Fans pick 100 books like The Monty Python's Life of Brian (of Nazareth)

I was raised to be a Roman Catholic. I was not raised to think very deeply, but I did anyway. Eventually.  When I was around fifteen, I started asking questions that irritated my parents. They referred me to our priest. Who basically patted me on the head and showed me the door. When the Pope said 'no contraception,' the shit really hit the fan. I haven't looked back. And I'm quite vocal about it because, damn it, religious beliefs and religions do damage, not the least of which involves hurting and killing people. (As for being funny, that's just icing on the cake.)

In my first career as an actress, I often got cast as the “comic relief” in more serious films and plays. I cut my acting chops on improv comedy before getting my BFA in drama from NYU and performing in everything from Shakespeare to Seinfeld. I wrote and performed in stage shows at Disneyland and Disney World and screamed myself hoarse in B-horror films. As an author, I like to write about serious topics but I just can’t help being funny. I received my MFA from Antioch University and have had over 30 short stories and essays published. While I read voraciously (and genre-indiscriminately), my favorite books are often “darkly comedic” or “funny yet poignant.”

I was raised to be a Roman Catholic. I was not raised to think very deeply, but I did anyway. Eventually.  When I was around fifteen, I started asking questions that irritated my parents. They referred me to our priest. Who basically patted me on the head and showed me the door. When the Pope said 'no contraception,' the shit really hit the fan. I haven't looked back. And I'm quite vocal about it because, damn it, religious beliefs and religions do damage, not the least of which involves hurting and killing people. (As for being funny, that's just icing on the cake.)

I was raised to be a Roman Catholic. I was not raised to think very deeply, but I did anyway. Eventually.  When I was around fifteen, I started asking questions that irritated my parents. They referred me to our priest. Who basically patted me on the head and showed me the door. When the Pope said 'no contraception,' the shit really hit the fan. I haven't looked back. And I'm quite vocal about it because, damn it, religious beliefs and religions do damage, not the least of which involves hurting and killing people. (As for being funny, that's just icing on the cake.)

I’ve been a lifelong lover of short fiction, novels, and comic books since I can remember. Ideas were always king, leading me to a career in the creative arts as a graphic designer with years of experience in the world of advertising. Much of the core of what I did for advertising—crafting brief tales to engage with an audience in a creative/unique way—translated over well to when I began writing my own short stories. And all of the book recommendations here directly inspired me to write White Space.

I am a compulsive reader and writer of speculative fiction, in love with the genre’s capacity to extrapolate our present social, economic and technological into horrifying/astonishing futures. That being said, I need strong writing and compelling characters to pull me into a world and make it feel lived in and real. It’s this kind of emotional realism that I seek out as a reader and try to create as an author.

I have been writing books about film, theatre, and popular music since 1991 but my love of old movies goes back much further. Before VCRs, DVDs, and streaming, one could only catch these old films on television (often cut to allow for commercial time) or revival houses. Today even the more obscure movies from 1939 are attainable. Writing 1939: Hollywood's Greatest Year gave me the opportunity to revisit dozens of old favorites and to see the many also-rans of that remarkable year.

Tyler Schwanke is a writer and a filmmaker. He holds an MFA from Hamline University, and his short stories have been widely published in online journals and literary magazines, including Chaotic Merge, Havik, and Fiction Southeast. He is also a graduate of the New York Film Academy and Minnesota State University Moorhead, where he was awarded a Minnesota Film and TV Grant. Several of his award-winning short films have played at festivals across the country. Tyler lives in the Minneapolis with his wife and their dog. Breaking In is his debut novel.

I’m a historian, with a special interest in the 20th century. I’ve written about Freud’s Vienna, the aftermath of the First World War, strikes in the 1920s and 1930s in America’s cotton South, the plot to assassinate Hitler, and the notorious 1940s gangsters nicknamed “Murder, Inc.”. What intrigues me about the 20th century are the era’s underlying values and the shocking and violent collisions among them. In Casablanca’s Conscience, I use the great film as a lens with which to take another look at the tumultuous times just a generation ago.

It all goes back to growing up in the 1970s, when PBS would show the same handful of classic foreign movies over and over—Bergman, Truffaut, Fellini. And there was the rest of TV, too, where I discovered John Ford, Orson Welles, Hitchcock, Billy Wilder, and much more. On the late late show, you could usually find Casablanca. I saw Kubrick’s 2001 a few years after it came out and was knocked out by the first mainstream movie that asked its viewers to wonder—to actively speculate in awestruck fashion about what was happening on screen. The movies have always been a passion for me. The movie screen is where we dream and float away and sink within ourselves all at once. As the critic David Thomson put it, “Not even heroin or the supernatural ever went this far.”