Here are 100 books that The Wolf at the Door fans have personally recommended if you like
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I was old (or young) enough to have only seen two Kubrick films in the cinema: Full Metal Jacket and Eyes Wide Shut. I began teaching film studies and Hollywood in 1998, and I have been teaching and researching Kubrick intensively since 2007, visiting his archive in London on numerous occasions. At one point, I held the record for the researcher who had spent the most hours in the Archive. I also met Christiane and Jan and spoke to many others who knew and worked with Kubrick. Having been familiar with Robert Kolker’s work, it became clear that collaborating with an international authority on film was a necessity as well as a pleasure.
Peter Biskind chronicles the rise of New Hollywood in the 1970s, featuring such "movie brat" directors as Martin Scorsese, Francis Ford Coppola, and Steven Spielberg. But he also refers to such older directors as Stanley Kubrick.
It’s written in a chatty and easy-to-read style and is full of useful tidbits of information about Kubrick and especially his new backers at Warner Brothers.
When the low-budget biker movie Easy Rider shocked Hollywood with its success in 1969, a new Hollywood era was born. This was an age when talented young filmmakers such as Scorsese, Coppola, and Spielberg, along with a new breed of actors, including De Niro, Pacino, and Nicholson, became the powerful figures who would make such modern classics as The Godfather, Chinatown, Taxi Driver, and Jaws. Easy Riders, Raging Bulls follows the wild ride that was Hollywood in the '70s -- an unabashed celebration of sex, drugs, and rock 'n' roll (both onscreen and off) and a climate where innovation and…
I was old (or young) enough to have only seen two Kubrick films in the cinema: Full Metal Jacket and Eyes Wide Shut. I began teaching film studies and Hollywood in 1998, and I have been teaching and researching Kubrick intensively since 2007, visiting his archive in London on numerous occasions. At one point, I held the record for the researcher who had spent the most hours in the Archive. I also met Christiane and Jan and spoke to many others who knew and worked with Kubrick. Having been familiar with Robert Kolker’s work, it became clear that collaborating with an international authority on film was a necessity as well as a pleasure.
This novel follows a famous Hollywood director called Boris Adrian but known as "King B" who is shooting a big-budget arthouse porn film.
The auteur was allegedly based on Kubrick, with whom Southern collaborated on Dr. Strangelove, and the book is dedicated to "the great Stanley K" whom Southern alleges wanted to make such a film. As Southern also had screenwriting credits for Easy Rider and Casino Royale, it offers a first-hand account, albeit fictionalized, of someone who worked with the director but also with others in Hollywood.
“Terry Southern writes a mean, coolly deliberate, and murderous prose.” ―Norman Mailer
King B., an Oscar-winning director, is now determined to shoot the dirtiest and most expensive X-rated movie ever made. Displaced to Liechtenstein (which, in order to boost tourism, has negotiated the exclusive rights to show the film for ten years) and fueled by suspiciously rejuvenating vitamin B-12 injections, the set of The Faces of Love is fraught with monstrous egos and enormous libidos ― the kind of situation that could only come from the imagination of the irrepressible Terry Southern.
I was old (or young) enough to have only seen two Kubrick films in the cinema: Full Metal Jacket and Eyes Wide Shut. I began teaching film studies and Hollywood in 1998, and I have been teaching and researching Kubrick intensively since 2007, visiting his archive in London on numerous occasions. At one point, I held the record for the researcher who had spent the most hours in the Archive. I also met Christiane and Jan and spoke to many others who knew and worked with Kubrick. Having been familiar with Robert Kolker’s work, it became clear that collaborating with an international authority on film was a necessity as well as a pleasure.
This is one of the few novels I’ve read twice for pleasure (rather than work). It’s a noirish novel that delves into the esoteric along the lines of Umberto Eco’s Foucault’s Pendulum (which Kubrick allegedly considered adapting at one point but which I was unable to read twice!).
The book follows a film scholar who uncovers an incredible conspiracy around a fictional B-movie director called Max Castle, and the imperceptible images he placed in the gap between each of the twenty-four frames played every second in a movie: the so-called flicker of the title. Its author, Roszak, is better known for having coined the term "the counter-culture."
From the golden age of art movies and underground cinema to X-rated porn, splatter films, and midnight movies, this breathtaking thriller is a tour de force of cinematic fact and fantasy, full of metaphysical mysteries that will haunt the dreams of every moviegoer. Jonathan Gates could not have anticipated that his student studies would lead him to uncover the secret history of the movies—a tale of intrigue, deception, and death that stretches back to the 14th century. But he succumbs to what will be a lifelong obsession with the mysterious Max Castle, a nearly forgotten genius of the silent screen…
I was old (or young) enough to have only seen two Kubrick films in the cinema: Full Metal Jacket and Eyes Wide Shut. I began teaching film studies and Hollywood in 1998, and I have been teaching and researching Kubrick intensively since 2007, visiting his archive in London on numerous occasions. At one point, I held the record for the researcher who had spent the most hours in the Archive. I also met Christiane and Jan and spoke to many others who knew and worked with Kubrick. Having been familiar with Robert Kolker’s work, it became clear that collaborating with an international authority on film was a necessity as well as a pleasure.
