Here are 100 books that Mists of the Serengeti fans have personally recommended if you like
Mists of the Serengeti.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’ve been reading romance since I was a teenager and writing them just as long. I have given workshops and panels, written a chapter on romance novels in a Kathryn Falk book, and was once the VP of SOLA. I have read thousands of books but few are memorable enough to become my favorites.
Fifty Shades of Grey was recommended to me on Amazon. It took me a full year before I finally gave in and bought Fifty Shades. And this happened because I was taking part in a radio show discussing the books because of one of my recent releases.
It took me 30 hours to read all three books. It was compelling with Ana, her Inner Goddess, and Christian Grey. I personally have always found the books great escapism from daily pressures.
The book is incredibly polarizing and the vitriol directed at its fans can get exhausting. But in my reading life, Christian’s over-the-top existence and manic living epitomizes rich boys and their toys.
"And in this quiet moment as I close my eyes, spent and sated, I think I'm in the eye of the storm. And in spite of all he's said, and what he hasn't said, I don't think I have ever been so happy." When literature student Anastasia Steele goes to interview young entrepreneur Christian Grey, she encounters a man who is beautiful, brilliant, and intimidating. The unworldly, innocent Ana is startled to realize she wants this man and, despite his enigmatic reserve, finds she is desperate to get close to him. Unable to resist Ana's quiet beauty, wit, and independent…
The tortured hero was my first love, and I’ve never been able to shake him. He never fails to crush me, and there’s nothing more rewarding to a masochistic reader than being completely annihilated, then put back together again. These heartbroken heartbreakers are easy to love (usually), easy to forgive (hopefully), and always keep you coming back for more (definitely). My character, Darian, was born of my search for the perfect tortured hero, and although I’ve moved on to a different kind of hero for my follow-up novel, Magnolia May, he’ll forever own my heart.
Oh, Noah. Noah, Noah, Noah. Ask any old-school Emma Scott fan their favorite tortured hero of hers, and their answer will likely be Noah Lake. This one is broken emotionally and physically, which makes it hard to hold a grudge when he lashes out. Not that I even had a grudge to begin with. I mean, think of what he’s suffered! One of the best parts of the angry tortured hero trope is all that delicious groveling, but with Noah, I didn’t need much. (Alright, fine. I didn’t need any.) FYI, Rush is a standalone that’s only connected to the other books in the series by its city setting.
To be blind is not miserable; not to be able to bear blindness, that is miserable. --John Milton
Charlotte Conroy, Juilliard-trained violinist, was on the cusp of greatness when tragedy swooped down on dark wings, crushing her hopes and breaking her heart. The music that used to sing in her soul has grown quiet, and she feels on the verge of setting down her violin for good. To pay the bills, she accepts a job as a personal assistant to a bitter, angry young man who’s been disabled by a horrific accident…
Noah Lake was an extreme sport athlete, journalist…
The tortured hero was my first love, and I’ve never been able to shake him. He never fails to crush me, and there’s nothing more rewarding to a masochistic reader than being completely annihilated, then put back together again. These heartbroken heartbreakers are easy to love (usually), easy to forgive (hopefully), and always keep you coming back for more (definitely). My character, Darian, was born of my search for the perfect tortured hero, and although I’ve moved on to a different kind of hero for my follow-up novel, Magnolia May, he’ll forever own my heart.
As far as tortured heroes go, Erik Fiskare is more of the brooding, quiet, suffer in silence type. The torturing happens on page, in a scene that will send your heart to your stomach. I suggest carving out time for a trilogy; it’s imperative you read book two to get the full impact of book one, and by then you’ll need book three just to heal. Lastly, be sure you’re stocked with Kleenex…and perhaps some antacid. I’m here if you need me.
A watershed moment exists in every man's life—the moment he stops being his mother's son and starts being his lover's man. When he transitions from protected to protector.
Erik "Fish" Fiskare is only a college junior when a gunman walks into the campus theater, intent on stopping the show. From the lighting booth, Fish sees his girlfriend, Marguerite "Daisy" Bianco, get caught in the line of fire. Everyone runs away from the stage but Fish, in a watershed moment, runs toward it.
Spanning fifteen years, The Man I Love explores how a single act of violence reverberates through a circle…
The tortured hero was my first love, and I’ve never been able to shake him. He never fails to crush me, and there’s nothing more rewarding to a masochistic reader than being completely annihilated, then put back together again. These heartbroken heartbreakers are easy to love (usually), easy to forgive (hopefully), and always keep you coming back for more (definitely). My character, Darian, was born of my search for the perfect tortured hero, and although I’ve moved on to a different kind of hero for my follow-up novel, Magnolia May, he’ll forever own my heart.
