Here are 79 books that Streetlethal fans have personally recommended if you like
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From early on, I found myself captivated by the concept of a dystopic future for humanity. Years later, a 20+ year police career cemented the notion that people are not inherently good and that if a dystopic future is at all possible–we as a species will make it a reality. My love of science fiction, especially all forms of dystopia, combined with a hard-earned street-level grit and a love of action. Whether writing solo or with my amazing co-author, Dr. Gareth Worthington, I often inject these elements into my stories. I hope you enjoy the books on this list as much as I did!
I don’t think cyberpunk as we know it would exist without William Gibson’s Neuromancer. If PKD jump-started the genre, then Gibson advanced it in ways previously unimaginable.
I love the tone and texture of this book. Written in a gritty urban style, the mixture of atmosphere and wacky characters vividly paints the concept of high-tech and low-life that underpins the cyberpunk genre. Plus, it has “street samurai”–I mean, let’s go!
The book that defined the cyberpunk movement, inspiring everything from The Matrix to Cyberpunk 2077.
The sky above the port was the color of television, tuned to a dead channel.
William Gibson revolutionised science fiction in his 1984 debut Neuromancer. The writer who gave us the matrix and coined the term 'cyberspace' produced a first novel that won the Hugo, Nebula and Philip K. Dick Awards, and lit the fuse on the Cyberpunk movement.
More than three decades later, Gibson's text is as stylish as ever, his noir narrative still glitters like chrome in the shadows and his depictions of…
Growing up in the ‘80s, I discovered cyberpunk just when the subgenre acquired its name and was instantly hooked. While its style and action were certainly engaging, it was cyberpunk’s message about the surveillance state, corporate power, fascism, and corruption, which contrasted so violently from mainstream science fiction, that kept me turning pages. 40 years later, after writing novels for 25 years, completing 12 books, I’m still fascinated by what cyberpunk can do. In an age where Humanity is mortally threatened by climate change and inequality, we need cyberpunk now more than ever, with its action and adventure and a little something for us to think about, too.
City Come A-Walkin’ is it, the beginning, the first true cyberpunk novel.
As William Gibson famously said in the forward to the 15-year anniversary edition, “John Shirley is cyberpunk’s patient zero.” Debuting in 1980, City follows Stu Cole, a streetwise nightclub owner who angered San Francisco’s political and criminal elite, bringing down the full weight of their power; his only hope, the enigmatic construct known only as, “City.”
A proto-AI, City was a conglomeration of the computer, surveillance, and data infrastructure that took on a life of its own, becoming sapient and dangerous. To ten-year-old me, it was the coolest book I had ever read (and it didn’t hurt that the school library refused to order it for me) and really put the punk in cyberpunk.
Stu Cole is struggling to keep his nightclub, Club Anesthesia, afloat in the face of mob harassment when he's visited by a manifestation of the city of San Francisco, crystallized into a single enigmatic being. This amoral superhero leads him on a terrifying journey through the rock and roll demimonde as they struggle to save the city.
Growing up in the ‘80s, I discovered cyberpunk just when the subgenre acquired its name and was instantly hooked. While its style and action were certainly engaging, it was cyberpunk’s message about the surveillance state, corporate power, fascism, and corruption, which contrasted so violently from mainstream science fiction, that kept me turning pages. 40 years later, after writing novels for 25 years, completing 12 books, I’m still fascinated by what cyberpunk can do. In an age where Humanity is mortally threatened by climate change and inequality, we need cyberpunk now more than ever, with its action and adventure and a little something for us to think about, too.
Software is a zany romp through a 1983 vision of 2020, with sapient AIs living on the moon and maybe invading South Florida.
Like its author, Software is a rich amalgamation of disparate elements: on the one side, the book is campy fun, while on the other, it’s a legitimate exploration of Artificial Intelligence and identity. Back when I was first getting into cyberpunk, this was another difficult find, despite having won the Philip K. Dick award; I actually didn’t read it until the late ‘90s!
The author’s life is nearly as interesting as his books, too: his full name is Rudolf von Bitter Rucker, a descendant of German philosopher Georg Friedrich Hegel, though he grew up in Louisville, KY, and he would eventually develop his own literary movement, Transrealism.
The creator of the first robots with real brains, Cobb Anderson finds himself another aged "pheezer" with a bad heart, and when he is offered immortality by his creations, he risks his body and his world. Reissue.
Growing up in the ‘80s, I discovered cyberpunk just when the subgenre acquired its name and was instantly hooked. While its style and action were certainly engaging, it was cyberpunk’s message about the surveillance state, corporate power, fascism, and corruption, which contrasted so violently from mainstream science fiction, that kept me turning pages. 40 years later, after writing novels for 25 years, completing 12 books, I’m still fascinated by what cyberpunk can do. In an age where Humanity is mortally threatened by climate change and inequality, we need cyberpunk now more than ever, with its action and adventure and a little something for us to think about, too.
