Here are 77 books that The Bookseller of Florence fans have personally recommended if you like
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I grew up in Bordeaux, a city that became prominent during the eighteenth century. My hometown inspired my love of eighteenth-century French studies, which led me to the Sorbonne, then to Yale University where I earned a PhD. Today, I am an Associate Professor at The Ohio State University. I am the author of eight novels and monographs published in France and the US, including American Pandemonium, Posthumous America, and Sentinel Island. My work explores numerous genres to question a number of recurring themes: exile and the representation of otherness; nostalgia and the experience of bereavement; the social impact of new technologies; America’s history and its troubled present.
WhileThe Swerveis not exactly a book about posterity, it nonetheless provides a wonderful case study of a text that remained on the verge of destruction for centuries, before going on to play a tremendously influential role in shaping our modern world. This book is none other than On The Nature of Thingsby Lucretius –one of the foundational texts of Western culture, whose impact was postponed to the fifteenth century, as it would not have seen the light of day without its serendipitous rediscovery in a German monastery by Poggio Bracciolini (1380-1459). This gripping work offers a fascinating example of the delayed reception of a prominent cultural object, a proof of its extraordinary resilience, and, at the same time, an illustration of the role played by chance and accidents on the transmission of texts to posterity.
In the winter of 1417, a short, genial, cannily alert man in his late thirties plucked a very old manuscript off a dusty shelf in a remote monastery, saw with excitement what he had discovered, and ordered that it be copied. He was Poggio Bracciolini, the greatest book hunter of the Renaissance. His discovery, Lucretius' ancient poem On the Nature of Things, had been almost entirely lost to history for more than a thousand years.
It was a beautiful poem of the most dangerous ideas: that the universe functions without the aid of gods, that religious fear is damaging to…
I’m a historian and writer who strives to combine the history of science and medicine, the study of visual culture, and cultural history in my work. Although I hated being dragged round art galleries and museums as a child, something must have stuck, laying the foundations for my interest in using images and artefacts to understand both the past and the present. Since the early 1990s I’ve been writing about portraits, how they work, and why they are important—I remain gripped by the compelling ways they speak to identity. It was a privilege to serve as a trustee of the National Portrait Gallery in London between 2001 and 2009.
This book is simply brilliant. I first read it in the 1980s and return to it often for inspiration and to remind myself of its piercing lucidity. Beautifully written, clear, thoughtful, and direct, it expresses a way of looking at art and visual culture that can be applied to other times and places. Baxandall explores the social relationships and practices out of which works of art emerge, connecting the way paintings look with the society in which they were made. He robustly criticises simplistic approaches to the art of the past and shows how we can think differently and understand more. I have deep admiration for Michael Baxandall, whose writings encourage readers to reflect on their own visual skills and habits, how and where they have acquired them.
This book is both an introduction to fifteenth-century Italian painting, and a primer in how to read social history out of the style of pictures. It examines the commercial practice of the early Renaissance picture, trade in contracts, letters, and accounts; and it explains how the visual skills and habits evolved in the daily life of any society enter into its painters' style. Renaissance painting is related for instance to experience of such activities as preaching, dancing, and gauging barrels.
This second edition contains an appendix, the original Latin and Italian texts referred to throughout the book, giving the student…
I am an art historian from Rome and a professor at the University of Virginia, where I also served as associate dean for the arts and humanities and chair of the art department. Ever since as an undergraduate I heard a lecture from a professor on how important science was for Renaissance artists, I have been fascinated with this topic. I look at scientific images, such as maps and diagrams, as works of art, and interpret famous paintings, such as Leonardo da Vinci’s Mona Lisa, as scientific experiments. Among my books are The Marvel of Maps: Art, Cartography and Politics in the Renaissance, The Shadow Drawing. How Science Taught Leonardo How to Paint, and the digital publication Leonardo da Vinci and His Treatise on Painting.
Most art in the Renaissance was commissioned by specific patrons and this book superbly illustrates the complex interaction among patron, artist, and society by focusing on the greatest patron of art and architecture in fifteenth-century Florence. Cosimo de’ Medici was the most powerful figure in the city’s political and economic life, a fabulously wealthy banker, a devout Christian, but he had also an impeccable nose for great art. With the help of about 200 images, the book examines the religious, personal, and dynastic motivations behind Cosimo’s artistic patronage, both his direct commissions for the Medici palaces, villas, and chapels as well as his active involvement in the works officially commissioned by the republic. What you’ll get out of this book is a profound understanding of how art was commissioned, created, and viewed in Renaissance Florence.
