Here are 80 books that So Big fans have personally recommended if you like
So Big.
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I’m an award-winning playwright and screenwriter. My work has been widely staged in London, across the UK, and internationally. I’ve had the honor of receiving the Royal Society of Literature Award and the Michael Grandage Futures Bursary Award, and I was also nominated for Political Play of the Year. Before I began writing, I worked as an anthropologist. Happy Death Club is my first nonfiction book.
The characters in Maggie O'Farrell's book are so real and compelling that they make historical figures feel like your next-door neighbors. I've always been obsessed with Shakespeare, and it's fascinating to learn more about how much Shakespeare was inspired by the death of his son Hamnet. It shows Shakespeare the man but also brings to life the other people in his life, especially the women, who history has forgotten about.
Behind every great man is an army of unseen women, and O'Farrell's novel gives those women voice and agency, showing what life (and death) was like for women in previous centuries, and showing that the experience of grief is universal.
WINNER OF THE 2020 WOMEN'S PRIZE FOR FICTION - THE NO. 1 BESTSELLER 2021 'Richly sensuous... something special' The Sunday Times 'A thing of shimmering wonder' David Mitchell
TWO EXTRAORDINARY PEOPLE. A LOVE THAT DRAWS THEM TOGETHER. A LOSS THAT THREATENS TO TEAR THEM APART.
On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a sudden fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home?
Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London.
I have always been fascinated by stories where everyday people are thrust into dangerous situations through no fault of their own. I’ve often wondered how I would react in such a situation. To me, it’s like going off to war. How would I react? Would I shrink away from danger or stand up like a man and do what I could to save myself and others around me? I’ve always found it interesting to write about everyday people who rise to the occasion and rely on their wits to extricate themselves from danger. I find myself rooting for them, urging them to find some inner strength they didn’t even know they had.
The first thing that drew me in was the format. The entire book, which is 466 pages long, is a response to a letter written on page one by the main character, Vivian. What a neat way to write a book.
In her letter to Vivian, Angela asks, “Vivian, what were you to my father?” It wasn’t the same old “telling” of a story, but Vivian’s detailed response from a historical perspective involving her experiences over the years in love, lust, glamour, and promiscuity and how these affected her life.
Vivian is in her 90s as she responds, and the story is told from her perspective as an old woman looking back on her life. I found myself rooting for her as she described her many struggles in her attempt to answer Angela’s question.
From the # 1 New York Times bestselling author of Eat Pray Love and The Signature of All Things, a delicious novel of glamour, sex, and adventure, about a young woman discovering that you don't have to be a good girl to be a good person.
"A spellbinding novel about love, freedom, and finding your own happiness." - PopSugar
"Intimate and richly sensual, razzle-dazzle with a hint of danger." -USA Today
"Pairs well with a cocktail...or two." -TheSkimm
"Life is both fleeting and dangerous, and there is no point in denying yourself pleasure, or…
Change is essential for growth. My degree is in economics and I started out in the corporate world until I had my second child, after which I became a painter and, eventually, a sign language interpreter. My mother was an inspiration to me, believing that learning and adapting are essential to knowing oneself. She was true to her values, proud and independent, rarely caring if others felt differently. At the age of 45, she earned her Bachelor’s degree and began a 30-year career in social work. Because of her influence on me, I tend to gravitate toward protagonists who are headstrong and evolve into self-sufficient, fulfilled individuals.
In addition to the fact that this story is set in another country and culture, I love that we meet the protagonist as a young, orphaned child, and a strong-willed one at that. She defies norms that would have her married at the age of eleven and remains in an ashram, where she builds a life her own way. I read this book over ten years ago and, though I cannot remember all the details, the story stayed with me for the descriptions of the characters and settings. I have always been drawn to Indian authors and stories about strong Indian women who often endure inequality and even abuse yet find their place and community. Just writing this recommendation makes me want to read it all over again!
A sweeping epic set in southern India, where a group of outcasts create a family while holding tight to their dreams from the bestselling author of A House for Happy Mothers.
Barely a month after she is promised in marriage, eleven-year-old orphan Kokila comes to Tella Meda, an ashram by the Bay of Bengal. Once there, she makes a courageous yet foolish choice that alters the fabric of her life: Instead of becoming a wife and mother, youthful passion drives Kokila to remain at the ashram.
Through the years, Kokila makes a home in Tella Meda alongside other strong yet…
Change is essential for growth. My degree is in economics and I started out in the corporate world until I had my second child, after which I became a painter and, eventually, a sign language interpreter. My mother was an inspiration to me, believing that learning and adapting are essential to knowing oneself. She was true to her values, proud and independent, rarely caring if others felt differently. At the age of 45, she earned her Bachelor’s degree and began a 30-year career in social work. Because of her influence on me, I tend to gravitate toward protagonists who are headstrong and evolve into self-sufficient, fulfilled individuals.
