Here are 100 books that Tears of Salt fans have personally recommended if you like
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I have taught a broad array of humanities and social sciences courses over the years, sometimes employing case studies from the realm of law, most notably stories about undocumented migrants, refugees, or homeless people. I’ve also had occasion to teach in law schools, usually in ways that bridge the gap between the legality of forced displacement, and the lived experiences of those who have done it. I won a Rockefeller Foundation grant to write my newest book, Clamouring for Legal Protection, in which I considered the idea that we can learn a lot about refugees and vulnerable migrants with references to people we know well: Ulysses, Dante, Satan, and even Alice in Wonderland.
This book addresses the well-known issue of refugees who are attempting to cross the Mediterranean Sea in order to gain refugee status in Europe, but it does so by adding historical detail that helps us to understand the legal issues pertaining to their flight. Mann links these overloaded vessels filled with desperate peoples to the actions of Jewish migrants to Palestine after WWII, Vietnamese 'boatpeople', Haitian refugees seeking to reach Florida, Middle Eastern migrants and refugees bound to Australia, and Syrian refugees currently crossing the Mediterranean, and then legal responses by states and international organizations to these movements. Along the way, he also helps us to understand the value of reading works by twentieth-century thinkers such as Hannah Arendt and Emmanuel Levinas, and other legal materials to form a rich account of an issue of increasing global concern.
This interdisciplinary study engages law, history, and political theory in a first attempt to crystallize the lessons the global 'refugee crisis' can teach us about the nature of international law. It connects the dots between the actions of Jewish migrants to Palestine after WWII, Vietnamese 'boatpeople', Haitian refugees seeking to reach Florida, Middle Eastern migrants and refugees bound to Australia, and Syrian refugees currently crossing the Mediterranean, and then legal responses by states and international organizations to these movements. Through its account of maritime migration, the book proposes a theory of human rights modelled around an encounter between individuals in…
I have taught a broad array of humanities and social sciences courses over the years, sometimes employing case studies from the realm of law, most notably stories about undocumented migrants, refugees, or homeless people. I’ve also had occasion to teach in law schools, usually in ways that bridge the gap between the legality of forced displacement, and the lived experiences of those who have done it. I won a Rockefeller Foundation grant to write my newest book, Clamouring for Legal Protection, in which I considered the idea that we can learn a lot about refugees and vulnerable migrants with references to people we know well: Ulysses, Dante, Satan, and even Alice in Wonderland.
This book assesses the value of liberal education, and the importance of (re) reading the so-called ‘classics,’ rather than resorting to short snippets of articles, YouTube videos, or chapters which make short and pointed arguments about specific issues. The great classics have changed Roosevelt Montás’s life in ways that are to me familiar, since I’ve enjoyed watching the fruits of liberal education as they transformed his life of my own students over the years.
A Dominican-born academic tells the story of how the Great Books transformed his life-and why they have the power to speak to people of all backgrounds
What is the value of a liberal education? Traditionally characterized by a rigorous engagement with the classics of Western thought and literature, this approach to education is all but extinct in American universities, replaced by flexible distribution requirements and ever-narrower academic specialization. Many academics attack the very idea of a Western canon as chauvinistic, while the general public increasingly doubts the value of the humanities. In Rescuing Socrates, Dominican-born American academic Roosevelt Montas tells…
I have taught a broad array of humanities and social sciences courses over the years, sometimes employing case studies from the realm of law, most notably stories about undocumented migrants, refugees, or homeless people. I’ve also had occasion to teach in law schools, usually in ways that bridge the gap between the legality of forced displacement, and the lived experiences of those who have done it. I won a Rockefeller Foundation grant to write my newest book, Clamouring for Legal Protection, in which I considered the idea that we can learn a lot about refugees and vulnerable migrants with references to people we know well: Ulysses, Dante, Satan, and even Alice in Wonderland.
