Fans pick 100 books like Gertrude Blom

Graciela Iturbide (b. 1942) is Mexico’s most important living photographer. 

Her photographs document indigenous and mestizo groups on the isthmus of Tehuantepec, including photos of Frida Kahlo dressed in the blouses (huipiles) of the women of Tehuantepec, who are known for their strength. Her work offers insights into the daily lives and customs of the Seri, Juchitán, and Mixtec people: their exuberant fiestas, processions, and most importantly, their daily lives.

She depicts animals, birds, and plants with as much sensitivity as she does people, always callng attention to the relationship of her subjects to natural phenomena. The photographs in this book were exhibited at the Museum of Fine Arts, Boston, and there are a number of other books of Iturbide’s photographs if this one isn’t available. Her images will take your breath away.

The Mexican Revolution was photographed by many photographers, foreigners as well as Mexicans, whose photographs were collected by news agencies and distributed immediately in newspapers, sometimes even as the fighting was going on. Their photos record defining moments in Mexico’s history, and offer portraits of its participants: soldiers and camp followers (women and children), as well as iconic leaders Pancho Villa and Emiliano Zapata, among others. 

I love this book because it is written by a woman who lived her whole life in Mexico, experienced events of the Revolution, and knew many of its participants. Her personal account is accompanied by 184 photos that enhance her text and make events and people come alive.

The importance of this Revolution cannot be exaggerated. It engulfed much of Mexico for at least two decades (1910-1930), and claimed between 2 and 3.5 million lives. Troops advanced on horseback and trains, in dusty fields… show more.

Having read The Winds that Swept Mexico and seen the amazing photographs in that book, you’ll want to know more about the photographers who risked their lives to accompany Mexican troops in battle and in haphazard camps waiting for something to happen.

This book includes many photographs, but focusses on the history of the Revolution as shown in those photographs, and the processes of photography itself:  how photographers worked in the early twentieth century in the midst of war, and how their photographs were collected and published as the Revolution raged on.

John Mraz is an excellent “visual historian.” I admire the way he explains how photographers got their “shots” of mounted revolutionaries and battles and camp followers—the sweethearts and wives and children who followed the troops, cooked for them, and sometimes tended to their wounds.

Mraz also explains how their photographs became instant propaganda for particular leaders and causes—and… show more.

Photographs pretend to replicate the real, as do literary fictions, and yet both media also create their own “realities”.

This book explores how photographs, placed in fictional narratives, can distort and deceive characters (and the reader) or, to the contrary, illustrate and illuminate the story. Photographs in the hands of writers can create alternative “realities” within the fictional world or reveal the truth! 

A primary example of the use of photography in fiction is the Argentine writer Julio Cortázar’s famous story “Blow up,” which was made into a movie—now a classic—directed by Michelangelo Antonioni. In Dan Russek’s book, we see a number of such “mixed media” fictions.

I love Latin American photography, and I love seeing how Latin American novelists engage this powerful medium for their own literary purposes.

This book reads like a thriller. The first time I read it, I just couldn't put it down. And every time I reread it, as history unfolds in Latin America, I see how this classic book about the U.S. overthrow of the legitimately elected government in Guatemala in 1954 is actually describing the fundamental basis of intervention in the Cold War that laid the ground for so many of the region's dictatorship.

Bitter Fruit is a brilliant piece of investigation and a story well-told.

I love it as a tale of heroism, youthful idealism, success, defeat, death over and over. I first read the final chapter of this book in an excerpt after which I ordered it immediately. I had been curious about the real story behind this highly intelligent icon. Disturbing and illuminating, this book shows how driven, outright murderous in the name of revolution, Che was and how this catapulted Fidel and the Cuban revolutionaries to victory over Fulgencio Batista. I had such empathy for Che as I read through his life that I couldn’t reread the final chapter about his brutal prolonged death.

June Carolyn Erlick, editor-in-chief for ReVista, the Harvard Review of Latin America, casts a seasoned journalist’s eye on the 1980 abduction of  Guatemalan journalist Irma Flaquer. Returning home, Flaquer was pulled from her car and was never seen again. Flaquer, a popular and respected journalist with an influential column, Lo Que Otros Callan or "What Others Don't Dare Write",  was also the founder of the first Guatemalan Human Rights Commission. Throughout her career, Flaquer survived beatings, car bombs, and drive-by assassination attempts that did not daunt her from doing her job as a reporter to expose Guatemalan suffering at the hands of their corrupt U.S.-backed government and the cost the Guatemalan people paid as Cold War pawns.

Another deeply insightful book from Paul Theroux, On the Plain of Snakes explores the cultural richness and sometimes dangerous aspects of Mexico. With a forward style and charisma, he comes face to face with narcos, police, corruption, migrants, and the sometimes frightening indigenous culture. His writings are not just all darkness and gloom. He goes to great lengths to describe the importance of family in a country with virtually no social network. He talks with the educated, the poverty-stricken, and even meets the leader of the Zapatistas.  After reading On the Plain of Snakes' you will develop a new appreciation for our Mexican neighbors, particularly concerning migration and the border control issues that have dominated the US for too many years. This is a long arduous trip which Theroux makes thoroughly enjoyable. 

This is a great book written by an accomplished scholar later in his career and confident in his research and writing. Telling the tale of the uprising, and crushing, of Tomochic village, Vanderwood zooms into the smaller details of village life and pans out to nation-level decisions with remarkable panache. In a highly enjoyable way, he brings the reader into the action without omitting the broader historical relevance. The reader may enter this for the critique of the dictator’s late nineteenth-century armies, but they will keep reading to find the fate of the unfortunate “town son of a bitch.” 

No other book better encapsulates the evangelical spirit of neoliberal policies in the details of everyday life, including what it feels like to be arrested in the United States for being part of a gang, and ending up in a call center in Central America, only to be morally shamed for not working hard enough, as your corporate employer leverages the power of religion, and the threat of danger, to keep you trapped there.