This is probably the most comprehensive biography of Steven Spielberg ever written.
It is detailed, in-depth, and readable, based on a variety of sources. I found it very useful for our biography of Kubrick not only as a model but also as a source of information, given that the two directors were friends.
It is so good that it is rumored that it influenced the director to make his semi-autobiographical film The Fabelmans in 2022.
Until the first edition of Steven Spielberg: A Biography was published in 1997, much about Spielberg's personality and the forces that shaped it had remained enigmatic, in large part because of his tendency to obscure and mythologize his own past. But in this first full-scale, in-depth biography of Spielberg, Joseph McBride reveals hidden dimensions of the filmmaker's personality and shows how deeply personal even his most commercial work has been.This new edition adds four chapters to Spielberg's life story, chronicling his extraordinarily active and creative period from 1997 to the present, a period in which he has balanced his executive…
I’m a professional history nerd who is perennially interested in both sides of the history coin: What happened? How do we know? I’ve got a PhD in sixteenth-century European history, have written articles that cover things from antiquity to Vikings in America, and have written several history books about Australia and its region. I like history that is robust, so I’m always looking for books that make clever use of sources. And I love stories that disrupt preconceptions, so I enjoy researching and writing and reading histories that make you think.
Brilliantly executed, this stunning book provides a composite firsthand view of history’s darkest turn. Using a suite of interesting travellers in Hitler’s Germany this book perfectly captures the looming ominousness and increasing brutality of this infamous time and place. It also reveals a very human capacity to be misled, prejudiced, or uninterested. This is a book that will open your eyes to the past and make you think hard about the present.
This fascinating and shocking history of the rise of the Nazis draws together a multitude of expatriate voices - even Charles Lindbergh and Samuel Beckett - into a powerful narrative charting this extraordinary phenomenon.
Travelers in the Third Reich is an extraordinary history of the rise of the Nazis based on fascinating first-hand accounts, drawing together a multitude of voices and stories, including politicians, musicians, diplomats, schoolchildren, communists, scholars, athletes, poets, fascists, artists, tourists, and even celebrities like Charles Lindbergh and Samuel Beckett. Their experiences create a remarkable three-dimensional picture of Germany under Hitler—one so palpable that the reader will…
I’m a German History professor who focuses on the Holocaust, but I’ve been educating myself on the topic since 5th grade, when a friend suggested some children’s literature on the Holocaust. So, I guess this is a topic that has interested me for some thirty years now. I can’t stop asking why, I can’t stop reading, and I can’t stop educating, especially as Holocaust denial and antisemitism are on the rise. History, in general, can teach us so much about who we are and who we have the potential to become. The Holocaust is a prime example of what happens when humanity fails to achieve its potential.
With a narrative of just over 650 pages, this is thebook for the reader out there who wants it all: the names, the dates, the facts, the figures, the individual experience, and the analysis, all wrapped up in an engrossing, readable narrative. Friedländer’s impeccable scholarship speaks to the historian in me, but, more importantly, it speaks to the humanity in me. When I sat down to read this second volume, I wasn’t struck by how thick it was. I was struck by the magnitude of tragedy that the book represented. For the reader who has read widely on the Holocaust, in particular, this book will answer many of your questions. What appeals to me most, though, is the historical data never obscures the victims or their experiences.
A magisterial history of the Jews in Nazi Germany and the regime's policies towards them in the years prior to World War II and the Holocaust. Written by arguably the world's leading scholar on the subject.
Himself a survivor, Friedlander has been a leading figure in Holocaust studies for decades and this book represents a definitive summing up of his research and that of hundreds of other historians.
NAZI GERMANY AND THE JEWS: THE YEARS OF PERSECUTION is perhaps the richest examination of the subject yet written, and, crucially, one that never loses sight of the experiences of individuals in…
As a historian at the University of Amsterdam, one of my concerns is to understand why so many Germans supported and participated in Adolf Hitler’s atrocious political project. I am equally interested in the other side: the Nazis’ political opponents and victims. In two decades of researching, writing, and teaching, I have read large numbers of official documents, newspapers, diaries, novels, and memoirs. These contemporary texts have made me vividly aware of how different people lived through the Nazi years, how they envisioned their lives, and how they remembered them after World War II. The questions they faced and the solutions they found continue to challenge and disconcert me.
How did Nazi antisemitism affect German Jews? To answer this question Marion Kaplan delves into the social, domestic, and emotional lives of the persecuted one-percent minority. She reveals how Jews felt when hit with yet another restrictive or punitive measure, when neighbors and friends turned away, when deportation loomed. Crucially, the pioneering feminist historian distinguishes between male and female experiences. Having been less involved in professional and public life, women reacted more flexibly to an unprecedented situation than their menfolk. They were less tied to German culture and more capable of grasping the new realities. Even so, when couples and families finally decided to emigrate, it was often too late: potential host countries were reluctant to allow them in, and Nazi antisemitism soon turned into a policy of mass murder.