Jonathan isn’t your typical tortured hero, as much of his brokenness is self-inflicted. But that doesn’t make his journey to redemption any less painful or heart-twisty. We follow his progress in real-time while simultaneously discovering everything he did to fall from grace in the first place. You equally love him and hate him in the most soul-crushing way. And if that little bit of catnip didn’t sway you, give five-year-old Maddie a chance.
A new second chance romance standalone from USA Today bestselling author J.M. Darhower.
He's a troubled young actor, Hollywood's newest heartthrob, struggling with fame as the star of the latest superhero franchise. Through scandal after scandal, addiction on top of addiction, a flurry of paparazzi hunt him as he fights to conquer his demons.
She's a single mother, assistant manager at a grocery store, existing in monotony with her five-year-old daughter. Every day when she goes to work, lurid tabloids surround her, the face of a notorious bad boy haunting her from their covers.
I have been interested in natural history since my early childhood. A bit later I discovered photography and much later writing. Eventually I was lucky enough to combine the three and make a living from it. Over the past 20 years I have been working with conservation groups in Ireland, have published over 20 books, and more recently started developing and managing conservation projects.
This is the book that kindled my interest in natural history and ecology. It was published in the early 1960s and probably the first widely read book on nature conservation. The work of Bernhard Grizmek and his son Michael (who died during the project in a plane crash) was vital in getting the plains of the Serengeti and their inhabitants the protection status they deserve and even over half a century later the book is a thrilling and interesting read.
Wir müssen fliegen lernen. Diese Worte des 23-jährigen Wildtierenthusiasten Michael Grzimek, Sohn von Bernhard Grzimek, stehen am Anfang eines der ganz großen Abenteuer des internationalen Naturschutzes. Im Jahre 1957 fliegen Vater und Sohn mit ihrer Dornier-27 in Zebrastreifen-Lackierung nach Afrika, um das Wanderverhalten der großen Herden der Serengeti zu studieren, ihre Tierbestände zu erfassen und so die willkürliche Festlegung von Wildparkgrenzen zu verhindern. Eine legendäre Pioniertat. Während ihres Aufenthalts nähern sie sich nicht nur den Wildtieren, sondern suchen das Gespräch mit den Bewohnern der Steppe, und dies, anders als die Kolonialherren, von Gleich zu Gleich. Serengeti darf nicht sterben hat…
The subject of friendship can be explored endlessly, as every friendship is unique. I am especially drawn to stories of unlikely friendships that look at the surprising and interesting ways that we show up for one another. One of the things that I see in all of the stories that Giselle and I have chosen, is that these unusual friendships make a difficult, awkward, or downright scary world a better place to be.
Jerry Pinkney beautifully tackles Aesop’s fable, The Lion & the Mouse. His version is wordless except for a few, potent calls from the animals in the savanna. Pinkney’s luminous watercolor illustrations depict alive and intricate landscapes and animals. Life is shown to be rich, beautiful, and dangerous as a mouse narrowly escapes the talons of an owl, only to stumble upon a magnificent lion. The lion kindly sets the mouse free, and later in the story when the lion is captured by hunters, the mouse hears his mighty roar and comes to his aid, nibbling away the ropes. Once released the lion and the mouse return to their families. I love how this story reflects the inter-dependency of all of us, and how we all matter for the well-being of the other, no matter the size or status of any one individual.
The Caldecott Award-winning and New York Times bestselling fable of compassion and kindness retold by acclaimed artist Jerry Pinkney.
In award-winning artist Jerry Pinkney's wordless adaptation of one of Aesop's most beloved fables, an unlikely pair learn that no act of kindness is ever wasted. After a ferocious lion spares a cowering mouse that he'd planned to eat, the mouse later comes to his rescue, freeing him from a poacher's trap. With vivid depictions of the landscape of the African Serengeti and expressively-drawn characters, Pinkney makes this a truly special retelling, and his stunning pictures speak volumes.
I have been writing about nature and nature conservation for nearly 35 years. I have seen it from all angles—government, non-government, private, local—in the US, Africa, Asia, and Latin America. I have written five books about how we can do better at both saving wild places and wild creatures, while also understanding how those efforts must also account for the human communities that depend on those places for their lives and livelihoods. Over the decades I have seen enormous and promising shifts in conservation practices, and although we are in the midst of a biodiversity crisis that is entirely of our own making, we are not doomed to repeat the mistakes of our past.
National parks have long been the bedrock of nature conservation efforts. For most Westerners, their vision of Africa is built on images from iconic parks like Tanzania’s Serengeti or Kenya’s Masai Mara. Those parks, however, were imposed on the African landscape with lasting and often devastating consequences, among them the pernicious notion that Africans themselves are little more than part of the fauna and are an impediment to conservation efforts that can be swept aside. Roderick Neuman reveals that far from a simple means to protect nature, parks are a complicated intersection of ecological, economic, political, and cultural issues. His analysis of Arusha National Park in Tanzania, not far from Mount Kilimanjaro, melds careful scholarship with passionate and vivid writing and is an essential text for understanding the promise and limitations of long-established conservation practices.
