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I’ve been reading romance since I was a teenager and writing them just as long. I have given workshops and panels, written a chapter on romance novels in a Kathryn Falk book, and was once the VP of SOLA. I have read thousands of books but few are memorable enough to become my favorites.
Fifty Shades of Grey was recommended to me on Amazon. It took me a full year before I finally gave in and bought Fifty Shades. And this happened because I was taking part in a radio show discussing the books because of one of my recent releases.
It took me 30 hours to read all three books. It was compelling with Ana, her Inner Goddess, and Christian Grey. I personally have always found the books great escapism from daily pressures.
The book is incredibly polarizing and the vitriol directed at its fans can get exhausting. But in my reading life, Christian’s over-the-top existence and manic living epitomizes rich boys and their toys.
"And in this quiet moment as I close my eyes, spent and sated, I think I'm in the eye of the storm. And in spite of all he's said, and what he hasn't said, I don't think I have ever been so happy." When literature student Anastasia Steele goes to interview young entrepreneur Christian Grey, she encounters a man who is beautiful, brilliant, and intimidating. The unworldly, innocent Ana is startled to realize she wants this man and, despite his enigmatic reserve, finds she is desperate to get close to him. Unable to resist Ana's quiet beauty, wit, and independent…
The tortured hero was my first love, and I’ve never been able to shake him. He never fails to crush me, and there’s nothing more rewarding to a masochistic reader than being completely annihilated, then put back together again. These heartbroken heartbreakers are easy to love (usually), easy to forgive (hopefully), and always keep you coming back for more (definitely). My character, Darian, was born of my search for the perfect tortured hero, and although I’ve moved on to a different kind of hero for my follow-up novel, Magnolia May, he’ll forever own my heart.
“Once in Africa, I got my @ss handed to me by a king…” That’s a direct quote from my review, and it will make a lot more sense once you’ve read the book.Jack is the epitome of the tortured hero—angry, terse, godawful at times—but you accept it because, Oh my God! Think of what he’s suffered! And then you get to that part where said hero begins to soften toward the heroine and shut up! This book absolutely gutted me, and the pain was physical. No, seriously. My chest and stomach literally ached. I felt tingly, overheated, exhausted, and drained. And that was just from the prologue!
From the New York Times and USA Today bestselling author, Leylah Attar, comes a compelling, emotionally resonant novel, set against the lush backdrop of the Serengeti.
An Indie Reader Discovery Award Winner
Once in Africa, I kissed a king…
“And just like that, in an old red barn at the foothills of Mount Kilimanjaro, I discovered the elusive magic I had only ever glimpsed between the pages of great love stories. It fluttered around me like a newborn butterfly and settled in a corner of my heart. I held my breath, afraid to exhale for fear it would slip out,…
The tortured hero was my first love, and I’ve never been able to shake him. He never fails to crush me, and there’s nothing more rewarding to a masochistic reader than being completely annihilated, then put back together again. These heartbroken heartbreakers are easy to love (usually), easy to forgive (hopefully), and always keep you coming back for more (definitely). My character, Darian, was born of my search for the perfect tortured hero, and although I’ve moved on to a different kind of hero for my follow-up novel, Magnolia May, he’ll forever own my heart.
As far as tortured heroes go, Erik Fiskare is more of the brooding, quiet, suffer in silence type. The torturing happens on page, in a scene that will send your heart to your stomach. I suggest carving out time for a trilogy; it’s imperative you read book two to get the full impact of book one, and by then you’ll need book three just to heal. Lastly, be sure you’re stocked with Kleenex…and perhaps some antacid. I’m here if you need me.
A watershed moment exists in every man's life—the moment he stops being his mother's son and starts being his lover's man. When he transitions from protected to protector.
Erik "Fish" Fiskare is only a college junior when a gunman walks into the campus theater, intent on stopping the show. From the lighting booth, Fish sees his girlfriend, Marguerite "Daisy" Bianco, get caught in the line of fire. Everyone runs away from the stage but Fish, in a watershed moment, runs toward it.
Spanning fifteen years, The Man I Love explores how a single act of violence reverberates through a circle…
The tortured hero was my first love, and I’ve never been able to shake him. He never fails to crush me, and there’s nothing more rewarding to a masochistic reader than being completely annihilated, then put back together again. These heartbroken heartbreakers are easy to love (usually), easy to forgive (hopefully), and always keep you coming back for more (definitely). My character, Darian, was born of my search for the perfect tortured hero, and although I’ve moved on to a different kind of hero for my follow-up novel, Magnolia May, he’ll forever own my heart.
Jonathan isn’t your typical tortured hero, as much of his brokenness is self-inflicted. But that doesn’t make his journey to redemption any less painful or heart-twisty. We follow his progress in real-time while simultaneously discovering everything he did to fall from grace in the first place. You equally love him and hate him in the most soul-crushing way. And if that little bit of catnip didn’t sway you, give five-year-old Maddie a chance.
