Here are 100 books that The Ashgate Research Companion to Monsters and the Monstrous fans have personally recommended if you like
The Ashgate Research Companion to Monsters and the Monstrous.
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What could possibly captivate the mind more than monsters? As a kid, I eagerly consumed books from authors like R.L. Stine, Stephen King, and HP Lovecraft. I watched George Romero, Wes Craven, and John Carpenter, and played games like Dungeons and Dragons, Vampire: The Masquerade, andThe Call of Cthulhu.When I discovered monster studies in my PhD years—a way to read monsters as cultural productions that tell us something about the people that create them—I was hooked. Ever since, I get to continue reading my favorite books, watching my favorite movies, and playing my favorite games. It’s just that now someone’s paying me to do it.
There aren’t many discussions in my field that don’t at least nod to, if not begin with, Cohen’s contribution, "Monster Culture". Cohen lays out a way to think about monsters as embodiments of culture that has been invaluable to their study, a way to “mine” monsters for the cultural “gold” from which they are made. While the field has expanded since Cohen, it should be the starting point for anyone seriously interested in monstrosity. There are also stand-out chapters on a variety of topics, from Frankensteinand Jurassic Park to Beowulfand the perception of medieval Muslim monstrosity.
Monsters provide a key to understanding the culture that spawned them. So argues the essays in this wide-ranging collection that asks the question, what happens when critical theorists take the study of monsters seriously as a means of examining our culture? In viewing the monstrous body as metaphor for the cultural body, the contributors consider beasts, demons, freaks, and fiends as symbolic expressions of very real fears and desires, signs of cultural unease that pervade society and shape its collective behaviour. Through a sampling of monsters as a conceptual category, these essays argue that our fascination for the monstrous testifies…
What could possibly captivate the mind more than monsters? As a kid, I eagerly consumed books from authors like R.L. Stine, Stephen King, and HP Lovecraft. I watched George Romero, Wes Craven, and John Carpenter, and played games like Dungeons and Dragons, Vampire: The Masquerade, andThe Call of Cthulhu.When I discovered monster studies in my PhD years—a way to read monsters as cultural productions that tell us something about the people that create them—I was hooked. Ever since, I get to continue reading my favorite books, watching my favorite movies, and playing my favorite games. It’s just that now someone’s paying me to do it.
Ok, you’ve read Cohen and Monsters and the Monstrous. This monster stuff is getting pretty good, and you might be able to feel around the edges a bit. How does it apply to contemporary America which “no longer believes in monsters?” This is where Poole’s book comes in. Poole walks through monstrosity in the US from Columbus’ first steps to just shy of 2020. All the juicy topics that Americans have used monsters for—sex, race, and politics—emerge in this monstrous tour de forceof US history. This is one of the first books I recommend to my students.
Monsters arrived in 2011aand now they are back. Not only do they continue to live in our midst, but, as historian Scott Poole shows, these monsters are an important part of our pastaa hideous obsession America cannot seem to escape. Poole's central argument in Monsters in America is that monster tales intertwine with America's troubled history of racism, politics, class struggle, and gender inequality. The second edition of Monsters leads readers deeper into America's tangled past to show how monsters continue to haunt contemporary American ideology. By adding new discussions of the American West, Poole focuses intently on the Native…
What could possibly captivate the mind more than monsters? As a kid, I eagerly consumed books from authors like R.L. Stine, Stephen King, and HP Lovecraft. I watched George Romero, Wes Craven, and John Carpenter, and played games like Dungeons and Dragons, Vampire: The Masquerade, andThe Call of Cthulhu.When I discovered monster studies in my PhD years—a way to read monsters as cultural productions that tell us something about the people that create them—I was hooked. Ever since, I get to continue reading my favorite books, watching my favorite movies, and playing my favorite games. It’s just that now someone’s paying me to do it.
Part theory, part media analysis, and all awesome, Nelson’s work traces the rise of the “Protestant Gothic” tradition in the United States and the way in which this dark and gloomy literary tradition came to inform most of the media we consume today. From zombies to vampires, HP Lovecraft to Guillermo del Toro, Nelson reveals the ways that the Protestant Gothic has shaped modern literature, television, and film into a space of religious imagining that we don’t even recognize.
The Gothic, Romanticism's gritty older sibling, has flourished in myriad permutations since the eighteenth century. In Gothicka, Victoria Nelson identifies the revolutionary turn it has taken in the twenty-first. Today's Gothic has fashioned its monsters into heroes and its devils into angels. It is actively reviving supernaturalism in popular culture, not as an evil dimension divorced from ordinary human existence but as part of our daily lives.