It’s important to be open-minded as you’re reading this book and understand that it is reality blended with mysticism and spirituality, which means you will need to suspend disbelief. Throughout the novel I enjoyed the interweaving of Ganesha’s commentary with the main narrative, as it kept me wondering how and when he might show himself to Esther and what role he fills in the story. It lent some mystery and edginess to the plotline. Esther is unconventional, especially when it comes to her mothering, and some readers might be put off by this, but her survival instinct is admirable, in my opinion. Teitelman does a fantastic job setting up Esther’s fastidious dedication to quality and perfection, which plays into that survival instinct.
Gold Award in the Regional Fiction (Europe) category of the 2020 IPPY Awards Gold Medal in the Fiction-Literary category of the 2020 Readers' Favorite Book Awards Silver Award in the Audiobook: Fiction category of the 2020 IBPA Benjamin Franklin Awards
"Teitelman paints an intensely beautiful world in which different cultures merge in surprising ways. . . . A rich and moving story about an unlikely pair." -Kirkus Reviews
In 1923, seventeen-year-old Esther Grunspan arrives in Koeln "with a hardened heart as her sole luggage." Thus begins a twenty-two-year journey, woven against the backdrops of the European Holocaust and the Hindu…
I was born in 1974 and grew up in a time when, at least on paper, women had equal rights. I also grew up not far from Harriet Tubman’s home, not far from Seneca Falls, not far from Susan B. Anthony’s house. I became a historian of women’s rights and, I sometimes joke, a secular evangelical for women’s history. WritingFree Thinkerwas, professionally, the most fun I have ever had. I can think of no better time than right now to study the histories of women who understood that bodily autonomy and political autonomy are two sides of the same coin and who dedicated their lives to securing both.
In the aftermath of the Supreme Court’s ruling in Dobbs, I think it is imperative to remember what life was like before Roe v. Wade and what women did to survive and to live their lives on their own terms. Kaplan’s book tells the story of the Jane Collective in the words of the women who made Jane work, which makes for powerful reading. And, I think it is important to ask ourselves what about today’s post-Roe era is “like before” and what is very different. For example, pre-Roe, most state restrictions on abortion contained exceptions for rape and incest. Post-Roe, nearly all state abortion bans contain no exceptions for rape or incest.The Story of Jane also chronicles, in some ways, a freer time in which one’s every query and movement was not tracked by one’s phone.
An extraordinary history by one of its members, this is the first account of Jane's evolution, the conflicts within the group, and the impact its work had both on the women it helped and the members themselves. This book stands as a compelling testament to a woman's most essential freedom--control over her own body--and to the power of women helping women.
Between humor and pathos, I lean humor. Even the saddest, most shocking events—murder, for instance—can be wrapped in kookiness. Combine this outlook with my love of old things (I’m sitting on a 1920s Chinese wedding bed and drinking from an etched Victorian tumbler at this very moment), and you’ll understand why I’m drawn to vintage screwball detective fiction. Although my mystery novels are cozies, I can’t help but infuse them with some of this screwball wackiness. I want readers to laugh, of course, but also to use my stories as springboards to see the hilarity and wonder in their own lives.
If screwball detective fiction intrigues you, you must read Craig Rice. Why not start withEight Faces of Three, the mystery introducing the wacky, rye-soaked team of Jake Justus, Helene Brand, and John Joseph Malone?
Justus is a good-looking press agent and the book’s moral center; Brand is a gorgeous heiress and non-stop partier; and Malone is a stumpy lawyer-slash-PI with good instincts and better luck. Imagine Philip Marlowe meets the Marx Brothers.
In Eight Faces of Three, a young woman awakes to find her aunt murdered, all the house’s clocks set to 3 am, and herself the prime suspect.
Craig Rice was the first mystery writer to grace the cover of Timemagazine. Her private life was strewn with ex-husbands and empty booze bottles, and she died way too young at 49.
However, her literary legacy—one critic dubbed her the “Dorothy Parker of detective fiction”—will keep her…
Pioneering woman crime writer Craig Rice introduces her series sleuth, gin-soaked Chicago lawyer John J. Malone
John J. Malone, defender of the guilty, is notorious for getting his culpable clients off. It’s the innocent ones who are problems. Like Holly Inglehart, accused of piercing the black heart of her well-heeled and tyrannical aunt Alexandria with a lovely Florentine paper cutter. No one who knew the old battle-ax liked her, but Holly’s prints were found on the murder weapon. Plus, she had a motive: She was about to be disinherited for marrying a common bandleader.
I came to Indigenous history through the experience as a settler growing up at the edge of a reservation. I also love cities as “texts,” and the ways in which urban places never fully erase what came before. These two interests led me to urban Indigenous studies. Urban and Indigenous histories are often treated as though they are mutually exclusive, when in fact they are deeply entangled with each other: for example, the majority of Indigenous people in the United States live in urban areas. These works capture the rich history of migration, political organizing, and cultural production that has taken place in Indigenous cities.
LaPier and Beck’s book is the perfect backstory to Van Alst’s.
