Here are 100 books that On Sarpy Creek fans have personally recommended if you like
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I am a history-phobe turned history fanatic thanks to a snippet of a family story about my great-grandmother. Casual interest morphed into a focused passion when I learned that she truly had homesteaded-- all by herself and in her late teens-- in eastern Montana in 1917. Her accomplishment inspired four years of research and writing, resulting in my first historical novel, Hattie Big Sky, which earned a Newbery Honor award and spent weeks on the New York Times bestseller list. More importantly, that bit of family lore revealed my purpose as a writer and I have since devoted my career to bringing the past alive for today’s young readers.
The author, a history professor and Tennessee State Historian, provides an in-depth look into Montana history, region by region. The academic tone is nicely balanced by the people and events presented on the pages – plain folk to preachers and everything in between. A great companion to Jonathan Raban’s Badland.
Montana writer and historian Joseph Kinsey Howard described Montana as "high, wide, and handsome." It is difficult to find better words for Montana's geography. Between these covers, Carroll Van West discusses Montana's physical and historical landscapes, the settings for important events involving exploration, the military, Native Americans, miners, cowboys, homesteaders, and railroad builders as well as the physical remnants of Montana's prehistoric past. With this guide in hand, readers can discover a Montana past unavailable in more standard histories.
I am a history-phobe turned history fanatic thanks to a snippet of a family story about my great-grandmother. Casual interest morphed into a focused passion when I learned that she truly had homesteaded-- all by herself and in her late teens-- in eastern Montana in 1917. Her accomplishment inspired four years of research and writing, resulting in my first historical novel, Hattie Big Sky, which earned a Newbery Honor award and spent weeks on the New York Times bestseller list. More importantly, that bit of family lore revealed my purpose as a writer and I have since devoted my career to bringing the past alive for today’s young readers.
Dorothy M. Johnson wrote three short stories that were made into Western movies: The Man Who Shot Liberty Valance; The Hanging Tree; and A Man Called Horse. But this collection is a light-hearted visit to her childhood, growing up near Glacier National Park. A quick but delightful read to balance out some of the chewier reading I’ve suggested.
"[When You and I Were Young, Whitefish is] a lighthearted look into the life of a growing Western town in the early twentieth century. These fresh, jaunty tales of youth radiate good humor." -American West
My first introduction to the art of reading and storytelling was my dad’s bedtime stories. Sometimes he’d read a favorite, but most times he made them up; complete with sound effects. He was a journalist and inspired my love of reading and writing. My imagination was developed at an early age and shows no sign of slowing down or disappearing. I still gravitate toward fantasy, but am also a history buff and plan to read and write for the rest of my life.
Not only is Hattie Big Sky a Newbery Award Honor Book, it’s a beautifully written story based on the author’s own history and ancestors.
At the ripe ol’ age of sixteen, the main character, Hattie Brooks, moves to Montana to work the homestead of her great uncle. Alone, I might add. I felt Hattie’s fear, tragedy, determination, and triumph throughout the story.
This Newbery Honor winning, New York Times bestseller celebrates the true spirit of independence on the American frontier.
For most of her life, sixteen-year-old Hattie Brooks has been shuttled from one distant relative to another. Tired of being Hattie Here-and-There, she summons the courage to leave Iowa and move all by herself to Vida, Montana, to prove up on her late uncle’s homestead claim.
Under the big sky, Hattie braves hard weather, hard times, a cantankerous cow, and her own hopeless hand at the cookstove. Her quest to make a home is championed by new neighbors Perilee Mueller, her German…
I am a history-phobe turned history fanatic thanks to a snippet of a family story about my great-grandmother. Casual interest morphed into a focused passion when I learned that she truly had homesteaded-- all by herself and in her late teens-- in eastern Montana in 1917. Her accomplishment inspired four years of research and writing, resulting in my first historical novel, Hattie Big Sky, which earned a Newbery Honor award and spent weeks on the New York Times bestseller list. More importantly, that bit of family lore revealed my purpose as a writer and I have since devoted my career to bringing the past alive for today’s young readers.
The story behind this book is nearly as fascinating as the book itself. Evelyn Cameron—Lady Cameron!—accompanied her ne’er do well husband to Montana with a scheme to raise thoroughbreds. When that failed, her husband fell into despair and it was up to Evelyn to put food on the table. She did that by photographing what she saw around her: everything from staged and romanticized “Western photos” that she sold to magazines back East, to interiors of dreary homestead claim shacks. Her glass plate negatives were converted to greenhouses after her passing but were thankfully discovered and restored, resulting in this incredible book of photographs.
