100 books like Profiles in Ignorance

I have been shocked in recent years by the bitter partisanship in America, and by how our politics have turned into a sort of sports grudge match – my team versus yours, no matter what – with very little interest in seeking the truth or working for the national good. So when I discovered a number of years ago that Democratic President Franklin D. Roosevelt built an alliance with Republicans that led the country to victory in World War II, I immediately set out to understand how such an extraordinary bipartisan alliance could take place – and whether America might do such a thing again. Uniting America provides an answer.

I am an economist by training, who has researched and taught classes related to business, governance, and democracy for more than 30 years at the University of Southern California. My work is multidisciplinary, spanning economics, finance, law, and political science, with a grounding in empirical analysis. In addition to two books and numerous scholarly articles, I am a frequent op-ed contributor and media commentator on topics related to democracy. I also direct the Initiative and Referendum Institute, a nonpartisan education organization focused on direct democracy.

Social history has always been my passion: unless you know how people thought, felt and lived, even down to how they dressed and ate, it is often impossible to understand why they acted as they did. And no period is as fascinating to me as the inter-war years; after WW1, the greatest conflict the world had ever seen, the upcoming generations determined to break barriers, discard the last vestiges of what they saw as hidebound custom, to invent new, freer ways of writing, painting, dancing - and to have fun. And for most of this post-war generation, there was nowhere like Paris.

I’ve been interested in exploring the characteristics and meaning of heroines in history since I met two fellow travelers in Nova Scotia in 1990 who introduced me to the work of Joseph Campbell and his The Hero with a Thousand Faces. As a history professor I am interested in women’s changing place in society and the history of heroines is an excellent way to explore this. I am passionate about moving beyond individual, celebratory stories to instead explore themes for a dynamic modern archetype of a heroine across time and cultures. I like to imagine a time when all humans can be heroes without the feminine suffix.

I’ve always been a voracious reader, and from an early age I was drawn to military, political, and science fiction thrillers because they explored a world of black operations, ruthless cabals, and clandestine government programmes. Later, I discovered that such a world exists, one where the military-industrial complex exerts enormous power and influence, a world of secretive global agendas, of dark actors controlling corrupt politicians, and cold-blooded military contractors, their allegiances no longer tied to any national flag but to mega-wealth cabals, offshore accounts, and vast pension funds. A world of shadows, where the light rarely shines, and the truth remains hidden. A truth often stranger than fiction.

My interest in the decade and in the Cold War came during graduate school. This was where I discovered Carl Sagan’s theory of a nuclear winter: that after a nuclear war, the debris and smoke from nuclear bombs would cover the earth and make it inhabitable for life on earth. Tracing debates between this celebrity scientist and U.S. policymakers revealed a hesitancy on either side to even consider each other’s point of view. This research made me reconsider the pop culture of my youth—films like The Day After and Wargames, music like “Shout” and “Everybody Wants to Rule the World,” and books from Don DeLillo’s White Noise to Dr. Seuss’ Butter Battle Book—and ultimately see them as part of a political contest in which lives—our lives—were in the balance.  

My friend Lou Cannon, the great reporter and Reagan biographer, once told me, “if you want to really learn about a subject, write a book about it.” As a political journalist and author of several books about current and past politics,  wanted to learn more about the Founding Fathers, and as a map buff I tried to understand how they understood a continent most of which was not accurately mapped and how they envisioned the geographic limits and reach of a new republic more extensive in size than most nations in Europe. The book is my attempt to share what I learned with readers, and to invite them to read more about these extraordinary leaders.

The American-born son of Jewish refugees, I would have every reason to revile the erstwhile capital of The Third Reich. But ever since my first visit, as a Fulbright Fellow in 1973, Berlin, a city painfully honest about its past, captured my imagination. A bilingual, English-German author of fiction, nonfiction, plays, poetry, travel memoir, and translations from the German, Ghost Dance in Berlin charts my take as a Holtzbrinck Fellow at the American Academy in Berlin in a villa on Wannsee, Berlin’s biggest lake, an experience marked by memorable encounters with derelicts, lawyers, a taxi driver, a hooker, et al, and with cameo appearances by Henry Kissinger and the ghost of Marlene Dietrich.

Arriving in the UK to pursue my PhD after a career in Journalism in my native country Lebanon, a few days before September 11, 2001, set me on a journey to put right the way my region and its people are represented in British and international media. The Middle East, the Arab region, Islam, and Muslims became the focal point of coverage for many years that followed. Most of that coverage had been tainted with negative stereotypes that do not speak true to who we are and what we stand for. Achieving fair representation and portrayal of ethnic and religious minorities have become one of my life passions.  

I have traveled throughout Africa and had the great opportunity to live in West Africa for two years, while I was working for the CIA. That experience was wild and challenging, but also transforming. West Africa became the setting for my first novel, Victor in the Rubble, because I loved the absurdity and adventure I experienced there, where nothing is logical but everything makes sense. I have read a number of novels that take place in different parts of Africa, as well as a wide array of nonfiction books about various African countries, their history, and their leaders. There are so many great stories there that pique my interest and inspire me.