Here are 100 books that The Riddles of the Hobbit fans have personally recommended if you like
The Riddles of the Hobbit.
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I readThe Hobbit when I was in primary school and was immediately captivated by the world of magic, dwarves, and dragons. Perhaps because in the North of England where I grew up, this world seemed often to be just around the next corner! I grew up writing, and as I learned my craft I naturally turned to books on Tolkien to see what inspired and drove him. I found that every writer on Tolkien brings a new and surprising perspective on his work, each revealing a little more of Tolkien’s genius, and inspiring me to demand ever more of myself as a writer.
A great place to start if you’re new to books on Tolkien (as opposed to books byTolkien!). David Day has written many books on Tolkien and always offers intelligent and informed insights. Although The Hobbit Companionlooks rather like a children’s book, it’s really more of a profusely-illustrated exploration of, as Day says, “the power of language,” looking at the derivations of all the key names in The Hobbit and what they reveal about Tolkien and Middle-Earth. It’s a fun and surprisingly rewarding read.
Exploring the brilliant web of verbal hocus-pocus that J.R.R. Tolkien delightedly spun in The Hobbit and The Lord of the Rings, master hobbit investigator David Day reveals the myriad crafty puns and riddles, hidden meanings, and mythical associations beneath the saga's thrilling surface.
Intriguing to the uninitiated, enchanting to the Tolkien enthusiast, The Hobbit Companion can only enhance our enjoyment of his dark, mysterious world.
The Hobbit is also the subject of a forthcoming two-part film adaptation; Peter Jackson, director of The Lord of the Rings film trilogy, is the director, producer and co-writer. The two parts were filmed in…
I readThe Hobbit when I was in primary school and was immediately captivated by the world of magic, dwarves, and dragons. Perhaps because in the North of England where I grew up, this world seemed often to be just around the next corner! I grew up writing, and as I learned my craft I naturally turned to books on Tolkien to see what inspired and drove him. I found that every writer on Tolkien brings a new and surprising perspective on his work, each revealing a little more of Tolkien’s genius, and inspiring me to demand ever more of myself as a writer.
Professor Tom Shippey is one of the great Tolkien scholars, with the gift of being able to offer deep insight and analysis in an accessible way. In The Road to Middle-Earth he uses Tolkien’s academic life and interests to shed light on the development of his personal mythology, from the foundational History of Middle-Earth works through toLord of The Rings. For me this is a ‘gateway’ book—if you enjoy what Shippey has to say and what he reveals about Tolkien’s work, then I suspect you’ll also like the remaining three books on this list.
“Uniquely qualified to explicate Tolkien’s worldview,” this journey into the roots of the Lord of the Rings is a classic in its own right (Salon.com).
From beloved epic fantasy classic to record-breaking cinematic success, J.R.R. Tolkien's story of four brave hobbits has enraptured the hearts and minds of generations. Now, readers can go deeper into this enchanting lore with a revised edition of Tom Shippey's classic exploration of Middle-earth.
From meditations on Tolkien's inspiration to analyses of the influences of his professional background, The Road to Middle-earth takes a closer look at the novels that made Tolkien a legend. Shippey…
I readThe Hobbit when I was in primary school and was immediately captivated by the world of magic, dwarves, and dragons. Perhaps because in the North of England where I grew up, this world seemed often to be just around the next corner! I grew up writing, and as I learned my craft I naturally turned to books on Tolkien to see what inspired and drove him. I found that every writer on Tolkien brings a new and surprising perspective on his work, each revealing a little more of Tolkien’s genius, and inspiring me to demand ever more of myself as a writer.
There’s a paradox at the heart of The Lord of The Rings. Tolkien wrote that it is “a fundamentally religious and Catholic work,” yet Middle-earth is pre-Christian and has little-to-no trace of religion evident within it. So how to reconcile the two? InThe Battle for Middle-earth, Rutledge, a priest, brings his own knowledge and understanding of scripture to bear on TheLord of the Rings, to reveal how Tolkien’s plots, themes, and characters can be understood from a Catholic perspective. One thing shines clear from this book: just what a great storyteller Tolkien is. He never seeks to dictate or persuade (unlike C.S. Lewis in his Narnia series), but allows each reader to discover for themselves the treasures within his stories.
J. R. R. Tolkien's Lord of the Rings has long been acknowledged as the gold standard for fantasy fiction, and the recent Oscar-winning movie trilogy has brought forth a whole new generation of fans. Many Tolkien enthusiasts, however, are not aware of the profoundly religious dimension of the great Ring saga.