Cosimo de' Medici (1389-1464), the fabulously wealthy banker who became the leading citizen of Florence in the fifteenth century, spent lavishly as the city's most important patron of art and literature. This remarkable book is the first comprehensive examination of the whole body of works of art and architecture commissioned by Cosimo and his sons. By looking closely at this spectacular group of commissions, we gain an entirely new picture of their patron and of the patron's point of view. Recurrent themes in the commissions-from Fra Angelico's San Marco altarpiece to the Medici Palace-indicate the main interests to which Cosimo's…
I am an art historian from Rome and a professor at the University of Virginia, where I also served as associate dean for the arts and humanities and chair of the art department. Ever since as an undergraduate I heard a lecture from a professor on how important science was for Renaissance artists, I have been fascinated with this topic. I look at scientific images, such as maps and diagrams, as works of art, and interpret famous paintings, such as Leonardo da Vinci’s Mona Lisa, as scientific experiments. Among my books are The Marvel of Maps: Art, Cartography and Politics in the Renaissance, The Shadow Drawing. How Science Taught Leonardo How to Paint, and the digital publication Leonardo da Vinci and His Treatise on Painting.
There are millions of great guidebooks on Florence, but none is more entertaining, informative, and lively than Eve Borsook’s. An American art historian who lived in the city for most of her life, she unravels Florence's history, art, and politics with verve, knowledge, and insight. As one would expect in a guide, she describes systematically the city, a chapter for each neighborhood, each chapter starting with detailed descriptions of its most interesting streets, squares, buildings, and works of art. But what makes this guide invaluable are Borsook’s commentaries that follow her informative descriptions. I suggest you read this book before you go to Florence, plan your visit according to her chapters, and then, once in Florence, after you have seen the works she describes, read again the chapter on the neighborhood you visited that day. Renaissance Florence and the people who lived in it will come to life for you…
This is a book to read before you go, to carry with you and to re-read on your return. SPECTATOR
A sure and illuminating guide. SUNDAY TIMES
The city state of Florence led the rest of the western world in art, science and political idealism in the middle ages. This early richness, the importance of the achievements of its famous sons, including Dante, Giotto, Leonardo and Michelangelo, the great quantity of visible remains, make Florence as a city to visit both alluring and challenging.
In true Companion Guide manner, this book describes, with the knowledge and insight distilled from long…
I find myself drawn to stories about second chances and starting over because I find that, as a reader, I feel empowered whenever a character I have come to care about rises above their circumstances. I've always been drawn to characters who overcome, who find their own way in difficult times, and who do so with honor and integrity, especially when faced with adversaries who may be bigoted, self-absorbed, or even dangerous. I am drawn more to historical or exotic settings or even quirky everyday places, but I love writers who create almost an additional character with their sense of setting, giving it its own personality.
This book is a richly historical novel set in Renaissance Italy. The main character, Lucrezia, must use her wits in a world where her only value is her dynastic marriage and the heir she is duty-bound to produce.
I loved the imagery of her as a canary in a golden cage, which is really a prison. The book is richly descriptive and historically evocative, and the ending provides an unexpected conclusion that left me cheering.
WOMEN'S PRIZE FOR FICTION FINALIST • REESE’S BOOK CLUB PICK • NEW YORK TIMES BEST SELLER • The author of award-winning Hamnet brings the world of Renaissance Italy to jewel-bright life in this unforgettable fictional portrait of the captivating young duchess Lucrezia de' Medici as she makes her way in a troubled court.
“I could not stop reading this incredible true story.” —Reese Witherspoon (Reese’s Book Club Pick)
"O’Farrell pulls out little threads of historical detail to weave this story of a precocious girl sensitive to the contradictions of her station...You may know the history, and you may think you…
I teach the histories of early modern Europe and European worlds at Macquarie University in Sydney, Australia. I developed a fascination for the period and, especially, for the Italian Renaissance as an undergraduate before going on to complete a PhD at Northwestern University in the United States. I love the contradictions and tensions of the period: a society and culture in transition from what we call medieval understandings and worldviews to what we see as more modern ones. These are some of the books that helped to fuel my passion for Renaissance Italian history and to answer some of my questions about what life was really like in Renaissance Italy.
This book, more than any other, inspired me to become a historian of Renaissance Italy.
Richard Trexler reveals that, far from being secular minded, the inhabitants of Florence relied on religion, ritual behavior, and charisma to create and maintain urban life, social values, and civic order.
By turns anthropological as well as historical, Trexler uncovers the ritual behaviors and practices that tied the city together from the level of the cosmos to the everyday relations between friends, neighbors, and family members. The central purpose of all public ritual in Florence served to overcome the inherent weakness of a republican government in a world of gods and kings.
Covering the history of Renaissance Florence from the fourteenth century to the beginnings of the Medici duchy, Richard C. Trexler traces collective ritual behavior in all its forms, from a simple greeting to the most elaborate community festival. He examines three kinds of social relationships: those between individual Florentines, those between Florentines and foreigners, and those between Florentines and God and His saints. He maintains that ritual brought life to the public world and, when necessary, reformed public life.
I’m a historical fiction author but have always enjoyed actually making things as well as writing. In the past, I was a theatre designer, so I was often immersed in recreating antique objects for the stage. Our versions weren’t the real thing–but it meant researching old crafts and then imitating them to build a convincing fake version. My research filled me with great admiration and respect for the real craftsmen of the past–their skill and artistry, and I only have to look at our old cathedrals–so lovingly created, to be inspired all over again.
