Here are 100 books that The Philosophy of Design fans have personally recommended if you like
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Since I came to architecture through classical archeology, writing about design was kind of like coming home. I made the switch to journalism after moving to Tokyo. At that time, Japan’s economy was going strong, boom cranes were everywhere, and the worldwide appetite for information about new construction was robust. An outgrowth of my success documenting architecture, my interest in design was sparked partly by the chairs and teapots created by Japanese architects but also by the superb array of daily-use goods available in Japan. The dearth of information about these items and their designers led me to cover design at various scales.
This is an extremely well-researched book which provides an in-depth look at how the design fields developed and have evolved in Japan.
Though airing on the academic, I find it very readable, and I consult it when I wish to know more about a particular period of Japanese design history. Having scoured the landscape myself, I have great admiration for the author’s ability to ferret out information – there is no central design museum or archive in Japan – and present it cogently.
From Muji to Sony televisions, our lives are surrounded by Japanese design. We think we know it, whether it reflects calming minimalism, avant-garde catwalk fashion or the Kawaii aesthetic populating Tokyo streets. But these stereotypes do not portray the creativity, generosity and sheer hard work that has gone into creating design industries in Japan. In Designing Modern Japan, Sarah Teasley traces the stories of the people who shaped and shape design in modern Japan. Key to the account is how design was seen as a strategy to help the nation thrive during turbulent times, and for making life better along…
Since I came to architecture through classical archeology, writing about design was kind of like coming home. I made the switch to journalism after moving to Tokyo. At that time, Japan’s economy was going strong, boom cranes were everywhere, and the worldwide appetite for information about new construction was robust. An outgrowth of my success documenting architecture, my interest in design was sparked partly by the chairs and teapots created by Japanese architects but also by the superb array of daily-use goods available in Japan. The dearth of information about these items and their designers led me to cover design at various scales.
I first encountered this book many years before I began my own.
It accompanied a marvelous exhibit launched by the Philadelphia Museum of Art which, sadly, I did not see in person. Arranged by decade, the body of the book features individual products from the 1950s to the 1990s.
This reveals the overlap between different design disciplines and the cross-fertilization of ideas. I love the large photos which pull you in and make you want to read the texts. The supporting essays were contributed by many of the most important design luminaries at work in Japan.
By the time I was working on my book, many of them were already gone.
Since I came to architecture through classical archeology, writing about design was kind of like coming home. I made the switch to journalism after moving to Tokyo. At that time, Japan’s economy was going strong, boom cranes were everywhere, and the worldwide appetite for information about new construction was robust. An outgrowth of my success documenting architecture, my interest in design was sparked partly by the chairs and teapots created by Japanese architects but also by the superb array of daily-use goods available in Japan. The dearth of information about these items and their designers led me to cover design at various scales.
Several years ago, when I was living in Tokyo, I needed a blender.
So, I went to MUJI and bought the one they had on offer. It was smaller than a US model, but the components fit together so easily, and the blades did their job so efficiently. I had to marvel. Unsurprisingly, the appliance I purchased was the product of Naoto Fukasawa who has a gift for making ordinary, everyday goods better. They practically intuit the user’s movement. Like my blender, these are things one buys to fulfill a basic need. But then cannot imagine living without them.
Filled with first-person explanations, this book is a window into the mind of one of Japan’s most accomplished designers.
A brand new monograph on one of Japan's best-known product designers, featuring more than 100 of his latest works
Naoto Fukasawa's simple, restrained, and user-friendly products have an extraordinarily universal appeal. Featuring more than 100 of his latest designs, including furniture, phones, watches, fashion, luggage, and accessories, Naoto Fukasawa: Embodiment perfectly captures Fukasawa's perspective on the dynamic interplay between people, places, and things.
It places the designer's products into the context of the contemporary design world and offers a first-hand account of Fukasawa's design philosophy.
Since I came to architecture through classical archeology, writing about design was kind of like coming home. I made the switch to journalism after moving to Tokyo. At that time, Japan’s economy was going strong, boom cranes were everywhere, and the worldwide appetite for information about new construction was robust. An outgrowth of my success documenting architecture, my interest in design was sparked partly by the chairs and teapots created by Japanese architects but also by the superb array of daily-use goods available in Japan. The dearth of information about these items and their designers led me to cover design at various scales.
