Here are 38 books that The Natchez Indians fans have personally recommended if you like
The Natchez Indians.
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To me, it seemed the ancient mounds were fertile ground for literary exploration, a living metaphor – evidence of what was likely the first places of spiritual practice in our country, ancient, unknown, and buried, what a symbol to form the basis of a novel! When I began my research, I soon came into contact with the Natchez. I attended their annual gathering and eventually became close friends with the Principal Chief of the Natchez Nation, who vetted Sacred Mounds and wrote its foreword. The book includes historical figures like the Great Sun, descended from the Sun Itself, and his war chief, the Tattooed Serpent. They are part of the tapestry of history woven in Sacred Mounds.
The popular Netflix film The Dig was based on this book, one of the few works of historical fiction that deal with ancient mounds. It tells the story of the 1930-era excavation of a Celtic Burial Mound. Not all mounds were burials, however. Some were ceremonial and their purpose remains largely unknown. The book gives a good sense of what archaeology was like a hundred years ago, both the practice and the politics behind what yielded the largest buried treasure in Britain's history.
In the long hot summer of 1939 Britain is preparing for war. But on a riverside farm in Suffolk there is excitement of another kind: Mrs Petty, the widowed farmer, has had her hunch proved correct that the strange mounds on her land hold buried treasure. As the dig proceeds against a background of mounting national anxiety, it becomes clear though that this is no ordinary find ... And pretty soon the discovery leads to all kinds of jealousies and tensions. John Preston's recreation of the Sutton Hoo dig - the greatest Anglo-Saxon discovery ever in Britain - brilliantly and…
To me, it seemed the ancient mounds were fertile ground for literary exploration, a living metaphor – evidence of what was likely the first places of spiritual practice in our country, ancient, unknown, and buried, what a symbol to form the basis of a novel! When I began my research, I soon came into contact with the Natchez. I attended their annual gathering and eventually became close friends with the Principal Chief of the Natchez Nation, who vetted Sacred Mounds and wrote its foreword. The book includes historical figures like the Great Sun, descended from the Sun Itself, and his war chief, the Tattooed Serpent. They are part of the tapestry of history woven in Sacred Mounds.
This was one of my go-to non-fiction books when researching for my book. It gives a great sense of the history and variety of the mounds in the United States. It's estimated there were once thousands, perhaps even tens of thousands. A few have been preserved, most have been forgotten or obliterated.
Brought up to date with the latest research, The Moundbuilders is the definitive visual guide to North America’s eastern region and the societies that forever changed its landscape.
Hailed by Bruce D. Smith, curator of North American archaeology at the Smithsonian Institution, as “without question the best available book on the pre-Columbian . . . societies of eastern North America,” this wide-ranging and richly illustrated volume covers the entire prehistory of the Eastern Woodlands and the thousands of earthen mounds that can be found there, built between 3100 BCE and 1600 CE.
To me, it seemed the ancient mounds were fertile ground for literary exploration, a living metaphor – evidence of what was likely the first places of spiritual practice in our country, ancient, unknown, and buried, what a symbol to form the basis of a novel! When I began my research, I soon came into contact with the Natchez. I attended their annual gathering and eventually became close friends with the Principal Chief of the Natchez Nation, who vetted Sacred Mounds and wrote its foreword. The book includes historical figures like the Great Sun, descended from the Sun Itself, and his war chief, the Tattooed Serpent. They are part of the tapestry of history woven in Sacred Mounds.
If you're interested in learning the history of Mississippian tribes, this is the bible! It contains first-person accounts of First Nation groups written by missionaries. They're the first and only such written descriptions we have. The Jesuits had their own cultural biases, to be sure, but their observations are invaluable.
Concentrating primarily on the Natchez Indians, but also profiling the Muskhogean tribes, the Tunican group, the Chitimacha, and the Atakapa, the comprehensive study describes each tribe's material culture, religion, language and social organization, with engrossing accounts of practices related to war, marriage, medicine, hunting, feasts, funeral ceremonies, and other customs.
Tourists and local residents of St. Augustine will enjoy reading about the secret wonders of their ancient city that are right under their noses. Of course, that includes a few stray corpses and ghosts!
To me, it seemed the ancient mounds were fertile ground for literary exploration, a living metaphor – evidence of what was likely the first places of spiritual practice in our country, ancient, unknown, and buried, what a symbol to form the basis of a novel! When I began my research, I soon came into contact with the Natchez. I attended their annual gathering and eventually became close friends with the Principal Chief of the Natchez Nation, who vetted Sacred Mounds and wrote its foreword. The book includes historical figures like the Great Sun, descended from the Sun Itself, and his war chief, the Tattooed Serpent. They are part of the tapestry of history woven in Sacred Mounds.
