100 books like Textual Exposures

Gertrude (Trudi) Blom (1901-1993) was a Swiss journalist, photographer, and environmental activist who went to the rain forest of Chiapas, the Mexican state bordering Guatemala, to work with the Lacandon people, a community of indigenous Mayas. 

Blom was there for almost forty years, between 1941 and 1979, documenting the lives and culture of the Lacandons. Her photographs show an intense love for a vanishing culture and landscape—the lush natural environment of the Lacandons as well as their activities: agriculture, hunting, religious customs, and family structures.

Blom’s late photos document the increasing pressure on their ecosystem, and thus their way of life. These photographs inspired me to learn more about the rich cultures of Mexico’s indigenous people, and to do what we can to protect their fragile environments.

Graciela Iturbide (b. 1942) is Mexico’s most important living photographer. 

Her photographs document indigenous and mestizo groups on the isthmus of Tehuantepec, including photos of Frida Kahlo dressed in the blouses (huipiles) of the women of Tehuantepec, who are known for their strength. Her work offers insights into the daily lives and customs of the Seri, Juchitán, and Mixtec people: their exuberant fiestas, processions, and most importantly, their daily lives.

She depicts animals, birds, and plants with as much sensitivity as she does people, always callng attention to the relationship of her subjects to natural phenomena. The photographs in this book were exhibited at the Museum of Fine Arts, Boston, and there are a number of other books of Iturbide’s photographs if this one isn’t available. Her images will take your breath away.

The Mexican Revolution was photographed by many photographers, foreigners as well as Mexicans, whose photographs were collected by news agencies and distributed immediately in newspapers, sometimes even as the fighting was going on. Their photos record defining moments in Mexico’s history, and offer portraits of its participants: soldiers and camp followers (women and children), as well as iconic leaders Pancho Villa and Emiliano Zapata, among others. 

I love this book because it is written by a woman who lived her whole life in Mexico, experienced events of the Revolution, and knew many of its participants. Her personal account is accompanied by 184 photos that enhance her text and make events and people come alive.

The importance of this Revolution cannot be exaggerated. It engulfed much of Mexico for at least two decades (1910-1930), and claimed between 2 and 3.5 million lives. Troops advanced on horseback and trains, in dusty fields… show more.

Having read The Winds that Swept Mexico and seen the amazing photographs in that book, you’ll want to know more about the photographers who risked their lives to accompany Mexican troops in battle and in haphazard camps waiting for something to happen.

This book includes many photographs, but focusses on the history of the Revolution as shown in those photographs, and the processes of photography itself:  how photographers worked in the early twentieth century in the midst of war, and how their photographs were collected and published as the Revolution raged on.

John Mraz is an excellent “visual historian.” I admire the way he explains how photographers got their “shots” of mounted revolutionaries and battles and camp followers—the sweethearts and wives and children who followed the troops, cooked for them, and sometimes tended to their wounds.

Mraz also explains how their photographs became instant propaganda for particular leaders and causes—and… show more.

This book is key to learning how to make the most of the camera-and-lens combination that is the photographer’s toolset and “paintbrush.”

Bryan Petersen explains the key concepts of photographic exposure in a way that is simple and unforgettable. This book also opens the portals to an experimental and open-ended approach to taking the most advantage of the creative potential that can be achieved when one works with exposure.

When I was writing my book on Polaroid photography, people often asked me about Polaroid as an art form. I gave some examples but said there’s so much more to it than that. I’m interested in the ways that photography isn’t just something we look at but something that makes things happen, changing who we are, what we do, and where we go. 

This book shows us how much more there is to photography than art. I especially like how the book does this in short, stylish essays, introducing lots of different voices and perspectives, including photographers, curators, scientists, publishers, writers, and anthropologists.

Miller was one of the great combat photographers of WWII, but she also documented the social consequences of the conflict, particularly the lives of women on the European front. She would also write about what she saw for British Vogue. She photographed Martha Gellhorn in London in 1943 as part of a series about women correspondents. 

In addition to an introduction by Miller’s son, Antony Penrose, Roberts provides insightful commentary that places each image within the context of women’s roles throughout the landscape of war.

In Flags of Our Fathers, James Bradley recounts a story not so unlike my own and many other sons born of this generation of leathernecks. James is the son of John Bradley, who served on Iwo Jima as a corpsman and was awarded the Navy Cross for his service. He also was one of the boys who raised the flag on Mount Suribachi.

Flags is the result of James Bradley’s research and interviews with survivors of the battle for Iwo Jima, after his father’s passing. At times Flags reads like an action thriller, its battle sequences authentic not only in their depiction of all the clichés Hollywood made famous in the 1950s but in its realism of the true horrors of war, and the impact it had on the survivors.

I wish I’d written this book. I’ve always been fascinated by instructional guides for amateur photographers and the rules they set out to get a ‘good picture.’ I’ve followed many of these rules myself over the years, but what this great book shows is that the rules are constantly changing.

What made a good picture in 1930 is not the same as in 1950 or 1970. This book tells this story in fifty short and punchy chapters, and it has great pictures on virtually every page.

A short and quick read set in the real world, this book pits a belief in science against an unexplainable supernatural element. We learn about photography and 1870s New York City while getting lost in a haunting ghost story.

Unlike many fantasies, this main character, Horace, fights a long time before he gives in to the possibility of a spirit realm. I enjoyed his battle with himself as he reasoned through it.