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Growing up in the ‘80s, I discovered cyberpunk just when the subgenre acquired its name and was instantly hooked. While its style and action were certainly engaging, it was cyberpunk’s message about the surveillance state, corporate power, fascism, and corruption, which contrasted so violently from mainstream science fiction, that kept me turning pages. 40 years later, after writing novels for 25 years, completing 12 books, I’m still fascinated by what cyberpunk can do. In an age where Humanity is mortally threatened by climate change and inequality, we need cyberpunk now more than ever, with its action and adventure and a little something for us to think about, too.
Without a doubt, Neuromancer is the most recognizable, well-known, and highly regarded cyberpunk novel—and rightfully so.
Published in 1984, Neuromancer was directly inspired by City Come A-Walkin’ and then surpassed it, deepening the technical elements, exploring the ever-more-important aspects of computer networks and hacking (Gibson having coined the phrase, “cyberspace”), and solidifying the literary style of cyberpunk.
For me, though, the fact that Gibson was responding to Shirley enriches both novels. I love the concept of one artist responding to another’s work; from Horace to Shakespeare, to Dryden to Pope, to Hammett to Chandler, the best art is inspired by art, and the same is true in cyberpunk. It’s a microcosm of the human condition and, come to think of it, so is Neuromancer.
The book that defined the cyberpunk movement, inspiring everything from The Matrix to Cyberpunk 2077.
The sky above the port was the color of television, tuned to a dead channel.
William Gibson revolutionised science fiction in his 1984 debut Neuromancer. The writer who gave us the matrix and coined the term 'cyberspace' produced a first novel that won the Hugo, Nebula and Philip K. Dick Awards, and lit the fuse on the Cyberpunk movement.
More than three decades later, Gibson's text is as stylish as ever, his noir narrative still glitters like chrome in the shadows and his depictions of…
Growing up in the ‘80s, I discovered cyberpunk just when the subgenre acquired its name and was instantly hooked. While its style and action were certainly engaging, it was cyberpunk’s message about the surveillance state, corporate power, fascism, and corruption, which contrasted so violently from mainstream science fiction, that kept me turning pages. 40 years later, after writing novels for 25 years, completing 12 books, I’m still fascinated by what cyberpunk can do. In an age where Humanity is mortally threatened by climate change and inequality, we need cyberpunk now more than ever, with its action and adventure and a little something for us to think about, too.
City Come A-Walkin’ is it, the beginning, the first true cyberpunk novel.
As William Gibson famously said in the forward to the 15-year anniversary edition, “John Shirley is cyberpunk’s patient zero.” Debuting in 1980, City follows Stu Cole, a streetwise nightclub owner who angered San Francisco’s political and criminal elite, bringing down the full weight of their power; his only hope, the enigmatic construct known only as, “City.”
A proto-AI, City was a conglomeration of the computer, surveillance, and data infrastructure that took on a life of its own, becoming sapient and dangerous. To ten-year-old me, it was the coolest book I had ever read (and it didn’t hurt that the school library refused to order it for me) and really put the punk in cyberpunk.
Stu Cole is struggling to keep his nightclub, Club Anesthesia, afloat in the face of mob harassment when he's visited by a manifestation of the city of San Francisco, crystallized into a single enigmatic being. This amoral superhero leads him on a terrifying journey through the rock and roll demimonde as they struggle to save the city.
Growing up in the ‘80s, I discovered cyberpunk just when the subgenre acquired its name and was instantly hooked. While its style and action were certainly engaging, it was cyberpunk’s message about the surveillance state, corporate power, fascism, and corruption, which contrasted so violently from mainstream science fiction, that kept me turning pages. 40 years later, after writing novels for 25 years, completing 12 books, I’m still fascinated by what cyberpunk can do. In an age where Humanity is mortally threatened by climate change and inequality, we need cyberpunk now more than ever, with its action and adventure and a little something for us to think about, too.
Software is a zany romp through a 1983 vision of 2020, with sapient AIs living on the moon and maybe invading South Florida.
Like its author, Software is a rich amalgamation of disparate elements: on the one side, the book is campy fun, while on the other, it’s a legitimate exploration of Artificial Intelligence and identity. Back when I was first getting into cyberpunk, this was another difficult find, despite having won the Philip K. Dick award; I actually didn’t read it until the late ‘90s!
The author’s life is nearly as interesting as his books, too: his full name is Rudolf von Bitter Rucker, a descendant of German philosopher Georg Friedrich Hegel, though he grew up in Louisville, KY, and he would eventually develop his own literary movement, Transrealism.
The creator of the first robots with real brains, Cobb Anderson finds himself another aged "pheezer" with a bad heart, and when he is offered immortality by his creations, he risks his body and his world. Reissue.
