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The Celestial Realm.
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I have always felt like an outsider and so have been preoccupied by questions of identity and belonging. In my youth, I became fascinated by the great Irish writers W. B. Yeats and James Joyce and their struggles with such questions after my family moved from Ulster to Scotland. As a young academic in Brisbane, I encountered fierce debates about Australian national identity as it shifted from a British heritage to a multicultural society. In the flux of the modern world, our identities are always under challenge and often require painful renovation.
Discovering Joyce in my youth was a revelation. In this fictionalised autobiography, Joyce rejects Yeats’s Irish folk models, seeking to emancipate the individual from the nets of family, religion, and nationality.
Whereas the early Yeats romanticises the idea of blood sacrifice for Mother Ireland, Joyce has his hero, Stephen Dedalus, declare Ireland is the old sow that devours her own farrow. Stephen flees Dublin for Europe, choosing the vocation of the cosmopolitan artist who, from exile, will liberate his benighted nation.
Like Yeats, Joyce remains obsessed with Ireland and the tension between the national and the universal.
A masterpiece of modern fiction, James Joyce's semiautobiographical first novel follows Stephen Dedalus, a sensitive and creative youth who rebels against his family, his education, and his country by committing himself to the artist's life.
"I will not serve," vows Dedalus, "that in which I no longer believe...and I will try to express myself in some mode of life or art as freely as I can." Likening himself to God, Dedalus notes that the artist "remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails." Joyce's rendering of the impressions of…
I’m an Irish writer drawn to the ways in which the biggest questions – of human nature, existence, late capitalist realism, politics, ethics, and consciousness – play out via the minutiae of specific locations; in this case, the city of Dublin, where I’ve spent most of my adult life. I don’t think of cities as monuments but living and complex microcosms of concerns and urgencies the whole world shares.
McGahern is famous for writing slow-burning accounts of life in mid-century rural Ireland.
The Pornographer, however, is about a lonely bachelor who writes porn in his suburban bedsit then gets the bus into town to seduce women in gloomy dancehalls. He makes one of them pregnant and a battle of wills begins: he thinks she should obtain an abortion, she thinks they marry. This is remarkable because it is set in 1960s Dublin, a time and place in which the Catholic Church reigned supreme.
The book’s depiction of a night-time city composed of grimy pubs and starchy hospital wards is unforgettable, but its fascination for me lies in the protagonist’s casual cruelty towards his lover: this was what I had in mind when developing Cormac, the protagonist of my book – a passive, affable, but ultimately detached man who wreaks emotional havoc by accident and reflects a very Irish, still…
One of the preeminent writers of our time, John McGahern has captivated readers with such poignant and heart-wrenching novels as Amongst Women and The Dark.
In The Pornographer, Michael creates an ideal world of sex as a writer of pornographic fiction, while he bungles every phase of his entanglement with an older woman who has the misfortune to fall in love with him. But his insensitivity to this love is in direct contrast to the tenderness with which he attempts to make his aunt's slow death in a hospital tolerable. Everywhere in this rich novel is the drama of opposites,…
From an early age, I was steeped in stories. My mother is a great storyteller and would tell vivid and exciting stories of her childhood, giving me a great sense of my own life as a part of the story of generations. We moved around a lot for my father’s job, which was sometimes disorientating and could lead to loneliness, and I took refuge in libraries and in writing stories of my own. By the time I left school, literature was my big love and mainstay, and I took a degree in English and later taught it in schools. Reading and writing stories has since become my life.
I was engrossed by this beautifully written book about the way that things that happened in a previous generation can affect one’s happiness without one even knowing about them.
I totally identified with protagonist Veronica as she looks for clues as to why her brother committed suicide by imagining scenes from her parents’ past.
When I registered the subtle moment that was crucial to it all, everything fell into stark and terrible place, and it took my breath away. Both witty and sad, the book left a deep impression on me.
'Witty, original, inventive...utterly compelling' Daily Mail
Winner of the Man Booker Prize
The nine surviving children of the Hegarty clan gather in Dublin for the wake of their wayward brother Liam. It wasn't the drink that killed him - although that certainly helped - it was what happened to him as a boy in his grandmother's house, in the winter of 1968.
The Gathering is a novel about love and disappointment, about thwarted lust and limitless desire, and how our fate is written in the body, not in the stars.
'It is clearly the product of a remarkable intelligence, combined…
I’m an Irish writer drawn to the ways in which the biggest questions – of human nature, existence, late capitalist realism, politics, ethics, and consciousness – play out via the minutiae of specific locations; in this case, the city of Dublin, where I’ve spent most of my adult life. I don’t think of cities as monuments but living and complex microcosms of concerns and urgencies the whole world shares.