A graphic designer by training, Kenya Hara is one of Japan’s most theoretical design thinkers. He steps back and ponders possibility. Especially where the future of Japan is concerned.
Seated in his elegant office in downtown Tokyo, Hara explained to me years ago that Japan once churned out exports but now, as other countries assume that role, Japan must offer something else. In this book he indicates that something else not a physical object. It is the experience of the country’s rich culture, aesthetics, and underlying values.
Living in Tokyo for many years enabled many chances to savor the smell of fresh tatami mats and the toothsomeness of new harvest rice.
Hara’s thoughts resonate with me, but I hope Japan never stops making elegant, user-friendly housewares.
'Designing Japan' presents renowned designer Kenya Hara's vision of how his industry can support Japan in crafting a future founded on a unique philosophy of beauty as well as crowd-sourced wisdom from around the world. A master collaborator, meticulous organiser, and globally conscious innovator, Hara draws on more than three decades of participations in design work and exhibition curating, as well as deep professional interaction with creators from many fields.
In 'Designing Japan' Hara reveals methods that make publicly accessible aesthetic inquiries of how this island nation will proceed as its population ages, other nations take over manufacturing, and technology…
There is a scene in the 1960 movie adaptation of The Time Traveler by HG Wells where the protagonist goes rapidly into the future as he watches a whole city spin into existence around him. That’s how I feel about my career. I started in 1994 and have watched UX grow into an incredible field! I’ve run my own business since 2008 focused exclusively on qualitative research consulting while also doing all sorts of exciting thought leadership activities – from writing to speaking to creating a number of courses on LinkedIn Learning – and I love to build my UX network too! I live in Silver Spring, Maryland.
As a UX researcher myself, I love how this book explains UX research methods simply and clearly.
I appreciate how it presents everything within a rich background of context and history. For me, this is the book I go to when I need to figure out how to best explain some research approach to a client.
I also appreciate how it also includes sections on myths and incorrect ideas which helps me when I sometimes need to explain to a client why their approach may need to be adjusted to be more methodologically correct.
Finally, I think this is a great book for UX designers to understand when and how to involve research in their efforts.
Think Like a UX Researcher will challenge your preconceptions about user experience (UX) research and encourage you to think beyond the obvious. You'll discover how to plan and conduct UX research, analyze data, persuade teams to take action on the results and build a career in UX. The book will help you take a more strategic view of product design so you can focus on optimizing the user's experience. UX Researchers, Designers, Project Managers, Scrum Masters, Business Analysts and Marketing Managers will find tools, inspiration and ideas to rejuvenate their thinking, inspire their team and improve their craft.
After a career that took me from designer to design professor, I’ve spent the past decade leading user research practices for growing product organizations. I’m excited about user research because it positions us closer to the people we design for, and challenges us to capture and explain complex scenarios in service to them. Though there are many books that teach user research, my list of recommendations is meant to demonstrate why we research, how we make sense of what we learn, and where research might take us.
Listening to users is essential to product design and development, full stop. Interviews allow us to understand who uses our products and the contexts our products fit into, and Steve Portigal demonstrates how to do it like a pro in Interviewing Users. Steve breaks down every angle of the interview process, from planning to conducting to documentation. (I particularly love Steve’s approach to the interview field guide in chapter 3!)
Interviewing is a foundational user research tool that people assume they already possess. Everyone can ask questions, right? Unfortunately, that's not the case. Interviewing Users provides invaluable interviewing techniques and tools that enable you to conduct informative interviews with anyone. You'll move from simply gathering data to uncovering powerful insights about people.
I am an English major turned magazine editor turned book author, with a longtime love of outbuildings. Sheds, carriage houses, studios, barns… I love them all. When I had the chance to do a book about she sheds I was thrilled. Now with two books about she sheds on the market, I’m busy running She Shed Living with my business partner. We design sheds for women throughout Southern California, sell our own line of exterior chalk-based paint, and offer resources and advice to women who want a room of their own.
This book should be considered the bible of women’s artistic expression. Built on the idea of physical spaces and how they nurture the creative endeavor a woman does there, Where Women Create introduces you to dozens of extraordinary artists, textile designers, mixed media artists, book producers, entrepreneurs, and product designers. You get lost in their stories and inspired by their ingenious outlook on organization, clutter, and ways to keep the artistic spark alive.
