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After working as a foreign correspondent in Italy and France I was sent by Reuters news agency to Cote d’Ivoire and what was then Zaire, the latter posting coinciding with the shocking start of the genocide in neighboring Rwanda. It was the kind of assignment you don’t forget, and when I moved to the Financial Times I continued following the larger-than-life dramas unfolding in Africa’s Great Lakes region. I’ve now written five books, the first – In the Footsteps of Mr Kurtz - about Mobutu Sese Seko's imprint on the Democratic Republic of Congo and the latest – Do Not Disturb - looking at personalities and events I first started writing about a quarter of a century ago. You keep going back.
As the author of a book on the Democratic Republic of Congo myself, I should have felt fiercely competitive with Van Reybrouk, a Belgian playwright, poet, and author. In fact, I loved this book. He tells this enormous country’s complex history, from King Leopold’s 19th-century giant land grab through to Patrice Lumumba's premiership, Marechal Mobutu Sese Sekos’ overthrow, Laurent Kabila’s Rwandan-backed takeover and beyond, almost exclusively through the testimony of living Congolese citizens, making it not only extraordinarily fresh, but utterly authentic as a record of the past. It’s a long book – 150 years of history, addressed at a leisurely pace, takes up a lot of paper - but every chapter is a jewel.
'Not only deserves the description "epic", in its true sense, but the term "masterpiece" as well' Independent
This gripping epic tells the story of one of the world's most critical failed nation-states: the Democratic Republic of Congo. Interweaving his own family's history with the voices of a diverse range of individuals - charismatic dictators, feuding warlords, child soldiers, and many in the African diaspora of Europe and China - Van Reybrouck offers a deeply humane approach to political history, focusing squarely on the Congolese perspective and returning a nation's history to its people.
After working as a foreign correspondent in Italy and France I was sent by Reuters news agency to Cote d’Ivoire and what was then Zaire, the latter posting coinciding with the shocking start of the genocide in neighboring Rwanda. It was the kind of assignment you don’t forget, and when I moved to the Financial Times I continued following the larger-than-life dramas unfolding in Africa’s Great Lakes region. I’ve now written five books, the first – In the Footsteps of Mr Kurtz - about Mobutu Sese Seko's imprint on the Democratic Republic of Congo and the latest – Do Not Disturb - looking at personalities and events I first started writing about a quarter of a century ago. You keep going back.
So many books have been written about the 1994 genocide in Rwanda since this came out, but for me it still effortlessly holds its own: clear, accessible, immensely insightful in the way it traces cause and effect. Make sure you buy the second edition, though, as French historian Prunier revised some key views over the years, including his opinion on who brought down the plane in which two African presidents died – the incident that triggered the genocide. The book is the perfect companion piece for Prunier’s follow-up tome, which pans back to examine not just Rwanda but the entire Great Lakes region during the turbulent post-genocide years: “From Genocide to Continental War. The “Congolese” Conflict and the Crisis of Contemporary Africa.”
In the spring of 1994 the tiny African nation of Rwanda exploded onto the international media stage, as internal strife reached genocidal proportions. But the horror that unfolded before our eyes had been building steadily for years before it captured the attention of the world. In The Rwanda Crisis, journalist and Africa scholar Gerard Prunier provides a historical perspective that Western readers need to understand how and why the brutal massacres of 800,000 Rwandese came to pass. Prunier shows how the events in Rwanda were part of a deadly logic, a plan that served central political and economic interests, rather…
After working as a foreign correspondent in Italy and France I was sent by Reuters news agency to Cote d’Ivoire and what was then Zaire, the latter posting coinciding with the shocking start of the genocide in neighboring Rwanda. It was the kind of assignment you don’t forget, and when I moved to the Financial Times I continued following the larger-than-life dramas unfolding in Africa’s Great Lakes region. I’ve now written five books, the first – In the Footsteps of Mr Kurtz - about Mobutu Sese Seko's imprint on the Democratic Republic of Congo and the latest – Do Not Disturb - looking at personalities and events I first started writing about a quarter of a century ago. You keep going back.
The author, a Tutsi genocide survivor, was once a young Rwandan politician who deeply admired Paul Kagame and seemed destined for prominent public office. Instead, from his position as parliamentary speaker, he watched as his hero steadily emasculated the judiciary, undermined the country’s Hutu president – a symbol of ethnic reconciliation - and sabotaged parliamentary democracy itself, eventually fleeing the country when his own life was threatened. His book not only offers great insights into the workings of village life in a tiny African country traumatized by its violent past, it’s a step-by-step analysis of how a dictatorship takes cynical, relentless hold.
Joseph Sebarenzi’s parents, seven siblings, and countless other family members were among 800,000 Tutsi brutally murdered over the course of ninety days in 1994 by extremist Rwandan Hutu—an efficiency that exceeded even that of the Nazi Holocaust. His father sent him away to school in Congo as a teenager, telling him, “If we are killed, you will survive.” When Sebarenzi returned to Rwanda after the genocide, he was elected speaker of parliament, only to be forced into a daring escape again when he learned he was the target of an assassination plot.