Growing up in the ‘80s, I discovered cyberpunk just when the subgenre acquired its name and was instantly hooked. While its style and action were certainly engaging, it was cyberpunk’s message about the surveillance state, corporate power, fascism, and corruption, which contrasted so violently from mainstream science fiction, that kept me turning pages. 40 years later, after writing novels for 25 years, completing 12 books, I’m still fascinated by what cyberpunk can do. In an age where Humanity is mortally threatened by climate change and inequality, we need cyberpunk now more than ever, with its action and adventure and a little something for us to think about, too.
For the last book on our list, we look at Hardwired, by Walter John Williams because, in my humble opinion, it marks the completion of cyberpunk’s subgenre formation.
Published in 1986, Hardwired follows a protagonist named Cowboy as he connects his brain to various machines through a hardwire and fights the evil orbital corporations that own the world. Awesome. It stands out to me in the history of golden-age cyberpunk novels in that it calls upon elements from previous cyberpunk works more-so than its predecessors, solidifying the subgenre’s obligations.
To say it another way, Hardwired alludes to earlier cyberpunk works to effectively place the story within the reader’s literary experience. And that presupposed cyberpunk experience demarcates the subgenre, a clarion signal that the subgenre was here to stay.”
The criminal and resistance undergrounds of a high-tech future earth merge to wage war against the corporate Orbitals who rule the planet from their sterile space platforms
Why do I have expertise in end-of-the-world scenarios? Well, I am a person living in the 2020s who reads too much. But more than that, I’ve had an interest in space exploration and history for as long as I can remember. While those two might seem like completely unrelated fields, it gives me a wider view of our world in the sense of where we are and where we are going. Civilization is not always a straight line upward. And when it dips down… well interesting things happen. Saturnius Mons specifically blends my love of Roman history with my interest in humanity’s future.
What can you say about the book that kicked off a whole new genre?
Widely regarded as the first ‘cyberpunk’ novel, reading Virtual Light today is beyond eery. It takes place in the dystopian future year of 2006 (the book was written in 1994) and is set in San Francisco during a time when the middle class has disappeared and the only people left are either disgustingly rich or living on the street. And as I look around at what San Francisco, and many other cities have become, it makes me think that Gibson might be the Cassandra of the modern world.
NEW YORK TIMES bestseller * 2005: Welcome to NoCal and SoCal, the uneasy sister-states of what used to be California.
The millennium has come and gone, leaving in its wake only stunned survivors. In Los Angeles, Berry Rydell is a former armed-response rentacop now working for a bounty hunter. Chevette Washington is a bicycle messenger turned pickpocket who impulsively snatches a pair of innocent-looking sunglasses. But these are no ordinary shades. What you can see through these high-tech specs can make you rich-or get you killed. Now Berry and Chevette are on the run, zeroing in on the digitalized heart…
My expertise in things adult stems from my 65 years of life on this earth. I have a passion for adult-level writing (not “adult” as in “erotica”) because I was a junior high teacher during the Twilightcraze. It didn’t take long to get my fill of sparkling vampires. I had to retire from teaching because of a disability, which left me with time on my hands. I turned to writing, something I had wanted to do since I was a high school student. I now do freelance non-fiction writing (gotta pay the bills) and writing novels. One is never too old to chase a dream.
If you’re looking for cyberpunk sci-fi on steroids, this is the book for you. The depth of imagination that went into the world-building here is phenomenal.
Not only are you treated to a well-fleshed-out futuristic cyberpunk setting, there’s also some serious tech in play. Once you look past the norms of the social structure of the day – which is nothing short of brilliant – you realize this is also a good, old-fashioned police crime drama. Entertaining, mesmerizing, surprising, shocking.
This book has it all. I really loved the quirks of the language that the characters use. Not only has society changed drastically in Dae D. Shields’ world, but so has the English language. You have to read it to fully appreciate the talent of the author behind it.
The USA is a patchwork of hyper-political city-states and rogue nations.
The police have disbanded.
And somebody's killing Nobodies.
In a searing cyberpunk vision of the future, the sinister Black Devilfish walks the endless rainy streets of an overpopulated megalopolis searching for his own soul.
The bizarre Devilfish power suit belies a hard-pressed insomniac struggling to find meaning in his aimless existence. He spends his nights drowning his sorrows in Lysol sponges, calling a wife he…
Between Blade Runner and The Terminator, I was hooked on Cyberpunk. Throw in some Ghost in the Shell and Black Mirror, and the obsession was complete. With the rise of Synthwave as a musical genre and as a retro-futuristic aesthetic, I had both the soundtrack and the visual cues to which I could write Cyberpunk. I also feel strongly about our increasing reliance on technology and the blurring lines between biology and technology. This is something I explore in my writing.
This book stands out because of its great world-building, terrific characters (Chicken Thumbs and Patchwork are personal favourites), and brilliant action—this is cyberpunk at its best. The attention to detail, such as the names of corporations and logos is impressive. There are also a couple of well-conceived and executed twists (no spoilers!).
When a corporate lacky discovers a terrible secret that exposes his illusions, will his hidden fire dwindle or ignite a rebellion?
