Here are 100 books that Summer Ever After fans have personally recommended if you like
Summer Ever After.
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I don’t read books with explicit scenes, and I don’t write them either. I’ve read hundreds of novels in this genre and written several of my own. I believe closed-door romances can be just as tension-filled and fun as those with spice. I love the closed-door romance community and have a passion for sharing books that make me laugh, cry, and swoon.
I absolutely loved the way that Emma wrote these characters. I related to Seraphina and fell for Rafe’s charm time and time again. They’re a couple that’s perfect for each other.
Some book couples you read and think they may not make it past the last page, but I could see these two together forever. The whole book made me swoon and laugh.
For as long as I can remember, I’ve been obsessed with fairy tales and love. I had imaginary friends and would pretend to be the “damsel in distress,” waiting for my prince to find me. I’ve never lost that love as an adult, but I’ve found that certain books can give me the same feelings I had as a child. And reading these stories always fills me with hope that there is good in the world and that love conquers all!
I loved the meet-cute for this book—technically, the second meet-cute of the two main characters. Who doesn’t want to be saved from a burning building by a hunky firefighter, especially the one you loved as a teenager?
I adored the main character, Emmy, and her belief in love and romance. The setting was especially cozy, and the book made me laugh, too!
Sometime all it takes to start a fire is a single match. . .
Owen Larrabee is not my soulmate.
He wasn't when I confessed my love to him on his wedding day, and he isn't now. I should probably say that I wasn't the bride when that happened. I don't have the best timing.
He’s got a temper, he's moody, and he has a history of being misunderstood and making big mistakes.
I, on the other hand, make pumpkin cupcakes, spend my Friday nights curled up with a beloved romance novel and long to be kissed in the rain.…
For as long as I can remember, I’ve been obsessed with fairy tales and love. I had imaginary friends and would pretend to be the “damsel in distress,” waiting for my prince to find me. I’ve never lost that love as an adult, but I’ve found that certain books can give me the same feelings I had as a child. And reading these stories always fills me with hope that there is good in the world and that love conquers all!
I did not want this book to end; it’s that good! The beginning had me rolling and laughing, with the meet-cute at the basketball game and the “kiss cam” moment. But the rest of the book gave major Cinderella vibes, and that’s my favorite fairy tale of all time.
I loved how Duke cared for Nora and did everything he could to take care of her, and I loved how they overcame their past hurts together. This was a really beautiful story that truly felt like a fairy tale!
My friend told me I needed more fun in my life, so I reluctantly said yes. Fun wasn’t exactly in my wheelhouse. After watching my own mother’s love life implode time and time again it’s only natural that I have a few rules to protect myself.
Actually, it’s just one rule…
Avoid relationships with men so I don’t get attached.
I wasn’t worried. Getting attached has never been a problem for me. This guy was just a warm body in a chair. I was here for the basketball game. I was absolutely NOT here for…
For as long as I can remember, I’ve been obsessed with fairy tales and love. I had imaginary friends and would pretend to be the “damsel in distress,” waiting for my prince to find me. I’ve never lost that love as an adult, but I’ve found that certain books can give me the same feelings I had as a child. And reading these stories always fills me with hope that there is good in the world and that love conquers all!
This book is so sweet, and I loved the epistolary format! My husband and I wrote each other many letters (yes, by hand) and emails while we were dating, so reading all the exchanges between Izzy and Brodie brought me back to those first fluttery feelings of falling in love. Izzy is such a sweet heroine, and Brodie really saw her, which I also loved!
Dear Reader, My name is Isabelle Louisa Edgewood-Izzy, for short. I live by blue-tinted mountains, where I find contentment in fresh air and books. Oh, and coffee and tea, of course. And occasionally in being accosted by the love of my family. (You'll understand my verb choice in the phrase later.) I dream of opening my own bookstore, but my life, particularly my romantic history, has not been the stuff of fairy tales. Which is probably why my pregnant, misled, matchmaking cousin-who, really, is more like my sister-signed me up for an online dating community.