In The Battle for Middle-earth Fleming Rutledge employs a distinctive technique to uncover the theological currents that lie just under the surface of Tolkien's epic tale. Rutledge believes that the best way to understand this powerful "deep narrative" is to examine the story as it unfolds, preserving some of…
In Svetlana's country, it’s a felony to break a mirror. Mirrors are conduits of the Voice, the deity worshiped by all who follow Light. The Voice protects humans of MotherLand from the dangers that beset them on all sides: an invading army of wolf-headed men on their borders and the infectious, ever-evolving, zombie-like Enemy that plagues them at home. When Svetlana meets Andrei, a traumatized and amnesiac soldier from another war, she embarks on a harrowing journey of adventure and self-discovery that leads her to question everything she was taught to…
A voice through Svetlana's mirror guides her beloved MotherLand from behind its' electric tower. The war with Wulfstan is not going as well as Sveta and her parents hope, but Sveta trusts the Voice. When her best friend Tattie goes missing, and Sveta saves Andrei, a soldier in summer uniform in the dead of winter, it takes Sveta through a crucible of Light, doubt, and back to the altar of true belief. Girl of Light unravels Sveta's beloved MotherLand in a war-torn adventure through monsters, missing eyes and broken mirrors.
Today, I teach fantasy at the University of Maryland, but I’ve been hooked on Tolkien from a young age. As a kid, I was wary that serious study of Tolkien might “destroy the magic,” but decades spent in strange corners of Tolkien’s invented universe have only deepened my appreciation for the inexhaustible depth of his sub-creation—it’s simply steeped in a profound sense of untold stories. I hope you enjoy digging in as much as I have.
I love this one because it’s a fitting tribute to Christopher Tolkien’s monumental work of literary archeology. The essays in this collection feel as fresh today as they did 24 years ago. It’s hard to pick favorites from such a strong and wide-ranging collection, but I often return to the essays by the late scholars Charles E. Noad and Richard C. West on the making of the Silmarillion and on the concept of ofermod, respectively.
As a scholar of medieval languages and literature, J.R.R. Tolkien brought to his fiction an intense interest in myth and legend. When he died in 1973, he left behind a vast body of unpublished material related to his fictive mythology. Now edited and published as The History of Middle-earth by his son and literary executor, Christopher Tolkien, these 12 volumes provide a record of the growth of J.R.R. Tolkien's mythology from its beginnings in 1917 to the time of his death more than 50 years later. The material in these volumes offers an unparalleled insight into Tolkien's process of myth-making…
I'm a journalist who worked as a daily newspaper reporter and editor for 40 years for the Daily Mail in London, the South China Morning Post in Hong Kong, the Sunday Australian in Sydney, and most recently the Vancouver Sun in Canada. My first novel was an erotic comedy, not much in that genre since Chaucer wrote TheMiller’s Tale. My second, River Boy is about a skinny Canadian kid who can walk on water. No one has had that gig for 2000 years — and we’re not sure about the last guy. But is River Boy a brilliant illusionist or the long-awaited Second Coming? And if he is the new Messiah, why does the Christian church want to kill him?
Chaucer didn’t invent erotica, but he must be the all-time bestselling writer of medieval smut. He wrote The Miller’s Tale to entertain fellow travellers on a pilgrimage. I bet they lapped it up. This bawdy celebration of lust and trickery is as rude — and hilarious — as it was 400 years ago.
Author Michael Alexander: Michael Alexander is Emeritus Professor of English Literature, University of St Andrews, UK. He is a poet and translator and has international experience of teaching English literature, both medieval and modern. Author Michael Alexander: Michael Alexander is Emeritus Professor of English Literature, University of St Andrews, UK. He is a poet and translator and has international experience of teaching English literature, both medieval and modern.
When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.
This book appeared just as I was on the point of completing my doctoral thesis. It helped me to understand the importance of examining a queen and/or elite premodern woman’s networks—familial, political, diplomatic, friendship and how these networks underpinned her use of both soft and indeed hard power. When the document trail goes cold in the archives, looking more closely at female networks and how they played out is a great way of overcoming gaps and erasures—both deliberate and accidental. It remains a durable and very influential study and a bonus for non-Ibericists as it is in English.
Based on an exhaustive and varied study of predominantly unpublished archival material as well as a variety of literary and non-literary sources, this book investigates the relation between patronage, piety and politics in the life and career of one Late Medieval Spain's most intriguing female personalities, Maria De Luna.
I'm a medievalist with a focus on German and European literature. Already with my Ph.D. diss. in 1987, I endeavored to explore interdisciplinary, interlingual connections (German-Italian), and much of my subsequent work (119 scholarly books so far) has continued with this focus. I have developed a large profile of studies on cultural, literary, social, religious, and economic aspects of the pre-modern era. In the last two decades or so, I have researched many concepts pertaining to the history of mentality, emotions, everyday-life conditions, and now also on transcultural and global aspects before 1800. Numerous books and articles have dealt with gender issues, communication, and historical and social conditions as expressed in literature.
