eventually I studied biology in college and earned a Master’s researching stream ecology. I also always imagined myself a writer. For years my writing was solely in letters and journals, but during my Master’s I started a novel featuring an immature mayfly in the stream (it was somewhat autobiographical). Ecology is all about the connection of organisms to their environment and to one another, and I think this perspective of connectedness has embedded itself deeply in my writing and my life.
I particularly love books that combine the trifecta of engaging story; interesting, complex characters; and good writing with real substance (as in, I stop to think about the content). Greenwood has all of these.
The writing is particularly lyrical—I could fill this space with beautiful quotes. The author takes the reader through four generations of a family, with each generation intimately connected to trees in different ways—from lumbermen to environmental activist to woodcraftsman to botanist.
And as the author “takes a core” through a family tree, the story captures both the characters’ relationships to one another as well as to the world in which they live. I cannot recommend this book enough!
'The truth is that all family lines, from the highest to the lowest, originate somewhere, on some particular day. Even the grandest trees must've once been seeds spun helpless on the wind, and then just meek saplings nosing up from the soil.'
2038. On a remote island off the Pacific coast of British Columbia stands the Greenwood Arboreal Cathedral, one of the world's last forests. Wealthy tourists flock from all corners of the dust-choked globe to see the spectacle and remember what once was. But even as they breathe in the fresh air and pose for photographs amidst the greenery,…
I was born and grew up in India. As a child, I once planted a mango seed and watched it sprout and grow into a sapling. We moved away after that but I always wondered what might have become of that little tree. I remembered that long-ago experience when I was writing my picture book, Out of the Way! Out of the Way! in which a boy, a tree, and a road all grow together. The tree is central to that book, so I picked five picture book titles that also center trees.
Trees and us. We’re bound together from breath to shelter and beyond, bound together in every way. That’s the truth of this poem in words and pictures from author-illustrator Corinna Luyken.
The words are as delicate as the rustle of leaves but they’re also completely centered on the child reader. Even the punctuation is placed with care, adding pause and breath, mediating the transition from shade to light, as if the words and their accessories were meant to float off the page as the text is read out loud.
Through poetic text and exquisite illustrations of children reveling in nature, this picture book explores the various ways we as human beings are strong, creative, and connected to others. Each of us is like a tree, with roots and fruit, and an enduring link to everything else in nature. "The tree in me is strong. It bends in the wind, and has roots that go deep... to where other roots reach up toward their own trunk-branch-crown and sky."
As Corinna Luyken did in her award-winning My Heart, she again provides an invigorating conversation-starter that contains a world of truths -…
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