Fans pick 33 books like The Detective Up Late

I’ve always read and loved crime fiction – so much so I did a doctorate in it. I believe good crime fiction has the capacity to explore particular societies, places, and times in interesting and enjoyable ways. I also like crime fiction’s focus on character, and particularly in crime series which show a character evolving over time. That’s why I chose the theme of ‘flawed detective’ and that’s what I’m trying to do in my Schalk Lourens series, of which Present Tense is the first. I hope you enjoy it, and also the other books I’ve recommended here.

I’m a Canadian writer born in Northern Ireland. My first book, A Nice Place to Die, introduced Northern Ireland detective DS Ryan McBride. In 2019, A Nice Place to Die won the RWA Daphne du Maurier Award for Mainstream Mystery and Suspense, was shortlisted in the Crime Writers of Canada Awards in 2021, and was a 2023 Silver Falchion Award finalist. As for my choices, each of these fabulous, atmospheric mysteries has richly drawn settings inhabited by characters the reader comes to care deeply about. This brings a book alive for me — each has a wonderful, compelling cast of characters and a clever, complex plot.

Many of us were taught as children that life isn’t fair. I never accepted this; shouldn’t we do all we can to make life fair? I grew up to be a lifelong activist and a writer for social justice organizations. As a reader and writer, I love books about women’s lives, especially women who realize that the world around them shapes their own experiences. Sometimes history is happening right here, right now—and you know it. Those transformative moments spark the best stories, illuminating each book I’ve recommended. 

I grew up in this place, born here when the Troubles began. In one form or another, the conflict was everywhere. It was built into the infrastructure, into attitudes. It infested conversations, hurt friendships, killed old folks, children, friends, and family. Fiction from and about Northern Ireland was inevitably hamstrung by that dominant, terrible story. Since the 1994 ceasefires, our fiction has come charging forward. It’s analytical, bullish, enlightening, funny as hell, and it moves us forward by taking honest stock of what came before. I love this emerging place and its new voices. And I love to read and write stories about it. It’s a stubborn home, often maddening, truly kind, forever breath-taking.

I have been passionate about the world of espionage ever since I saw James Bond for the first time on the silver screen. I read Ian Fleming’s books in those early Pan editions and entered the exotic world of devious enemies, exotic locations, fast cars, and women. After service in the Royal Marine Commandos, I began writing in 1984. To date, I have written sixteen books and over 200 articles. Eight of the books are espionage-themed. The rest are military history and historical novels. 

My name is Lee Andrew Taylor. I write novels and screenplays, mostly in the horror genre, with a few signed by Producers since 2021. I write what I see. It’s worked for me so far, with many discussions with producers in the past few years. If I can see a movie when I read someone’s story then there’s a great chance other people will see the same thing. I am always creating new worlds inside my mind, new stories to write, and new paths to take.

My entire life has revolved around the military. At seven years old, I decided that I would serve my country as a Marine, so my formative years were spent reading as much as I could about the ideas of service, leadership, combat, and sacrifice. I joined the Corps at seventeen and spent the next twenty-one years trying to live up to those stories I read as a child. Now, I divide my time between training special operations Marines for combat, writing about my experiences, and encouraging veterans of all services to put their stories on paper as a senior editor for the Lethal Minds Journal. I share the lessons I’ve learned in my weekly substack, Walking Point.

I have been writing about imprisonment and other penal matters for several decades. Besides teaching, research, and publications, my career has involved the inspection of prisons in the US, UK, and Europe for several governments and for litigation across a range of issues. These are dark places, without a doubt, but seeing the lives that are lived within the walls by staff and prisoners alike has always captured and stimulated my interest and reinforced my belief in the enormous durability and adaptability of the human spirit. I have tried to communicate this in my writing and speaking.

As the photographer Stieglitz once wrote, “Everything is relative except relatives, and they are absolute.” I was born into what was considered a mixed marriage in Argentina, then moved to LA, where I became a foreigner on top of being a mongrel. My family life was turbulent, but I found surrogate parents through my circle of school friends and, eventually, a close-knit community in the local motorcycle world. As I had no roots in my new culture, I spoke freely to anyone, and found family in all sorts of extravagant situations. I’ve continued to explore the permutations of family in my writing for decades now.

I grew up in one of America’s most heavily Irish areas, outside Philadelphia. After Northern Ireland exploded in 1969, IRA gunrunning cases made the local news, and came up in conversations – one friend told me his ancestors smuggled weapons in the 1920s. So I was hooked when I ran across a vivid 1922 account of an IRA shooting in Manhattan, splashed on the front page of The New York Times, my employer. My first book was about Irish rebel gunmen, the Molly Maguires of the Pennsylvania coal fields, where my Irish ancestors were miners. I’ve given lectures about the IRA’s American activities at conferences in Cork and California.