This is the most seminal study ever written regarding western culture, highlighting the connections and shared tropes and topoi from classical antiquity to the early twentieth century. Curtius demonstrates an enormous command of Latin and vernacular literature from all of Europe and knows how to draw significant lines from culture to culture and from period to period.
Published just after the Second World War, European Literature and the Latin Middle Ages is a sweeping exploration of the remarkable continuity of European literature across time and place, from the classical era up to the early nineteenth century, and from the Italian peninsula to the British Isles. In what T. S. Eliot called a "magnificent" book, Ernst Robert Curtius establishes medieval Latin literature as the vital transition between the literature of antiquity and the vernacular literatures of later centuries. The result is nothing less than a masterful synthesis of European literature from Homer to Goethe. European Literature and the…
Purely by accident I stumbled on to a 1961 Penguin translation of Njáls saga and it was a transformative moment in my life. I signed up for Old Norse the next term, and never looked back. The sagas were incomparably intelligent in matters of psychology and politics and interpersonal interaction. And then told with such wit. How could the utter miracle of the fluorescence of so much pure genius on a volcanic island in the middle of nowhere not grab you? And what confluence of friendly stars would allow me to spend a life teaching and writing about them in a law school no less, paid as if I were a real lawyer?
This book, from a fin de siècle Scotsman, is a classic of literature in its own right. It contains a perfectly brilliant reading of the sagas as well as other works of medieval literature. It has never been surpassed and is perhaps unsurpassable. Every sentence is an elegant gem, with one nonobvious insight after another. He just nails it. Ker reminds you that literary criticism need not be pretentious and badly written as it so often is. Treat yourself.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
I love character-driven, roller coaster ride stories. As a young reader, I gravitated to the “choose your own adventure” books which relied on invoking knotted stomachs, and cold sweats in children as they struggled to make the right decision before reading on; turn to page 105 if you want to face the ravenous bear or page 23 if you wish to flee. Thus, the love of reading emerged and, eventually, the joy of writing followed. These books are just some of the stories that bring similar nostalgic tones when I delve into their pages. I hope you enjoy them as much as I do.
Whilst the Lord of the Rings trilogy should be read as one story, my favourite of the series is the second book, The Two Towers.
I loved the separation of our characters and the focus on one narrative concerning one group in its entirety before we see what happens to the other group. It was a new way of reading when I first read The Two Towers.
Prior, my encounter with books containing multiple storylines saw intercut sections, switching from one set of characters to the other.
I particularly enjoyed the overarching dread surrounding the story of Frodo, Sam, and Gollum. For me, there were many gut-wrenching moments when hope fizzled away. The character building in these moments is exquisite.
This brand-new unabridged audio book of The Two Towers, the second part of J. R. R. Tolkien's epic adventure, The Lord of the Rings, is read by the BAFTA award-winning actor, director and author, Andy Serkis.
The company of the Ring is torn asunder. Frodo and Sam continue their journey alone down the great River Anduin - alone, that is, save for the mysterious creeping figure that follows wherever they go.
This continues the classic tale begun in The Fellowship of the Ring, which reaches its awesome climax in The Return of the King.
I’m an award-winning and USA Today Best-Selling author whose work includes everything from short stories in school journals to horror and epic fantasy. But I’ve long been obsessed with books that work as well for adults as they do for children. The prose must be beautiful and designed to read aloud; the plot must be on point, and the characters must be compelling. And all of this with a PG rating. A tricky ask, even when the authors haven’t added Easter egg extras for adults. It’s because of this that I believe these are some of the best fantasy books ever written. So, enjoy!
This book was my favorite book for most of my life, so it holds a special place in my heart. It was only bumped by Well Witched (Verdigris Deep).
This is the book I read over and over to my two children. One of whom loved to act out being the indomitable Bilbo Baggins. The prose is beautiful, the plot is tight, the adventure is fun, the wonder is wondrous. Who doesn’t love forest elves? And the world-building is amazing. I guess we all know that was Tolkien’s specialty!
I will argue with anyone that this is the best story Tolkien ever wrote. The prose is beautiful to read. It doesn’t wander, it doesn’t get off track, there’s a humor, and let’s not forget the dragon, and all packed into 310 pages!
Special collector's film tie-in hardback of the best-selling classic, featuring the complete story with a sumptuous cover design inspired by THE HOBBIT: AN UNEXPECTED JOURNEY and brand new reproductions of all the drawings and maps by J.R.R. Tolkien.
Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End.
But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey 'there and back again'. They have a plot to raid…