To explain this millennial shift away from the traditionally dark Protestant post-Enlightenment Gothic, Nelson studies the complex arena of contemporary Gothic subgenres that take the form of novels, films, and graphic novels. She…
I grew up religious but loving scary things—horror movies, scary comic books, Dark Shadows, andThe Twilight Zone. Even the music of Alice Cooper. While I’m no longer religious, I have a doctorate in religious studies and I still have a fascination with media that cause fear. I also write horror stories. BeyondHoly HorrorI have written two more books on religion and horror and I read every book about this odd combination as soon as I can get my hands on it. I believe you should never judge people by their tastes in media—they can be decent folk even if they like horror.
Religion and Its Monsters started this whole conversation.
Timothy Beal successfully transitioned from an author of academic books to an author of trade books, and this one shows how he did it. He selected two unexpectedly compatible subjects and demonstrated that they lurk in the same mental spaces.
I was inspired by this book to allow myself to reclaim my childhood interest in monsters as an adult. If serious scholars wrote about such things, why shouldn’t I read about them?
Unfortunately, Beal never followed up with another book on the topic.
Religion's great and powerful mystery fascinates us, but it also terrifies. So too the monsters that haunt the stories of the Judeo-Christian mythos and earlier traditions: Leviathan, Behemoth, dragons, and other beasts. In this unusual and provocative book, Timothy K. Beal writes about the monsters that lurk in our religious texts, and about how monsters and religion are deeply entwined. Horror and faith are inextricable. Ans as monsters are part of religious texts and traditions, so religion lurks in the modern horror genre, from its birth in Dante's Inferno to the contemporary spookiness of H.P. Lovecraft and the Hellraiser films.…
I write books for young readers about history, science, and nature. I lived in Japan for six years and became fascinated with Japanese history—particularly the late 12th-century civil war recounted in the medieval classic The Tale of the Heike. I especially loved stories about Minamoto Yoshitsune, the warrior who won the war but was destroyed by his elder brother Yoritomo, who became the first Shogun and kicked off the 700-year reign of the samurai. I spent two years researching Samurai Rising: The Epic Life of Minamoto Yoshitsune and loved every minute of it. I’m also a second-degree black belt in kendo (Japanese sword fighting).
The perfect companion piece to The Tale of Genji, The Tale of Murasaki is a modern historical novel about Murasaki Shikibu (author of The Tale of Genji). Author Liza Dalby is a scholar of Japanese culture as well as the only Westerner ever to become a geisha. A meticulously researched, evocative window into Heian Japan.
The Tale of Murasaki is an elegant and brilliantly authentic historical novel by the author of Geisha and the only Westerner ever to have become a geisha.
In the eleventh century Murasaki Shikibu wrote the world’s first novel, The Tale of Genji, the most popular work in the history of Japanese literature. In The Tale of Murasaki, Liza Dalby has created a breathtaking fictionalized narrative of the life of this timeless poet–a lonely girl who becomes such a compelling storyteller that she is invited to regale the empress with her tales. The Tale of Murasakiis the story of an enchanting…
I have lived in Japan for the last 30 years but my love for manga, anime, and games is much older and dates back to when UFO Robot Grendizer was first shown on Italian TV a fateful summer evening in 1978. Many years later, I was able to turn my passion for all things Japanese into a job and now I regularly write about politics, society, sports, travel, and culture in all its forms. However, I often go back to my first love and combine walking, urban exploration, and my otaku cravings into looking for new stores and visiting manga and anime locations in and around Tokyo.
This book came out only a few years after my first encounter with anime and just blew me away, introducing me to a completely different world – a world that at the time was mostly out of reach because Western translations were still rare.
Having been published in 1983, it may be considered outdated, but manga translator and historian Frederick Schodt is a master narrator and does a great job of explaining how Japanese comics evolved during manga’s golden age. Now we can find any kind of information on the internet, but Schodt’s thorough analysis and engaging prose are second to none.
If you are into cultural history and like to go beyond simple manga talk, this is still a must-read.
Illustrated with the most representative examples of the genre, this book in English explores the world of Japanese comics. Since first published in 1983, Manga! Manga!: The World of Japanese Comics has been the book to read for all those interested in Japanese comics. It is virtually the bible' from which all studies and appreciation of manga begins. More than that, given the influence of Japanese manga on animation and on American-produced comics as well, Manga! Manga! provides the background against which these other arts can be understood. The book includes 96 pages'
I write novels that enthrall, enrich, and enliven you. I've been student of Buddhism for more than thirty years and spend long periods of time with the most generous Tibetan Buddhist nuns in their monasteries in the remote Himalayas, relishing the solitude and contemplative life. Their tales of resilience are an enormous inspiration to me. The biographies of Western Buddhist women I’ve selected are everything I look for in ‘great writing’. The stories are engaging and entertaining, but also make us pause and reflect to appreciate the astonishing opportunities of the privileged times we live in, and challenge us once again to be and do better—every moment of this precious life.
