100 books like The Common Sense Book of Baby and Child Care

Huck’s Raft: A History of American Childhood is a comprehensive and important history of American children and their varied experiences.

By synthesizing a large literature in engaging prose, Mintz introduces readers to children’s lives across four centuries of the American past, starting in the seventeenth century and reaching into the present. Mintz strives to encompass different racial, class, and gender experiences. 

This is the best book to begin exploring the new field of children’s studies.

Sociologist Viviana Zelizer began the research quest to understand modern American childhood and policies toward children by proposing that how we understand the value of children changed radically in the late nineteenth century. 

By redefining children as emotional assets rather than as economic investments—as objects of love and caretaking, rather than contributors to the household and public economy—American parenting was revolutionized.

This fundamental transformation offers the basis for understanding policy changes, a new commitment to schooling, and other efforts on behalf of children that took root at the turn of the twentieth century.

Anxious Parents: A History of Modern Childrearing in America probes what I consider to be the basic dilemma of modern American parenting – how the love for children and concern for their welfare has led to growing anxiety among parents eager to do it right. 

In imaginative research into different dimensions of culture, Stearns shows that middle-class parents became increasingly self-conscious and self-questioning about meeting the needs of their children starting in the early twentieth century. The book probes the emotional consequences of modern parenting’s commitment to encouraging child expression and individual happiness.

Stearns’s exploration demonstrates one of the consequences of the revolution—from viewing children as having utility to having only emotional value—first defined by Zelizer. It suggests how even the best-intended changes can have unexpected consequences.

How we treat children has a political dimension and is related to policies toward children.

A Right to Childhood discusses the first and only time that the United States created a federal agency to investigate and help direct child life. Lindenmeyer traces the origins of the Children’s Bureau to the fierce efforts of reform-minded women, and considers the agency’s attempts to improve the welfare of all children, including the children of the poor and foreign.

Starting with concerns about very high rates of infant mortality in the United States, the bureau moved on to study and inform mothers about children’s health, nutrition, and development, and issued a widely- distributed and influential guide to child rearing to mothers across the country.

For me, the experience of the Children’s Bureau provides an important lesson about how policies can be created and their political vulnerabilities.

The author recreated as a novel the adventures of a handful of Navy officers whose tiny Patrol Torpedo Boats more than held their own against the full might of the Japanese Navy during the fall of the Philippines. Told in the first person by three of the principal characters, we meet Douglas MacArthur, seasick and soaking wet, as he flees Manila in an overloaded PT Boat, and eventually reaches a smaller island from which he is flown to safety in Australia. And we see and are in awe, of these young naval officers. In 1951, when I was ten and perched on my father's shoulders, I saw MacArthur from just a few feet away as he passed during a Chicago parade. I became fascinated with the man and his legend, and here he is presented as a very human creature.

Kristóf (1935-2011) was a Hungarian writer who fled to Switzerland during the war and wrote in French.

The Notebook (the first in the trilogy) is currently number one on my list of all-time favourites. It has all the elements of storytelling that I love: deep, psychological insight into the human heart; adroit use of archetypes, which give the book a timeless, folkloric feel; concision (no waffling) and a poetic, pared-back language that creates a sense of startling immediacy.

Kristóf writes about World War II through the eyes of two young brothers in a Nazi-occupied country (unnamed), and she shocks us awake not through sensationalised violence but through matter-of-fact narration.

It reads like a cross-between dramatic monologue and biblical parable – she stretches the novel form and opens up new possibilities for writing. 

Ariel Lawhon is one of my favorite authors. I will read anything she writes, and this novel is one of her best. Not many people have heard of Nancy Wake, but she was an Australian expatriate living in Paris during the years preceding World War II. I, for one, am glad she’s finally getting her due, for her story is one of those “I can hardly believe this really happened” tales. Nancy Wake started out as a reporter, but when Germany invaded France she joined the Resistance and smuggled people and documents across the border. The Nazis nicknamed her “The White Mouse” and put a bounty on her head, forcing her to flee France. Any ordinary person would have called it a day. But not Nancy Wake. She returned to France as Hélène under the aegis of England’s Special Operations Executives. Her cleverness and courage are guaranteed to thrill… show more.

Born in 1934 in Berchtesgaden, in the shadow of Hitler’s Eagles Nest, Irmgard Hunt witnessed the growth of fascist ideology among the people she loved during an otherwise idyllic childhood. As the shadow of World War II fell over the mountain, however, Hunt began to question and then disavow the Nazi doctrines she had accepted as a young child. As time went on and the regime crumbled literally before her eyes, she was vocal in confronting her country’s criminal past and in championing the democratic principles her elders had so easily dismissed.

Technically about World War II, this work covers Chim’s work depicting culture, politics, and life before and after the war, so the circumstances leading to conflict and its aftermath. Chim was the co-founder of Magnum Photos, so his contribution to photojournalism is immense, and his photos are beautifully lit and composed even as they capture fleeting moments: Polish school children waiting for a bus in the rain, a baby reaching for bread at a displaced person’s camp or a boy playing in the ruins of a bombed building. The book also includes later photos of celebrities and movie stars, which, when seen alongside his earlier work creates an interesting narrative of a world putting itself back together and once again seeking out joy and beauty.

Taylor’s book was controversial in many ways. He contradicted many of the conventional wisdoms about the war, but more importantly, he annoyed the stuffy world of historical academia by writing popular history which was accessible to a wide readership. He certainly led me to realise that history can be immediate and compelling rather than distant and dry.