Weinstein takes the age-old question – what is literature? – and transforms it into why we (would want to) read literature. For him, literature changes us, allows us to be someone else, and provides us insight into the world we inhabit, and many more worlds we haven’t. He reads a broad array of works, from Sophocles to James Joyce and Toni Morrison, and thinks about such issues as identification, empathy, and sympathy with those we come to ‘know’ through our reading.
Mixing passion and humor, a personal work of literary criticism that demonstrates how the greatest books illuminate our lives
Why do we read literature? For Arnold Weinstein, the answer is clear: literature allows us to become someone else. Literature changes us by giving us intimate access to an astonishing variety of other lives, experiences, and places across the ages. Reflecting on a lifetime of reading, teaching, and writing, The Lives of Literature explores, with passion, humor, and whirring intellect, a professor's life, the thrills and traps of teaching, and, most of all, the power of literature to lead us to…
When each of our older boys were in the midst of the college admissions process, our husbands suffered life-threatening health crises. It was such a bizarre coincidence that we both experienced intense brushes with mortality during this time of high anxiety. The juxtaposition between health and college admissions gave us a unique perspective and led us to explore the impacts of college admissions anxiety on families, friendships, students, and school communities. We had entirely plottedGirls With Bright Futuresand were nearly through the first draft when the Operation Varsity Blues college admissions scandal broke in March 2019. We felt like the headlines had been ripped from our manuscript!
When we set out on our writing journey to understand the impacts of college admissions anxiety on families, friendships, students, and school communities, Excellent Sheep: The Miseducation of the American Elite and the Way to a Meaningful Life, by William Deresiewicz, was one of the most insightful books we read. Deresiewicz does an outstanding job of tracing the history of the college admissions industrial complex, including the fascinating story behind the US News & World Report rankings, as well as the impact of airline deregulation and the break-up of Ma Bell on college admissions. If you’re trying to make sense of college admissions mania, this book is a great starting point.
As a professor at Yale, William Deresiewicz saw something that troubled him deeply. His students, some of the nation's brightest minds, were adrift when it came to the big questions: how to think critically and creatively and how to find a sense of purpose. Now he argues that elite colleges are turning out conformists without a compass.
Excellent Sheep takes a sharp look at the high-pressure conveyor belt that begins with parents and counsellors who demand perfect grades and culminates in the skewed applications Deresiewicz saw first-hand as a member of Yale's admissions committee. As schools shift focus from the…
I developed an interest in the Middle East after taking a class on the Peoples and Cultures of the Middle East and North Africa as an undergraduate student. I later lived and worked in Kuwait for two years and traveled extensively across the Middle East, including to Syria, a country whose hospitality, history, and cultural richness left an indelible impression on me. During subsequent travel to Syria, I became acquainted with the Palestinian refugee camp of Yarmouk, in Damascus. This camp, which physically blended into its surroundings while retaining its Palestinian-ness, ignited my desire to better understand Palestinian refugee identity and the political claims at the heart of this identity.
Kingsley’s The New Odyssey is a journalistic account of what became known during the 2015-2016 period as “Europe’s Refugee Crisis.” It brings a human face to the million or so refugees— a significant number of whom were from Syria, Afghanistan, and Iraq— who sought asylum in Europe by way of various irregular Mediterranean routes. By embedding himself with the refugees at the center of his book, Kingsley gives an intimate portrait of the reasons Europe became a destination for these refugees and of the violence and hardships they are subjected to at the hands of an unwelcoming Europe.The New Odyssey also provides an in-depth and nuanced portrait of the smugglers who, while by no means idealized in the book, are an easy scapegoat in European attempts to deflect responsibility for the suffering and death of migrants taking the irregular Mediterranean routes. Kingsley’s narrative balances a broad overview of the…
On the day of his son's fourteenth birthday, Hashem al-Souki lay somewhere in the Mediterranean, crammed in a wooden dinghy. His family was relatively safe-at least for the time being-in Egypt, where they had only just settled after fleeing their war-torn Damascus home three years prior. Traversing these unforgiving waters and the treacherous terrain that would follow was worth the slim chance of securing a safe home for his children in Sweden. If he failed, at least he would fail alone.
