Here are 100 books that The Dog Hunters Illustrated fans have personally recommended if you like
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I am a Wolfhound parent and the author of books about this majestic breed. I have studied everything I could find about the Wolfhound since I first lost my heart to one many years ago, meeting breeders and owners alike to learn everything I could about their temperament and health. I have attended many dog shows and symposiums to further my knowledge of my breed. Having shared my life with this dog, unlike any other, I devour books written by other Wolfhound owners.
A beautifully written book that brings the magic of the Irish Wolfhound to the reader.
This collection of fairy tales and poems invites us into the mystical world where the Wolfhound was king. A heartwarming tribute to the enormous heart of this gentle giant. It speaks to the soul of anyone who has met one of these loving, kind creatures. I could read it again and again.
I always longed for a wolfhound. I watched documentaries about them, read books about them, and finally, traveled to Ireland and met my first real ones. They were my fairy tales, until a living flesh and fur giant came to share my home and heart. There is really no way to describe to someone what it is like to share your home with these gentle, goofy, stubborn, and loving friends. I hope these fairy tales bring a little bit of their magic into each reader’s heart. They truly have the strength of lions while possessing the souls of lambs.
I am a Wolfhound parent and the author of books about this majestic breed. I have studied everything I could find about the Wolfhound since I first lost my heart to one many years ago, meeting breeders and owners alike to learn everything I could about their temperament and health. I have attended many dog shows and symposiums to further my knowledge of my breed. Having shared my life with this dog, unlike any other, I devour books written by other Wolfhound owners.
This is one of my special favorites. I know Amanda personally and knew and grew to love the real Millie and Bridie.
Arohuani is a magical kingdom ruled by Irish Wolfhound Queen Millie. When a dark force rises in the land, her daughter, Princess Bridie leads an army of wolfhounds to defeat the evil. This is one of my favorite books because it transports the reader to a world ruled by gently, loving hounds. I reread it yearly.
In the magical kingdom Arohanui, ruled by the wise and gentle Wolfhounds of the royal house of Kuri te Aroha, a dark force rises. The queen's daughter Bridie commands the guard of the only passage into the kingdom but as vigilant as she and her ladies are, evil finds its entry into their stronghold. They must forge unexpected alliances with others of their kind, along with the magical and unusual creatures of the kingdom, if they are to defeat this evil.
The Battle for Arohanui will be fierce, from the mountains, across the plains and to the shores of the…
I am a Wolfhound parent and the author of books about this majestic breed. I have studied everything I could find about the Wolfhound since I first lost my heart to one many years ago, meeting breeders and owners alike to learn everything I could about their temperament and health. I have attended many dog shows and symposiums to further my knowledge of my breed. Having shared my life with this dog, unlike any other, I devour books written by other Wolfhound owners.
This book is a must read for anyone considering getting an Irish Wolfhound or anyone who falls in love with one.
Bob's stories of his life with these giant dogs will warm your heart, make you laugh until you cry, and sometimes break your heart. His 20 year experience of living with dogs the size of small horses will have you rolling on the floor and crack your heart in two.
I love this book because I am the parent of Wolfhounds and Bob describes the challenges and rewards of sharing your life with a being that loves unconditionally, with a love as large as their valiant hearts and a personality as big as their bodies. Another book that I read numerous times, during the year.
Who knows why, but I have always been enticed by absurdities, paradoxes, incongruities — I use them in my talks, articles, and books — of everyday lives, our humanity, and mysteries of our ‘going on.’ Reflections on being human can be triggered by humour such as Cambridge’sBeyond the Fringe and New York’s sitcom Seinfeld— within which I wallow — as well as by lengthy philosophical works and novels. My work draws on bafflements: for example, shampoo instructions “Lather, rinse, repeat” (making shampoo-ing infinite?); Barmaid to Peter Cook, “Bitter?”, reply being “Just tired”— and Samuel Beckett’s “I can’t go on. I’ll go on.” Yes, I go on.
I frequently return to Plato and his portrayal of Socrates. The Phaedrus intrigues me. It is a difficult work for piecing together, yet with fascinating thoughts, taking us from rhetoric to erotic love to the search for Beauty, Truth, the Good. What it is to be human continues to baffle me — not least because we often do have a sense of 'going beyond' the mystical. Yes — I do write as an atheist.