After working as a foreign correspondent in Italy and France I was sent by Reuters news agency to Cote d’Ivoire and what was then Zaire, the latter posting coinciding with the shocking start of the genocide in neighboring Rwanda. It was the kind of assignment you don’t forget, and when I moved to the Financial Times I continued following the larger-than-life dramas unfolding in Africa’s Great Lakes region. I’ve now written five books, the first – In the Footsteps of Mr Kurtz - about Mobutu Sese Seko's imprint on the Democratic Republic of Congo and the latest – Do Not Disturb - looking at personalities and events I first started writing about a quarter of a century ago. You keep going back.
A multi-generational novel which starts in 1750 with the heroic figure of Kintu, a provincial chief setting off with his entourage to pay ritual obeisance to the feared Kabaka (king), and culminates in bustling, hustling, modern Uganda. It’s an epic story that explores the imprint family bonds and ancestral legacies - including curses that travel down through the decades – leave on daily life. The kind of book which, because of its sheer heft, seems more than a little daunting at the start. But by the last page, you’re left wanting more, reluctant to have to say goodbye to all the characters you have come to know and love, hungry to know the end of their various journeys.
"A soaring and sublime epic. One of those great stories that was just waiting to be told."—Marlon James, Man Booker Prize-winning author of A Brief History of Seven Killings
First published in Kenya in 2014 to critical and popular acclaim, Kintu is a modern classic, a multilayered narrative that reimagines the history of Uganda through the cursed bloodline of the Kintu clan. Divided into six sections, the novel begins in 1750, when Kintu Kidda sets out for the capital to pledge allegiance…
I’ve always firmly believed that, being an all-encompassing genre, speculative fiction represents nearly everything I love about writing and storytelling. I’m therefore very proud to have established myself in that world over the past several years and hope to positively impact others in the way I’ve been positively impacted by the sorts of works I’ve mentioned here.
This book’s charming combination of sentient spaceships, quirky and interesting alien races, a touch of horror, and a rag-tag group of main characters thrust into a do-or-die situation apparently way beyond their respective abilities pushed a lot of my buttons in all the right ways.
Thus, this series has become another fast favorite of mine. I often recommend it to new science-fiction readers as I feel it’s a near-perfect introduction to the “space opera” sub-genre.
From BSFA Award winning author Gareth L. Powell comes the first in a new epic sci-fi trilogy exploring the legacies of war The sentient warship Trouble Dog was built for violence, yet following a brutal war, she is disgusted by her role in a genocide. Stripped of her weaponry and seeking to atone, she joins the House of Reclamation, an organisation dedicated to rescuing ships in distress. When a civilian ship goes missing in a disputed system, Trouble Dog and her new crew of loners, captained by Sal Konstanz, are sent on a rescue mission.
As an author, humanitarian, and diplomat, I’ve seen firsthand how the everyday brutality of civil wars and ethnic conflicts is often overlooked in favor of statistics: 100,000 displaced; 500 arrested; 7 villages torched. In places like Myanmar, Ethiopia, Congo, Nigeria, and Bangladesh, I have tried to use human-centered reporting to bring a magnifying glass to the effect of these tragedies on everyday people. By focusing on the stories that most of the world would rather turn away from, I think we have a better chance to understand, and ultimately prevent, these violent political and social upheavals.
The Democratic Republic of the Congo’s civil wars have claimed 5.5 million lives since the mid-1990s, but most people have never heard the stories of those who died. Stearns is an academic who spent years in the DRC researching how and why communities that once lived side by side could descend into brutal violence. This book is essential reading for anyone who wants to better understand how intercommunal conflict can turn neighbors into enemies, ethnicity into a weapon, and school children into genocidal street gangs. I spent two years living in DRC reporting on human rights abuses, and found Stearns’s treatment of his subjects and their personal histories arresting, respectful, and deeply humane.
A Best Book of the Year- The Economist & the Wall Street Journal At the heart of Africa is the Congo, a country the size of Western Europe, bordering nine other nations, that since 1996 has been wracked by a brutal war in which millions have died. In Dancing in the Glory of Monsters, renowned political activist and researcher Jason K. Stearns has written a compelling and deeply-reported narrative of how Congo became a failed state that collapsed into a war of retaliatory massacres. Stearns brilliantly describes the key perpetrators, many of whom he met personally, and highlights the nature…
I'm the author of several books on this topic and work on this topic as executive director of a nonprofit organization. I see war as one of the dumbest things that we could easily stop doing and as one of the most damaging things we do. It's the reason we are at risk of nuclear apocalypse, the leading cause of homelessness, a leading cause of death and injury, the justification for government secrecy, one of the most environmentally destructive activities, the major barrier to global cooperation on non-optional crises, and one of the main pits into which massive resources are diverted that we all desperately need for useful things.
This book makes a powerful case that humanitarian war no more exists than philanthropic child abuse or benevolent torture. I’m not sure the actual motivations of wars are limited to economic and strategic interests—which seems to forget the insane, power-mad, and sadistic motivations—but I am sure that no humanitarian war has ever benefitted humanity.