Every Renaissance fan loves a bit of Leonardo, don’t they? And I was intrigued by the relationship between the older, established artist Leonardo and the hot-headed Michelangelo.
This is a brilliantly written book with lots of glorious details about art and painting. These are two giants of their time, and it was a brave subject to tackle–Storey manages to convey their intellect as well as their art.
Reading about the sheer labour involved in carving a block of stone into something human was really awe-inspiring, and Stephanie Storey does a great job of getting inside the heads of these two men.
In her brilliant debut, Storey brings early 16th-century Florence alive, entering with extraordinary empathy into the minds and souls of two Renaissance masters, creating a stunning art history thriller. From 1501 to 1505, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself.
Michelangelo is a virtual unknown when he returns to Florence and wins the commission to carve what will become one of the most famous sculptures of all…
I teach the histories of early modern Europe and European worlds at Macquarie University in Sydney, Australia. I developed a fascination for the period and, especially, for the Italian Renaissance as an undergraduate before going on to complete a PhD at Northwestern University in the United States. I love the contradictions and tensions of the period: a society and culture in transition from what we call medieval understandings and worldviews to what we see as more modern ones. These are some of the books that helped to fuel my passion for Renaissance Italian history and to answer some of my questions about what life was really like in Renaissance Italy.
Alessandro de’ Medici was the first member of his famous family to rule the city of Florence as a titled prince. He was also, possibly, the first person of African descent to rule a European state.
Illegitimately born, his father was a Medici duke, and his mother may have been an enslaved African. In this highly readable book, Catherine Fletcher uses meticulous archival research to present the most detailed account of the life of Alessandro yet produced.
The book examines the glittering excesses of court life in sixteenth-century Florence and Rome, and the intrigues and jealousies behind this façade, while recovering the life of a previously obscure figure. Examining a time and place I know well, I found this an engaging story, well told.
'Nothing in sixteenth-century history is more astonishing than the career of Alessandro de' Medici' (Hilary Mantel).
*Selected as a Book of the Year 2016 in The Evening Standard*
In The Black Prince of Florence, a dramatic tale of assassination, spies and betrayal, the first retelling of Alessandro's life in two-hundred years opens a window onto the opulent, cut-throat world of Renaissance Italy.
The year is 1531. After years of brutal war and political intrigue, the bastard son of a Medici Duke and a `half-negro' maidservant rides into Florence. Within a year, he rules the city as its Prince. Backed by…
I’m a book lover from in utero. My mom was an avid and very fast reader, and I grew up finding respite, insight, and understanding in the pages of books. When I went to college, I studied English, and then got a Masters in literature before going on to learn more about writing the books I loved in an MFA program. This formal education just built on what I already knew – books are my first love, my guide through life, and often, the things that save me from the darkest moments of this world.
This book has everything – a charming bookshop with an even more charming and mysterious owner. A secret society. An every-person type who gets drawn into a strange and dangerous world of bookish legacy. The book is twisty and cryptic while also being absolutely accessible and fascinating, and I want to now read everything Robin Sloan has ever written.
A gleeful and exhilarating tale of global conspiracy, complex code-breaking, high-tech data visualization, young love, rollicking adventure, and the secret to eternal life—mostly set in a hole-in-the-wall San Francisco bookstore
The Great Recession has shuffled Clay Jannon out of his life as a San Francisco Web-design drone—and serendipity, sheer curiosity, and the ability to climb a ladder like a monkey has landed him a new gig working the night shift at Mr. Penumbra's 24-Hour Bookstore. But after just a few days on the job, Clay begins to realize that this store is even more curious than the name suggests. There…
I’ve always been fascinated by books since a young age. Not just reading the stories but also how they’re written, the cover design, literary agents, and the publishing industry in general. I’ve written five novels (four of which are USA Today bestsellers) and my work has been translated into twenty-five languages worldwide. My second novel, Rise & Shine, Benedict Stone, was made into a Hallmark movie in 2021. I still get excited about generating ideas for characters to take on unusual and joyous journeys of discovery. I’m a huge fan of reading books about the craft of writing, and I especially love novels about bookshops and libraries.
This non-fiction book is uplifting, funny, and heartbreaking in equal measure as Shaun Bythell shares his diary of owning Scotland’s biggest second-hand book store. We get to meet the eccentric readers who frequent his bookshop and learn first-hand about the struggles of owning a small business, and the importance of books and the community.
Love, Nina meets Black Books: a wry and hilarious account of life in Scotland's biggest second-hand bookshop and the band of eccentrics and book-obsessives who work there
'The Diary Of A Bookseller is warm (unlike Bythell's freezing-cold shop) and funny, and deserves to become one of those bestsellers that irritate him so much.' (Mail on Sunday)
'Utterly compelling and Bythell has a Bennett-like eye for the amusing eccentricities of ordinary people ... I urge you to buy this book and please, even at the risk of being insulted or moaned at, buy it from a real live bookseller.' (Charlotte Heathcote…