Orphaned and alone, Moss is happy to have found a place in the world. But his humdrum working routines take a terrifying turn when a mysterious woman breaks into his apartment and hands him a data chip from his dead parents. Suddenly hearing messages revealing his benevolent employer has a far darker side, he braves the dangerous megacity streets in search of the truth.
Surrounded by outcasts and criminals and running on instinct, Moss stumbles onto a rebel group…
Peter Warren Singer is a strategist at New America, a Professor of Practice at Arizona State University, and a Principal at Useful Fiction LLC. No author, living or dead, has more books on the professional US military readings lists. August Cole is an author exploring the future of conflict through fiction and other forms of “FICINT” [Fictional Intelligence] storytelling. His talks, short stories, and workshops have taken him from speaking at the Nobel Institute in Oslo to presenting on future warfare at SXSW Interactive to lecturing at West Point.
William Gibson’s latest novel Agency is as prophetic as his establishment of cyberspace and cyberpunk culture in the 80s and 90s. His latest novel chronicles reality-busting skirmishes among gangsterish multi-generational families based in a glitzy post-apocalyptic 22nd century London. In this future, nano-machines conjure luxuries from nothing while sky-high scrubbers struggle to restore a ravaged atmosphere after the jackpot, a global environmental catastrophe. Agency tells a heist-type story about the emergence of Eunice, a sentient AI born in our stub out of American special operations research. Leading a cross-dimensional band of techies, publicists, hipsters, and hackers, ace software designer Verity fights to introduce Eunice to her world in order to save it. Yet Gibson is telling us about today's ecological and technological forces. He writes of pre-jackpot life in our era: “‘Did we ever come to terms with the sheer cluelessness of it?’
“ONE OF THE MOST VISIONARY, ORIGINAL, AND QUIETLY INFLUENTIAL WRITERS CURRENTLY WORKING”* returns with a sharply imagined follow-up to the New York Times bestselling The Peripheral.
William Gibson has trained his eye on the future for decades, ever since coining the term “cyberspace” and then popularizing it in his classic speculative novel Neuromancer in the early 1980s. Cory Doctorow raved that The Peripheral is “spectacular, a piece of trenchant, far-future speculation that features all the eyeball kicks of Neuromancer.” Now Gibson is back with Agency—a science fiction thriller heavily influenced by our most current…
Between Blade Runner and The Terminator, I was hooked on Cyberpunk. Throw in some Ghost in the Shell and Black Mirror, and the obsession was complete. With the rise of Synthwave as a musical genre and as a retro-futuristic aesthetic, I had both the soundtrack and the visual cues to which I could write Cyberpunk. I also feel strongly about our increasing reliance on technology and the blurring lines between biology and technology. This is something I explore in my writing.
Vaz Anzai collects all five episodes from his Strange Tales from The City Of Dust series in this absolutely breathtaking omnibus that also includes bonus short stories, author notes, and exclusive artwork. With great, and varied, characters, fascinating technology, and gritty Cyberpunk settings, Dust: Omnibus is essential reading for all fans of the genre.
Strange Tales From The City Of Dust is the ultimate Omnibus for the complete Dust storyline. 5 episodic adventures along with 3 short stories and detailed author notes, commissioned artwork, and more!
CLOCKWORK DEUS: Episode 1 Alice, a "Tinkerer" for the Wonderlust brothel has discovered a Prostibot that has become self-aware. Together, they will uncover the secret behind a shadowy organization in Dust's abandoned zone, The Blooming Fields.
THE DARKEST PART: Episode 2 Laila, a mysterious Saudi Arabian woman, has escaped an event known as "The Opaque", a consuming void that destroyed her former city. Now in Dust, she must…
I fell in love with cyberpunk when I saw Ghost in the Shell for the first time. It quickly became my favorite genre, to read, watch and write. Meanwhile, I’m one of the most renowned cyberpunk indie authors. My series Behind Blue Eyes has quickly become a favorite among readers and bloggers and I’m planning to publish many more books in the series and the genre. Besides, I’m also one of the editors of the Neo Cyberpunk anthology series, a collection of short stories contributed by contemporary cyberpunk indie authors. I hope you enjoy my list and if you want more, check out the Cyberpunk Books group on Facebook!
Neon Helix is probably the most cyberpunk book of my recommendations, at least in a classical sense. It’s set in a mega-city of the future and features mega corporations, rogue AI, clones, and some really crazy scientists. It’s a fast-paced story told from multiple perspectives and the first book in a series.
"If you want an injection of cyberpunk high tech low life, this book will give it to you in spades."- Amazon Review.
Ex-Cop and Private Detective Xander Draven had resorted to protection work when he is visited by the synthetic replica of a murdered CEO's grieving widow who wants him to track down the killer.
Meanwhile, Julian Travitz, a hacker/reporter and his A.I. companion Quartzig, are searching for the next big story and become drawn into the dark past of technology megacorporation CyberBionics.
Along the way, they encounter clones, rogue A.I.'s, psychopaths, priests, and plans that could change the status…
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