Here are 100 books that Requiem for a German Past fans have personally recommended if you like
Requiem for a German Past.
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In writingThe Lost Son, which is loosely based on family history, I immersed myself in the history of World War II and in the world between the wars. It was important to me to understand this period from both sides—from the perspective of Germans who were either forced to flee their homeland or witness its destruction from within by a madman, and from the perspective of Americans with German ties who also fought fascism. The stories of ordinary people during this time are far more nuanced than the epic battles that World War II depicted, as the stories of ordinary people often are.
Sons and Soldierstells the stories of the Ritchie Boys, a special military intelligence unit of the US Army in World War II trained in Camp Ritchie, Maryland and made up of German-Austrian men, often German Jews who had fled Nazi persecution. These men had everything to lose: if they were captured and identified behind enemy lines, they would be killed on the spot. However, they also knew that their special knowledge of the German language and German culture gave them an advantage against Hitler’s army. The Ritchie Boys were critical to the Allied victory. Not surprisingly, those who survived went on to become leaders in American society, great heroes who understood that there are some things worth dying for.
'The last great, untold story of WWII... highly compelling' Daily Mail
Fleeing Nazi persecution for America in the 1930s, the young German-born Jews who would come to be known as The Ritchie Boys were labelled 'enemy aliens' when war broke out. Although of the age to be inducted into the U.S. military, their German accents made them distrusted. Until one day in 1942, when the Pentagon woke up to the incredible asset they had in their ranks, and sent these young recruits to a secret military intelligence training centre at Camp Ritchie, Maryland.
In writingThe Lost Son, which is loosely based on family history, I immersed myself in the history of World War II and in the world between the wars. It was important to me to understand this period from both sides—from the perspective of Germans who were either forced to flee their homeland or witness its destruction from within by a madman, and from the perspective of Americans with German ties who also fought fascism. The stories of ordinary people during this time are far more nuanced than the epic battles that World War II depicted, as the stories of ordinary people often are.
An unforgettable collection of linked stories, Heirlooms follows one Jewish family escaping Holocaust-era St. Malo, France through to present-day America and Israel. Hall depicts with masterful, exquisite prose just what it means to be a refugee, to rebuild a life outside one’s own country, to survive and endure. I recently taught Heirlooms to a class of fiction writing students who deeply appreciated this stunning collection and what they could learn from it about storytelling, and about resilience.
Fiction. Jewish Studies. Montaigne Medal Finalist. Winner of the G. S. Sharat Chandra Prize for Short Fiction, selected by Marge Piercy. HEIRLOOMS begins in the French seaside city of Saint-Malo, in 1939, and ends in the American Midwest in 1989. In these linked stories, the war reverberates through four generations of a Jewish family. Inspired by the author's family stories as well as extensive research, HEIRLOOMS explores assumptions about love, duty, memory and truth.
In writingThe Lost Son, which is loosely based on family history, I immersed myself in the history of World War II and in the world between the wars. It was important to me to understand this period from both sides—from the perspective of Germans who were either forced to flee their homeland or witness its destruction from within by a madman, and from the perspective of Americans with German ties who also fought fascism. The stories of ordinary people during this time are far more nuanced than the epic battles that World War II depicted, as the stories of ordinary people often are.
Erika Dreifus’ collection of stories, Quiet Americans, offers a haunting, kaleidoscopic view of the Holocaust as it has reverberated through the lives of generations of American Jews right up to the present. Depicting, among them, a high-ranking Nazi’s wife and a Jewish doctor, a Jewish-American soldier guarding a German POW, and a refugee returning to Europe against the backdrop of the terrorist massacre of Israeli athletes at the 1972 Munich Olympics, these are stories, characters that have stayed with me even as I read this book more than ten years ago when it debuted. Dreifus is an expert at dissecting and reframing this dark chapter in human history and showing its effects on ordinary people.
A high-ranking Nazi's wife and a Jewish doctor in prewar Berlin. A Jewish immigrant soldier and the German POWs he is assigned to supervise. A refugee returning to Europe for the first time and the massacre of Israeli athletes at the 1972 Munich Olympics. A son of survivors and technology's potential to reveal long-held family secrets. These are some of the characters and conflicts that emerge in QUIET AMERICANS, in stories that reframe familiar questions about what is right and wrong, remembered and repressed, resolved and unending.
In writingThe Lost Son, which is loosely based on family history, I immersed myself in the history of World War II and in the world between the wars. It was important to me to understand this period from both sides—from the perspective of Germans who were either forced to flee their homeland or witness its destruction from within by a madman, and from the perspective of Americans with German ties who also fought fascism. The stories of ordinary people during this time are far more nuanced than the epic battles that World War II depicted, as the stories of ordinary people often are.