I’ve been reading Tolkien since I was seven years old, mumblety-mumble years in the distant past, but it wasn’t till much later that I got serious about reading critical works on Tolkien, and then turned to writing about him, myself. Twenty years ago, I published my first book on Tolkien. Since then, I’ve edited a number of essay collections, published many papers, consulted on the Hobbit movies, amassed a respectable personal library, and edited Mythlore, one of the major journals in the field of Tolkien studies, since 2006. My love of Tolkien has led me on many adventures and to deep and abiding friendships around the world!
Verlyn Flieger is the doyenne of Tolkien criticism, and this collection sees her at her best.
I’ve often found that her brilliance lies in pointing out what’s been hiding in plain sight–and once you have seen it, your view is forever changed. “But What Did He Really Mean?” and “Politically Incorrect Tolkien” are my favorites, but there are many gems here worth excavating.
Devoted to Tolkien, the teller of tales and co-creator of the myths they brush against, these essays focus on his lifelong interest in and engagement with fairy stories, the special world that he called faerie, a world they both create and inhabit, and with the elements that make that world the special place it is. They cover a range of subjects, from The Hobbit to The Lord of the Rings and their place within the legendarium he called the Silmarillion to shorter works like "The Story of Kullervo" and "Smith of Wootton Major."
I have a passion for fairy tale stories especially ones for adults because they are often the first stories we learned as kids. The ability to look back at how we interpreted them and how our understanding changes over time and culture makes for something that is truly timeless, and therefore like a beloved trope is never the exact same thing twice. Each time only builds on our enjoyment and the many possibilities we can imagine. Not only in worlds of magic, but our own.
This book is a Robin Hood retelling. While both our Robin’s fight for social change and the poor while falling in love along the way, S.L. Prater’s has a gender swap twist as features a thieving witch pestering the sheriff of Nottingham. I believe Robin being a woman subverts expectation and by seeing the known in a new light like that makes the world a bit more empathic to each other. I think the old and known can change and still hold so much heart.
“I can’t tell if you’re about to kiss me or arrest me …”
Sheriff Nottingham should not be enjoying his pursuit of the witch Robin Hood. It’s supposed to be a job: catch the thief, bring her to justice, pursue the next criminal. But the longer their game of cat and mouse goes on, the more he never wants it to end.
Nottingham senses Robin is luring him into a political dispute between the king and an ambitious prince—a battle that threatens to destitute the poor in Sherwood. But the sheriff can’t risk getting involved. He’s already overwhelmed raising his…
I’m an American author and writing teacher both at Harvard and Oxford’s online programs. I've mostly written poetry and nonfiction, then in 2021 I published my first novel, She Never Told Me about the Ocean. I started writing the book when my daughter was born as a way to explore the complicated feelings and fears that suddenly washed over me. The book—like a daughter—outgrew my plans and expectations for it. It became, unexpectedly, a mythology of mothers and daughters. For two decades I've studied fairy tales and myths. Fairy tales deal in fears and the stories we tell ourselves to feel safe—which is why I read them and use them in my writing.
This book is almost too beautiful for words, and reading it you feel like you are falling into a haunted magic mirror where identity and race are explored alongside a host of deep simmering emotions: anger and forgiveness, fear and vanity. A sort of dizzying intergenerational retake on Snow White.
