100 books like Shubeik Lubeik

This book is a novel written by an Egyptian activist, Omar Hamilton, who lived through the 2011 period. The fiction approach gives the author greater freedom to explore the inner lives of the Tahrir Square activists who he knew well and the momentous events in Cairo. The non-factual approach of a novel offers something missing even in the best journalism because the author brings to life the motivations and personalities involved in the leftist movements which overthrew the Mubarak regime. His first-hand experience of the time fuels the narrative as these revolutionaries faced the failure of the uprising in the long term. The book explores these harsh realities of politics through well-developed characters and expressionistic writing that brings to life this time in Egypt.

The book gives the reader a deep layered understanding of Egypt before the 2011 uprising to look at the state of the nation and into the heart of Cairo, an ancient city but now a metropolis of over 20 million. Written with a novelist's flare this is an intimate portrait of the lives of Cairenes that explores hidden aspects of this mysterious city. The author builds an intriguing story on the religious beliefs, family values, negotiating tactics, driving habits, and attitudes towards foreigners. This is a reflection on a wonderous city, a place of sadness and of hope, which uses the metaphor of Saharan desert sand blowing in to shape the sand castle politics of the Mubarak era that would come crashing down in the 2011 Revolution.

This book is similar to mine but instead of focusing on the spread and dissemination of capitalism, it focuses on the dissemination and adaptation of radical, socialist, and anarchist ideas in the Eastern Mediterranean region during the nineteenth century, and argues that the cities of Alexandria, Cairo, and Beirut played a major role in this process.

In particular, dense social and intellectual networks that linked key segments of the population in these cities together were pivotal in facilitating both the spread of these ideas and the ways in which they were reworked, reinterpreted, and adapted to local and regional contexts.

Though focusing on a different time period and on the spread of counter-hegemonic rather than hegemonic ideas, Khoury’s work is similar to the argument that I have been developing in this book, in the sense that it traces the regional networks and spaces of individuals and organizations who played a… show more.

When I first decided to write a historical novel that takes place in Egypt, I stopped by my local falafel joint in Brooklyn and asked the owner for pointers. He said, “Read Mahfouz, that’s all you need.” These are three interconnected stories that span the period from World War I to World War II. Without getting too deeply into the plot, I’d say they do what all the best historical novels do; they give you a sense of life’s movement, with the specifics that allow you to enter another time and place.

I met Mahfouz on my first trip to Egypt in 2005, shortly before he died, and asked him something about the country’s late leader Gamal Abdel Nasser. Mahfouz said he didn’t know the immediate answer himself, but “when I see Nasser, I’ll ask him.”

In the 1860s, the ailing Lady Duff Gordon is advised by doctors to seek warmer climes if she is to recover from an advanced case of tuberculous. She travels to Egypt and embarks from Cairo by sailing a boat up the Nile and deep into Nubia. Along the way she comments on encounters with people of all classes and occupations that she meets. The book stands in stark contrast to the largely unsympathetic picture of the Egyptian peasantry by other British writers of the time. Her sympathetic portrayal includes seeing the importance of Islam and deploring foreign efforts to convert the population to Christianity. Her depictions show that even during this early period certain basic values existed that in a general way still guide behavior today in Egypt.   

Khan al-Khalili is a famous bazaar in the historic heart of Cairo, and the setting of this powerful and thought-provoking novel by Naguib Mahfouz. One of the most important Egyptian and Arab authors of the Twentieth century, in 1988, Mahfouz became the first Arabic-language writer to be awarded the Nobel Prize in Literature. Mahfouz spent much of his life in and around Khan al-Khalili, which gives this novel an intimacy and sense of place akin to Dicken's writing about Victorian London. It is 1942, and Egypt is tense as the war moves closer and closer to the capital, and Cairenes from different generations thrust together in the crowded neighborhood variously argue for and against tradition, modernity, religious faith, and secularism. This is a great read, and even better if you’re able to read it while sitting in a café in Khan al-Khalili. 

Cairo in the War, 1939–1945 is a brilliant, fast-moving, narrative-driven piece of historical writing focussed on the British ruling elite in Egypt, before they won the war and subsequently lost this once vital North African imperial land-holding. The cast of characters reads like a Who’s Who of mid-century literary heavyweights, political operators, and military strategists, including everyone from Lawrence Durrell (whose Alexandria Quartet is also set in this period), Evelyn Waugh, Fitzroy Maclean, Olivia Manning, the brilliant Alexandrian Greek poet C.P. Cavafy, and Paddy Leigh Fermor. While much of the rest of the world burned, the British elite in Cairo partied, and in the process managed to annoy many American, Australian, and New Zealand allies and Egyptian foes alike, while sowing the seeds of an anti-monarchical feeling that eventually saw King Farouk toppled in 1952.

Translated from Arabic and 101 pages in length, this wonderful 1958 short novel is the first longer work of this legendary Egyptian writer, activist, and feminist. If you like it, you are in for a wonderful exploration of the life and work of this astounding writer and thinker. Trained as a doctor in Cairo, El Saadawi is also a riveting reporter of her experiences in a world where doctors were almost always men.

I bought this catalogue many years ago in the crowded, chaotic store that used to sell books just inside the front door of the Egyptian Museum in Cairo.

It remains one of the best sources for descriptions of artifacts displayed in the museum for many decades—everything from King Tut’s gold mask to lifelike statues of scribes, detailed models of boats, and illustrated passages from the Book of the Dead on sheets of papyrus.

Many of these artifacts have recently been transferred to the new Grand Egyptian Museum (GEM) and other state-of-the-art facilities. I’m going to have to start noting in this book where my favorite things have ended up.

In November 1849, Gustave Flaubert and his friend Maxime du Camp hired a boat and crew in Alexandria, Egypt and set off on a three-month trip up the Nile. At that time a trip on the Nile was still an extremely unusual and exotic adventure for Europeans. This book comprises Flaubert's letters to his mother and his friends back home in France. Flaubert was a man who deeply disliked his own country, had a longtime love of things oriental, was interested in the baser aspects of humanity, and was capable of writing to in a letter to a friend that women generally confused their cunts (his word) for their brains and thought the moon existed solely to light their boudoirs. 

You'll find here Flaubert's amusing descriptions of Egypt's bazaars, temples, and people, as well as his graphic and honest (possibly even exaggerated) descriptions of his sexual experiences in Egypt's numerous… show more.