Here are 23 books that The Last Founding Father fans have personally recommended if you like
The Last Founding Father.
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The first biographer, Plutarch, wrote that “Education is not the filling of a pail, but the lighting of a fire." Biographies help kindle this flame by presenting a person who displayed such character and attempted such noble deeds that the reader should follow their example. The biographer narrates the events of a life well-lived and draws out examples for the reader of the virtues and vices, strengths and foibles, of the person whose life is on display. In this way, biographies help us to be better people by showing us either a model to follow or an example to avoid.
Robert Caro’s book is nothing less than a masterpiece.
I love it for the unique perspective Caro has for his subject, Johnson, which is rare among biographers. Most biographers love their subjects and want their readers to admire their subjects as well. They gloss over their faults or explain them away so the reader is left with the positive impression the biographer has. Not so with Caro.
Caro admires Lyndon Johnson as a politician but also loathes him; he respects Lyndon’s radical ability to read and manipulate other individuals and Lyndon’s pure, unadulterated pursuit of power and higher office, but he despised Lyndon for his ability to use people, a “morality often bordering on amorality.” In this way, Caro’s biography helps the reader “be as wise as serpents, yet as innocent of doves,” to quote Matthew 10:16. He explains how Johnson committed deeds that were unjust and unethical and condemns…
'The greatest biography of our era ... Essential reading for those who want to comprehend power and politics' The Times
Robert A. Caro's legendary, multi-award-winning biography of US President Lyndon Johnson is a uniquely riveting and revelatory account of power, political genius and the shaping of twentieth-century America.
This first instalment tells of the rise to national power of a desperately poor young man from the Texas Hill Country, revealing in extraordinary detail the genesis of the almost superhuman drive, energy and ambition that set LBJ apart. It charts his boyhood through the years of the Depression to his debut…
The first biographer, Plutarch, wrote that “Education is not the filling of a pail, but the lighting of a fire." Biographies help kindle this flame by presenting a person who displayed such character and attempted such noble deeds that the reader should follow their example. The biographer narrates the events of a life well-lived and draws out examples for the reader of the virtues and vices, strengths and foibles, of the person whose life is on display. In this way, biographies help us to be better people by showing us either a model to follow or an example to avoid.
Walter Isaacson’s Benjamin Franklin ranks among the top of Isaacson’s excellent biographies.
He provides thorough detail and background of Franklin’s life, examining him through the eyes of the quintessential American: an entrepreneur, a writer, a small businessman, a cosmopolitan, and a statesman (albeit lacking the higher offices).
Isaacson briefly treats Franklin’s religious views and the reasons why Franklin moved away from the Puritan faith of his forebearers and embraced a creed more akin to deism.
During his 84-year life Benjamin Franklin was America's best scientist, inventor, publisher, business strategist, diplomat, and writer. He was also one of its most practical political thinkers. America's first great publicist, he carefully crafted his own persona, portrayed it in public and polished it for posterity. In this riveting new biography Walter Isaacson provides readers with a full portrait of Franklin's public and private life - his loyal but neglected wife, his bastard son with whom he broke over going to war with England, his endless replacement families and his many amorous, but probably unconsummated, liaisons. But this is not…
The first biographer, Plutarch, wrote that “Education is not the filling of a pail, but the lighting of a fire." Biographies help kindle this flame by presenting a person who displayed such character and attempted such noble deeds that the reader should follow their example. The biographer narrates the events of a life well-lived and draws out examples for the reader of the virtues and vices, strengths and foibles, of the person whose life is on display. In this way, biographies help us to be better people by showing us either a model to follow or an example to avoid.
Growing up in Virginia, I was forced to admire Thomas Jefferson. By “force,” I mean that we took frequent field trips to Monticello, Jefferson’s home, and Williamsburg, where Jefferson attended the College of William & Mary. I was brought to Jefferson’s homes across Virginia and have seen numerous statues of this great and valuable thinker, writer, and political leader.
But naturally, given Jefferson’s role in writing the Declaration of Independence and yet his ownership of slaves up until the day of his death raises important contradictions for any serious student of American history. In grappling with Jefferson, we grapple with the meaning of America and of America’s ideals for younger students today.
Thomas Jefferson is, indeed, the most enigmatic of the Founding Fathers. He lived in such a way that he fell deeper and deeper into debt over the course of his lifetime; why?
For a man who insisted that life on the public stage was not what he had in mind, Thomas Jefferson certainly spent a great deal of time in the spotlight--and not only during his active political career. After 1809, his longed-for retirement was compromised by a steady stream of guests and tourists who made of his estate at Monticello a virtual hotel, as well as by more than one thousand letters per year, most from strangers, which he insisted on answering personally. In his twilight years Jefferson was already taking on the luster of a national icon, which was polished…
The first biographer, Plutarch, wrote that “Education is not the filling of a pail, but the lighting of a fire." Biographies help kindle this flame by presenting a person who displayed such character and attempted such noble deeds that the reader should follow their example. The biographer narrates the events of a life well-lived and draws out examples for the reader of the virtues and vices, strengths and foibles, of the person whose life is on display. In this way, biographies help us to be better people by showing us either a model to follow or an example to avoid.