Hashem's story is tragically common, as desperate victims continue to embark on deadly journeys in search of freedom. Tracking…
I developed an interest in the Middle East after taking a class on the Peoples and Cultures of the Middle East and North Africa as an undergraduate student. I later lived and worked in Kuwait for two years and traveled extensively across the Middle East, including to Syria, a country whose hospitality, history, and cultural richness left an indelible impression on me. During subsequent travel to Syria, I became acquainted with the Palestinian refugee camp of Yarmouk, in Damascus. This camp, which physically blended into its surroundings while retaining its Palestinian-ness, ignited my desire to better understand Palestinian refugee identity and the political claims at the heart of this identity.
Syrian Women Refugeesis a good complement to the other books on this list because the stories that make up the book move beyond the violence, trauma, and suffering that the reader might expect from a book on refugees displaced by war. The book reads more like a story of nine Syrian women, who also happen to have been displaced by the Syrian war and to have become refugees. The women’s narratives take us into their childhood, their everyday life in pre-war Syria, and their experiences adapting to their new host countries. Through these women’s stories, which focus on topics like religion, family life, and gender dynamics, the reader gets rich cultural insight into life in Syria as well as in the host country. The reader also gets insight into the women’s own self-understanding and the extent to which war and forced displacement have impacted this understanding.
Based on original interviews, this book relates the experiences of nine Syrian women refugees and their perspectives on a range of subjects. Each narrative reveals a displaced woman's concept of the self in relation to memory, history, trauma and reconciliation within familial, international and cultural contexts. Their stories contribute to building bonds and promoting trust between locals and "strangers" who are often defined only by their status as refugees, and serve as a timely reminder that we too can become refugees through a sudden turn of events.
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, I’m lucky to love what I do—and so I enjoy most of what I read. But these books are special. They drew me in and wouldn’t let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
In Calais, France, on Europe’s northern edge, migrants from across the Middle East and Africa settled, hopeful that they would eventually make it across the English Channel.
While they waited, they built lives, relationships, and the ramshackle edifices that poverty permits—the ingredients of communities. Only to be attacked, sometimes by neighbors, other times by police. In this graphic novel, Evans brings Europe’s refugees to life in their humor, hope, and despair.
**LONGLISTED FOR THE ORWELL PRIZE FOR BOOKS 2018**
In the French port town of Calais, famous for its historic lace industry, a city within a city arose. This new town, known as the Jungle, was home to thousands of refugees, mainly from the Middle East and Africa, all hoping, somehow, to get to the UK. Into this squalid shantytown of shipping containers and tents, full of rats and trash and devoid of toilets and safety, the artist Kate Evans brought a sketchbook and an open mind. Combining the techniques of eyewitness reportage with the medium of comic-book storytelling, Evans has…
I developed an interest in the Middle East after taking a class on the Peoples and Cultures of the Middle East and North Africa as an undergraduate student. I later lived and worked in Kuwait for two years and traveled extensively across the Middle East, including to Syria, a country whose hospitality, history, and cultural richness left an indelible impression on me. During subsequent travel to Syria, I became acquainted with the Palestinian refugee camp of Yarmouk, in Damascus. This camp, which physically blended into its surroundings while retaining its Palestinian-ness, ignited my desire to better understand Palestinian refugee identity and the political claims at the heart of this identity.
This is another book that addresses Europe’s 2015-2016 “refugee crisis.” While Miliband also offers some insights into the experience of refugees seeking asylum in Europe, the focus of his book is on how current European policy betrays the values at the core of Europe’s recent history and self-understanding. Miliband weaves analysis of the predicament of mostly Middle Eastern and African refugees attempting to reach Europe through irregular Mediterranean routes with reflection on his parents’ experience as Jewish refugees fleeing Nazi Germany and seeking protection in England in the 1940s. The strength of Rescueis that it provides the reader with multiple frames of reference for thinking about what ought to be Europe’s response toward contemporary refugees, a significant number of whom are Muslims from the Middle East.
