Here are 100 books that Still Life fans have personally recommended if you like
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The first books I loved were Gothic classics like Jane Eyre and Rebecca, because of their isolated settings and secretive characters. When I first started writing, it was always stories about communities–the first novel I wrote featured a retirement village and a circus. Maybe that’s because I love observing communities in everyday life, like local pubs in which everybody has their place. When domestic suspense novels really took off, I started devouring crime books with close-knit settings and soon was writing them, too. I love the claustrophobia, the backstories, the landscape, the web of relationships. It can be done in so many different and brilliant ways.
Most of the other books I’ve recommended have had a dark, gloomy atmosphere or a sense of bleak isolation, but the community in Moriarty’s book is sunny and bright. Set on an affluent peninsula in Sydney’s Northern Beaches, it depicts a world of huge houses, school gate gossip, and competitive parents–the perfect setting for a controversial death at a school trivia night.
In particular, I loved the brilliantly aggravating cliques and the characters who drove me mad but had me caring deeply about them by the end. Moriarty is great at knotty plots, too–by the climax of the story, everybody’s lives have become irreversibly entwined. She dials up the toxicity of the community to murderous levels but then shows us the good underneath it all, and that’s what stayed with me.
*Published as BIG LITTLE LIES in Australia and the United States*
Liane Moriarty, million copy selling author of The Husband's Secret brings us another addictive story of secrets and scandal.
Jane hasn't lived anywhere longer than six months since her son was born five years ago. She keeps moving in an attempt to escape her past. Now the idyllic seaside town of Pirriwee has pulled her to its shores and Jane finally feels like she belongs. She has friends in the feisty Madeline and the incredibly beautiful Celeste - two women with seemingly perfect lives . . . and their…
I've been writing for 20 years, and the more I learn about the craft, the less interested I am in big, bombastic thrillers about the end of the world. Now I'm more impressed by books that do a lot with a little. Some talented writers can spin a gripping story out of nothing more than two people in a room (Stephen King's Misery is one of my all-time faves). The domestic noir genre lends itself to this kind of minimalism. Sure, serial killers are scary, but not as scary as the thought that your spouse might not be who they seem.
Christine has a brain injury, which causes her memories to degrade every time she sleeps. She wakes up every morning as a blank slate, and her devoted husband explains who she is and then helps her get through the day. Unbeknownst to him, she starts keeping a journal—and soon realizes that his story about how she was injured is a little different each time.
I'm never in the mood for a thriller with a big twist in the penultimate chapter. I always want one with a big twist at the end of every chapter, and this book absolutely delivers. Is the husband a good guy or a bad guy? I changed my mind a dozen times over the course of this book, expertly manipulated by the author. I read the whole thing aloud to my wife on a long drive, and the time went by in a blink.
I've been writing for 20 years, and the more I learn about the craft, the less interested I am in big, bombastic thrillers about the end of the world. Now I'm more impressed by books that do a lot with a little. Some talented writers can spin a gripping story out of nothing more than two people in a room (Stephen King's Misery is one of my all-time faves). The domestic noir genre lends itself to this kind of minimalism. Sure, serial killers are scary, but not as scary as the thought that your spouse might not be who they seem.
Ainsley and Peter are struggling, and they decide to try an open marriage. A risky proposition, given that neither trusts the other—and rightly so, the reader soon discovers. But when one of Ainsley's dates follows her home and Peter kills him, they are forced to co-operate so they can get away with the crime. Nothing like a joint project to rekindle the flames of passion!
This book is nearly perfect. Yes, there are a few twists which could have been foreshadowed better, but the wicked glee with which the author tells her story is contagious. I could practically hear her palms rubbing together as I read.
A #1 bestselling novel from award-winning author Kiersten Modglin... Fans of Gone Girl, The Swap, and My Lovely Wife are sure to be gripped by this fast-paced, scandalous, and completely twisted story.
Domestic thriller readers are raving: "...my new obsession!" "...that ending shook me to my core." "I was sure I knew where it was going. I couldn't have been more wrong." "Hands down, my favorite read this year!"
⭐️⭐️⭐️⭐️⭐️
The arrangement was just meant to fix their marriage. No one was supposed to get hurt. But when the rules of this open marriage are broken, the consequences are sinister.…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I've been writing for 20 years, and the more I learn about the craft, the less interested I am in big, bombastic thrillers about the end of the world. Now I'm more impressed by books that do a lot with a little. Some talented writers can spin a gripping story out of nothing more than two people in a room (Stephen King's Misery is one of my all-time faves). The domestic noir genre lends itself to this kind of minimalism. Sure, serial killers are scary, but not as scary as the thought that your spouse might not be who they seem.
