100 books like The Eyes of Lira Kazan

I’ve worked for two decades as a researcher and campaigner to expose the tax behaviour of unscrupulous multinational companies and wealthy individuals, and the central lesson is that we only make progress when the narrative shifts: when the public and policymakers start to appreciate just how much damage is done to our societies by the professional enablers of tax abuse. These books are real narrative-shifters, showing the world to us in ways we need to see, and making it a pleasure. 

I am the Director of the High Pay Centre, a London-based think tank researching the causes and consequences of economic inequality. In most major economies, the richest 1% of the population now take up to a fifth of all income and something like a quarter to a third of all wealth. These rich jerks aren’t necessarily bad people, at least not in all cases, and we don’t literally need to eat them all. However, such extreme concentration of income and wealth is undeserved and unnecessary, and it should definitely be an overriding priority to share it in a fairer and more even way.

I am a professor of sociology at the University of Chicago, and I am interested in global capitalism, financial elites, and all aspects of how people broker capital deals. I am a scholar of anti-heroes who studies all of the ways that people play in the gray. My first book, Dealing in Desire, is an ethnography where I embedded myself in several different hostess bars to study the relationship between sex work and financial deal-making. I grew up in California but have lived most of my adult life in Ho Chi Minh City, Houston, Boston, and Chicago. 

I’ve worked for two decades as a researcher and campaigner to expose the tax behaviour of unscrupulous multinational companies and wealthy individuals, and the central lesson is that we only make progress when the narrative shifts: when the public and policymakers start to appreciate just how much damage is done to our societies by the professional enablers of tax abuse. These books are real narrative-shifters, showing the world to us in ways we need to see, and making it a pleasure. 

When my daughter was three years old, I enrolled her in a “creative movement” class. I had taken dance lessons for ten years when I was younger, so this felt like an obvious choice. At age eleven, her teacher suggested that she had the facility, talent, and drive to pursue a career in ballet. What followed was seven years of being a “ballet mom,” as she studied, performed, competed, and ultimately left home to pursue her career. The Still Point comes from this experience. It's a novel about dark ambition, but it's also a love letter: to my daughter, to ballet, and to the mothers who became my closest friends inside the ballet studio walls.

I particularly enjoyed writing this book about a city that I love and have visited many times (starting in the late 1970s, when I was a student), and whose history I know well too. Most books, by foreigners anyway, talk about the city from a distance; I wanted to write something visceral, about sounds and smells as well as sights, and above all, how locals themselves think about their city, the way in which its intense and in some respects oppressive past shapes St Petersburg’s life today – yet all the same, never gets taken too seriously. Readers seem to agree: as well as an appreciative letter from Jan Morris, whose travel writing I’ve always admired, I treasure an email message from someone who followed my advice and tramped far and wide – before ending up in the room for prisoners’ relatives to drop off parcels at Kresty (the main city prison) when he wrongly assumed he was using an entrance to the (in fact non-existent) museum.

My debut novel, The Sleepless, is a sci-fi noir story born out of my passion for both speculative fiction and crime fiction. I grew up devouring Marvel comics and Ray Bradbury and Agatha Christie, and those were some of my strongest influences when I finally decided to write my own stories. As a queer immigrant and a person of color, I was also influenced by the lives of people who live these identities, as much as I was influenced by my career as a lawyer in the immigration, criminal, and civil rights fields. 

I’m a mystery/thriller author fascinated by how and why people, especially black women, go missing. I’ve probably watched every episode of Unsolved Mysteries, Dateline, and Forensic Files. For me, the questions are always the same. What led up to their disappearance? And more importantly, who were these women? What’s their backstory? So often, the lives of the missing get lost in the circumstances and details surrounding their disappearances. These five books show how the media ignores missing marginalized women. I hope that these excellent thrillers give readers some much-needed food for thought.

I am Australian but have lived in four other countries – England, Nigeria, USA, and Qatar – so I love reading about life overseas. How does the weather impact daily life, from what people wear to the available activities? How does culture influence behavior? Food, from what’s in the supermarket to the menus at local restaurants, can change the flavors and smells in homes and on the street. And what about alcohol? Does banning wine and spirits impact the vibe? (Hint: yes, it does!) These factors play out in my writing, and I love seeing how other authors portray place on the page. 

Novels are great. I’ve written one myself. I have also written many short stories for major science fiction and fantasy publishing venues—Asimov’s, F&SF, Analog, Lightspeed, etc. But there is something special about single-author short story collections. They are like tasting platters. They reveal running themes and can be a unique way to explore places—through the imaginations of its authors. For example, many of my stories are set in or feature characters from Nigeria. I hope you enjoy the books on this list and that they show you something new about Africa and what (some) African authors dream about.