We are in the midst of a global refugee crisis. Sixty five million people are fleeing for their lives. The choices are urgent, not just for them but for all of us. What can we possibly do to help?
With compassion and clarity, David Miliband shows why we should care and how we can make a difference. He takes us from war zones in the Middle East to peaceful suburbs in America to explain the crisis and show what can be done, not just by governments with the power to change policy but by citizens with the urge to change…
I write strange, emotional novels from my book-filled apartment in Vancouver, a short walk from the ocean. This may be why I’m obsessed with islands. Or perhaps it’s because they evoke the feeling of being apart from the world, adrift, of protecting something rare. Whatever the reason, my novel takes place on an uncanny island off the coast of Mexico, where the locals drink tea in the afternoon and pray to skeletons hidden in caves. The story that unfolds on this island could not have taken place on the mainland, and I believe the same goes for the books on my list.
Steven Price creates a vision of crumbling palaces and waning tradition in this lush novel, and it’s a joy to lose oneself in its wistful poetry.
Set in post-WWII Sicily, this is the true story of an island’s last prince who is desperate to leave a legacy in a world that has already forgotten him. Every page is heavy with loss and longing—I found myself mourning a world that no longer existed, the decadent realm of Italian aristocrats that was shattered by the war, even though I didn’t identify with anything that world stood for. What I could understand, though, was the prince’s desire to create something beautiful among the waste, something that would outlive him.
Like Colm Tóibín’s The Master or Michael Cunningham’s The Hours, a novel about art and writing in the life of one of the greats
Set in a sun-drenched Sicily, among the decadent Italian aristocracy of the late 1950s, Steven Price’s Lampedusa explores the final years of Giuseppe Tomasi, the last prince of Lampedusa, as he struggles to complete his only novel, The Leopard.
In 1955, Tomasi was diagnosed with advanced emphysema; shortly after, he began work on a novel that would fail to be published before his death four years later. When The Leopard at last appeared, it won Italy’s…
In 1995, I was invited to the People’s Republic of China to direct a play at the Shanghai Theatre Academy. It was the first Canadian play to be produced in China. It’s amazing what you can learn in a foreign city, with time to explore on your own, ready to soak up the energy, atmosphere, sights, and sounds. The impact is even greater when that city is on the cusp of historic change. The experience power-charged my imagination and was the spark for my first novels–a series of mysteries featuring the detective Zong Fong, Head of Special Investigations, Shanghai. City Rising and its three sequels followed after extensive research.
It’s 1860, and Garibaldi's Redshirts have landed on the coast. Sicily’s ancient feudal society will soon be overthrown.
These historical events are the backdrop to an intriguing portrait of Don Fabrizio Corbera, Prince of Salina, a quiet, intense, and, in many ways, sympathetic member of the doomed Sicilian nobility. War is upon him, and yet Don Fabrizio continues his stately life and loves with meditative detachment.
This may be a story of civil war and social upheaval, but it is also a depiction of ancient families and allegiances, dusty landscapes, and the night sky. It is filled with rich symbolism and prophecy. The Leopard’s message: revolutions come and go, corruption endures. Its contribution to great historical fiction: Don Fabrizio, the last Leopard.
The Leopard is a modern classic which tells the spellbinding story of a decadent, dying Sicilian aristocracy threatened by the approaching forces of democracy and revolution.
'There is a great feeling of opulence, decay, love and death about it' Rick Stein
In the spring of 1860, Fabrizio, the charismatic Prince of Salina, still rules over thousands of acres and hundreds of people, including his own numerous family, in mingled splendour and squalor. Then comes Garibaldi's landing in Sicily and the Prince must decide whether to resist the forces of change or come to terms with them.