Arusha National Park in northern Tanzania embodies all the political-ecological dilemmas facing protected areas throughout Africa. This book presents an analysis of the problems, arguing that the roots of the ongoing struggle between the park and the neighbouring Meru peasant communities go much deeper than the issues of poverty, population growth and ignorance usually cited. The author claims the conflict reflects differences that go back to the beginning of colonial rule. By imposing a European ideal of pristine wilderness, the establishment of national parks and protected areas displaced African meanings as well as material access to the land. The book…
Outdoors has always been a nourishing place for me, even when I edged into risky or dangerous places, especially solo. When I got rid of my car (for financial reasons), I found my options to reach outdoor adventures limited. Soon after, I began working in transportation, tourism, and recreation and sought ways for everyone to access outdoor recreational opportunities, regardless of their abilities or any limiting barriers. Slow travel is broadly inclusive, enabling anyone to benefit from outdoor experiences and their transformative potential. Slow travel helped me feel less alone, more connected, more balanced emotionally, healthier physically, and more creative; it revealed the path to Love.
This book broadened my understanding of what it means for the outdoors to be a place where everyone feels they are welcome and belong. I felt Whitely’s discomfort and shame at being a tall, overweight woman among slender, fit climbers on Mt. Kilimanjaro.
I celebrated how she transformed shame into motivation. I could also feel the effort of lifting heavy legs at altitude. I appreciated her attention to the world around her, the guides, the camp staff, and the local language. She gave me a picture of the landscape, people, and sound of the place.
Kara knew she could reach the summit of Mt. Kilimanjaro. She had done it once before. That's why, when she failed in a second attempt, it brought her so low. As she struggled with food addiction and looked for ways to cope with feelings of failure and shame, Kara's weight shot to more than 300 pounds. Deep in her personal gorge, Kara realized the only way out was up. She resolved to climb the mountain again,and this time, she would reach the summit without waiting for her plus-sized status to disappear. Gorge: My Journey Up Kilimanjaro at 300 Pounds is…
There is no quality of life without meaning, and there is no better meaning than the search for it. The Vision Quest has been a beacon of hope for me my entire life. It permeates all my aspirations and writing. It inspired me to hitchhike worldwide for five years and continued into my professional life. I hope you enjoy the selections.
This book is the ultimate spiritual rite of passage. It begins with a metaphor—a lone leopard dead on the summit of the mountain. I felt the pain and chaos of Hemingway’s protagonist, Harry, deeply dying of gangrene on the plains, never to find enlightened consciousness on the clean white mountain canvas high above.
Good things happen in the mountains; bad things happen on the plains. This story sparked my climb of Kilimanjaro, my vision quest in the Cartwheels Quadrilogy.
Men and women of passion and action live, fight, love and die in scenes of dramatic intensity. From haunting tragedy on the snow-capped peak of Kilimanjaro to brutal sensationalism in the bullring; from rural America with its deceptive calm to the heart of war-ravaged Europe, each of the stories in this classic collection is a feat of imagination, and a masterpiece of description. The Snows of Kilimanjaro is one of the best known and loved collections of stories by one of the greatest literary novelists of the twentieth century.
I love a good short story that can convey character, emotion, and complexity. While a novel allows the writer (and the reader) to delve into the chaotic complexity of a single set of characters, a good short story collection can explore a range of humanity and a diversity of moods or feelings. This was my motivation in writing my book. I believe a good short story collection on a well-grounded theme (such as the contributions to this list by Doerr, Kundera, and Munro) can often reveal more about human nature than an excellent novel.
This is the quintessential short story collection by a minimalist who doesn’t write just to write. I love the fact that the stories are not contrived. He doesn’t force anything.
The characters, the setting, and the story just interact and produce real, believable results. Hemingway doesn’t stretch credulity, the ridiculous, or the fantastic, yet transports you to his world with a few efficient lines.
The complete, authoritative collection of Ernest Hemingway's short fiction, including classic stories like "The Snows of Kilimanjaro," "A Clean, Well-Lighted Place," and "The Short Happy Life of Francis Macomber," along with seven previously unpublished stories.
In this definitive collection of the Nobel Prize-winning author’s short stories, readers will delight in Hemingway’s most beloved classics such as "The Snows of Kilimanjaro," "Hills Like White Elephants," and "A Clean, Well-Lighted Place," and will discover seven new tales published for the first time in this collection, totaling in sixty stories. This collection demonstrates Hemingway’s ability to write beautiful prose for each distinct story,…