This book makes that very clear. It does not take the approach so widely recommended of watering down the truth so that the reader is only gently nudged in the right direction from where he or she is starting. There’s no getting 90% reassuringly wrong to make the 10% palatable here. This is a book for either people who have some general notion of what war is or people who aren’t traumatized by jumping into an unfamiliar perspective and thinking about it. Refreshing!
"Kovalik helps cut through the Orwellian lies and dissembling which make so-called 'humanitarian' intervention possible." -Oliver Stone
War is the fount of all the worst human rights violations including genocide and not its cure. This undeniable truth, which the framers of the UN Charter understood so well, is lost in today's obsession with the oxymoron known as "humanitarian" intervention.
No More War: How the West Violates International Law by Using 'Humanitarian' Intervention to Advance Economic and Strategic Interests sets out to reclaim the original intent of the Charter founders to end the scourge of war on the heels of the…
One might read for many reasons, but one of the main reasons for me is to connect and relate to the character. Female voices are very underheard, and I feel incredibly passionate about changing that and creating and reading stories where the female protagonists have strong voices and are not afraid to be heard. I think it’s important that we continue to create female characters that are raw and real and that portray subjects and feelings that need to be heard more.
I loved this book for so many reasons. The world-building is beautiful, the plot line is intriguing, and the main female character has a lot of depth to her. She’s beautiful and courageous, kind but strong, and she does anything for those she loves.
I saw much of myself in her character, which helped immerse me in the book as I read it. I’m a sucker for any book with a female protagonist that has a lot of depth; I feel it makes them more real, as we all have different sides to our personalities.
THE INSTANT SUNDAY TIMES BESTSELLER
'Epic, romantic, and enthralling from start to finish' Stephanie Garber
The stunning conclusion to the Celestial Kingdom Duology
After winning her mother's freedom from the Celestial Emperor, Xingyin thrives in the enchanting tranquility of her home. But her fragile peace is threatened by the discovery of a strange magic on the moon, and the unsettling changes in the Celestial Kingdom as the emperor tightens his grip on power.
While Xingyin is determined to keep clear of the rising danger, the discovery of a shocking truth spurs her into a perilous confrontation. Forced to flee her…
As a veteran of the United States Army Special Operations Command, my time in the army will always guide my actions. When I began my career in cybersecurity and later took on the role of President and Chair of Conquest Cyber, I looked to my military experience for guidance. The lessons I learned from leaders were much like those I’ve learned through these books, and they are lessons that will benefit any leader, business owner, or founder.
Even corporate America needs heroes. While Tier One Wild is fiction, it was written by a true hero, Dalton Fury. Fury was the senior ranking officer in the Battle of Tora Bora. He helped author the operation to hunt and kill bin Laden.
This book, the second in the Raynor series, has the flair of someone who has been there as Fury has been. Its fast moving and includes elements of both redemption and sacrifice. While this would be easy to dismiss as fiction or another war story, readers will be surprised by how applicable the lessons can be in the business world.
New York Times bestselling author and former Delta Force commander Dalton Fury (Black Site and Kill Bin Laden) is back with an explosive new thriller
Former disgraced Delta Force commander Kolt "Racer" Raynor has earned his way back into The Unit after redeeming himself during an explosive operation at a black site in Pakistan. But he is about to face his deadliest challenge yet.
The most wanted man in the world, American al Qaeda commander Daoud al Amriki, and his handpicked team of terrorist operatives, have acquired stores of Russian-built, shoulder-fired surface-to-air missiles (SAM's) from ex-Libyan spies in Cairo. Their…
I was born and spent my childhood living under a tyrannical regime that indiscriminately used violence against innocent civilians. Such cruelty made a lasting impact on me. For the past thirty-two years, I have been teaching philosophy at Seton Hall University. Given my childhood experiences, I have chosen to write on issues related to social and political philosophy and applied ethics. After the catastrophic event of 9/11, I wondered about the motivations, explanations, justifications, or excuses for this kind of unprecedented act of war against civilians. I have spent a great deal of my research exploring the relationship between justified acts of war and terrorist acts.
Fotion has written a short and accessible book for a general audience defending the relevance of just war theory to address issues of war. He distinguished between two different conceptions of just war: one that applies to interstate armed conflicts and one that applies between states and non-state actors. While the distinction between interstate armed conflicts and those between state and non-state actors might be useful at times, the principles of jus ad bellum (the right to wage war) based on the right of self-defense and jus in bello (the right way to wage war) based on respecting the immunity of innocent civilians remains constant in both types of armed conflict. Yet since he explores the nuances of both approaches, his book is a welcome development illustrating the relevance of the just war tradition nowadays.
The US-led invasion of Iraq in 2003 prompted unprecedented public interest in the ethics of war, a debate that has raged furiously in the media, in politics and in the public consciousness ever since. In this fascinating and informative book, Nicholas Fotion, an expert on the ethics of military action, explores the notion of developing an ethical theory that guides the behaviour of those who are at war. Fotion gives a clear account of just war theory, presenting it as a useful device in helping us make decisions about what we should do when war appears on the horizon. Examining…
