Here are 100 books that Designing Modern Japan fans have personally recommended if you like
Designing Modern Japan.
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Since I came to architecture through classical archeology, writing about design was kind of like coming home. I made the switch to journalism after moving to Tokyo. At that time, Japan’s economy was going strong, boom cranes were everywhere, and the worldwide appetite for information about new construction was robust. An outgrowth of my success documenting architecture, my interest in design was sparked partly by the chairs and teapots created by Japanese architects but also by the superb array of daily-use goods available in Japan. The dearth of information about these items and their designers led me to cover design at various scales.
This was one of the first books I read when I began my research.
Authored by Japan’s most important product designer, this essay collection covers a wide range of topics, including the stories behind some of his most iconic designs. I particularly enjoy Yanagi’s explanation of the Cellulose Tape Table Dispenser whose white, sculptural form swivels. How cool is that?
Happily, when the dispenser was briefly re-released a few years ago by a Japanese office goods manufacturer, I was able to purchase one of my own. It sits on my desk, a source of inspiration.
Since I came to architecture through classical archeology, writing about design was kind of like coming home. I made the switch to journalism after moving to Tokyo. At that time, Japan’s economy was going strong, boom cranes were everywhere, and the worldwide appetite for information about new construction was robust. An outgrowth of my success documenting architecture, my interest in design was sparked partly by the chairs and teapots created by Japanese architects but also by the superb array of daily-use goods available in Japan. The dearth of information about these items and their designers led me to cover design at various scales.
I first encountered this book many years before I began my own.
It accompanied a marvelous exhibit launched by the Philadelphia Museum of Art which, sadly, I did not see in person. Arranged by decade, the body of the book features individual products from the 1950s to the 1990s.
This reveals the overlap between different design disciplines and the cross-fertilization of ideas. I love the large photos which pull you in and make you want to read the texts. The supporting essays were contributed by many of the most important design luminaries at work in Japan.
By the time I was working on my book, many of them were already gone.
Since I came to architecture through classical archeology, writing about design was kind of like coming home. I made the switch to journalism after moving to Tokyo. At that time, Japan’s economy was going strong, boom cranes were everywhere, and the worldwide appetite for information about new construction was robust. An outgrowth of my success documenting architecture, my interest in design was sparked partly by the chairs and teapots created by Japanese architects but also by the superb array of daily-use goods available in Japan. The dearth of information about these items and their designers led me to cover design at various scales.
Several years ago, when I was living in Tokyo, I needed a blender.
So, I went to MUJI and bought the one they had on offer. It was smaller than a US model, but the components fit together so easily, and the blades did their job so efficiently. I had to marvel. Unsurprisingly, the appliance I purchased was the product of Naoto Fukasawa who has a gift for making ordinary, everyday goods better. They practically intuit the user’s movement. Like my blender, these are things one buys to fulfill a basic need. But then cannot imagine living without them.
Filled with first-person explanations, this book is a window into the mind of one of Japan’s most accomplished designers.
A brand new monograph on one of Japan's best-known product designers, featuring more than 100 of his latest works
Naoto Fukasawa's simple, restrained, and user-friendly products have an extraordinarily universal appeal. Featuring more than 100 of his latest designs, including furniture, phones, watches, fashion, luggage, and accessories, Naoto Fukasawa: Embodiment perfectly captures Fukasawa's perspective on the dynamic interplay between people, places, and things.
It places the designer's products into the context of the contemporary design world and offers a first-hand account of Fukasawa's design philosophy.
Since I came to architecture through classical archeology, writing about design was kind of like coming home. I made the switch to journalism after moving to Tokyo. At that time, Japan’s economy was going strong, boom cranes were everywhere, and the worldwide appetite for information about new construction was robust. An outgrowth of my success documenting architecture, my interest in design was sparked partly by the chairs and teapots created by Japanese architects but also by the superb array of daily-use goods available in Japan. The dearth of information about these items and their designers led me to cover design at various scales.
A graphic designer by training, Kenya Hara is one of Japan’s most theoretical design thinkers. He steps back and ponders possibility. Especially where the future of Japan is concerned.
Seated in his elegant office in downtown Tokyo, Hara explained to me years ago that Japan once churned out exports but now, as other countries assume that role, Japan must offer something else. In this book he indicates that something else not a physical object. It is the experience of the country’s rich culture, aesthetics, and underlying values.
Living in Tokyo for many years enabled many chances to savor the smell of fresh tatami mats and the toothsomeness of new harvest rice.
Hara’s thoughts resonate with me, but I hope Japan never stops making elegant, user-friendly housewares.