Leaving behind her childhood world of the English gentry, Evelyn Cameron began ranching on the harsh and beautiful plains of eastern Montana in 1889 with her husband, Ewen. When their initial venture--raising polo ponies--failed, Evelyn turned to glass-plate photography to help support her family. Nearly 2,000 negatives remained in a friend's basement for 50 years after Evelyn's death until author Donna M. Lucey tracked down the exra-ordinary collection. Photographing Montana showcases more than 150 photographs of life in Montana from the 1890s through the 1920s. Evelyn Cameron's work portrays vast landscapes, range horses, cattle roundups, wheat harvests, community celebrations, and…
Since I began to study history at the university, I have always wondered why things could get so wrong in Europe in the 1930s. The key to understanding this crucial period of world history was the failure of economic policy. In the course of my studies, many of my questions have been answered, but I am still wondering about the extent of human and institutional collapse. Hence, to me, the Great Depression is such a fascinating topic that you can never leave once you started doing research about its causes and consequences.
Financial crises are not only catastrophic because of their devastating economic consequences. They also unleash radical political forces undermining the foundations of our free and open society. Widely praised for his work on Germany in the interwar years, Harold James is the best historian to describe the vicious circle of crisis, radicalization, and national isolation in the 1930s and to discuss the question: can it happen again?
"Globalization" is here. Signified by an increasingly close economic interconnection that has led to profound political and social change around the world, the process seems irreversible. In this book, however, Harold James provides a sobering historical perspective, exploring the circumstances in which the globally integrated world of an earlier era broke down under the pressure of unexpected events.
James examines one of the great historical nightmares of the twentieth century: the collapse of globalism in the Great Depression. Analyzing this collapse in terms of three main components of global economics--capital flows, trade, and international migration--James argues that it was not…
I’ve always been attracted to the overlooked, the obscure, the forbidden. Maybe it’s as simple as the fact I grew up in a time when it seemed natural to rebel against norms. Or maybe it’s that I inherited an oddball gene from some ancient ancestor. Anyway, it led me to interesting adventures—hanging out with a crew of gun runners in eastern Turkey—and interesting career choices—strike organizer, private detective, etc. It also shaped my reading and my writing. I read everything, but I’m particularly drawn to the quirky—Grendel, the fiction of Christine Rivera Garza for instance. And in my writing too: Lynerkim, the protagonist of my novella, is undoubtedly an odd duck.
There are three novellas collected in the volume titled Legends of the Fall. The first two, Legends of the Fall and Revenge, you almost certainly know from their movies. The third story, The Man Who Gave Up His Name, everyone ignores and it’s the one I recommend. In the story Nordstrom leaves his lucrative job, dances alone at night, goes to New York, battles a drug dealer, and ends up in the Florida Keys as a chef, dancing again. I love this story because I love Harrison’s use of language. His sentences attack. But mostly I love this story because it’s about a man struggling to find his place in life. That’s a situation I like to throw my characters into: reinvention, for good or bad. And the story of my own life.
New York Times bestselling author Jim Harrison was one of America's most beloved and critically acclaimed writers. The classic Legends of the Fall is Harrison at his most memorable: a striking collection of novellas written with exceptional brilliance and a ferocious love of life. The title novella, "Legends of the Fall"--which was made into the film of the same name--is an epic, moving tale of three brothers fighting for justice in a world gone mad. Moving from the raw landscape of early twentieth-century Montana to the blood-drenched European battlefields of World War I and back again to Montana, Harrison's powerful…
I’m a voracious reader, an author, and also a book critic, so hundreds of books cross my desk. What I love the most is the feeling of discovery—reading a book whose likes I haven’t seen on any bestseller list or on a front display in a bookstore. There are so many, many hidden gems—books that have stayed with me long after the publication day, and I always want others to have the same devotion to them that I do!
Henderson’s a prize winner and she should be on the top of every reader’s list! Here, she creates a protagonist like no other: a mortician Mary Crampton, living in a stomach-cramp of a town.
What’s surprising and wonderful is that she loves her work, and treats it as art—and I was so fascinated to learn about it. As her town crumbles away, a young man enters her life—a man whose brother was killed in a grain mill. As the two grow closer, the town becomes angrier, making Gal take new stock of the life she has—and the life she could create. So haunting!
