Here are 100 books that Slavery and Society at Rome fans have personally recommended if you like
Slavery and Society at Rome.
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I'm the Director of Studies in Classics at Churchill College, Cambridge University. My research looks at Roman cultural history, with a focus on history "from below," meaning that I'm most interested in ordinary Romans, slaves and the poor. There have been thirty-five translations of my books into sixteen languages.I come from a modest background and was the first in my family to go to university. I found moving up the social ladder a bewildering and sometimes terrifying experience. Classics back then was still an elite subject, dominated by people from wealthy backgrounds. My research interests have always reflected my fascination with those at the bottom of the social ladder.
You've probably heard of the Aesop fables, which were written so that slaves could speak the truth to their masters in disguised terms. The Life of Aesop is an ancient novel length version of the escapades of the slave. Potbellied, snub-nosed and bandy-legged, his openly sexual behaviour broke all the rules of ancient life, which generates much of the humour. He is a trickster who wins small, temporary victories based on an intimate knowledge of how the powerful operate. He works constantly to invert the social order and even though he loses in the end it is only to overwhelming odds. The translation can be found in Daly, L. W. (ed.), Aesop Without Morals: The Famous Fables and a Life of Aesop.
Here are the familiar Fables of Aesop--moralistic pap for school children for so many hundred of years that it is almost impossible to think of them in any other light. But Lloyd W. Daly, prominent educator and classicist, now presents the Fables in a new light--as adult literature, as an important and telling expression of Greek creative genius.
I'm the Director of Studies in Classics at Churchill College, Cambridge University. My research looks at Roman cultural history, with a focus on history "from below," meaning that I'm most interested in ordinary Romans, slaves and the poor. There have been thirty-five translations of my books into sixteen languages.I come from a modest background and was the first in my family to go to university. I found moving up the social ladder a bewildering and sometimes terrifying experience. Classics back then was still an elite subject, dominated by people from wealthy backgrounds. My research interests have always reflected my fascination with those at the bottom of the social ladder.
Keith Hopkins was Professor of Ancient History when I was a student and his brilliant courses on ancient papyrus evidence made me want to do a PhD. I then fell out with him big-time but his book on how the Roman slave system worked is still an inspiration. In incredibly clear language he spells out how the slaves generated by conquest were recycled into the broader economic system in a way that seems obvious.
The enormous size of the Roman empire and the length of time it endured call for an understanding of the institutions which sustained it. In this book, Keith Hopkins, who is both classicist and sociologist, uses various sociological concepts and methods to gain new insights into how traditional Roman institutions changed as the Romans acquired their empire. He examines the chain reactions resulting from increased wealth; various aspects of slavery, especially manumission and the cost of freedom; the curious phenomenon of the political power wielded by eunuchs at court; and in the final chapter he discusses the Roman emperor's divinity…
I'm the Director of Studies in Classics at Churchill College, Cambridge University. My research looks at Roman cultural history, with a focus on history "from below," meaning that I'm most interested in ordinary Romans, slaves and the poor. There have been thirty-five translations of my books into sixteen languages.I come from a modest background and was the first in my family to go to university. I found moving up the social ladder a bewildering and sometimes terrifying experience. Classics back then was still an elite subject, dominated by people from wealthy backgrounds. My research interests have always reflected my fascination with those at the bottom of the social ladder.
Roman slavery existed for a thousand years. We usually think that it was simply the result of empire, which saw millions of prisoners-of-war enslaved by their Roman conquerors. But slavery continued to play a core role in Roman society long after the empire had stopped expanding. Harper's detailed book shows how pervasive savery was to Roman culture, so much so that Christians thought it was normal too.
Capitalizing on the rich historical record of late antiquity, and employing sophisticated methodologies from social and economic history, this book reinterprets the end of Roman slavery. Kyle Harper challenges traditional interpretations of a transition from antiquity to the Middle Ages, arguing instead that a deep divide runs through 'late antiquity', separating the Roman slave system from its early medieval successors. In the process, he covers the economic, social and institutional dimensions of ancient slavery and presents the most comprehensive analytical treatment of a pre-modern slave system now available. By scouring the late antique record, he has uncovered a wealth of…
I'm the Director of Studies in Classics at Churchill College, Cambridge University. My research looks at Roman cultural history, with a focus on history "from below," meaning that I'm most interested in ordinary Romans, slaves and the poor. There have been thirty-five translations of my books into sixteen languages.I come from a modest background and was the first in my family to go to university. I found moving up the social ladder a bewildering and sometimes terrifying experience. Classics back then was still an elite subject, dominated by people from wealthy backgrounds. My research interests have always reflected my fascination with those at the bottom of the social ladder.