'Designing Japan' presents renowned designer Kenya Hara's vision of how his industry can support Japan in crafting a future founded on a unique philosophy of beauty as well as crowd-sourced wisdom from around the world. A master collaborator, meticulous organiser, and globally conscious innovator, Hara draws on more than three decades of participations in design work and exhibition curating, as well as deep professional interaction with creators from many fields.
In 'Designing Japan' Hara reveals methods that make publicly accessible aesthetic inquiries of how this island nation will proceed as its population ages, other nations take over manufacturing, and technology…
As a teenager, I worked on cars and motorcycles in my spare time while apprenticing in an architectural millwork shop, paneling the homes of the rich and famous. Thus I discovered the great joys and satisfactions of working with my hands. After a long stint in graduate school, then four years as an editor at Fine Woodworking magazine and for Taunton Press books, I opened a custom design furniture business in 2000. Travel, writing, and reading are aligned passions, and I’ve lived, taught English, and woodworking here and abroad in France, Slovakia, India, and Japan.
They say that travel opens the mind in ways that staying home doesn’t. Books can take you places you can’t otherwise go. So with Yanagi, I got to visit the mind of an early 20th-century Japanese craft connoisseur who looked at thousand-year-old (plain and unassuming) tea bowls and wondered why they’re utterly beautiful and treasured (the best fetch huge sums at auctions–$25million recently for one). Yanagi’s exploration of how the hands of craftsmen can unknowingly and unintentionally create objects of great beauty was both fascinating as it was challenging. It made my shop work a hundred times more enjoyable.
craftsman working in a set tradition for a lifetime? What is the value of handwork? Why should even the roughly lacquered rice bowl of a Japanese farmer be thought beautiful? The late Soetsu Yanagi was the first to fully explore the traditional Japanese appreciation for objects born, not made.' Mr. Yanagi sees folk art as a manifestation of the essential world from which art, philosophy, and religion arise and in which the barriers between them disappear. The implications of the author's ideas are both far-reaching and practical. Soetsu Yanagi is often'
I love gardening and learning about unusual plants but I find that many gardening books don’t provide a lot of useful advice. I grow over 3,000 different types of plants and have a background in chemistry and biochemisty. I teach gardening to new gardeners and garden design to more experienced gardeners. My students want to learn practical things like solving pest problems and growing plants with more flowers. I am always on the lookout for books that provide them with hands-on practical advice they can use right away.
My favorite garden style is the Japanese garden. It is a simple refined style that is so peaceful and over the years I have learned that you don’t need to turn the whole yard into a Japanese garden. What I do now is use elements of this style in various parts of the garden. The book, Japanese Gardening, will provide you with great insight into various styles of Japanese gardening and make it easy for you to do the same. Add a Japanese walkway into a normal garden and make it special. Or use some of the minimalistic plants to add a calming feeling. This book will give you many great ideas.
This inspiring book offers expert information on how to create the perfect Japanese-style garden in any location, large or small. It presents the history of Japanese gardens and the principles underlying them. Sections on the five classic Japanese garden styles (pond gardens, dry gardens, tea gardens, stroll gardens and courtyard gardens) explain their key characteristics with practical tips on how to achieve them. Fifteen projects for creating complete Japanese gardens follows, with clear explanations, illustrations and gorgeous photography. A plant directory then details the various types of plants with advice on flowering habits and hardiness, while the final section outlines…
When I first saw an image of a Japanese garden, it was unlike anything I had seen before. I just knew I had to visit Japan to see the gardens and try to understand the culture that produced this artistry. I later had the opportunity to work for a small Japanese architecture firm in Tokyo. During those seven years, I explored gardens, landscapes, villages, and cities, trying to absorb as much of the culture as I could. Japanese gardens still fascinate me, and I love learning about contemporary designers and gardeners in Japan who are keeping the traditional spirit alive, while exploring what a garden can be in the present day.
Not only does this book provide a translation of a nearly 1,000-year-old text on garden design – the oldest such text existing in the world, but it also includes extensive annotation and a carefully researched introduction to the cultural and historic influences on the development of Japanese gardens. This is a delightful combination of the technical detail and practical advice of the classic text with the author-translators’ descriptive explanation.
Learn the art of Japanese gardening with this classic, fascinating text.
The Sakuteiki, or "Records of Garden Making," was written nearly one thousand years ago. It is the oldest existing text on Japanese gardening-or any kind of gardening-in the world. In this edition of the Sakuteiki, the authors provide an English-language translation of this classic work and an introduction to the cultural and historical context that led to the development of Japanese gardening. Central to this explanation is an understanding of the sacred importance of stones in Japanese culture and Japanese garden design.