For the last book on our list, we look at Hardwired, by Walter John Williams because, in my humble opinion, it marks the completion of cyberpunk’s subgenre formation.
Published in 1986, Hardwired follows a protagonist named Cowboy as he connects his brain to various machines through a hardwire and fights the evil orbital corporations that own the world. Awesome. It stands out to me in the history of golden-age cyberpunk novels in that it calls upon elements from previous cyberpunk works more-so than its predecessors, solidifying the subgenre’s obligations.
To say it another way, Hardwired alludes to earlier cyberpunk works to effectively place the story within the reader’s literary experience. And that presupposed cyberpunk experience demarcates the subgenre, a clarion signal that the subgenre was here to stay.”
The criminal and resistance undergrounds of a high-tech future earth merge to wage war against the corporate Orbitals who rule the planet from their sterile space platforms
Why do I have expertise in end-of-the-world scenarios? Well, I am a person living in the 2020s who reads too much. But more than that, I’ve had an interest in space exploration and history for as long as I can remember. While those two might seem like completely unrelated fields, it gives me a wider view of our world in the sense of where we are and where we are going. Civilization is not always a straight line upward. And when it dips down… well interesting things happen. Saturnius Mons specifically blends my love of Roman history with my interest in humanity’s future.
What can you say about the book that kicked off a whole new genre?
Widely regarded as the first ‘cyberpunk’ novel, reading Virtual Light today is beyond eery. It takes place in the dystopian future year of 2006 (the book was written in 1994) and is set in San Francisco during a time when the middle class has disappeared and the only people left are either disgustingly rich or living on the street. And as I look around at what San Francisco, and many other cities have become, it makes me think that Gibson might be the Cassandra of the modern world.
NEW YORK TIMES bestseller * 2005: Welcome to NoCal and SoCal, the uneasy sister-states of what used to be California.
The millennium has come and gone, leaving in its wake only stunned survivors. In Los Angeles, Berry Rydell is a former armed-response rentacop now working for a bounty hunter. Chevette Washington is a bicycle messenger turned pickpocket who impulsively snatches a pair of innocent-looking sunglasses. But these are no ordinary shades. What you can see through these high-tech specs can make you rich-or get you killed. Now Berry and Chevette are on the run, zeroing in on the digitalized heart…
I fell in love with cyberpunk when I saw Ghost in the Shell for the first time. It quickly became my favorite genre, to read, watch and write. Meanwhile, I’m one of the most renowned cyberpunk indie authors. My series Behind Blue Eyes has quickly become a favorite among readers and bloggers and I’m planning to publish many more books in the series and the genre. Besides, I’m also one of the editors of the Neo Cyberpunk anthology series, a collection of short stories contributed by contemporary cyberpunk indie authors. I hope you enjoy my list and if you want more, check out the Cyberpunk Books group on Facebook!
Neon Helix is probably the most cyberpunk book of my recommendations, at least in a classical sense. It’s set in a mega-city of the future and features mega corporations, rogue AI, clones, and some really crazy scientists. It’s a fast-paced story told from multiple perspectives and the first book in a series.
"If you want an injection of cyberpunk high tech low life, this book will give it to you in spades."- Amazon Review.
Ex-Cop and Private Detective Xander Draven had resorted to protection work when he is visited by the synthetic replica of a murdered CEO's grieving widow who wants him to track down the killer.
Meanwhile, Julian Travitz, a hacker/reporter and his A.I. companion Quartzig, are searching for the next big story and become drawn into the dark past of technology megacorporation CyberBionics.
Along the way, they encounter clones, rogue A.I.'s, psychopaths, priests, and plans that could change the status…
I was ten. Every Sunday morning, I sat in front of the TV with a notepad to take notes while watching Carl Sagan’s Cosmos. As a teen, I devoured every of Kafka’s books. The wonder of science and the strangeness of our existence have co-habited within me since then. Today, I’m a professional physicist and theoretical chemist. But I’m also a fiction writer. My fiction allows me to spill my science background into topics that wouldn’t be welcome in technical writing. For instance, wondering how life could re-emerge in the far future after all stars burned.
Your older self writes a diary and sends it back in time to you. It reveals that between two pathways, you will take a right. You arrive at that crossroads, and no matter how willing you are to defy your unveiled fate, you can’t avoid choosing right again. I often find this type of super-deterministic scenario in science fiction, invariably raising philosophical questions about free will. Nevertheless, Egan is the only author to offer a satisfactory psychological solution to why the protagonist can’t change their fate. And this is just the first of the short stories in this collection. Axiomatic is hard SciFi stretching scientific concepts into their ethical and human limits.
"Wonderful, mind-expanding stuff, and well written too."-The Guardian
Axiomatic is a wonderful collection of eighteen short stories by Hugo Award-winning author Greg Egan. The stories in this collection have appeared in such science fiction magazines as Interzone and Asimov's between 1989 and 1992.
