Here are 28 books that The Whispering fans have personally recommended if you like
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I’m a thriller writer with civilian protagonists who find themselves caught in situations way outside their comfort zones. They’re not people to whom guns or regular weapons are accessible or familiar. Consequently, I need my characters to have access to other weapons, and I find these in the environments in which I set my stories – elements that offer both defensive and offensive potential. Whether it be a dangerous natural feature (like a chasm), or a deadly creature, (I love a crocodile or snake), there needs to be something on offer. This is also what I admire in other authors – that harnessing of environmental weaponry that can make stories so exciting.
Jo Nesbo needs no introduction as a master of the thriller genre, and The Snowman is a chilling example of his skill.
A serial killer walking among the community, building snowmen that look inside the homes of his victims. As far as weaponising the environment, and specifically the snow, Nesbo has nailed it. The tension is as dark as the long nights, and the terror is all the colder because of that snow.
I read it in a tropical Rio summer, yet still had to wear a jumper for days.
I was born in the world’s most isolated capital city – Perth, Western Australia. Ever since my family packed up and drove across the vast Nullarbor Plain to relocate to South Australia, I’ve been fascinated by our eerie, wide-open spaces. There’s no doubt that family folklore fed into this. My Finnish mother arrived as a ten-year-old, recalling that when she first felt the heat, she thought: “This is hell.” My father and his family arrived from the Netherlands. I love my country, but this continent presents dangers in its arid isolation – all captivating to a storyteller.
When you live on a remote cattle station, you need to plan ahead to survive. There’s no supermarket around the corner, no emergency services, no telecommunications. I loved the intricate details of this isolated lifestyle related in The Lost Man, delivering the best of fiction by transporting me out of my own every day.
In this precarious setting, a farming family experiences a mysterious death and immediately begins investigating. There’s a long list of potential suspects and much foreshadowing.
Two brothers meet in the remote Australian outback when the third brother is found dead, in this stunning new standalone novel from Jane Harper
Brothers Nathan and Bub Bright meet for the first time in months at the remote fence line separating their cattle ranches in the lonely outback.
Their third brother, Cameron, lies dead at their feet.
In an isolated belt of Australia, their homes a three-hour drive apart, the brothers were one another’s nearest neighbors. Cameron was the middle child, the one who ran the family homestead. But something made him head out…
I’m a thriller writer with civilian protagonists who find themselves caught in situations way outside their comfort zones. They’re not people to whom guns or regular weapons are accessible or familiar. Consequently, I need my characters to have access to other weapons, and I find these in the environments in which I set my stories – elements that offer both defensive and offensive potential. Whether it be a dangerous natural feature (like a chasm), or a deadly creature, (I love a crocodile or snake), there needs to be something on offer. This is also what I admire in other authors – that harnessing of environmental weaponry that can make stories so exciting.
Third in the Mark Ariti series, Broken Bay is still a great stand alone, and especially awesome in terms of having an unusual weaponised setting. Sinkholes. Who would have thought that beautiful and mysterious environment could be so innately deadly?
South Australian farmers have apparently been popping in rubbish, (down the sinkhole chute), for decades, cluttering up what are already such dangerous places. Margaret Hickey has weaponised one of them further to make it the perfect murder implement, and I loved the originality.
From the author of the bestselling Cutters End and Stone Town, a captivating new crime novel featuring Detective Mark Ariti. Old loyalties and decades-long feuds rise to the surface in this stunning crime novel, set in a spectacular Australian landscape known for its jagged cliffs and hidden caves. Detective Sergeant Mark Ariti has taken a few days’ holiday in Broken Bay at precisely the wrong time. The small fishing town on South Australia’ s Limestone Coast is now the scene of a terrible tragedy. Renowned cave-diver Mya Rennik has drowned while exploring a sinkhole on the land of wealthy farmer…
I’m a thriller writer with civilian protagonists who find themselves caught in situations way outside their comfort zones. They’re not people to whom guns or regular weapons are accessible or familiar. Consequently, I need my characters to have access to other weapons, and I find these in the environments in which I set my stories – elements that offer both defensive and offensive potential. Whether it be a dangerous natural feature (like a chasm), or a deadly creature, (I love a crocodile or snake), there needs to be something on offer. This is also what I admire in other authors – that harnessing of environmental weaponry that can make stories so exciting.
Sarah Barrie delivers such a great cast of characters – she mixes police, criminals, ex-criminals, and civilians to deliver a melting pot of quirky and process-driven people destined to clash.
