Fans pick 100 books like The Brown Bullet

Janet Guthrie completely changed the name of the game for women in motorsport here in America.

She was the first woman to compete in iconic races like the Indianapolis 500, and circuits even had to change their rules to allow women into the garage area because of her.

With a physics degree and a pilot's license under her belt, Guthrie changed the name of the game for women in motorsport—but her career fell short thanks to the restrictive nature of the 1970s.

Her autobiography sheds light on the pain and heartache she felt alongside all of her successes.

Hellé Nice had lived a full life before she ever sat behind the wheel.

A career as a model and dancer in Paris enabled her to live a life of luxury in the 1920s, but when she injured her knee skiing in 1929, she turned to a new career: Motor racing.

She went on to compete in races around Europe, setting world records behind the wheel of her bright blue Bugatti.

A freak accident nearly killed her in 1936, and the onset of World War II brought racing to an end. Nice's lush lifestyle saw her accused of being a Nazi collaborator, and records of her accomplishments were scrubbed from the racing world.

Miranda Seymour tracks down Nice's complex legacy and reports it in vivid fashion.

The setting is interwar Europe.

The players are René Dreyfus, a Jewish racing driver, and Lucy Schell, a racing driver and American heiress.

As antisemitism crept through the continent, Dreyfus' successful racing career was choked out by the might of state-funded German engineering—at least, until Schell came along.

With her ample fortune and a home in Paris, Schell began funding her own racing team and immediately signed Dreyfus. Later, when the pressures of Nazi ideology threatened Dreyfus' life, Schell funded a "trip" to the Indianapolis 500 in America in order to help him start a new life.

Faster highlights the complex ways that politics, religion, money, and motorsport intertwine, told so compellingly that you won't want to put this book down.

Roberta Cowell made history as the first British transgender woman to undergo gender-affirming surgery, but that isn’t the extent of her story.

She was also a fighter pilot in World War II who survived five months in a prisoner-of-war camp and a race car driver.

Though she was able to find doctors willing to provide her with the surgery that would affirm her gender identity, she gave up so much in the process, including a race car engineering company and her motorsport career.

Her autobiography is a poignant reminder of how far we've come in the subsequent decades.

I love this book because of Enzo, the canine narrator. In fact, he may be my favorite narrator of all time. He is one of those narrators I would love to be friends with or who I would love to have as a professor or a spiritual guide. 

The first time I tried reading it I put it down because I ugly-cried in the first chapter when Enzo recounted the story of how he planned to simplify his beloved human’s life. Thankfully, a trusted friend convinced me to give it another try because it’s now one of my all-time favorite books. Coming from an English teacher of twenty plus years, who reads a lot of good books, I think that's pretty high praise.

Yes, I cried a lot in this one, too, but I also laughed and did not want to leave Enzo or the humans he loved so dearly… show more.

The late Gilles Villeneuve may not have been Formula 1’s most successful driver, indeed he never won a world championship, but that did not stop him earning legendary status for his antics being the wheel.

Labelled ‘the craziest devil’ by some of his rivals, Villeneuve was a driver who fans loved because he was always pushing to the maximum and could only operate at the limit – which made him spectacular. I only got to hear about Villeneuve after he died, but I found there was no better book to shed light on what he was like as a driver and as man than Donaldson’s brilliant biography.

The status of Formula 1 legends is not just reserved for drivers, because there have been other big personalities involved in grand prix racing who became household names too.

One of those was commentator Murray Walker, who became the voice of F1 on both television and radio. I grew up listening to Walker on the BBC, so it was little wonder that this mini-autobiography Bedside Wheels became such a big hit for me.

In it he recounted some of his funniest moments covering the sport, as well as offers insight into just why he became famous for his commentary gaffes – which he insists throughout are not gaffes, but predictions that are immediately proved wrong!

I became involved in anti-racist politics as a student. The first campaign I organized was a protest against a lecturer who had written an essay advocating the deportation of everyone in Britain who was not white. The lecturer presented his argument in terms of the need for cultural homogeneity, which meant he did not have to make easily discredited claims of racial superiority. While the racism was obvious to me, I was struck by how many people believed the lecturer’s cultural argument. To respond to it required understanding how racist arguments could change their form, as older racist ideas lost their plausibility. For a while, I struggled to make sense of this. Then I came across Martin Barker’s book and all my confusion was dispelled. Accessible even as it wrestles with complex ideas of culture and biology, The New Racism shows how, from Enoch Powell onwards, conservatism in Britain has… show more.

In the introduction to the first edition of Black Boy, Richard Wright acknowledges that while inspired by his life the book is both a record of his life and an imagined autobiography of all the “black boys” he knew who like him came of age in the segregated south.

Wright’s book is an early example of the use of creative nonfiction techniques that make this memoir gripping, suspenseful, deeply psychological, and a testimony to the power of dreams and the will to prevail against adversity.

Such a rule breaker. A complete disregard for the laws of nature. That can’t happen! I shouldn’t feel so for those characters! And yet, and yet! The characters that people these pages are real and convincing. Nana Kwame Adjei-Brenyah takes us in and out of realities. His world is dark sibling to our everyday world, but even his most flawed characters resonate with dignity, and through skillful well-crafted revelation, the reader comes to understand why these characters struggle—often against societal forces larger/older/engrained—and even when his characters make bad decisions (lord knows a misbehaving character is what good fiction is about) a glimmer of the potential for human goodness is exposed. This a contemporary voice, fierce and fresh, and worth paying attention to.