From junkies who drink at the time-stream to love affairs in time-reversed galaxies; from gene-altered dolphins that converse only in limericks to the program that allows you to design your own child; from the brain implants called axiomatics to the strange attractors that spin off new religions; from bioengineering to the new physics; and from cyberpunk to…
Although I write Fantasy, I’m a Cyberpunk enthusiast who mentally lives in the high-tech effed-up future authors and artists imagined in the ‘80s. My imagination has been so influenced by Cyberpunk since I watched (and eventually read) Akira as a kid that I ended up creating a Fantasy world with a retro-futuristic, low-life/high-tech vibe, and a lot of motorcycles. An awful lot. I’m also a rebel by heart and a queer person, hence my stories always feature a fight against society and LGBTQ+ characters. I like reading about dystopias, morally grey characters, and dark content. This is what I read, and this is what I write about.
More a space opera than a full-fledged Cyberpunk story, Schismatrix is a masterpiece with incredible worldbuilding and socio-political commentary. This book impacted mine on many levels; it features an initially hopeless protagonist who eventually fights for a cause, a revolution with struggling factions, a dystopian tyranny, futuristic pirates. It’s a visionary book permeated with deep reflections on human essence and transhumanism, one that’ll make you wonder where humanity is heading, what our purpose is, and what our search for growth and change will entail.
The Nebula-nominated novel of “abrave new world of nearly constant future shock”—plus all the short fiction of the Shaper/Mechanist universe (The Washington Post).
Acclaimed science fiction luminary and a godfather of the genre’s remarkable offspring—cyberpunk—Bruce Sterling carries readers to a far-future universe where stunning achievements in human development have been tainted by a virulent outbreak of prejudice and hatred.
Many thousands of years in the future, the human race has split into two incompatible factions. The aristocratic Mechanists believe that humans can only achieve their greatest potential through technology and enhancing their bodies with powerful prosthetics. The rebel Shapers view…
I fell in love with cyberpunk when I saw Ghost in the Shell for the first time. It quickly became my favorite genre, to read, watch and write. Meanwhile, I’m one of the most renowned cyberpunk indie authors. My series Behind Blue Eyes has quickly become a favorite among readers and bloggers and I’m planning to publish many more books in the series and the genre. Besides, I’m also one of the editors of the Neo Cyberpunk anthology series, a collection of short stories contributed by contemporary cyberpunk indie authors. I hope you enjoy my list and if you want more, check out the Cyberpunk Books group on Facebook!
Bubbles in Space couldn’t be more different than the two books above. It features a humoristic approach to the genre and doesn’t take itself too seriously. We follow Bubbles, a pink-haired detective on her adventures in Holo City. Like me, S.C. Jensen is one of the very few female authors in the cyberpunk genre. I recommend checking her books out if you’re looking for something not as grim and dramatic as most cyberpunk books.
Strippers, drugs, and headless corpses? All in a day’s work for Bubbles Marlowe, HoloCity’s only cyborg detective.
Does she like her job? No. Is she good at it? Also no.
She can’t afford to be too good. The last time she got curious it cost her a job, a limb, and almost her life.
But when a seemingly simple case takes a gruesome turn, and Bubbles discovers a disturbing connection to the cold-case death of an old friend, she is driven to dig deeper.
And deeper.
Until what she uncovers can never be buried again…
Growing up, I was exposed to the same influences as most other SF writers of my generation – Clarke, Heinlein, and Asimov. But I was also exposed to the more nuanced, more psychologically realistic work of writers like Harlan Ellison, Norman Spinrad, Ursula K. LeGuin, and J.G. Ballard, none of whom shared the unquestioning techno-utopianism of an earlier generation of writers. They taught me not to automatically respect power or authority, and to always question ideas that might otherwise be taken for granted. It’s an approach that’s carried over into my own writing ever since.
Pohl drew heavily on his experience as an advertising copywriter in this, perhaps his most famous novel co-written with C.M. Kornbluth. Although not directly set on a colonized world, it’s easily one of the darkest takes on the subject as the protagonist, a ‘star-class copysmith’ is given the job of selling people on the idea of emigrating to Venus…while carefully avoiding the reality of Venus being barely, if at all, habitable, with nothing to promise but a harsh existence and generations of toil before the planet can be fully terraformed.
In a vastly overpopulated near-future world, businesses have taken the place of governments and now hold all political power. States exist merely to ensure the survival of huge transnational corporations. Advertising has become hugely aggressive and boasts some of the world's most powerful executives.
Through advertising, the public is constantly deluded into thinking that all the products on the market improve the quality of life. However, the most basic elements are incredibly scarce, including water and fuel.
The planet Venus has just been visited and judged fit for human settlement, despite its inhospitable surface and climate; colonists would have to…