Peter Garnsey was my PhD supervisor and he is a generous soul with a love of big topics. This book gives an overview of the many ways in which the ancients thought about slavery. It is true that there was no Roman abolition movement, but many ancient writers thought deeply about slavery and the issues involved. Sometimes they justified it, other times they criticised it, but throughout slavery was seen as unavoidable. The Christians called their God “dominus” just as slaves would have done their master.
This study, unique of its kind, asks how slavery was viewed by the leading spokesmen of Greece and Rome. There was no movement for abolition in these societies, nor a vigorous debate, such as occurred in antebellum America, but this does not imply that slavery was accepted without question. Dr Garnsey draws on a wide range of sources, pagan, Jewish and Christian, over ten centuries, to challenge the common assumption of passive acquiescence in slavery, and the associated view that, Aristotle apart, there was no systematic thought on slavery. The work contains both a typology of attitudes to slavery ranging…
When I watched the Ridley Scott film Gladiator for the first time, I knew then my heart belonged in Ancient Rome. Countless books, films, research papers, museums, and shenanigans later, that is still true. I was a master of make-believe by age ten, and when the time was right, both passions fused into my debut novel, also set in Ancient Rome. I don’t want to just read or write a good book. I want to experience Ancient Rome vicariously through powerful characters that linger in my memory long after the last page. If that’s you too, give these a try.
I am so thrilled this author is rereleasing this novel and am stoked to revisit Lucia and Marcus’s story. When I first agreed to participate with this list, it was the first book that came to mind. Dean’s storytelling is so powerful. She plays to the history of Rome, and the conflict and dynamics unique to the time period so well as you journey through an impossible romance that refuses to die, much like its hero and heroine. What I appreciated most about this novel is how Marcus is allowed to be more than a slave and gladiator and how Lucia does what she must to survive her situation while always holding fast to the defiance and strength she shared with Marcus in their early days.
A tale of breathless passion, constant devotion, and all-consuming love from Award Winning Australian Author Cassandra Dean
I was to teach a slave.
Marcus, a gladiator in my father’s ludus, was compelled to my presence to learn of Rome’s gods, her legends. When first he came, fear consumed me – fear of this silent, resentful slave who burned with his anger.
Time, though, changes much. Marcus softened and I grew unafraid. As we became closer, I grew more than merely unafraid – I grew to love him. Never did I think we would be separated.
I’ve been reading romance since before dirt was old—(okay, I’m not actually thatold, but some days I feel like it)—and I have a deep belief that romances can be our shining light in a sometimes very dark world. Which is why when I wrote my own stories, my very first editorial letter started out with, “Wow, you really like to torture your characters.” I wanted to create genuine characters that make mistakes, mess up, and sometimes are their own worst enemy but you still want to root for them. My list of books on Heroines That Won’t Get Nominated For Sainthood will take you on a journey far more interesting than sainthood—the human experience.
Mistress of Rome was the first book I ever read by Kate Quinn, but it wasn’t my last. Frankly, I fell in love with Thea, a slave in ancient Rome. Ms. Quinn never shied away from the hard stuff. The reality was Thea was a slave and, as a slave, had very limited choices in her life. Ms. Quinn crafted a novel full of rich characters who sometimes made poor choices, or had their choices made for them all the while set against the beautiful background of ancient Rome, and you’ve got yourself one hell of a novel.
The first in an unforgettable historical saga from the New York Times bestselling author of The Alice Network and The Diamond Eye.
"So gripping, your hands are glued to the book, and so vivid it burns itself into your mind's eye and stays with you long after you turn the final page."-Diana Gabaldon, #1 New York Times bestselling author
First-century Rome: One young woman will hold the fate of an empire in her hands.
Thea, a captive from Judaea, is a clever and determined survivor hiding behind a slave's docile mask. Purchased as a toy for the spoiled heiress Lepida…
I made my first visit to Pompeii at age seven. That day, I told my parents that I had been there before. It was all very familiar. And that sense of déjà vu has never left me. I feel it whenever I go back to Pompeii, Herculaneum, and the Roman Forum. I don’t believe in reincarnation, but... As an adult, I’ve returned many times to those places and visited others featured in my books: the Etruscan necropolis at Caere, which was already 1,000 years old at the time of my novels; Athens; and the ancient ports of Piraeus in Greece and Itanos in Crete. I earned a Ph.D. at Northwestern University, taught for many years, and enjoyed a million marvelous experiences, but my lifelong love of ancient Rome is the direct result of that long-ago visit to Pompeii with my parents.
My novels take place in several ancient Mediterranean lands where slavery was an accepted, unchallenged reality. It’s hard for today’s writers and readers to grasp what relationships must have been like between human chattel and their owners in a world totally devoid of modern mores. Some authors who write about that time period choose to ignore the slaves and focus on the masters, but I was determined to get into the minds of both groups and explore their lives equally. Bradley’s subtitle, “A Study in Social Control,” held the key for me. His book revealed the “carrots and sticks” at work in such societies and helped me bring them to life in my fiction.