Retribution’s urban environment is familiar to us all, but Barrie’s use of various settings and their respective weaponry is highly skilled. From building sites that combine heights, fragile safety fencing, and sharp impaling points, to dark and dangerous train tunnels, I loved being shifted from place to place and the exposure to each individual setting’s armory.
Even before she introduces the guns, there was always choice, and I was kept in suspense about which weapon would prove to be the deadly one.
As a full-time travel writer for 30 years, I’ve travelled all over Australia and am still constantly surprised and thrilled by new places. Ask me what my favourite place is, and it’s impossible to choose! From the grandeur of Western Australia’s Kimberley and the red ochre colours of the Outback to the deep blue of the oceans and lush rainforests...I love it all and I love sharing my discoveries – both in cities and on the long and winding roads – with readers. When I’m not travelling or writing about it, I’m usually planning the next trip!
The Australian Outback is a must for anyone who wants to see this country in all its diversity. Far from being just desert, the Outback is varied and fascinating. While this book only covers Queensland, it is a rich introduction to what the Outback offers. Photojournalist Danielle Lancaster knows it well, and the large-format images bring the scenery, wildlife, history, and towns of Queensland’s Outback to life. Whether you are interested in National Parks, dinosaur fossils, desert dunes, stunning gorges, or history, there’s plenty of interest here. As well as an introduction to places you may want to see, it’s also a beautiful souvenir.
I have been publishing speculative fiction for over thirty years and the Beatrice Beecham Young Adult series since 2005. During this time, my appetite for quality fiction has never waned and, as readers will see from the recommended titles here, my reading is broad and spans not only entertaining, escapist fiction, but also that which has a profound message to tell. As a mentor for the Horror Writers Association (HWA) I have used my experience and passion for writing to help other writers develop and hone their craft and was humbled to be a recipient of the ‘HWA Mentor of the Year Award’ in 2023. In short, I know what makes a good story!
Set in a world that is at once familiar, yet without grounding in time or space, Daniels’ fable of an anonymous girl who escapes to reclaim her life after many years in the belly of a great snake, is fanciful and spellbinding.
It is a story that guides the reader through dark themes such as loss, grief, abuse, denial, and isolation; capturing the very essence of detachment that is the uneven road to recovery from great trauma. Daniels’ prose is beautiful and eerie, and her protagonist’s journey from victim to survivor is nothing short of sublime.
After twelve years trapped in the throat of a serpent, a girl escapes. She returns to her village naked with a monstrous snakeskin trailing behind her. One decision at a time, she reclaims her life. Each character she encounters by land and sea—brute, healer, orphan, mystic, lover—reflects an unhealed aspect of herself and plots her recovery through symbolic milestones. Serpent’s Wake is intended for adults and young adults exploring how, once fractured, we may mend. A tale that weaves around your heart in your darkest times…and points to the greatest lesson of all—that in suffering lies freedom. – Erin L.…
I have always loved horses and riding. My dream was to become a showjumper but, unfortunately, my opportunities in London were limited and although I rode a lot in Australia, my jumping was limited to the odd log in the bush. I’m an avid reader and particularly enjoy horse books written for adults, which is why I wrote a book for horse lovers. I have recommended books that gave me pleasure and which I am sure other horse lovers will enjoy.
Teenagers will love The Outback Riders series by Leanne Owens. An Australian author, Leanne is an English/History teacher who also writes freelance for horse magazines. Her experience with horses growing up in the outback is combined with stories about teenagers in her very popular Outback Riders series. She has also written the Dimity Horse Mysteries for readers who like mysteries, crime, romance, and horses.
The outback is burning and the Sunhaven teens risk everything to try and stop the arsonist. Between the fires, the mysterious white dog that appears out of nowhere, Amy's childhood friend who resembles the rock star adored by Lani, and organising a two hundred kilometre Longreach to Winton fund-raising ride, their holidays are jam-packed with excitement and discovery.
The teens of Sunhaven in outback Queensland are a year older and are home for the school holidays to face a wild ride of adventures. The outback has been burning and they are determined to find the arsonist, but the mystery becomes…
What makes me passionate about this topic is the racism I’ve witnessed, the books I’ve read, and my deep love of landscape. Australia is a nation built on immigration but it’s also a land with an ancient Indigenous culture, and this is reflected in the books on my list. Born in Melbourne, I grew up in Sydney, and then lived for some years in the UK. I hold a PhD from the London School of Economics and I’m a professor at the Australian National University. I do hope you enjoy the books on my list as much as I have.