Born in 1934 in Berchtesgaden, in the shadow of Hitler’s Eagles Nest, Irmgard Hunt witnessed the growth of fascist ideology among the people she loved during an otherwise idyllic childhood. As the shadow of World War II fell over the mountain, however, Hunt began to question and then disavow the Nazi doctrines she had accepted as a young child. As time went on and the regime crumbled literally before her eyes, she was vocal in confronting her country’s criminal past and in championing the democratic principles her elders had so easily dismissed.
Irmgard Hunt was born into Nazi Germany in 1934 and brought up in the Bavarian village of Berchtesgaden, just outside the fence that surrounded Hitler's alpine retreat and headquarters. On Hitler's Mountain is her account of a childhood under the Third Reich as the daughter of low-level Party members. As a model Aryan toddler, she was photographed sitting on Hitler's knee, and attended school with the children of Albert Speer and Fritz Sauckel. Like many ordinary Germans her parents considered themselves to be moral and honourable: her father was a porcelain artist (at the workshop that provided Hitler with his…
Why did I end up spending almost a third of my life researching Nazi boarding schools, and childhood under the Third Reich more generally? I sometimes wonder if it was because I myself was sent to boarding school at the age of nine – somehow, I can sympathise with what these children had to endure, as well as knowing full well from a historian’s perspective which hardships were truly unique to a National Socialist elite education, and which were simply the kind of heart-ache that’s common to any institution which takes children away from their parents at a young age…
Nick Stargardt’s Witnesses of War is the kind of book I’d love to write – it’s really one of the most comprehensive and accessible studies of children’s experiences under Nazism out there. The author doesn’t shy away from describing the lives of the Third Reich’s youthful victims in harrowing detail, but he also explores the lives of children who were seduced by the Nazi dictatorship. "In war," he writes, "all children are victims."
Even in this most murderous of European wars, children were not merely passive victims of genocide, bombing, mechanised warfare, starvation policies and mass flight. They were also active participants, going out to smuggle food, ply the black market, and care for sick parents and siblings. As they absorbed the brutal new realities of German occupation, Polish boys played at being Gestapo interrogators, and Jewish children at being ghetto guards or the SS. Within days of Germany's own surrender, German children were playing at being Russian soldiers. As they imagined themselves in the roles of their enemies, children expressed their hopes,…
Growing up, my mother often shared stories of her evacuation to a small Wiltshire village during World War Two. Far from a warm welcome, the local children viewed the newcomers with suspicion, and they were made to feel unwanted. My mother did, however, form one lifelong friendship that was very important to her. Her tales inspired me to write a novel about an evacuee’s experience for my Creative Writing MA. Living in Dorset at the time, I set my story there. The research was fascinating, allowing me to weave together historical insights with my own memories and experiences of today’s rural life.
The thought of walking around an occupied town in France during WWII terrifies me. The prospect of running into Nazis, looking for any excuse to arrest me, is the thing of nightmares.
But my fears shrink to nothing compared to the experience of blind sixteen-year-old Marie-Laure attempting to navigate war-torn Saint-Malo from the memory of a handmade tabletop model. The strength of courage she shows in this story has never left me.
WINNER OF THE 2015 PULITZER PRIZE FOR FICTION NATIONAL BOOK AWARD FINALIST NEW YORK TIMES BESTSELLER WINNER OF THE CARNEGIE MEDAL FOR FICTION
A beautiful, stunningly ambitious novel about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II
Open your eyes and see what you can with them before they close forever.'
For Marie-Laure, blind since the age of six, the world is full of mazes. The miniature of a Paris neighbourhood, made by her father to teach her the way home. The microscopic…
I’m a part-time professor of English and a full-time admirer of history, fairy tales, and people who fight oppression. I’ve loved stories my whole life, and I believe that the right words can have the power to change the world. That’s certainly an important message in my debut novel, The Story That Cannot Be Told, which is set during the Romanian Revolution of 1989. I primarily write historical fiction for middle grade readers, in large part because I love researching history, but my work also often includes folklore, fairy tales, or the supernatural—and of course, there’s always an adventure on the horizon.
Set during WWII, this novel follows a Ukrainian girl who, with other children, is forced to make bombs for the German army. The story is captivating and fast-paced, and it’s hard not to admire the protagonist, Lida, who risks everything in her fight to do what she believes is right. I think books like this are so important because they ask readers to think hard about what they would do in similar situations.