"A first-rate book....Excellent in drawing out the basic facts, and giving a wholly convincing interpretation....Clear, compassionate and compelling."--JACT
I am professor of medieval history at the University of St Andrews in Scotland. As a PhD student, I was electrified by the historian E. P. Thompson’s call to rescue the masses ‘from the enormous condescension of posterity’, but it’s often only when peasants revolt, as they did outside Paris in 1358, that we get much evidence about the masses in the Middle Ages. I loved writing The Jacquerie of 1358 because it allowed me to get very close to the men (and a few women) who risked everything to make their society a more just and equal one. It was a privilege, and a pleasure, to tell their story.
One of the most disquieting things about medieval peasants for me is that many of them were not free.
Some were outright slaves, particularly at the very beginning and the very end of the Middle Ages, but by 1100, most ‘unfree’ peasants were serfs. Although not a commodity to be bought or sold like slaves, serfs did unpaid labor and suffered serious limitations on their liberty, like the inability to move or marry at will.
Many historians have written on the medieval transition from slavery to serfdom (and back again), but what I like about Rio’s book is her attention to the variety of forms that ‘unfreedom’ could take and to how and why people might lose or gain freedom in the centuries after the fall of Rome and its slave system.
Slavery After Rome, 500-1100 offers a substantially new interpretation of what happened to slavery in Western Europe in the centuries that followed the fall of the Roman Empire. The periods at either end of the early middle ages are associated with iconic forms of unfreedom: Roman slavery at one end; at the other, the serfdom of the twelfth century and beyond, together with, in Southern Europe, a revitalised urban chattel slavery dealing chiefly in non-Christians. How and why this major change took place in the intervening period has been a long-standing puzzle. This study picks up the various threads linking…
I was introduced to genealogy, family pride, and racism as an only child. Growing up in Birmingham scarred me. Since young adulthood, I have worked on being an antiracist. I found that research on my ancestors, especially my maternal slaveholding side, helped me know my history, my family’s history as enslavers, my Black cousins, and what it means to be an American with all its flaws. I never tire of this research. It teaches me so much, has offered great gifts, and has built me a new family.
I no longer remember how, around 2018, I discovered this remarkable 1850 travelogue and presentation of observations on slavery by the man most people know as a landscape architect. Before his landscaping, Olmstead was hired by the now New York Times to travel the South interviewing and recording all he could from whites, whether rich or poor, slave owners or not, and enslaved Blacks. An added treasure: I loved reading about his travel experiences by boat, horse, train, and stagecoach, as well as the challenges of finding places to overnight.
The horrors of slavery come through without any preaching. I still think about this book a lot and what I learned from it–aspects of Southern life in the 1850s presented by someone trying to be fair and observant without a special agenda.
Frederick Law Olmsted (1822-1903) is best known for designing parks in Manhattan, Brooklyn, Chicago, Boston, and the grounds of the Capitol in Washington. But before he embarked upon his career as the nation's foremost landscape architect, he was a correspondent for the New York Times , and it was under its auspices that he journeyed through the slave states in the 1850s. His day-by-day observations,including intimate accounts of the daily lives of masters and slaves, the operation of the plantation system, and the pernicious effects of slavery on all classes of society, black and white,were largely collected in The Cotton…
I am an American novelist and a lifelong, enthusiastic student of American history. To me, history is people. In addition to first-hand accounts and biographies, one of the best ways to understand those people is historical fiction. For the last two decades, I’ve lived in the Southern United States, surrounded by the legacy of slavery, America’s “peculiar institution” that claimed an unequivocal evil was a positive good. Because both the enslaved and their enslavers were human beings, the ways that evil manifested were as complex as each individual—as were the ways people maintained their humanity. These are a few of the novels on the subject that blew me away.
The Jewish people have been persecuted—even enslaved—for millennia. One would hope this would make them more compassionate toward another persecuted and enslaved group, American Blacks. Unfortunately, this usually isn’t the way human nature works. To quote Frederick Douglass: “Everybody, in the south, wants the privilege of whipping somebody else.” If humans can get ahead by oppressing someone else, we too often do. With her fictional Jewish family and the Blacks they enslave—one of whom is also their blood kin—Waldfogel explores this terrible truth. A hundred and fifty years after its setting, this novel challenged me to be a better human.
When two Union soldiers stumble onto a plantation in northern Georgia on a warm May day in 1864, the last thing they expect is to see the Union flag flying high-or to be greeted by a group of freed slaves and their Jewish mistress. Little do they know that this place has an unusual history.
Twelve years prior, Adelaide Mannheim-daughter of Mordecai, the only Jewish planter in the county-was given her own maid, a young slave named Rachel. The two became friends, and soon they discovered a secret: Mordecai was Rachel's father, too.