This is a diary of an English woman who moved to Japan in the 1950s to study Zen at one of the most prestigious temples at the time and become the first female to be sanctioned by the Soto School of Japan to teach in the West. The diary takes us through her years of arduous training in Japan, through the challenges that beset her, and gives a truly moving account of her brilliant mindset throughout her grueling ordeal to become a Zen priest.
This book, first published as two volumes in 1977 and 1978, was published purely for the purpose of showing how Buddhist training was done by the Reverend Jiyu-Kennett in the Far East. The material for the book was taken from diaries covering eight years spent by the author in Far Eastern temples, and describe her religious training and her growth of a Zen priest into a teacher, running her own temple.
In 2000, I entered the University of California, Irvine as an assistant professor. Suddenly faced with multiple research projects, courses, committees, grant-writing, and student mentoring, I found myself switching screens and tasks like crazy. But I was also glued to my computer. I began to wonder if this was normal? Trained as a psychologist, I decided to study empirically what was happening to our attention. I began research over two decades on attention and discovered how our attention spans have shrunk over time (to a mere average of 47 seconds). Fast forward, I've continued to study our relationships with our technology, uncovering different types of attention and busting myths associated with focus and productivity.
When I visited Asian countries of China, Japan, Korea, and Singapore, food was always a highlight. But what also stood out for me was the social nature of eating. I was also struck by the simple gestures of people that indicated politeness and respect. We might think of culture as influencing behavior, but this book argues that culture can penetrate our thinking.
Nisbett contrasts how eastern and western cultures think differently about context, the individual vs. the group, and our relationship to the environment, among other differences.
In our age of the Internet, cultural differences on the surface may be eroding globally but there may be deeper influences of culture on thought that are harder to erase.
An award-winning professor of psychology examines the divergent ways in which eastern and western cultures view the world, offering suggestions about how today's interdependent global cultures may be bridged. Reprint. 15,000 first printing.
I have been designing and building furniture professionally since before 1976. From the beginning I’ve had an avid interest in what might be called “appropriate technologies”— when to use a hand tool or power tool — that is, for a specific use, which one gives the best results for the least time and effort? If you read the journals of 18th Century woodworkers you’ll find they were unbelievably fast —using only hand tools. I believe that by the 1970s much of that knowledge and many of the tools themselves had been lost. I set out to rediscover them.
This is the definitive book in English on Japanese woodworking handtools. Anyone who is or contemplates using Japanese handtools — and I strongly suggest that you take a second look at them if you haven’t already as there are a number of them that are superior in their performance to their western counterparts —needs to be familiar with this book.
The classic work on the tools and spirit of the Japanese master craftsman.
In Japan, a woodworker spends years learning to use his tools with great speed and skill. Only after he has proved his mastery can he proudly call himself a shokunin, a master craftsman.
Japanese Woodworking Tools brings the traditions and training of the shokunin to the Western world. Calling on his own apprenticeship as a tategu-shi (sliding-door maker), and on 40 years of woodworking experience, Toshio Odate here offers a complete guide to Japanese tools: thin saws that cut on the pull stroke, laminated chisels with hollowed…
I freely admit to reading romances―"Nurse Janes," as one of my teachers used to call them―whenever I need a break from heavier material or just from life. While I have some favorite authors (who doesn't?), I do not limit myself to any particular era or style of romance. To me, romance has many shades and flavours, and I enjoy them all. Believe you me, choosing just five to recommend was no piece of cake.
I know, it sounds absurd to recommend a book entitled Heller with a Gun as a romance. But in fact many books of the Western genre have all the elements of romance along with the ultra-American setting, action, and adventure that gave them their own niche. In this particular book, I found the Mr./Miss Right versus Mr./Miss Wrong dilemma and could not put the book down until the problem resolved itself in classic Western style.
Tom Healy was in trouble. His theatrical troupe needed to get to Alder Gulch, Montana, and the weather was turning. Andy Barker promised Tom he could get them there safely, but Tom was reluctant to trust him: he had the lives of three actresses to consider, and his personal feelings for Janice further heightened his concern. Then King Mabry showed up. Although Tom didn’t like the way he looked at Janice, he could see that Mabry made Barker uneasy. So Tom invited Mabry to join them. Tom was right to be worried, because Barker had a plan. He knew that…
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