A post-Donna Tart’s Secret History-esque tale of literary mystics who make up a secret society at Trinity College Dublin which tends, unfairly, to get left behind in analyses of Irish ‘Celtic Tiger’ fiction.
This is fiction from or dealing with the abrupt and accelerated modernity that hit Ireland like a cultural torpedo in the early 2000s, and quite a lot of it fails to capture the discombobulation of living through that time.
The First Verse is a campus novel about sexy secretive students and shady deeds which also plots a queer geography of Dublin’s gay scene as well as illustrating the emotional tension that exists in Dublin between city centre and its polarised northern and southern suburbs.
Dublin is such a mannered city, caught in Georgian poses while falling apart as postmodernity obliterates its value system, that it surprises me there aren’t more Dublin novels about baroque subcultures. McCrea is…
A thrilling twist to the suspenseful games of The Rule of Four and The Da Vinci Code sends a gay student reeling through the pubs, nightclubs and streets of present-day Dublin. 'In this brilliant first novel, the best of recent memory, a young Irish writer of great psychological dexterity takes on a handful of exciting themes. For a hundred years, Ireland has provided the English-speaking world with its most eloquent writers; Barry McCrea now joins this illustrious company.' - Edmund White
As I child I wanted to know the information that was withheld from me. What were the adults whispering about? What were they hiding? Secrets, things that are hidden, have a way of shaping the lives around them, a dark space that exerts a presence, even though it isn’t seen. I thought if I found out the secret, maybe my family, and the world, would make sense. Breaking Out of Bedlam is my version of my grandmother’s story, based on the whispers I heard and a few faint clues—a newspaper clipping, a Bible, and a baby’s sock. More than that, it’s an explanation for the silence in my family, for my grandmother’s bitterness, her drug abuse, and depression.
Caramelo explores the places where lies end and stories begin, how family histories are built and shaped by each generation that adds its own versions of the “truth” to family lore. Lala, the narrator, is consumed by rumors of the daughter her father had with a washerwoman, a half-sister whom she imagines and seeks, a truth which she struggles to extract from a family known for its storytelling, its “healthy lies,” as her grandmother calls them. “You’re not supposed to ask about such things. There are stories no one is willing to tell you,” Cisneros writes. I love Cisneros’s amazing symphony of details—colors, smells, noises—the way she weaves so many stories together, her hilarious eye for human quirks, and her sparkling prose.
Every year the three Reyes sons and their families drive south from Chicago via Route 66 to the home of the Awful Grandmother and the Little Grandfather on Destiny Street in Mexico City. From the back seat of her father's red Chevy station-wagon, our storyteller Lala loves to witness the crossover from endless Texas to flamboyant Mexico, the switch from truck stop donuts to street vendors with corn on the cob, the smell of hot tortillas and the sting of roasting chillies in the throat and eyes. The youngest of many cousins, Lala is also the most curious. Did the…
I was born in Germany and came to the US as a small child. My parents spoke only German at home but rarely talked with me about their years in Germany. Years after my father had died, I came across a photograph of him wearing a Hitler Youth uniform. What I learned about his childhood and his family inspired much of my novel The Vanishing Sky. Though my novel is finished, I continue to read about the German experience of WW2 because it resonates for me personally and because the lessons it teaches us are still relevant today.
An epistolary novel written as a letter from an elderly German man explaining his time as a soldier on the Eastern Front to his grandson. The novel has both the immediacy of a wartime narrative and the introspection of a memoir. “Eat now, sleep now, march now, follow your leader — that’s what they’d demanded of us; we’d followed, and they’d led us into disaster,” the narrator says as he describes his own predicament, but it serves to explain the horrors of the regime as a whole. It resonated for me personally, highlighting the silence and shame that surrounds the experiences of so many Germans who were young adults during WW2. Starritt is half-Scottish and half-German, and We Germans was inspired in part by his grandfather’s time on the Eastern Front. The novel was the recipient of the Dayton Peace Prize.
'An impressively realistic novel of German soldiers on the Eastern Front' Antony Beevor
'Starritt's daring work challenges us to lay bare our histories, to seek answers from the past, and to be open to perspectives starkly different from our own' New York Times
When a young British man asks his German grandfather what it was like to fight on the wrong side of the war, the question is initially met with irritation and silence. But after the old man's death, a…
I’m
a children’s book author and illustrator and I have a special fondness for
picture books. They’re often a child’s first experience of reading — or being
read to, and that’s such a magical time! I still remember my favourite picture
books as a child. I’m also a crazy cat person and I love all cats, big and
small. My first picture book, Tiger in a Tutu, is about a tiger who lives in
Paris Zoo but wants to be a ballet dancer. I
made a small list of my favourite tiger picture books for you. I hope you enjoy
it.