This is another classic, chock full of archaeological descriptions, along with prints of early mounds and artifacts. It’s prime source material, with first-person accounts of those who first discovered and excavated the mounds. Originally published by the Smithsonian Institution in 1848 it remains an important reference on the mounds, a veritable time capsule of maps, illustrations, and accounts of early explorers.
The fact of the existence, within the valley of the Mississippi river and its tributaries, of many ancient monuments of human labor and skill, seems to have escaped the notice of the adventurers who first made known to the world the extent and fertility of that vast region. Except some incidental allusions by La Vega, and the Portuguese chronicler of De Soto's unfortunate expedition, to structures bearing some analogy to those of the West, (and which seem to have been occupied, if they were not built, by the Indians of Florida,) we find no mention made of these monuments by…
I grew up on the Delaware River and took my first canoe trip around 12. Later, in my teens, I worked for a canoe outfitter. During college, I took several longer trips with friends. When a father, I would bring my kids and family along, often with a dog. Later, I would paddle the whole stretch of it, 200 miles from the headwaters to my boyhood home, which I wrote about in my book. To write it, I reread many of these books, including Powell and Graves, who also paddled with his dog. Mine, Sully, joined me on my 9-day trip.
Traveling down the length of the river, Harris describes his journey less as an external vacation and more as a process of getting to know himself better and better. Harris, from St. Louis, had little to no canoeing experience, but as he gains confidence, he comes to believe he is capable of almost anything.
He also begins to understand what it means to be a Black American on the historic river, but it becomes clear that “people will see I’m Black only moments after they see my canoe is green.” He travels “from where there ain’t no Black folks to where they don’t like us much.” Pair with James, by Percival Everett. Based on Huck Finn, it stays close to the original, yet tells Jim/James's side and takes more seriously his quest for freedom and to reunite with his family.
Since the publication of his first book, Mississippi Solo, Eddy L. Harris has been praised for his travel writing. In this exciting reissue of his classic travelogue, readers will come to treasure the rich insightful prose that is as textured as the Mississippi River itself. They will be taken by the hand by an adventurer whose lifelong dream is to canoe the length of this mighty river, from Minnesota to New Orleans. The trip's dangers were legion for a Black man traveling alone, paddling from "where there ain't no black folks to where they still don't like us much." Barge…
I always wanted to be a writer but never thought I’d become a travel writer. And like many British teenagers, I also had a passion for the USA – its movies, its music, its writers – but never imagined I would end up living in Arizona. I’ve now traveled in the US widely and understand why its landscapes, its people, and its culture have produced so much good travel writing. It’s a country that’s inspiring and surprising in equal measure, ever-changing, vast, and even though I didn’t grow up there it certainly made me who I am.
Sometimes it takes an outsider to see deeper into a country. Raban was a respected English novelist and critic when he moved to the USA and settled there – something I would later do myself. He proceeded to produce a series of brilliantly vivid travel books about his new homeland, of which this was the first. Avoiding the inevitable road trip (though he did those later), he takes a motorboat for a solo journey down the Mississippi River. Long periods alone allow him the chance to reflect on the river, nature, and the USA, but he also has lively encounters with the people who live by the river, revealing their passions and their pains.
'Jonathan Raban is one of the world's greatest living travel writers.' William Dalrymple
'The best book of travel ever written by an Englishman about the United States' Jan Morris, Independent
Navigating the Mississippi River from Minneapolis to New Orleans, Raban opens himself to experience the river in all her turbulent and unpredictable old glory. Going wherever the current takes him, he joins a coon-hunt in Savana, falls for a girl in St Louis, worships with black Baptists in Memphis, hangs out with the housewives of Pemiscot and the hog-king of Dubuque. Through tears of laughter, we are led into the…
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
Genre fiction and Robert Louis Stevenson aside, I can’t imagine loving a novel that has no strong thread, or threads, of love running through it. Fiction is written to entertain, it is true, but fiction’s higher aim is to put us in touch with our own humanity—our capacity to love, and to feel loss. We write to make people feel, and a powerful evocation of love will do that. I wouldn’t write a novel with no romantic love at its center, but I work hard too at love between siblings, friends, children, and parents.
Great characters drive great novels, and the cast of Huck Finn is as rich, varied, idiosyncratic, and vivid as any in literature. Some will make you laugh, some will make you angry, some will touch your heart. This is America’s best book, as Ernest Hemingway famously said, and if you haven’t read it, you’ve deprived yourself.