Phaedrus is widely recognized as one of Plato's most profound and beautiful works. It takes the form of a dialogue between Socrates and Phaedrus and its ostensible subject is love, especially homoerotic love. This new translation is accompanied by an introduction, further reading, and full notes on the text and translation that discuss the structure of the dialogue and elucidate issues that might puzzle the modern reader.
Our history is spoken through the voice of the conqueror – notably white male. My work seeks to balance our narratives through insight from women’s perspectives. I support my creative writing with extensive research in history, archeology, and myths, and include in situ interpretations of the relevant landscape. There are many truths to be told, not simply one ordained story and I wish to shine the light on stories that have been hidden and/or silenced. The themed series title, Women Unveiled, pertains to this.
I chose this book for its interesting exploration of spiritual resurrections that were common throughout ancient civilizations including the Egyptians, Phoenicians, Greek, Persian, and Indians. Silva says these mystical rituals lead initiates (including Plato and Socrates) onto a path of self-empowerment and spiritual awakening. Silva includes the gnostic teachings practiced by the Cathars, who claimed the literal resurrection of Jesus was a lie, and were persecuted by the Church to suppress such gospel teachings by Mary Magdalene and Phillip.
“Those who say they will die first and then rise are in error,” states the once banned Gospel of Philip. For centuries, every esoteric and Gnostic sect was aware that the literal interpretation of the resurrection of Christ promoted by the Church was a fraud. And with good reason: thousands of years before Jesus, initiates from Egypt and China to Celtic Britain and North America practiced a mystical ritual, and its adepts — from Zoroaster to Plato —regarded the experience as the pinnacle of spiritual development: a life-altering awakening that disclosed insights into the nature of reality and the self.…
I experienced being a parent as a return to my own childhood. As much as I enjoyed teaching my children, I loved learning from them as well. That got me thinking about how one might recapture the joys and insights of childhood. As a philosopher interested in education, I have long wondered whether we leave childhood behind or somehow carry it with us into old age. I discovered that several important philosophers, such as Aristotle, Augustine, and Rousseau have keen insights about the relation of childhood to adulthood. And the biblical Jesus seems to have been the first person to suggest that adults can learn from children.
“Never rush childhood but let it ripen in the child”: Jean-Jacques Rousseau was the first philosopher to see children as more than adults-in-training. As someone who loved revisiting childhood as a parent, I simply adored this celebration of the world of a child.
In this philosophical novel, Rousseau is tutor to Emile from infancy to adulthood, and we watch Emile discover the world without any use of schools or books: “I hate books!” says the world-famous author. Purely through experiential learning, Emile matures, falls in love with Sophie, and becomes a model citizen. Rousseau pioneers the idea of learning through natural consequences: if Emile breaks the window in his room, he gets to enjoy a cold room.
Alan Bloom's new translation of Emile , Rousseau's masterpiece on the education and training of the young, is the first in more than seventy years. In it, Bloom, whose magnificent translation of Plato's Republic has been universally hailed as a virtual rediscovery of that timeless text, again brings together the translator's gift for journeying between two languages and cultures and the philosopher's perception of the true meaning and significance of the issues being examined in the work. The result is a clear, readable, and highly engrossing text that at the same time offers a wholly new sense of the importance…
Literary agents often say they are looking for books about ‘quirky’ female protagonists. I’m more entertained by female characters who feel real to me. When I write, I make myself uncomfortable a lot of the time, trying to express the many ways people both disguise and reveal the truth. I blame my devotion to my parents for this because when I left home in Massachusetts for college in the foreign land of Indiana, studied for a year in China, then studied in Italy, then worked in Taiwan, then moved to Japan, and later to Singapore, I wrote them copious descriptive, emotional letters. My parents are gone now, but in a way, I’m still doing that.
Lots of men write women in middle and older age well – Jim Harrison’s short story called "The Woman Lit by Fireflies" is incredible, and of course, there’s Shakespeare. I’d like to point you to the Irish writer William Trevor, though. His collected stories begin with one called "A Meeting in Middle Age" in which the character of Mrs. da Tanka (who is seeking grounds for her second husband to divorce her by paying a man to spend a sexless night with her in a hotel bed) crackles with dissatisfaction. Trevor writes aging people with a tenderness that isn’t always immediately evident. You learn to wait for it, if you can stand the tension while you do and the heartache when it arrives.
