100 books like The Middle Passage

Kwame Alexander is a creative force of nature, an award-winning author of poetry and children’s fiction, such as Out of Wonder: Poems Celebrating Poets, Becoming Muhammad Ali, co-authored with James Patterson, and The Crossover, soon to be a Disney+ television series. In The Undefeated, Alexander displays masterful lyrical language skills, and by telling us what we are not, shows us what we are: resilient, strong, and brave. Read this book to Black children and bask in the love.

Many have studied how in 1963 African Americans marched to gain equality, especially in southern towns, like Birmingham, Alabama. But I never knew that the first main march involved thousands of children and teens who marched so their parents wouldn’t lose their jobs. These brave youth found the courage to face their fears and the hatred of whites who fought to keep them separate and unequal. Their protest march encouraged adults to join them. Hateful efforts to stop the march were broadcast across the country, ultimately changing the direction of the civil rights movement. Bold pictures show everyday children and civil rights leaders finally gaining rights to playgrounds and diners and eventually better schooling. An important story, simply written—and about children who made a difference.

This brilliant book tells the story of a lesser-known piece of African American history. Congo Square in New Orleans was a place where slaves were free to set up an open market, sing, dance, and play music...but only on Sundays for half a day. If you ever feel down this is a reminder of how indomitable the human spirit can be in the face of unspeakable adversity.

Weatherford depicts a vibrant and thriving Black Wall Street in Tulsa until one elevator ride brings it all crashing down.

Unspeakable has received numerous starred reviews and awards—all richly deserved for shining a light on this horrifying history and reminding us at the book’s conclusion that it is the responsibility of us all to reject hatred and choose hope. It’s a stunning work from a powerhouse author and illustrator team.

Don’t let its picture book format keep you from sharing this important book with teens and adults. The format makes the difficult subject both more accessible and more relatable.  

I sometimes think of memoir as a modern genre, but the truth is that people have been writing about their own lives for thousands of years.

This 1789 account begins with Olaudah Equiano’s day-to-day life growing up in the kingdom of Benin, Africa, and then describes his crossing the Atlantic Ocean via the Middle Passage and subsequent enslavement.

When I first read this book in college, it was the beginning of my realization that the people in history were people with whom I share all the same range of emotions and motivations that comes with being human. This book instilled in me a desire to understand the people of the past.

The author and I live near each other and we got to know each other at local writer events. So when I heard that her book won Lee and Low’s New Voices Award, I just had to get Glenda’s book. And I did! She autographed a copy for me which I treasure. This is a tender, powerful, and inspiring picture book. It tells the true story of how Frederick Douglass’s mother would visit him. He was a young child working on a plantation. His mother lived and worked six miles away. At night, she would walk six miles through the dark woods to come to visit Frederick, then head back home before dawn. He knew his mother loved him—it was a love that stretched 12 miles long.

This is the best book ever written about the midlife crisis. Although only 117 pages long, it is dense with meaning, and multiple readings are necessary to truly get the most out of it. Hollis is a Zurich-trained Jungian analyst whose thought is permeated by Jung’s theories. His writing is very beautiful and often literary. He draws from psychology, poetry, art, his own practical experience, and much more. Hollis elucidates the difference between a job and a vocation, explains the relationship between fear and growth, shows how solitude differs from loneliness, and above all, gives us the best map to transmute midlife misery into meaning. Hollis’s understanding of the human condition is astonishing.

Northup provocatively challenges our perceptions of the early modern world. By offering a relativist view and investigating the primary sources written by Africans themselves — the Africans of the early modern period. They reveal much about sixteenth and seventeenth-century Europe, as well as African civilizations.     

Richard Wright is perhaps best known for his acclaimed 1940 novel, Native Son. Following its publication, he was at work on a very different project: a photo-documentary history of the African American folk. Wright wrote the prose narrative, which describes in broad strokes the history of Black Americans from slavery to emancipation to the Jim Crow era and the Great Black Migration. The black and white photographs accompanying the narrative were selected by Edwin Rosskam from the archives of the Farm Security Administration. Taken during the Great Depression by such notable photographers as Walker Evans and Dorothea Lange, the photos provide visual documentation of the harsh conditions Blacks faced both south and north. My interpretation of 12 Million Black Voices is given in chapter six of my book. 

We don’t learn African American history in this country, nor do we learn anything about our economic history. (Imagine how much better we’d understand our country if we did.)

This book presents cooperatives as the act of resistance that they in fact are, and offers a strong rebuke to the argument that cooperatives are a European phenomenon too far removed from our own national experience to take root here. Not only has cooperative thought taken root here, those roots have sprouted whole forests. 

For those of us struggling to find in our history economic models from which we can build a more equitable and inclusive future, this book is a must.