Consider Joseph Ellis’ Founding Brothers more of a series of biographies–portraits of great individuals shaping history for the better–of such individuals during the most important period of their lives and in the history of our country.
Ellis’ masterful work focuses on the relationship between the Founding Fathers in the latter half of the eighteenth century, which, as the title suggests, was fraught with all the difficulties and rivalries one might expect as brothers. Figures like John Adams, Thomas Jefferson, and George Washington were men not unlike the rest of us, driven by passion, ambition, and the vision to see the American republic become a beacon of hope and freedom for the entire world.
Yet, these passions and contrary views of the American experiment in self-government, at times, spilled out into the open, and Ellis does a masterful job elucidating the rivalries between these great men and what was at stake…
To this landmark biography of our first president, Joseph J. Ellis brings the exacting scholarship, shrewd analysis, and lyric prose that have made him one of the premier historians of the Revolutionary era. Training his lens on a figure who sometimes seems as remote as his effigy on Mount Rushmore, Ellis assesses George Washington as a military and political leader and a man whose “statue-like solidity” concealed volcanic energies and emotions.
Here is the impetuous young officer whose miraculous survival in combat half-convinced him that he could not be killed. Here is the free-spending landowner whose debts to…
As a writer of ten mostly historical nonfiction books, I tried to rely on the original writings of the people that I wrote about rather than third-hand accounts. What I love about reading people's own words is that letters allow you to see a person's humanity and their emotional reactions to their circumstances. I also love the cinematic qualities of the story of the burning of the White House. Both Dolley and James Madison went through an authentic, organic character change in the aftermath, much like characters in a movie. I also loved the revival of patriotism that took place in the aftermath, which is similar to the aftermath of 9/11.
Senator Rufus King played the role of disrupter on Capitol Hill during James Madison's presidency. Once united in the public relations campaign to convince the states to ratify the U.S. Constitution, King and Madison became rivals when King ran as the vice-presidential candidate on the ticket against President Madison in the 1808 presidential campaign. That rivalry took a conspiratorial turn in 1813 and 1814. Thanks to King's letters, we now know that General Armstrong was speaking covertly to Senator King against President Madison while serving in Madison's cabinet. Both New Yorkers with their eye on the presidency, their mutual ambition was to ensure that no Virginian, especially Secretary of State James Monroe, won the presidency in 1816. Their failure shows why most Americans do not know the name of Rufus King.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
I’m a professional historian and life-long lover of early American history. My fascination with the American Revolution began during the bicentennial in 1976, when my family traveled across the country for celebrations in Williamsburg and Philadelphia. That history, though, seemed disconnected to the place I grew up—Arkansas—so when I went to graduate school in history, I researched in French and Spanish archives to learn about their eighteenth-century interactions with Arkansas’s Native nations, the Osages and Quapaws. Now I teach early American history and Native American history at UNC-Chapel Hill and have written several books on how Native American, European, and African people interacted across North America.
The other books I am recommending focus on pieces of the Revolution; American Revolutions is a sweeping history of the American Revolution.
This is the book I recommend to anyone who wants the whole story, from the Revolution’s causes coming out of the Seven Years’ War, through protests, declaring independence, fighting a war across the continent, to Jefferson’s postwar visions of American expansion.
Most big picture histories of the Revolution are still stuck in the old Founding Fathers and generals model, but American Revolutions manages to tell all of this history without focusing solely on men like John Adams and George Washington. We learn about them but also about ordinary men and women—rebelling and loyalist; British, French, and Spanish; enslaved and free—caught up in it all.
Often understood as a high-minded, orderly event, the American Revolution grows in this masterful history like a ground fire overspreading Britain's mainland colonies, fuelled by local conditions and resistant to control. Emerging from the rivalries of European empires and their allies, the revolution pivoted on western expansion as well as resistance to new British taxes. In the seaboard cities, leading Patriots mobilised popular support by summoning crowds to harass opponents. Along the frontier, the war often featured guerrilla violence that persisted long after the peace treaty. The smouldering discord called forth a movement to consolidate power in a Federal Constitution…
I'm an American historian and former director of UNC-Chapel Hill's Program in Sexuality Studies—and former pizza maker, gas pumper, park ranger, and tour guide at the house in which Louisa May Alcott wroteLittle Women. As a historian, I've spent my career trying to understand the lives of people in early American history who weren't well known at the time. In writing the Sewing Girl's Tale, which focuses on a survivor of a sexual assault, it was especially important to keep her at the center of the story. Ultimately, I wanted to know: What was life in the aftermath of the American Revolution like—not for some Founding Father—but for an ordinary young woman.