Between Dignity and Despair draws on the extraordinary memoirs, diaries, interviews, and letters of Jewish women and men to give us the first intimate portrait of Jewish life in Nazi Germany. Kaplan tells the story of Jews in Germany not from the hindsight of the Holocaust, nor from the vantage of the persecutors, but from the bewildered and ambiguous perspective of Jews trying to navigate their daily lives in a world that was becoming more and more insane. Answering the charge that Jews should have left earlier, Kaplan shows that far from seeming inevitable, the Holocaust was impossible to foresee…
I was born in East Germany and experienced the disappearance of that country and the huge changes that followed as a child. My history teachers reflected this fracture in the narratives they constructed, switching between those they had grown up with and the new version they had been told to teach after 1990. It struck me how little resemblance the neat division of German history into chapters and timelines bears to people’s actual lives which often span one or even several of Germany’s radical fault lines. My fascination with my country’s fractured memory has never left me since.
Jähner’s Aftermath is one of the best books about post-1945 Germany. Defeated and confronted with the horrors their country had unleashed during the preceding six years of genocidal war in Europe, most ordinary Germans were keen to move on, rebuild and forget. A myth was born that saw 1945 as Germany’s ‘Zero Hour,’ a kind of tabula rasa, from which the nation could start anew. Jähner’s social history of the first ten years after the Second World War shatters this illusion powerfully and definitively. His book is a great foundation for anyone who wants to understand Germany today.
How does a nation recover from fascism and turn toward a free society once more?This internationally acclaimed revelatory history—"filled with first-person accounts from articles and diaries" (The New York Times)—of the transformational decade that followed World War II illustrates how Germany raised itself out of the ashes of defeat and reckoned with the corruption of its soul and the horrors of the Holocaust.
Featuring over 40 eye-opening black-and-white photographs and posters from the period.
The years 1945 to 1955 were a raw, wild decade that found many Germans politically, economically, and morally bankrupt. Victorious Allied forces occupied the four zones…
I’m a historian of modern Germany. As a teacher and a writer, I seek to get my students and readers to empathize with the people of the past, to think and even feel their way inside those people’s experiences. Because empathy is not sympathy, one can and should empathize with people one finds unsympathetic. We need to empathize with Nazis in order to understand how they and other Germans—human beings not unlike ourselves—could have committed the worst crimes in modern European history, not least the Holocaust.
Although Kristallnacht has been the subject of intense scholarly interest, Confino noticed something about the pogrom of 9 November 1938 that previous historians had missed. He noticed that, in addition to plundering and destroying Jewish businesses and homes, burning synagogues, beating, arresting, and killing Jews, the Nazi mobs took particular delight in publicly burning the Hebrew Bible, the foundation of the Judeo-Christian religious and cultural tradition.
By thinking his way inside the Nazi imagination, Confino opened my eyes to the fact that the Nazis sought to create a world without Jews not only by physically exterminating them but also by committing cultural genocide, by seeking to eradicate the Jewish basis of Western civilization.
A groundbreaking reexamination of the Holocaust and of how Germans understood their genocidal project
Why exactly did the Nazis burn the Hebrew Bible everywhere in Germany on November 9, 1938? The perplexing event has not been adequately accounted for by historians in their large-scale assessments of how and why the Holocaust occurred. In this gripping new analysis, Alon Confino draws on an array of archives across three continents to propose a penetrating new assessment of one of the central moral problems of the twentieth century. To a surprising extent, Confino demonstrates, the mass murder of Jews during the war years…
Because the Holocaust deals with ultimate issues, life and death, good and evil, people in the most extreme of conditions, it will continue to be a source of attraction to those who want to confront the ultimate issue. It has entered world culture as a defining event of 20th-century humanity and as the negative absolute in a world drawn to all sorts of relativism. I fear not Holocaust denial but its trivialization and vulgarization, not so much from antisemites and those who don’t understand its importance, but by those consumed by the Holocaust, consumed and overwhelmed. “Handle with care” is the advice of a sage. It is a rebuke to all of us when we do not.
There are several major histories of the Holocaust. Each has strengths and weaknesses, but they offer the reader an in-depth view of the events described in this work. The most influential of these histories is Raul Hilberg's The Destruction the European Jews: Revised and Definitive Edition, a three-volume study has also been condensed into a one-volume college edition. It provides an unequaled insight into how the Holocaust was perpetrated. The work is considered magisterial by many scholars of the Holocaust. Hilberg used German documentation as his major source. He has been criticized by scholars for what they consider an overreliance on German material as well as his depiction of Jewish leadership as inept in responding to the events of the Holocaust. No one, including those who criticize, has written a better or more enduring work. First published more than a half-century ago, it has stood the test of time.
The Destruction of the European Jews is widely considered the landmark study of the Holocaust. First published in 1961, Raul Hilberg's comprehensive account of how Germany annihilated the Jewish community of Europe spurred discussion, galvanized further research, and shaped the entire field of Holocaust studies. This revised and expanded edition of Hilberg's classic work extends the scope of his study and includes 80,000 words of new material, particularly from recently opened archives in eastern Europe, added over a lifetime of research. It is the work of a scholar who has devoted more than fifty years to exploring and analyzing the…
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