As seen on the cover of the New York Times Book Review, where it was described as “gloriously unsettling… evoking Toni Morrison, Haruki Murakami, Angela Carter, Edgar Allan Poe, Gabriel García Márquez, Chris Abani and even Emily Dickinson,” and already one of the year’s most widely acclaimed novels:
“Helen Oyeyemi has fully transformed from a literary prodigy into a powerful, distinctive storyteller…Transfixing and surprising.”—Entertainment Weekly (Grade: A)
“I don’t care what the magic mirror says; Oyeyemi is the cleverest in the land…daring and unnerving… Under Oyeyemi’s spell, the fairy-tale conceit makes a brilliant setting in which to explore the alchemy…
As a life-long lover of fairy tales, I believe the reason these timeless stories resonate so deeply is because they speak to an unquenchable desire in the center of each of our souls: the hope for a grand romantic adventure that will change our lives from the inside out. As an author, I strive to create those kinds of soul-speaking stories, crafting characters my readers relate to as friends... and respect as heroes. When my readers adventure alongside these fictional friends, I hope they are encouraged to bravely face the real-life challenges of our modern world, while being emboldened toward acts of everyday and exceptional heroism.
Wolves and Roses is a fun and snarky start to a big series in which humans exist in a modern world alongside shifters, witches, and fairies. Sounds fun, right?
Bryar Rose is expected to follow the Sleeping Beauty story template for her life. Unfortunately, something glitched in her personality, because no part of that story appeals to who she truly is, or what she wants out of life. When Bryar meets Knox, a powerful werewolf shifter in the midst of his own identity crisis, sparks fly.
If you enjoy strong, rebellious female leads and bad-boy heroes (yes, please!), this book has all those vibes, plus intrigue, witty banter (my fave), and action. Fans of alternate-history fantasy, paranormal romance, and modern-set fairy tale retellings should add this book to their TBR.
Seventeen-year-old Bryar Rose has a problem. She’s descended from one of the three magical races—shifters, fairies, or witches. That makes her one of the Magicorum, and Magicorum always follow a fairy tale life template. In Bryar’s case, that template should be Sleeping Beauty.
Should being the key word.
Trouble is, Bryar is nowhere near the sleeping beauty life template. Not even close. She doesn’t like birds or woodland creatures. She can’t sing. And she certainly can’t stand Prince Philpot, the so-called “His Highness of Hedge Funds” that her aunties want her to…
The first thing I ever wrote was a play about a goose girl, and I’ve been fascinated with fairytales ever since. As a poet, I adore how the images speak deeply to our subconscious—fur, hair, mirrors, blood, snow, fairy fruit. As a nonfiction writer, my book explored witches and princesses, whilst my latest adult novel looks at a fairytale salon in Paris attended by Perrault. I hope this list convinces you that fairytales aren’t only for the nursery but are as important to literature as Greek myths—shaping our narratives and reemerging in surprising places.
Madame D'Aulnoy is one of the key figures in my novel, and her own strange and beautiful fairytales deserve to be much better known. Many are proto-'Beauty and the Beast' narratives where enchantments turn men into rams or serpents, whilst in 'The White Cat' it is a woman who is the animal. In this sumptuous, giftable book, acclaimed artist Natalie Frank's surreal and feminist images bring an extra, adult dimension to these tales.
An enchanting selection of Madame d'Aulnoy's seventeenth-century French fairy tales, interpreted by contemporary visual artist Natalie Frank
Marie-Catherine Le Jumel de Barneville (1650-1705), also known as Madame d'Aulnoy, was a pioneer of the French literary fairy tale. Though d'Aulnoy's work now rarely appears outside of anthologies, her books were notably popular during her lifetime, and she was in fact the author who coined the term "fairy tales" (contes des fees). Presenting eight of d'Aulnoy's magical stories, The Island of Happiness juxtaposes poetic English translations with a wealth of original, contemporary drawings by Natalie Frank, one of today's most outstanding visual…
I was six years old, and already a lover of Hallowe’en, when the special joy of stories took hold of my mind. It has never left. By the time I was an adult, I had come to value finely crafted fiction, the beautiful nuances of thought and expression possible in the hands of the greatest writers. At the same time, I never lost my youthful enthusiasm for the ghost, the deep forest just at twilight, the unused room at the back of the house where no one goes. To my delight, I have found there is an entire tradition of such work—gothic shapes rendered by the highest quality writers.
I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."
It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child,"and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.
With an introduction by Helen Simpson. From familiar fairy tales and legends - Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves - Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