This book is compelling because Mazzeo is such a skillful writer of creative nonfiction (I also loved her Great Courses lectures on that subject)—and because the focus on Eliza Hamilton shifts what we thought we knew about her vaunted husband. Mazzeo is terrific at keeping Eliza at the center of her own story. And Mazzeo is not afraid to offer informed speculation when the documentary record, as it often does for underrepresented voices from this period, falters. As a professional historian, I learned a lot about centering women's experiences in stories that men keep threatening to take over—and about what kinds of speculation I am and am not comfortable with. I also found her approach to the Reynolds Affair—carefully documented, well reasoned, and centered on Eliza's perspective—to be bold, refreshing, and pretty persuasive. Why should we (as most recent Hamilton scholars have done) simply take Alexander Hamilton at his word…
From the New York Times bestselling author of Irena's Children comes a "vivid, compelling, and unputdownable new biography" (Christopher Andersen, #1 New York Times bestselling author) about the extraordinary life and times of Eliza Hamilton, the wife of founding father Alexander Hamilton, and a powerful, unsung hero in America's early days.
Fans fell in love with Eliza Hamilton-Alexander Hamilton's devoted wife-in Lin-Manuel Miranda's phenomenal musical Hamilton. But they don't know her full story. A strong pioneer woman, a loving sister, a caring mother, and in her later years, a generous philanthropist, Eliza had many sides-and this fascinating biography brings her…
I’ve always been fascinated by Gothic literature (and art, music, and movies), and I’m fortunate to have a job that allows me to talk and write about it—I teach at the College of Charleston (SC), where I just completed a course on American Gothic. I’m especially interested in nineteenth-century American writers, and I’ve written three books on Edgar Allan Poe, the most recent of which is The Man of the Crowd: Edgar Allan Poe and the City. For this list, I limited myself to Americans who, like Poe, wrote before and during the Civil War.
This early American novel starts off with an episode of human spontaneous combustion, followed by repeated episodes of characters hearing disembodied voices.
Brown’s novel uses these Gothic devices and a couple of real-life murder cases to explore religious and political issues that preoccupied Americans in the years after the Revolution. How do we know whether we’re really being guided by reason? What is the basis of authority?
Most editions of Wielandinclude Brown’s prequel Memoirs of Carwin, which complicates the story by placing one of the main characters in an Illuminati-like organization. American Gothic literature pretty much starts here.
I’m a political theorist at Syracuse University’s Maxwell School of Citizenship and Public Affairs. I spent the first fifteen years or so of my career working on the Scottish and French Enlightenments (Adam Smith, David Hume, Jean-Jacques Rousseau, Montesquieu, Voltaire), but in recent years I’ve been drawn more and more to the American founding. In addition to Fears of a Setting Sun, I’m also the author of The Constitution’s Penman: Gouverneur Morris and the Creation of America’s Basic Charter, which explores the constitutional vision of the immensely colorful individual who—unbeknownst to most Americans—wrote the US Constitution.
This book is not as acclaimed as the others on this list, but it is a hidden gem. Staloff deftly weaves together the lives and ideas of three of the most notable founders, and the ways in which they were influenced by their Enlightenment forebears. Precisely because the book is relatively little-known, I recommend it all the time to colleagues and students.
In this incisively drawn book, Darren Staloff forcefully reminds us that America owes its guiding political traditions to three Founding Fathers whose lives embodied the collision of Europe's grand Enlightenment project with the birth of the nation.
Alexander Hamilton, the worldly New Yorker; John Adams, the curmudgeonly Yankee; Thomas Jefferson, the visionary Virginia squire—each governed their public lives by Enlightenment principles, and for each their relationship to the politics of Enlightenment was transformed by the struggle for American independence. Repeated humiliation on America's battlefields banished Hamilton's youthful idealism, leaving him a…
In the wake of her father’s death, Katharine Smyth turned to her favorite novel, Virginia Woolf’s To the Lighthouse, as a way of wrestling with his memory and understanding her own grief. Her book about the experience, All the Lives We Ever Lived: Seeking Solace in Virginia Woolf, was published by Crown in 2019 and named a New York Times Book Review Editors’ Choice. Smyth’s work has appeared in The Atlantic, The Paris Review, Elle, The New York Times, Literary Hub, Poets & Writers, and The Point.
In U and I: A True Story, the death of Donald Barthelme inspires Nicholson Baker to write a book about his obsession with John Updike while his muse is still alive. Coining the term “memory criticism,” which he defines as “a form of commentary that relies entirely on what has survived in a reader’s mind from a particular writer over at least ten years of spotty perusal,” Baker embarks upon a wildly entertaining meditation that reveals as much about the writing process as it does about Updike (and Baker) himself.