High Plains Book Award Winner for Fiction * Western Writers of America Spur Award Winner for Best Contemporary Western Novel * WILLA Literary Award Winner in Contemporary Fiction * Montana Book Award Honor Book
With the quiet precision of Jane Smiley's A Thousand Acres and the technical clarity of Mary Roach's Stiff, this is a novel about a young woman who comes most alive while working in her father's mortuary in a small, forgotten Western town.
"The dead come to me vulnerable, sharing their stories and secrets . . . "
I am a history-phobe turned history fanatic thanks to a snippet of a family story about my great-grandmother. Casual interest morphed into a focused passion when I learned that she truly had homesteaded-- all by herself and in her late teens-- in eastern Montana in 1917. Her accomplishment inspired four years of research and writing, resulting in my first historical novel, Hattie Big Sky, which earned a Newbery Honor award and spent weeks on the New York Times bestseller list. More importantly, that bit of family lore revealed my purpose as a writer and I have since devoted my career to bringing the past alive for today’s young readers.
Evocative and clear-eyed introduction to the western landscape; this compelling read orients readers firmly in place and time. It’s carefully researched nonfiction that reads like a suspense thriller; you’ll spend many nights reading it past your bedtime.
A New York Times Editors' Choice for Book of the Year Winner of the Pacific Northwest Booksellers Award Winner of the PEN West Creative Nonfiction Award
"No one has evoked with greater power the marriage of land and sky that gives this country both its beauty and its terror. " --Washington Post Book World
In 1909 maps still identified eastern Montana as the Great American Desert. But in that year Congress, lobbied heavily by railroad companies, offered 320-acre tracts of land to anyone bold or foolish enough to stake a claim to them. Drawn by shamelessly inventive brochures, countless homesteaders--many…
As a lifelong New Yorker and author of two books about drinking in the city—New York Cocktails and Drink Like a Local New York—these are the books about bygone days of city living that I would tell you to read if we met in a bar. You already know the ones by E.B. White, Patti Smith, Lou Reed, or possibly Pete Hamill or Walt Winchell. Those books are fantastic, but these are some “deep cuts” New York City appreciation books that you should also get to know.
This novel of interconnected stories is a fascinating snapshot of life in 1920s New York City.
Considering that it was written in 1925, Dos Pasos does an incredible job of representing different backgrounds and classes as they move through the city with one another. It shows how one can’t exist in such a setting on the highest levels of society without the help of people who make up the fabric of the rest of the town.
Encountering day-to-day strangers in the city won’t feel the same after reading this book. Plus, it takes place during Prohibition from a real time perspective, showing that the “Roaring Twenties” were more of a yelp.
'My literary hero is John Dos Passos' - Adam Curtis (filmmaker)
'A modernist masterpiece, capturing ... the fragmented lives it sketches, in a dazzling kaleidoscope of New York City in the 1920s' Christopher Hudson, Evening Standard
'Dos Passos has invented only one thing, an art of story-telling. But that is enough to create a universe' Jean-Paul Sartre
'The best modern book about New York' D.H. Lawrence
A modernist masterwork that has more in common with films than traditional novels, John Dos Passos' Manhattan Transfer includes an introduction by Jay McInerney in Penguin Modern Classics.
I was a law school graduate heading for my first job when, unable to think of anything better to do with my last afternoon in London, I wandered through the First World War galleries of the Imperial War Museum. I was hypnotized by a slide show of Great War propaganda posters, stunned by their clever viciousness in getting men to volunteer and wives and girlfriends to pressure them. Increasingly fascinated, I started reading about the war and its aftermath. After several years of this, I quit my job at a law firm and went back to school to become a professor. And here I am.
Fritzsche shows here how, from 1914 to 1933, middle class Germans were welded into the political block that supported Hitler. Another spellbindingly original book – among other things, Fritzsche shows very persuasively that the Great Depression had little to do with the rise of Hitler – the Nazis’ recipe of egalitarian but nationalist politics was already doing its work before 1929.
Why did ordinary Germans vote for Hitler? In this dramatically plotted book, organized around crucial turning points in 1914, 1918, and 1933, Peter Fritzsche explains why the Nazis were so popular and what was behind the political choice made by the German people.
Rejecting the view that Germans voted for the Nazis simply because they hated the Jews, or had been humiliated in World War I, or had been ruined by the Great Depression, Fritzsche makes the controversial argument that Nazism was part of a larger process of democratization and political invigoration that began with the outbreak of World War…