For readers who were enthralled by Alan Gratz's Prisoner B-3087 comes a gripping novel about a lesser-known part of WWII.
Lida thought she was safe. Her neighbors wearing the yellow star were all taken away, but Lida is not Jewish. She will be fine, won't she?But she cannot escape the horrors of World War II.Lida's parents are ripped away from her and she is separated from her beloved sister, Larissa. The Nazis take Lida to a brutal work camp, where she and other Ukrainian children are forced into backbreaking labor. Starving and terrified, Lida bonds with her fellow prisoners, but…
My parents both fought in the Second World War – my father as a bomber pilot, my mother as a Wren. Dad often entertained us at family mealtimes with tales of his wartime adventures – of how was shot down over Germany, captured, imprisoned, but finally escaped. My interest in the period grew from there, and my first ‘wartime’ novel The Secret Letter was in fact largely based on my parents experiences. Since then, I have become increasingly fascinated by the period, with now a total of four novels set in WW2, culminating in my present book The German Mother.
Joseph Goebbels was the Minister for Propaganda in Hitler’s Nazi Germany, and is one of the central characters in my latest novel. I recommend Longerich’s biography of this complex man in its own right, and not just because I plundered it for information when writing my novel.
Scholarly but written in a lively style, the book will appeal to anyone interested in what made the ‘master of the dark arts of propaganda’ tick. Drawing heavily on Goebbels’ own diaries (which run to an astonishing twenty-nine volumes), Longerich has written the definitive history of this complex and fascinating man, who was so attracted to Nazi ideology that he ultimately lost his soul to evil.
Joseph Goebbels was one of Adolf Hitler's most loyal acolytes. But how did this club-footed son of a factory worker rise from obscurity to become Hitler's malevolent minister of propaganda, most trusted lieutenant and personally anointed successor?
In this definitive one-volume biography, renowned German Holocaust historian Peter Longerich sifts through the historical record - and thirty thousand pages of Goebbels's own diary entries - to answer that question. Longerich paints a chilling picture of a man driven by a narcissistic desire for recognition who found the personal affirmation he craved within the virulently racist National Socialist movement - and whose…
Keith Lowe is the author of several works on postwar history. His international bestseller, Savage Continent, won the English PEN/Hessell Tiltman Prize and Italy’s Cherasco History Prize. His book on the long-term legacy of World War II, The Fear and the Freedom, was awarded China’s Beijing News Annual Recommendation and was shortlisted for the Historical Writers Association Non-Fiction Crown. His books have been translated into more than twenty languages.
There are dozens of excellent books about Germany and Germans in the wake of defeat – I could mention Giles MacDonogh’s After the Reich, or R.M. Douglas’s Orderly and Humane – but Douglas Botting’s book is by far the most engaging history of the subject that I’ve ever read. It was written in the 1980s, so it is not quite as up-to-date as the more recent histories, but what it lacks in cutting-edge research it more than makes up for in narrative immediacy. It is impossible not to be moved by Botting’s descriptions of postwar chaos, of orphans hiding in the ruins, of lawlessness, starvation, desperation and retribution. An absolute classic.
First published in Britain in 1985, In the Ruins of the Reich is a classic account of Nazi Germany after her fall to the Allies in May 1945. Douglas Botting concentrates on the defining events that took place in the period between the collapse of the Third Reich and the foundation of the new Germanys to create the prevailing atmosphere of a most unusual and little-charted time in history. This was a period when four of the strongest industrial nations to emerge from the Second World War attempted to work together to govern the once strong Germany, now prostate, impoverished…
As a Brit growing up in the 1970s, I was obsessed with the Second World War as a heroic narrative and my country’s ‘Finest Hour’. Then I went out on the road and interviewed hundreds of veterans of the Battle of Monte Cassino and learned a somewhat different story…
German novelist Rothman tells the story of two young friends caught up in the death spiral of Nazism at the end of the war when they are forced to ‘volunteer’ for the Waffen-SS. Only recently translated into English, it is a masterpiece of precision and unsentimentality that packs a punch as brutal as almost any other war novel I know.
The lunacy of the final months of World War II, as experienced by a young German soldier
Distant, silent, often drunk, Walter Urban is a difficult man to have as a father. But his son―the narrator of this slim, harrowing novel―is curious about Walter’s experiences during World War II, and so makes him a present of a blank notebook in which to write down his memories. Walter dies, however, leaving nothing but the barest skeleton of a story on those pages, leading his son to fill in the gaps himself, rightly or wrongly, with what he can piece together of…