Chafed by the "sivilized" restrictions of his foster home, and weary of his drunkard father's brutality, Huck Finn fakes his own death and sets off on a raft down the Mississippi River. He is soon joined by Jim, an escaped slave. Together, they experience a series of rollicking adventures that have amused readers, young and old, for over a century. The fugitives become close friends as they weather storms together aboard the raft and spend idyllic days swimming, frying catfish suppers, and enjoying their independence. Their peaceful existence comes to…
I’m a lover of the sea, ships, seamen, and their histories, particularly of navies in the Civil War. After graduating from the U.S. Naval Academy (1967) with a history major, I served twenty years as a surface warfare officer (ship driver) on most oceans in ships ranging from destroyer to aircraft carrier and with river forces in Vietnam. I earned an M.A. in Political Science and an M.S. in Information Systems Management. Now as a historian, author, and speaker, I’m committed to communicating our naval heritage in an educational and entertaining manner for old hands and new generations. Writing about ships is the next best thing to driving them.
“The cruise of a ship is a biography,” wrote Raphael Semmes about his ocean-straddling tall ship, CSS Alabama. “The ship becomes a personification. She not only, ‘walks the waters like a thing of life,’ but she speaks in moving accents to those capable of interpreting her.” In this excellent biography of Carondelet’s career, a squat, ugly, ironclad gunboat also becomes a major character along with the men who designed and built the revolutionary vessel, stoked her engines, and fired her big guns. In tactics and technology, riverine warfare was invented from scratch and indispensable to victory. This work (and Smith’s entire series on brown water war vessels) provides fresh and enlightening perspectives on every major battle down the Mississippi from Forts Henry and Donelson through Vicksburg to Red River.
The USS Carondelet had a revolutionary ship design and was the most active of all the Union's Civil War river ironclads. From Fort Henry through the siege of Vicksburg and from the Red River campaign through the Battle of Nashville, the gunboat was prominent in war legend and literature. This history draws on the letters of Ensign Scott Dyer Jordan and Rear Adm. It falls in the category of Henry Walke's memoirs.
By chance, I was entrusted with rare historical documents about the immigrant generations in our family, which inspired this novel and grounded it in reality. Who wouldn’t wonder why they came? Besides, I have always been fascinated by pre-modern times and how steam power changed everything and dragged us along, kicking and screaming. And, even though they arrived in America in 1836, I grew up on the farm where they lived, so I heard tales of their amazing journey. It may be 186 years on, but it’s time to tell their story, which, it turns out, is a story for us all.
As a teenager, Abraham Lincoln built a flatboat and floated down the Mississippi to New Orleans to sell the produce his family and neighbors had grown. This and a similar trip three years later were his only exposure to the Deep South. They immersed him in a culture of riverboat men that was archetypical of the era and included events that became part of the mythology surrounding him, an attack by runaway slaves that could have killed him, and his rescue of fellow boatman from drowning. Campanella is a university professor, tireless researcher, and excellent writer.
In 1828, a teenaged Abraham Lincoln guided a flatboat down the Mississippi River to New Orleans. The adventure marked his first visit to a major city and exposed him to the nation's largest slave marketplace. It also nearly cost him his life, in a nighttime attack in the Louisiana plantation country. That trip, and a second one in 1831, would form the two longest journeys of Lincoln's life, his only visits to the Deep South, and his foremost experience in a racially, culturally, and linguistically diverse urban environment.
Lincoln in New Orleans: The 1828-1831 Flatboat Voyages and Their Place in…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I’m a historian of science fascinated by how scientists cope with uncertainty. I’m drawn to books that identify and try to explain the gaps in scientific knowledge and describe ways of knowing that might not be called scientific. I love to read stories about how ordinary people discover extraordinary things about their environments. I’m always curious about what happens when savvy locals are visited by scientific experts. Will they join forces? Admit what they don’t know? Or is a struggle brewing?
Amazingly, the seismic disasters that this book documents, which took place in the middle of the United States in the nineteenth century, have been almost entirely forgotten by scientists and planners.
How can earthquakes remake an entire region, physically and socially—and yet to be erased from history within two generations? This is a mind-boggling story about the short attention span of those entrusted to protect against environmental destruction.
From December 1811 to February 1812, massive earthquakes shook the middle Mississippi Valley, collapsing homes, snapping large trees midtrunk, and briefly but dramatically reversing the flow of the continent's mightiest river. For decades, people puzzled over the causes of the quakes, but by the time the nation began to recover from the Civil War, the New Madrid earthquakes had been essentially forgotten. In The Lost History of the New Madrid Earthquakes, Conevery Bolton Valencius remembers this major environmental disaster, demonstrating how events that have been long forgotten, even denied and ridiculed as tall tales, were in fact enormously important at…