I have lived on a small island in Japan for over 25 years. I moved into my aging and empty Japanese abode before akiya—empty houses—became a phenomenon, and I described my experiences in a regular column for The Japan Times from 1997 to 2020. I love Japan’s countryside and wish more tourists would visit places outside Japan’s major cities. The living is simple, the Japanese people are charming and Japan itself is one of the most unique places in the world. These books are written by people who have taken the leap and chosen the tranquil existence of the pastoral Japanese countryside.
This is one of the first books on Japan that I read when I moved to the country in 1997, and it still resonates with me. While still a college student, Alex Kerr buys a rundown farmhouse in the Iya Valley of Shikoku, re-thatches it, and maintains the traditional Japanese architecture of pre-WWII Japanese wooden houses.
Kerr went on to write many more books on Japan, most of which have become classics. He is the foundation of the akiya movement, lectures widely around the archipelago, and is responsible for revitalizing country villages around Japan.
An enchanting and fascinating insight into Japanese landscape, culture, history and future.
Originally written in Japanese, this passionate, vividly personal book draws on the author's experiences in Japan over thirty years. Alex Kerr brings to life the ritualized world of Kabuki, retraces his initiation into Tokyo's boardrooms during the heady Bubble Years, and tells the story of the hidden valley that became his home.
But the book is not just a love letter. Haunted throughout by nostalgia for the Japan of old, Kerr's book is part paean to that great country and culture, part epitaph in the face of contemporary…
Since I was a child I’ve been drawn to mystery plots, because I love the sense of there being an agreement between author and reader, which leads to an ability to play with expectations. My most recent books have been Sherlock Holmes novels in the style of the classic Arthur Conan Doyle tales, though I’ve also written mysteries set on an isolated island and even on Mars! With each new story, I’ve found the act of plotting deeply satisfying. Of course, the next best thing to writing my own stories is reading another author’s novel that has a satisfying mystery, with a solution that in retrospect seems totally fair, but that I didn’t see coming.
This 1946 Japanese novel is a classic locked-room mystery concerned with fair play within the rules of the genre. The rural setting and flurry of elaborate clues are what sets it apart, and the detective Kosuke Kindaichi is truly memorable, as is the devious solution. The work of author Seishi Yokomizo has only recently begun to be translated for English-speaking readers, but I hope more will appear soon.
In the winter of 1937, the village of Okamura is abuzz with excitement over the forthcoming wedding of a son of the grand Ichiyanagi family. But amid the gossip over the approaching festivities, there is also a worrying rumour - it seems a sinister masked man has been asking questions about the Ichiyanagis around the village.
Then, on the night of the wedding, the Ichiyanagi family are woken by a terrible scream, followed by the sound of eerie music - death has come to Okamura, leaving no trace but a bloody samurai sword, thrust into the pristine snow outside the…
I’ve been enjoying Japanese stories from the moment I first found them, a direct result of living, studying, and working in Japan for five years, from Imari City (in Kyushu Island) to Tokyo (on Honshu). The pacing of Japanese novels—starting out slowly and deliberately, then speeding up like a tsunami out of nowhere—totally appeals to me, and feels infinitely more connected to exploring the subtleties, complexity, and beauty of relationships. This is especially true when compared to Western novels, which seem overly obsessed with splashing grand, dramatic action and injury on every other page. I just love revisiting Japan through reading.
Looking for a well-curated, wide variety of Japanese short stories written by nearly all the famous modernist novelists revered in Japan? This collection contains everything from Kawabata’s "The Izu Dancer" to Satomi Ton’s marvelously deep story called "Blowfish", wherein the hero—a famously talented Kabuki actor succumbs to the kind of brain-fogging, body-busting death that only blowfish poison can deliver. The author manages to get inside the head of his character, uncovering what transitioning into death feels like, with humor sprinkled here and there, and an emotional recollection/revelation about his own actor-father dying in a theater fire.
This collection of short stories, including many new translations, is the first to span the whole of Japan's modern era from the end of the nineteenth century to the present day. Beginning with the first writings to assimilate and rework Western literary traditions, through the flourishing of the short story genre in the cosmopolitan atmosphere of the Taisho era, to the new breed of writers produced under the constraints of literary censorship, and the current writings reflecting the pitfalls and paradoxes of modern life, this anthology offers a stimulating survey of the development of the Japanese short story. Various indigenous…