I love this novel by Jessica Anderson for its subtle psychological insights and its powerful evocation of an Australian colony in its early days. Set in the 1830s, The Commandanttells the story of a young Irish woman arriving in Australia to visit her sister, whose husband runs the Moreton Bay penal settlement, where he is much-hated by the convicts for his fanatical implementation of punishments. Becoming the object of a convict’s obsession, Frances feels responsible for that convict’s brutal lashing and is changed by the experience. The Indigenous people are shadowy figures in the background, for Anderson’s focus is on the brutality of the penal regime and how it affects a young woman’s innocence.
The penal colony of Moreton Bay is under the command of Patrick Logan, a man not afraid of brutal discipline. But his rule is being questioned, and the arrival of his sister-in-law Frances will change everything. An unforgettable tale of power, duty, and humanity, from one of Australia's most esteemed writers.
Throughout my life, I have been fascinated by humanity’s place within deeper time. As a boy, I collected rocks and fossils, and at university studied geology. The long term has also been a theme running throughout my journalism career at New Scientist and the BBC, and it inspired my research during a recent fellowship at Massachusetts Institute of Technology in the US. I believe we need to embrace a deeper view of time if we are to navigate through this century’s grand challenges – and if we can, there’s hope, agency, and possibility to be discovered along the way.
I first met Suddendorf – one of the three co-authors of this book – in Australia back in 2016.
He is a German professor living in Queensland (with an accent untroubled by antipodean influence), and is best known for studying the skill of “mental time travel”. From him I learnt that this is one of the foundational abilities of humanity, which may well have steered our entire evolution.
We can project our minds across the past, present, and future at will - unlike pretty much any other animal. Therefore it’s crucial as a skill if we want to take the long view, and we shouldn’t take it for granted. However, as Suddendorf and colleagues write in this terrific book, it’s also a “Promethean” talent, and is far from perfect.
If we want to take a longer view, understanding our cognitive faculties is key – this book serves as a…
Our ability to think about the future is one of the most powerful tools at our disposal. In The Invention of Tomorrow, cognitive scientists Thomas Suddendorf, Jonathan Redshaw, and Adam Bulley argue that its emergence transformed humans from unremarkable primates to creatures that hold the destiny of the planet in their hands. Drawing on their own cutting-edge research, the authors break down the science of foresight, showing us where it comes from, how it works, and how it made our world. Journeying through biology, psychology, history, and culture, they show that thinking ahead is at the heart of human nature-even…
I am an art school dropout and recovering rock critic who, since 1981, has published a dozen books on Australian music and popular culture, plus worked extensively in television and as a freelance journalist. I'm too old to be called an enfant terrible, but with the way I still seem to be able to court controversy, I must remain some sort of loose cannon! Sydney’s Sun-Herald has called me "our best chronicler of Australian grass-roots culture," and that’s a tag I’m flattered by but which does get at what I’ve always been interested in. I consider myself a historian who finds resonances where most don’t even bother to look, in our own backyard, yesterday, and the fact that so much of my backlist including Inner City Sound, Highway to Hell, Buried Country, Golden Miles, History is Made at Night, and Stranded are still in print, I take as vindication I’m on the right track…
Cultural history is now a book business-standard. That wasn’t always the case. For me myself, I had to read Otto Freidrich’s City of Nets (1987) and Jon Savage’s England’s Dreaming (1992) before I could properly formulate my 1996 book Stranded. Stalwart rock journalist Andrew Stafford’s debut book from 2004, Pig City, is a cultural history of the Brisbane music scene ‘from the Saints to Savage Garden’, which makes it a regional history too. What makes it gripping, next Stafford’s deft handling of the material, is the story itself, which is not just that of an erstwhile backwater finally coming of age, but up against and overcoming the oppressive jackboots of Queensland state premier, ‘hillbilly dictator’ Joh Bjelke-Peterson. Happily, that era is now long past, and BrisVegas is today a great music town; but wouldn’t have become so without the long struggle so vividly portrayed here.
From cult heroes the Saints and the Go-Betweens to national icons Powderfinger and international stars Savage Garden, Brisbane has produced more than its share of great bands. But behind the music lay a ghost city of malice and corruption. Pressed under the thumb of the Bjelke-Petersen government and its toughest enforcers—the police—Brisbane’s musicians, radio announcers, and political activists braved ignorance, harassment, and often violence to be heard. This updated, 10th anniversary edition features a scathing new introduction by the author, assessing the changing shape of Brisbane, its music, and troubling developments since the return of the state of Queensland to…
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