Pippa has everyone else's dream husband. Not only is Gabe gorgeous and a loving father to their two daughters, but he's also a bona fide hero—they live in a house on the edge of a cliff, and Gabe has talked several would-be jumpers out of committing suicide. But one day, a woman falls to her death. Pippa doesn't see the event, but she does see Gabe a split-second later, arms outstretched—did he reach out to save the woman, or did he push her off the edge?
It's a great set-up, and the author refuses to rest on it. The story takes one bold leap after another (if you'll pardon the expression) but never leaves the reader behind. When I realized that half the chapters would be narrated by the dead woman, speaking from beyond the grave, I should have been disbelieving, but instead, I was even more intrigued.
'Gabe is alone at the cliff's edge. His arms are outstretched, palms facing the empty air.'
He said she jumped. He wouldn't lie.
Before the woman went over the cliff, Pippa and Gabe were happy. They have the kind of marriage that everyone envies, as well as two sweet young daughters, a supportive family, and a picturesque cliff-side home - which would have been idyllic had the tall beachside cliffs not become so popular among those wishing to end their lives.
Gabe has become somewhat of a local hero since they moved to the cliff house, talking seven people down…
Stories that break the rules or attempt ambitious stunts have always intrigued me. Characters who break the fourth wall, non-traditional structures, winking nods to pop culture, hidden messages, silly wordplay, or good old-fashioned WTF moments nobody saw coming. My second novel L Extreme turns my favorite album into a fantastical song by song, chapter by chapter origin story for the record starring a fictionalized version of the musician who created it. Asking “what happens if I pretend this album is the soundtrack to a book?” took me on a long, strange trip in the spirit of these other bizarrely brilliant books that broke the mold for the better.
A short, eerie, and mysterious fever dream of a novella with a secret you may not realize your first time through--hidden messages in the text! I won't spoil what they are or how to find them here, but I will say that ever since reading this book I may or may not try to crack similar codes in nearly every book I pick up. (I may or may not have also done something similar in my own writing; hat tip to Mr. Garland for the inspiration.)
From the internationally-known author of The Beach, a gripping mystery and stylistic tour de force that delves into the subconscious mind, with brilliantly disturbing results. A young man is brutally assaulted late at night in an underground train by a gang of thugs. Beaten unconscious, he lies for days in a hospital bed - but appears to make a full recovery. On discharge from hospital, Carl picks up the threads of his daily life, visiting friends, seeing his girlfriend - until he starts to notice strange leaps in his perception of time, distortions in his experience. Is he truly reacting…
In my early twenties, I worked in a maximum security, Category A men’s prison. I got to know the prisoners, who were usually polite, funny, and, for want of a better word, ‘normal,’ even if guilty of terrible crimes. It made me realize you can’t simply tell if someone is ‘good’ or ‘bad’ by looking at them. It left an indelible mark on me: a fascination with people who lie easily and fool the world. My fascination grew when I became a journalist, but writing fiction has given me the freedom to truly explore liars of all types and try to understand them.
The twists! The turns! The head-spinning lies! The problem with being an author is that I often know within a few pages exactly how a book will end. Although it doesn’t bother me (because the journey is just as important as the destination, in my opinion), it’s always really exciting when I come across a book where I have no clue WTF is going on.
The layers of deception, half-truths, lies, manipulations…they had me wondering where on earth this was going. I defy anyone to work out everything that’s going on.
ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER
“Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window
My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie.
Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a…
Riley Masterson has moved to Greenbrier, SC, anxious to escape the chaos that has overwhelmed her life.
Questioned in a murder in Alabama, she has spent eighteen months under suspicion by a sheriff’s office, unable to make an arrest. But things in gentrifying Greenbrier are not as they seem. As…
I’m an award-winning and bestselling novelist known for writing in a wide variety of genres. My most popular work to date is Lovecraft Country, a supernatural horror novel that served as the basis for the acclaimed HBO series of the same name.
It’s not the scariest Stephen King novel I’ve ever read—I’d give that honor to The Shining—but this book remains my all-time favorite.
The story of John Smith, who awakens from a five-year coma with psychic powers that are more curse than blessing, plays to King’s greatest strength as a writer: the ability to create believable characters who you really care about.
The book is also a time capsule of American politics in the 1970s—one that seems newly relevant in the 2024 presidential season.
A #1 New York Times bestseller about a man who wakes up from a five-year coma able to see people’s futures and the terrible fate awaiting mankind—a “compulsive page-turner” (The Atlanta Journal-Constitution).
