Fans pick 59 books like The Magicians' Guild

Vampire stories are out there–plenty of them. So many, in fact, that they are starting to bore me. What I find refreshing about these books is that the vampire part takes a back seat–it’s merely a circumstance that reveals the protagonist’s character when suddenly confronted with entirely different circumstances in her life, i.e., becoming a Vampire unplanned.

The protagonist remains true to her ironic and sarcastic self and is still insecure as a person even though she is now super-strong and fast. She learns over time to outgrow some of her less productive behavioral patterns, just as she likely would have as a human. 

This chart-topping writing duo can do no wrong in my eyes. Their Innkeeper Chronicles series ranks amongst my all-time favorites, but when it comes to fierce female protagonists, their Kate Daniels series truly takes the cake.

I find Kate fascinating. She has a complex backstory (no spoilers here!), and she is a masterful fighter, excelling in both physical combat and magical prowess. She consistently stands up for others, often putting herself in peril to protect those around her. 

I love how her wit and humor shine through, striking the perfect balance between light and shade. 

I will always remember the way she greeted a particular deadly lion shifter with a cheeky “Here, kitty, kitty, kitty.” For me, Kate Daniels embodies everything a fierce female protagonist should be.

How often have I heard, “Oh, Q. W. Aardvark’s fantasy is awesome, but you really need to read all 8,326 books in the series to get it”! How about no? Fortunately, I learned the secret of Pratchett’s Discworld series: each novel is freestanding.

I like this book because it’s like a cynical, bitter uncle who secretly has a teddy bear—despite the outward grime and gloom of the setting, there’s a hilarious wit, punning, and barrage of pop references underlying the story that gives it a heart. It’s fantasy for those who don’t think they like it.

As a person with strong ties to biology, I love that in this book, vampires and werewolves are no more magical or supernatural (and therefore also no more immortal) than any human; they just came from different branches down the evolutionary tree.

What I really liked were the dialogues–the sarcasm, verbal power games, and dry humor. And the character development, where an isolated person learns that opening up and accepting friendship and the feeling of belonging requires courage because it also makes one more vulnerable.

You want epic—you got epic! Belgarath becomes the disciple of the god, Aldur, and struggles to learn not only magic, but humility. Belgarath the Sorcerer is a late book in Eddings’ epic series, and if I recall correctly, it should be read after The Belgariad and The Mallorean (both of which are 5-book sequences). I’m pretty sure that reading about these hugely powerful gods and their disciples seeped into the developing inspiration for Kiranis, with its gods and prophets and grand schemes. There’s something deeply welcoming about this book, which is in 1st person as Belgarath tells his tale, especially following everything that happened in the preceding 10-book cycle. This is my favourite Eddings character, and he is more alive than those you might think were the central ones. From this book, I learned that true character development is an evolutionary process, and you just have to be patient… show more.

Like many fantasy novels, The Paper Magician revolves around a character who feels small, lost, and powerless.

Although Ceony Twill desperately wants metal magic, she gets assigned to paper and decides to make the most of it. Since I’m half-Japanese, I immediately thought “origami!” when I read about the folding magic. It is the first book in a trilogy and I found the story to be a light, fast read.

Holmberg’s Victorian, gas-lamp world feels familiar, and though I found the characters a little thin (paper joke intended!), I enjoyed Ceony’s adventure. My favorite characters were two of the paper creatures, Fennel and Jonto, and I dare you not to adore them too!

I found so much to love in this story of found family and hidden magic—an enchanted isle, a guardian wizard and his rabbit familiar, and a young woman with a concealed past, all devoted to one another.

The bonds between the wizard, his adopted daughter, and their rabbit familiar were simply lovely, and the sacrifices they made in their quest to save what magic remains in their world were compelling. Despite trials the characters endure, the story still captured a cozy feel which would make it a fantastic winter read.

Though The Magician’s Daughter stands alone, I’d love a sequel—I didn’t want to leave these enchanting characters behind!

Back in ancient Rome, an artist wouldn’t be described as being a genius but rather as having a genius—a helpful spirit that would join alongside them and aid them in the creative process.

C.L. Polk’s The Midnight Bargain takes this tradition in stride with a feminist tale of a fantasy court where magic comes in the form of spirit possession. In order to marry (and, of course, produce heirs *eyeroll*) marriage traditions demand that women must be protected from these possessive spirits lest the spirits possess their unborn children.

Our lovely heroine wants no part of this and, unlikely band of friends plus a crush in tow, sets out to forge her own path. The level of detail in the different cultures Polk depicts is uniquely gorgeous.  

I’m not going to lie. I find the life of Houdini fascinating. It would be easy to focus on the magician/escape artist parts of his persona. However, the book details his drive and intentions from a young age to absorb information and develop his craft are inspiring. Before he was even a teenager, Houdini was walking 20+ miles (one way) to the neighboring town to find work and develop his craft.

As he became the worldwide phenomenon he is known for today, Houdini used his talents and never abused his notoriety. Houdini was very intentional in how he wanted to entertain the masses. But when other groups (alleged psychics and spiritual mediums) started to abuse the power of (dis)belief, Houdini took it upon himself to discredit the practice of these scam artists based on his sense of social awareness.

Clarke transports the reader to England during the time of the Napoleonic Wars. There is, however, one small twist: magic once existed in this world and has now returned through two men, drastically changing the course of history and society.

The story is rich in gothic atmosphere and wry humour, and is positively bursting with ideas (there are almost 200 footnotes!). Clarke imbues her protagonists with conflicting approaches to the pursuit of knowledge, with Norrell representing cautious rationality and conservative methodology, while Strange embodies an adventurous spirit and a willingness to embrace the arcane and often the dangerous.