Chicago, built on the lands of the Three Fires Council, has a long history as an Indigenous metropolis, from activism around the famous 1893 World’s Fair to the building of urban Indian organizations. The authors show how Indigenous people are everywhere in the archives.
Robert G. Athearn Award from the Western History Association
In City Indian Rosalyn R. LaPier and David R. M. Beck tell the engaging story of American Indians who migrated to Chicago from across America to work and emerged as activists. From the 1893 World's Columbian Exposition to the 1934 Century of Progress Fair, American Indians in Chicago voiced their opinions about political, social, educational, and racial issues. City Indian focuses on the privileged members of the American Indian community in Chicago: doctors, nurses, business owners, teachers, and entertainers. During the Progressive Era more than any other time in the city's…
I love the art of writing romance fiction. I’m a character-driven author. My stories are contemporary romance with steam, humor, and diversity. I run my business from my living room. When I'm not writing and telling people about my books, I run another online business. Read lots. Watch tons of series. Drink coffee and wine. Listen to music. Cook comforting vegetarian meals. Say prayers, meditate, and light candles. Text with my girlfriends. And try to squeeze in a walk and a shower. My sexy little stories are my attempt at keeping someone up all night. May you always feel loved, seen, and heard. The Smart Girl Mafia Series books 1-4 are currently available.
A funny contemporary romance that I skipped worked because I stay up all night reading it. The heroine is a smart and quirky children’s book author and the hero is the hottest of a hot football star. They find themselves having to work at a summer camp after a potentially scandalous hookup. This is one of my favorite authors and a true master of happily-ever-after storytelling.
Susan Elizabeth Phillips is the gold standard for women's fiction - an award-winning, bestselling phenomenon whose talent for blending laughs and tears with heartfelt, passionate, ingeniously conceived romance has made her one of America's most loved authors. The Phillips magic is vibrantly alive and on display in her long-awaited e-book debut.
Molly Somerville knows she has a reputation for trouble. She did give away her fifteen-million-dollar inheritance, but, hey, nobody's perfect.
Still, if anyone has an almost perfect life, it's Molly. While her Daphne the Bunny children's books could be selling better, she loves her cramped loft, her French poodle,…
I grew up in St. Paul, Minnesota, in a neighborhood that was stable, safe, and stimulating. After my freshman year in college, I signed up for an “urban experience” in Detroit. It turned out to be the summer of the Detroit riots. I woke up to U.S. Army vehicles rumbling into the park across from my apartment. Over the next month, I witnessed the looting and burning of whole neighborhoods. I remember thinking: what a waste! Why are we throwing away neighborhoods like Kleenex? I have been trying to answer that question ever since.
In an age of global warming, Klinenberg’s study of how Chicago did (and did not) cope with a horrible heat wave that hit the city in 1995, killing 739 residents, is more relevant than ever.
He shows how death rates varied hugely across neighborhoods, not so much based on socioeconomic status but on the cohesiveness of the community. In places where neighbors looked in on each other the death rate was lower.
Strong neighborhoods do not just enhance our lives, they can save lives.
On Thursday, July 13, 1995, Chicagoans awoke to a blistering day on which the temperature would eventually climb to 106 degrees. It was the start of an unprecedented heat wave that would last a full week - and leave more than seven hundred people dead. Rather than view these deaths as the inevitable consequence of natural disaster, sociologist Eric Klinenberg decided to figure out why so many people - and, specifically, so many elderly, poor, and isolated people - died, and to identify the social and political failures that together made the heat wave so deadly. Published to coincide with…
In 2017, I was laid off from my first job out of college, an experience that I think more young people are going through as we move further into an uncertain economic future. That experience formed the basis of my novel, which was published earlier this year. Afterwards, I met a lot of people, most of whom I didn’t know, who told me they’d resonated with the feeling of malaise captured by those first few chapters: of working jobs that seem to be dead ends, wondering if you’ll be here, at this desk, twenty years from now. It’s something most everybody can relate to but doesn't appear in novels nearly as much as it should.
This may be the first book one thinks of when picturing The American Office Novel. It’s one of the older books on this list. It’s also the funniest, and strangest, and the truest.
Centered around a Chicago advertising agency struggling to preserve its relevancy amid the vastly changing media landscape of the 90s and employing one of the only uses of first-person plural that I think works in entirety, this book is a true gem, a marvel that tells a fairly straightforward story that practically vibrates with the amount of beautiful, carefully arranged detail throughout it.
No one knows us quite the same way as the men and women who sit beside us in department meetings and crowd the office refrigerator with their labeled yogurts. Every office is a family of sorts, and the ad agency Joshua Ferris brilliantly depicts in his debut novel is family at its strangest and best, coping with a business downturn in the time-honored way: through gossip, pranks, and increasingly frequent coffee breaks. With a demon's eye for the details that make life worth noticing, Joshua Ferris tells a true and funny story about survival in life's strangest environment--the one we…