This
is a beautiful book that encourages children to use their own imagination. It
tells the story of a little girl, Nora, who explores her grandma’s garden— and her imagination, to look for a tiger that
supposedly lives there. The illustrations are colourful and detailed and hold
hidden clues for the younger readers to look for.
As read by Tom Hardy on CBeebies! Winner of the Waterstones Children's Book Prize 2017, Illustrated Books Category.
When Grandma says she's seen a tiger in the garden, Nora doesn't believe her. She's too old to play Grandma's silly games! Everyone knows that tigers live in jungles, not gardens. So even when Nora sees butterflies with wings as big as her arm, and plants that try and eat her toy giraffe, and a polar bear that likes fishing, she knows there's absolutely, DEFINITELY no way there could be a tiger in the garden . . . Could there?
As an educator, author of children’s books, and caregiver of a loved one with dementia, I felt that I had to write a story about the disease from a child’s point of view. When I became a caregiver, I was struck by the lack of information for children and the misconceptions of the public about the disease. I wanted to create a story that reassures children and gives them guidance on how they can help be a caregiver. I added the Author’s Note to provide accurate information to adults so that more people are aware of the signs of dementia and to build understanding and compassion.
This story shows how an individual who loves crossword puzzles and storytelling can be affected by the disease of dementia.
Elijah notices that his grandmother Eleanor is struggling with language and figures out a way to carry on her legacy. It’s so nice to see this aspect of the disease (memory and language) addressed in a positive, helpful way.
This poignant story from New York Times bestselling author Jason June and #1 New York Times bestselling illustrator Loren Long reminds us of the life-changing power of words and the ways we remember the ones we love who've been affected by Alzheimer's or dementia. Perfect for fans of Drawn Together and The Rough Patch.
Elijah loves spending time with his grandma Eleanor. She knows all the best words to answer tricky crossword puzzles and to tell the most beautiful stories to her family and friends.
Everyone calls her "Never Forget Eleanor" because she remembers every word she reads and person…
I’m a huge fan of books where time is a factor. Time intrigues me, as does a good science fiction or science fiction fantasy book. I have a crazy imagination that looks at an object or event and sees it as a possibility for a sci-fi character or time travel event. I write and read to escape from the every day to new worlds where the possibilities are endless. I’m a development coordinator for a multi-family housing development company, a mom, a grandma, a caretaker of an elderly parent, and I write whenever possible. I grew up in Michigan, moved to NM for about 30 years, and now reside in NC.
An antique Chinese mirror transforms the lives’ of two women. Shay Garrett lives in the modern times and her grandmother lives in 1900. On the eve of their marriages, both women find themselves transported from one era to the other. I love this epic time-travel tale of suspense where one young woman contends with love, and identity, and knowing too much in a society far removed from the loud, freer modern times she grew up in, and another young woman deals with the confusion of a raucous world where decorum doesn’t exist, nothing makes sense, and her granddaughter's handsome fiancé is someone she hasn’t got the strength to resist.
In this twisting time-travel thriller, a woman faints on the eve of her wedding-and awakens at the turn of the century in her grandmother's body . . .
The night before she is supposed to get married, Shay Garrett has no idea that a glimpse into her grandmother's antique Chinese mirror will completely transform her seemingly ordinary life. But after a bizarre blackout, she wakes up to find herself in the same house-but in the year 1900. Even stranger, she realizes she is now living in the body of her grandmother, Brandy McCabe, as a young woman. Meanwhile, Brandy, having…
I’m a former middle school teacher and high school athletics coach. I’ve spent so much time trying to nurture many students as they try to navigate growing up and figuring out who they are. I draw from their tragic stories in hopes of showing students that they’re not alone in their struggles. I also draw snippets from my challenging childhood that, in recent years, I realized I had to cut my father and stepmother out of my life because of how psychologically abusive and manipulative they are. The upside is my self-worth has significantly improved. I hope to empower others through my books.
Fablehaven was a huge hit for good reason. It’s an alternate reality story where fantastical creatures, like fairies and satyrs live right under our noses.
The series follows a brother and sister who take very different paths to protect this hidden magical world. Brandon Mull has other equally creative and engaging books that are hard to put down.
"The dialogue snaps and sizzles. . . like Harry Potter, Fablehaven can be read aloud in a family with as much pleasure for grownups as for children. . . Do yourself a favor, and don't miss the first novel by a writer who is clearly going to be a major figure in popular fantasy." — Orson Scott Card, New York Times Bestselling Author
"Imagination runs wild in Fablehaven. It is a lucky book that can hold this kind of story." — Obert Skye, Author of Leven Thumps and the Gateway to Foo
For centuries, mystical creatures of all description were…
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