Johnny Smith awakens from a five-year coma after his car accident and discovers that he can see people’s futures and pasts when he touches them. Many consider his talent a gift; Johnny feels cursed. His fiancée married another man during his coma and people clamor for him to solve their problems.
Since I was a child, stories steeped in secrets have fascinated me. I spent many hours devouring books about detectives and spies, shadows and deceit. As an adult, it is a rare treat to discover one that is so engaging I must know how it unfolds as soon as possible, and is told in a way that leaves me surprised by how it ends. Each of these books is deliciously tricky, inspiring me to read quickly, before the ghosts between the pages could escape to haunt me.
Occasionally, there comes a book that is so compelling it demands to be read, breathless, from the very first page to the very last. Dead Girls Can’t Tell Secrets is one such book. This story contains so many twists it resembles a shockingly mangled slinky I delighted in attempting to untangle. I failed to predict the ending, but had fun guessing with every new bit of information the author revealed. It’s exactly what I look for in a young adult thriller.
Piper's fall was no accident. Did someone want her dead? It's up to her sister to discover the truth in this shocking new thriller with an unreliable narrator, from the acclaimed author of Little Creeping Things. Piper Sullivan was in a strange hiking accident last month and has been in a coma ever since. Her older sister, Savannah, can't pretend to be optimistic about it; things look bad. Piper will likely never wake up, and Savannah will never get any answers about what exactly happened. But then Savannah finds a note in Piper's locker, inviting Piper to a meeting of…
I have always been fascinated by medicine and the people who are there to care for us when needed. I have worked as a nurse and midwife, and the thought that someone, anyone, could actively harm those in their care is horrific. But it happens. At first, I read medical thrillers as I would have read any murder mystery, but now, post-Shipman et al., I also want to know why they kill. I think that these books give us some ideas about this, but we can still never really know what goes on in the mind of a murderous doctor or nurse, and that’s what makes these books so thrilling.
Robin Cook is the Grandaddy of medical thriller writers, and I read this not long after it first came out. It is the chilling story of a medical student who investigates why normally fit and healthy patients are suddenly lapsing into coma.
There is a strong and intelligent female protagonist, which is important to me. Yes, she can cry and even fall into the arms of a man, but she needs to be intelligent and stay strong, and Susan does that here. At the time, I was impressed by the level of authenticity but didn’t believe that anyone in the medical profession would ever deliberately hurt or kill their patients. Now, of course, we know better.
I re-read it before writing this and can honestly say that this book stands the test of time and is still relevant today.
The blockbuster bestseller that kickstarted a new genre--the medical thriller--is now available in trade paperback for the first time. They called it "minor surgery," but Nancy Greenly, Sean Berman and a dozen others--all admitted to Boston Memorial Hospital for routine procedures--were victims of the same inexplicable, hideous tragedy on the operating table. They never woke up. Susan Wheeler is a third-year medical student working as a trainee at Boston Memorial Hospital. Two patients during her residency mysteriously go into comas immediately after their operations due to complications from anesthesia. Susan begins to investigate the causes behind both of these alarming…
Liveaboard sailor Cass Lynch thinks her big break has finally arrived when she blags her way into skippering a Viking longship for a Hollywood film. However, this means returning to the Shetland Islands, the place she fled as a teenager. When a corpse unexpectedly appears onboard the longship, she can…
I inhabit the past. You may find me lurking in my four-hundred-year-old Devon cottage, or spot me thinly disguised as the formidable Mistress Agnes, a good wife of a certain age who leads a somewhat chaotic life during the mid-seventeenth century. I write, I read, I research, I share my passion, I write some more. My life revolves around reading, writing and researching history. Having spent the past forty-five years unravelling my own family’s story and loving both historical and crime novels, what could be better than a book that combines all these elements. I have to say that if genealogy was as dangerous a career as some of these books imply, no one would be advised to take it up!
When Esme Quentin’s sister, Elizabeth, is assaulted, Esme discovers that her sister has a secret. Who is the elderly, Mrs Roberts and what is her connection to Elizabeth? Esme’s attempt to unravels the sixty-year-old family mystery becomes a hazardous mission and she has to reassess her perception of blood ties.
A desperate crime, kept secret for 60 years...but time has a way of exposing the truth...Esme Quentin is devastated when her sister Elizabeth is beaten unconscious, miles from her home. Two days later Esme discovers that Elizabeth has a secret past. Desperate for answers which the comatose Elizabeth cannot give, Esme enlists the help of her friend Lucy to search for the truth, unaware of the dangerous path she is treading. Together they unravel a tangle of bitterness, blackmail and dubious inheritance, and as the harrowing story is finally revealed, Esme stumbles upon evidence of a pitiful crime. Realising too…