The Collected Stories - a stunning volume of William Trevor's unforgettable short stories
William Trevor is one of the most renowned figures in contemporary literature, described as 'the greatest living writer of short stories in the English language' by the New Yorker and acclaimed for his haunting and profound insights into the human heart. Here is a collection of his short fiction, with dozens of tales spanning his career and ranging from the moving to the macabre, the humorous to the haunting. From the penetrating 'Memories of Youghal' to the bittersweet 'Bodily Secrets' and the elegiac 'Two More Gallants', here…
In Plato’s Sophist, the main speaker (not Socrates in this case!) mocks those he calls “late-learners," I fall decidedly into that category. When I first read the works of Plato, I was lured into a lifelong attempt to understand and explain the figure of Socrates as he appears in Plato’s dialogues. Lately I have been reading materials by ancient Socratic sources other than Plato and have been wrestling with the uneasy recognition that this “father of Western philosophy” was not seen in the same way even by those who knew him personally. Who was Socrates??? Once upon a time, I thought I knew…
This is it. If you want to see what the other most important Socratic writer has to say about Socrates, this book is required reading. The old translations of this (Loeb Library) have been wonderfully refreshed here by one of my favorite translators, Jeffrey Henderson.
What fun to read a new translation of Socrates chatting with the courtesan, Phryne, in the Memorabilia or doling out advice on domestic issues in the Oeconomicus. Yikes! Plato’s Socrates would never say such things!
Xenophon (ca. 430 to ca. 354 BC), a member of a wealthy but politically quietist Athenian family and an admirer of Socrates, left Athens in 401 BC to serve as a mercenary commander for Cyrus the Younger of Persia, then joined the staff of King Agesilaus II of Sparta before settling in Elis and, in the aftermath of the battle of Leuctra in 371 BC, retiring to Corinth. His historical and biographical works, Socratic dialogues and reminiscences, and short treatises on hunting, horsemanship, economics, and the Spartan constitution are richly informative about his own life and times.…
Guy Beiner specializes in the history of social remembering in the late modern era. An interest in Irish folklore and oral traditions as historical sources led him to explore folk memory, which in turn aroused an interest in forgetting. He examines the many ways in which communities recall their past, as well as how they struggle with the urge to supress troublesome memories of discomfiting episodes.
An inspirational exploration of profound contemplations on forgetting, which takes the reader on a guided tour through neglected passages in the writings of illustrious writers from antiquity to present times, including Homer, Ovid, Plato, Augustine, Dante, Rabelais, Montaigne, Cervantes, Locke, Voltaire, Kant, Goethe, Nietzsche, Sartre, Elie Wiesel, Primo Levi, Böll, Borges, and many others.
"Our daily encounters with forgetting have not taught us enough about how much power it exercises over our lives, what reflections and feelings it evokes in different individuals, how even art and science presuppose-with sympathy or antipathy-forgetting, and finally what political and cultural barriers can be erected against forgetting when it cannot be reconciled with what is right and moral.... We find that cultural history provides a helpful perspective in which the value of the art of forgetting emerges.... That is the subject this book (through which flows Lethe, the meandering stream of forgetfulness) will try to represent and discuss…
During my life, I’ve been told that I was not a true engineer, not a true banker, not a true CEO, not a true entrepreneur, not a true teacher… But one day an executive told me: “I want to work with you because you’re not a true consultant.” I then realized it is was a privilege not to be a true something! I like to call myself a corporate philosopher. Fellow of the BCG Henderson Institute, and co-founder of Cartoonbase, I split my time between the worlds of academia and business. I have published several other books on various subjects such as language, mathematics, humor, or fallacies.
Lee covers and connects two of my favorite topics, creativity, and technology. From the facts and truths of technology to the role models play in creativity (looking at how early philosophers suggested modeling thought), he argues that computers are not universal machines and that their power comes from their partnership with humans.
How humans and technology evolve together in a creative partnership.
In this book, Edward Ashford Lee makes a bold claim: that the creators of digital technology have an unsurpassed medium for creativity. Technology has advanced to the point where progress seems limited not by physical constraints but the human imagination. Writing for both literate technologists and numerate humanists, Lee makes a case for engineering—creating technology—as a deeply intellectual and fundamentally creative process. Explaining why digital technology has been so transformative and so liberating, Lee argues that the real power of technology stems from its partnership with humans.
