Fans pick 100 books like Musicophilia

The brain people are all over art.

Anjan Chatterjee has managed to write a book that a) is very accessible, b) provides thorough coverage of current attempts to understand art and aesthetic experience by using information from the cognitive sciences, and c) outlines an original hypothesis about why humans evolved a love for art. That last part changes the book from a nice review of the topic to a groundbreaking attempt at an explanation of our art practices.

Chatterjee examines our judgments of peoples’ attractiveness, the brain’s system of reward chemicals, and our evolutionary history, in an attempt to understand our passion for art scientifically. 

In an upcoming book on art, I refer to Chatterjee frequently. I don’t always agree with him, but his sensible, clear, and broad approach made his book very useful to me. 

V. S. Ramachandran is a gifted experimentalist and writer who does not hesitate to pursue deep and important questions about our minds. Rather than employing expensive imaging or large sample sizes, he is more likely to use a cardboard box, an old stereopticon, or a rubber hand in his experiments. 

His creativity in finding concrete ways to test seemingly vague but interesting claims about our minds has led to several breakthroughs, in our understanding of phantom limbs and our ability to treat phantom pain, and also in our study of synesthesia—cases in which people see numbers as having colors, for example.

As I can attest, he is able to transmit to his students the idea that pursuing scientific questions can be thrilling, fulfilling, and so much fun that you can’t wait to get to work in the morning.

Even with my own years of experience as a musician and teaching sound design, I felt like an eager student basking in unexpected melodies of wisdom tales and humor behind the veil. Listening to Victor play his bass and tell his amazing, deep story is a truly spiritual journey that resonates to my core.

I got to meet him in person, and he’s the real deal. He’s not only a top professional with multiple Grammy awards but also an extraordinary, intimate storyteller and educator with a profound message about listening and following your intuitive guidance. 

I am deeply engaged in the lifelong work of neuroscientist Nina Kraus in the area of sound and music. My background as a sound designer and neuroscientist resonates with Dr. Kraus’ curiosity to unravel the mysteries of how we hear and make sense of the sonic world.

I really was blown away when she demonstrated how a famous rock melody created an electric signal in the brain of the listener, which was then transformed back into an audio signal that sounded exactly like the original melody. This book is full of hardcore explanations about the wondrous experience of the human brain’s interpretation of our world of sound, which I use for self-exploration and professional application in sound design.

In the mid-1980s, Patricia Churchland started to pursue the idea that philosophers interested in the mind might want to have a look at what is going on in neuroscience, in her book Neurophilosophy.

This book was formative for me, in that it showed a way I could combine my interest in the brain with my love for philosophy. Since then, new generations of graduate students have seen the naturalness of the link and begun to bring the wealth of neuroscientific discoveries into the philosophical debates. 

In Conscience, she looks at the evolutionary roots of our tendencies to form bonds and create social norms to approach the issue of whether our sociality is hardwired. She also discusses the troubling case of sociopaths, who appear to be naturally unethical.

Are philosophers like detectives, in that they chase their culprit over any terrain, and follow any clue? What can count as a clue?

Given the right context, pretty much anything, a pencil placed here rather than there, a picture of a car, something someone said, a fingerprint, can count as a clue. Or are we more like technicians, like the fingerprint expert who is only allowed to look at a certain type of clue? The problem with being the fingerprint expert is that it can completely remove philosophers from their originating problems and turn them into mere technicians.

Ned Block is a detective, who has followed clues about the nature of consciousness deep into psychology and neuroscience. Here Block argues that there is a genuine distinction between seeing and thinking, and draws out the consequences of that for our theories of consciousness.

This book is one of the biggest influences in my life as a sound designer, musician, neuroscientist, and super curious researcher/creator. Dan’s personal life trajectory mirrors my own love of music and science, and his writing style is so accessible and engaging.

He and I have met personally, signed each other’s books, and are literally and figuratively on the same page. I also love his book, The World in Six Songs, a deep dive into how and why music affects us emotionally, culturally, and socially, which is very pertinent to sound design storytelling and portraying human nature from prehistoric to current pop culture.

Written in 1997, this was the first of many books (including the others on my list here) that united my experience in sound design, music, and neuroscience.

In an elegant and entertaining style, Jourdain embraces the theme from Pink Panther by Henry Mancini and illustrates the continuum of musical experience in tone, melody, harmony, rhythm, composition, listening, and understanding while revealing the hows and whys our brains perceive, integrate and elicit emotion. 

I keep referring to this seminal work, which helped me write my own book, and I feel grateful for Jourdain’s groundbreaking entry into this field.

It’s not really six songs, but six human needs that songs fulfill: friendship, joy, comfort, knowledge, religion, love—needs that largely define “human nature.” This book combines the perspective of a neuroscientist and musician (Dan Levitin is both), describing why songs may have arisen, and how they impact emotion, memory, and the place of an individual in a society. A song combines music with lyrics—the near relative of a poem. For me (a non-musician), the book was especially useful in clarifying the ways in which song lyrics and poems are both similar and different. Songs derive their power by combining the creative potential of language and music.

If you want to delve into how music functions in the human mind and how it helps support communities and groups, then Anthony Storr’s is the book for you. Eminent psychiatrist, Oxford professor, and proficient pianist and violist, Storr (author of Churchill's Black Dog) uses his deep knowledge of philosophy, psychology, and religion to address questions like “Where does music come from?”, “Is music a common language for all humanity?” “How does music trigger emotions?” “Are our encounters with music in any way comparable with encountering persons?” Drawing on the work of Jung, Nietzsche, and Schopenhauer, Storr argues that music, like religion, is a feature of all human cultures. Like religion, it offers solace and comfort from the hardships of life.

However, music is not universal—different cultures develop their own musical traditions and conventions, just as they develop different political systems and different languages. What is universal, and this… show more.