I have lived in Japan for the last 30 years but my love for manga, anime, and games is much older and dates back to when UFO Robot Grendizer was first shown on Italian TV a fateful summer evening in 1978. Many years later, I was able to turn my passion for all things Japanese into a job and now I regularly write about politics, society, sports, travel, and culture in all its forms. However, I often go back to my first love and combine walking, urban exploration, and my otaku cravings into looking for new stores and visiting manga and anime locations in and around Tokyo.
The mother of all otaku guides was published by currentOtaku USA magazine’s honcho Macias and famous otaku writer Machiyama and reflects their tastes and idiosyncratic approach to the subject. Admittedly, you can find better, more complete, and updated otaku travel guides now (e.g. my book… wink wink) but this colorful book has a funky turn-of-the-century design and features things that you will hardly find elsewhere, like interviews with Mandarake owner Masuzo Furukawa, magazine editor Hisanori Nukata (about action figures), past cosplay queen Jan Kurotaki and Japan’s most notorious plastic model kit collector Chimatsuri. It’s a wonderful blast from the past.
If you're into anime (and manga), there's no place like Neo Tokyo. Here otaku dress-up cos-play style for real, 100,000+ fans attend cons to buy and trade, and anime soundtracks are performed in concert halls. Neo Tokyo is where anime has become both urban fashion and cultural zeitgeist, and this is its first street-smart guide in English. Featuring interviews with tastemakers, it covers studios, toys, museums, games, film "locations," music, plus where to hang and how to cruise. Four-color, with maps and index.
Patrick Macias, a specialist in Asian film and Japanese pop culture, is the author of TokyoScope.
As someone half-Japanese who grew up in Austria, I've spent the last few years making sense of my relationship to my mother’s homeland. My mother spoke Japanese to us children from an early age, and we spent many childhood summers with our grandparents in Okayama. Because of this, my mother's home feels intimate and familiar to me. But it is also distant and foreign, and it is precisely this unknown, the seemingly exotic and mysterious, that I hope to approach through reading. For me, Japan is a kind of poetic space I set my characters in. In my last three books Japan was both the setting and the secret protagonist.
From the start, the reader can’t help but notice a tower looming in the distance.
The image has something threatening about it, and also deeply significant; the tower will continue to surface over the course of the novel’s unfolding, when certain fateful moments in the plot become clear, as well as the inescapable and hopeless nature of the main character entangled in it.
For me this book is so much more than “just” a crime novel, like it says on the cover. It is an existential masterwork. Slim, though so much is contained within its pages! The reader stays close at the pickpocket’s heels, following him breathlessly through a maze of streets, at the end of which stands the tower, appearing and disappearing in the distance. Nakamura has been compared to Dostoyevsky.
In my opinion, he doesn’t need that ascription. He is Nakamura – through and through. And for anyone…
Nishimura is a seasoned pickpocket, weaving through Tokyo's crowded streets, in search of potential targets. He has no family, no friends, no connections ...But he does have a past, which finally catches up with him when his old partner-in-crime reappears and offers him a job he can't refuse. Suddenly, Nishimura finds himself caught in a web so tangled and intricate that even he might not be able to escape. Taut, atmospheric and cool, The Thief will steal your breath away.
Japan has been my home for many decades. I know the world of business and finance inside out, and have an obsessive interest in art, film, and literature. I’ve written several books, fiction and non-fiction, and countless articles on Japan-related subjects, as you can see on my blog. I think I may have actually been Japanese in a previous life…
Though non-fiction, Whiting’s romp through the secret history of post-war Japan is more eye-popping than most novels. The “hero” is a rogue called Nick the Greek who brought pizza to Japan, amongst other more nefarious accomplishments. I myself knew Nick, loved his thick crust Margherita and believed at least half his stories of gangster showdowns, heists, and con jobs. They don’t make them like that anymore - thank God.
A riveting account of the role of Americans in the evolution of the Tokyo underworld in the years since 1945.
In the ashes of postwar Japan lay a gold mine for certain opportunistic, expatriate Americans. Addicted to the volatile energy of Tokyo's freewheeling underworld, they formed ever-shifting but ever-profitable alliances with warring Japanese and Korean gangsters. At the center of this world was Nick Zappetti, an ex-marine from New York City who arrived in Tokyo in 1945, and whose restaurant soon became the rage throughout the city and the chief watering hole for celebrities, diplomats, sports figures, and mobsters.
