100 books like The Riddles of the Hobbit

I read The Hobbit when I was in primary school and was immediately captivated by the world of magic, dwarves, and dragons. Perhaps because in the North of England where I grew up, this world seemed often to be just around the next corner! I grew up writing, and as I learned my craft I naturally turned to books on Tolkien to see what inspired and drove him. I found that every writer on Tolkien brings a new and surprising perspective on his work, each revealing a little more of Tolkien’s genius, and inspiring me to demand ever more of myself as a writer.

I read The Hobbit when I was in primary school and was immediately captivated by the world of magic, dwarves, and dragons. Perhaps because in the North of England where I grew up, this world seemed often to be just around the next corner! I grew up writing, and as I learned my craft I naturally turned to books on Tolkien to see what inspired and drove him. I found that every writer on Tolkien brings a new and surprising perspective on his work, each revealing a little more of Tolkien’s genius, and inspiring me to demand ever more of myself as a writer.

I read The Hobbit when I was in primary school and was immediately captivated by the world of magic, dwarves, and dragons. Perhaps because in the North of England where I grew up, this world seemed often to be just around the next corner! I grew up writing, and as I learned my craft I naturally turned to books on Tolkien to see what inspired and drove him. I found that every writer on Tolkien brings a new and surprising perspective on his work, each revealing a little more of Tolkien’s genius, and inspiring me to demand ever more of myself as a writer.

I read The Hobbit when I was in primary school and was immediately captivated by the world of magic, dwarves, and dragons. Perhaps because in the North of England where I grew up, this world seemed often to be just around the next corner! I grew up writing, and as I learned my craft I naturally turned to books on Tolkien to see what inspired and drove him. I found that every writer on Tolkien brings a new and surprising perspective on his work, each revealing a little more of Tolkien’s genius, and inspiring me to demand ever more of myself as a writer.

I'm a journalist who worked as a daily newspaper reporter and editor for 40 years for the Daily Mail in London, the South China Morning Post in Hong Kong, the Sunday Australian in Sydney, and most recently the Vancouver Sun in Canada. My first novel was an erotic comedy, not much in that genre since Chaucer wrote The Miller’s Tale. My second, River Boy is about a skinny Canadian kid who can walk on water. No one has had that gig for 2000 years — and we’re not sure about the last guy. But is River Boy a brilliant illusionist or the long-awaited Second Coming? And if he is the new Messiah, why does the Christian church want to kill him?

I'm a medievalist with a focus on German and European literature. Already with my Ph.D. diss. in 1987, I endeavored to explore interdisciplinary, interlingual connections (German-Italian), and much of my subsequent work (119 scholarly books so far) has continued with this focus. I have developed a large profile of studies on cultural, literary, social, religious, and economic aspects of the pre-modern era. In the last two decades or so, I have researched many concepts pertaining to the history of mentality, emotions, everyday-life conditions, and now also on transcultural and global aspects before 1800. Numerous books and articles have dealt with gender issues, communication, and historical and social conditions as expressed in literature. 

When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.  

Purely by accident I stumbled on to a 1961 Penguin translation of Njáls saga and it was a transformative moment in my life. I signed up for Old Norse the next term, and never looked back. The sagas were incomparably intelligent in matters of psychology and politics and interpersonal interaction. And then told with such wit. How could the utter miracle of the fluorescence of so much pure genius on a volcanic island in the middle of nowhere not grab you? And what confluence of friendly stars would allow me to spend a life teaching and writing about them in a law school no less, paid as if I were a real lawyer? 

I love character-driven, roller coaster ride stories. As a young reader, I gravitated to the “choose your own adventure” books which relied on invoking knotted stomachs, and cold sweats in children as they struggled to make the right decision before reading on; turn to page 105 if you want to face the ravenous bear or page 23 if you wish to flee. Thus, the love of reading emerged and, eventually, the joy of writing followed. These books are just some of the stories that bring similar nostalgic tones when I delve into their pages. I hope you enjoy them as much as I do.

I struggled a lot with reading as a kid, I would not call myself a natural reader at all. When I was young, fantasy and magic stories were one of the few genres that could grip me enough to make me actually focus and attempt to read but I always hated the ones that took themselves too seriously (they always felt impossibly long to get through). Now, as a children’s author, myself, it’s my hope and passion to serve fellow young-readers-who-don’t-consider-themselves-readers with fun accessible stories. I hope you enjoy!