Fans pick 59 books like To Catch A Thief

I have a special fondness for 11 Harrowhouse, the 1973 thriller that spins the tale of a huge theft of rough diamonds from The System, a fictional London diamond powerhouse modeled on the real-life De Beers. When I started writing about diamonds, De Beers was still the Darth Vader of diamonds—all-powerful, feared, despotic. More than eighty percent of the world’s rough diamonds poured through its London headquarters at 17 Charterhouse Street. In the novel, thieves thread a hose from the roof into the diamond vault, and hoover up the loot. In reality, a different method was used to steal diamonds from De Beers’s London fortress, which I described in my non-fiction book, then re-tailored for my own purposes in The Russian Pink. 

Part of the value of diamonds comes from how avidly people steal them. The cat-burglar on the French Riviera. The miner swallowing a stone and trying to make it past the x-ray at the gate. Or the conquerors, snatching jewels from one turban after another as they ride through history. That last is the story of the Koh-i-Noor (Mountain of Light), told with his usual panache by William Dalrymple, the celebrated historian of Mughal India, in this non-fiction account. It falls to Dalrymple’s co-author, journalist Anita Anand, to track the jewel though it's last, decidedly inglorious change of ownership—stolen by the British from the Maharaja Duleep Singh, when imperial forces prevailed upon him not only to sign away the Punjab, but also to make a “gift” of his family’s famous diamond to Queen Victoria. Sure, the Maharaja did in fact sign the document. But he was 10 years old.

Ok, it’s an old thriller set in the pre-Internet, pre-mobile phone, pre-EU world of the 1960s. It’s a piece of twentieth-century clockwork, but it delivers suspense! The amoral protagonist can’t summon help by phone or Google his adversaries to gain an advantage. He must work to gain leniency from the Turkish authorities by acting as a double agent, delivering weapons to a gang of potential terrorists so that he might spy on them. The writing has a sharp precision and crisp wit.

Marian Fowler’s lavish non-fiction account tracks the storied diamond from its origins in India, where it was bought by the great French jewel merchant Jean-Baptiste Tavernier, who sold it to Louis XIV. Weighing 110 carats in the rough, the blue was eventually cut into a heart-shaped jewel of 67.13 carats, known to history as the French Blue. In the turbulent early days of the French Revolution, all the crown jewels were moved from the Palace of Versailles to the Garde-Meuble, a treasure house in central Paris. On the night of September 11, 1792, thieves broke in and stole the jewels. Many were recovered, but the French Blue vanished forever. Too famous to be sold as it was, the London jeweler who eventually bought it, cut it down to 44.5 carats—the jewel sold to Henry Philip Hope in 1830. The Hope diamond passed through many hands, leaving behind a trail of… show more.

Andrew Hook is a European slipstream author proficient in the literary weird. He certainly does not disappoint in his new collection of Hollywood’s living dead. Candescent Blooms rouses legends of the silver screen right there in your living room, and they are broken, unbroken, full of many secrets. And you know, you know—because history says so—that the actors and actresses are dead, yet living, right there on your page. Imbued with levity wrapped in anguish. Thimble-sized, you will not find a literary collection this superb in a long time.   

Like many Irish women, my mother and grandmother were obsessed with movie star Grace Kelly (who became Princess Grace of Monaco in 1956) and passed on that fascination to me.

I have long thought that important public women of Irish America such as Jackie Kennedy and Grace have not been given due consideration in surveys of Irish America, which tend to emphasize public men. Therefore, I love the biography, High Society: The Life of Grace Kelly, because it takes its glamorous subject seriously.

Spoto’s book goes beyond biographers’ usual emphasis on the glitter of Grace’s rise to princess to provide an intimate, respectful, and sympathetic portrait of the woman, the actor, the mother, the wife, and the very able representative of a small principality on the world stage.

Many assume that the Philadelphia-born Kelly was elite, but Spoto lays out that she was the granddaughter of a poor Mayo man… show more.

Sweet Lina McLaidlaw loves charming Johnny Aysgarth, but Johnny Aysgarth marries her for her money and doesn’t change his gambling, seducing ways one bit once he’s done so. 

What makes the book so riveting is that Lina learns exactly what Johnny is like, yet she can’t bring herself to stop loving him. At one point she does leave him, but she voluntarily goes back. 

Lina knows Johnny will eventually kill her so he can have it all and, knowing this, she puts herself in the cruel position of waiting for that to happen. 

This book was made into a so-so Hitchcock film featuring Cary Grant and a memorable glass of milk, but the book is a riveting, breath-stealing masterpiece.

Recently, during a visit to Filmstaden studios near Stockholm (yes, where Ingrid and Ingmar Bergman worked) I was given a copy of this book. It is, without a doubt, the definitive biography of Hitchcock, with a thrilling opening on his life in Britain and formative years. 

These stories were picked out by the master of suspense, himself, Alfred Hitchcock. These stories are both horrific and suspenseful. With tales involving a flesh-eating troll, something creepy lurking about in the woods that kills anything that comes into its path, and an uninvited odd boy that comes to a party with evil intentions, one will not be able to put this book down. It might even make you want to leave the lights on during the night.

If one wants to learn about Hitchcock’s complex relation with women, one can turn to Donald Spoto’s The Dark Side of Genius or Laurence Leamer’s recent Hitchcock’s Blondes, but if one wants to contemplate the aesthetic question, how are women portrayed in Hitchcock, Modleski is far more rewarding.

I learned much from her weighing of Hitchcock’s ambivalence toward women. The book offers a strong feminist account of seven films, and I have consistently recommended it to my students as one of the best books on Hitchcock.