A new second chance romance standalone from USA Today bestselling author J.M. Darhower.
He's a troubled young actor, Hollywood's newest heartthrob, struggling with fame as the star of the latest superhero franchise. Through scandal after scandal, addiction on top of addiction, a flurry of paparazzi hunt him as he fights to conquer his demons.
She's a single mother, assistant manager at a grocery store, existing in monotony with her five-year-old daughter. Every day when she goes to work, lurid tabloids surround her, the face of a notorious bad boy haunting her from their covers.
I learned how to write poetry by reading. Books have always been my main teachers. I try to read all kinds of work because there are so many different kinds of minds to learn from. When I discovered poetry as a teenager, it fascinated me on the level of the line. I spent a lot of time just looking at poems, without necessarily even reading them—let alone understanding them—because the form on the page was a revelation. It amazed me that people were allowed to do that! That I could choose to do that with words—to explode a sentence across the white space or smash all the words together.
I love prose poems, and they are a great introduction to poetry for those unfamiliar with the genre. I admire Sean Singer's singular sensibility, as he weaves the dailiness of driving a taxi with intimations of jazz, the divine, and insights into the human condition. I find this collection mesmerizing, and return to it over and again.
Sean Singer's radiant and challenging body of work involves, much like Whitman's, nothing less than the ongoing interrogation of what a poem is. In this way his books are startlingly alive... I love in this work the sense that I am the grateful recipient of Singer's jazzy curation as I move from page to page. Today in the Taxi is threaded through with quotes from Kafka, facts about jazz musicians, musings from various thinkers, from a Cathar fragment to Martin Buber to Arthur Eddington to an anonymous comedian. The taxi is at once a real taxi and the microcosm of…
As a child I read and experienced history books as adventures. Adventure drew me to Alaska after a hitch in the Navy. I wanted to write an accurate historical novel about Juneau and the Treadwell Mine and began my research. I knew the Alaska Historical Library was the perfect place to begin. When I discovered the extensive photo collections, I flashed back to my admiration of the historical novels that impressed me. I borrowed technique and structure from all and incorporated imagery in my manuscript. My main goal was to successfully immerse the reader in a good novel about 1915 in Alaska Territory.
Being a romantic I loved Time and Again (as well as the movie) for the story’s construction. I appreciate verisimilitude in historical novels and Finney has done his homework. Having briefly visited New York City twice, I do not know it personally.
Finney makes it breathe in 1882 with fascinating detail that never bores, and by using photographs. I thought the novel was perfect, and it stuck in my head as much for production/construction values as well as the story. When I first researched Treadwellat the Alaska Historical Library in Juneau I came across dozens of photographs, and the form for the novel coalesced in my head.
In retrospect I realize the novels I loved taught me about the architecture of story as well as entertaining me.
Si Morley is bored with his job as a commercial illustrator and his social life doesn't seem to be going anywhere. So, when he is approached by an affable ex-football star and told that he is just what the government is looking for to take part in a top-secret programme, he doesn't hesitate for too long. And so one day Si steps out of his twentieth-century, New York apartment and finds himself back in January 1882. There are no cars, no planes, no computers, no television and the word 'nuclear' appears in no dictionaries. For Si, it's very like Eden,…
My first books were little Golden Books. I loved reading those stories of the sleepy little puppy and the engine that could. I moved on from there to all kinds of books and I remain a very happy reader. I have channeled my love for reading to a love of writing. My writing career started with a focus on journalism and writing for magazines, newspapers, and radio. About 18 years ago I began writing romance novels. I read all kinds of different genre but I thoroughly enjoy following the expanding relationships that make up the core element of all romances. That’s the thing about romance novels. There’s something for everyone.
If you like small town settings with big old houses and hints of a ghost, intrigue, and simmering romance, you’ll love Storms of the Heart.
The story’s female main character, Emerson Lane, finds herself right in the middle of a raging thunderstorm at night on her way to her Uncle Wayne’s house in Twin Creeks, where she lived when her parents died in a car crash. She’s on a mission to reconnect with her uncle after leaving abruptly years ago to live in New York City. Trouble is waiting for her in the name of Sheriff Max Lomax, who she left behind.
Max has his own problems, but he is secretly but begrudgingly thrilled to see her, but questions whether this time she’ll stay. I liked the interesting characters in this story and the pleasant descriptions of Emerson’s hometown. The writing was so nice it felt like I could just…
I’ve spent years studying individual people involved in the American Revolution, especially the British soldiers and their wives. These were the people who did the day-to-day work, and their stories deserve to be told. I troll archival collections to find original documents that allow me to piece together the lives of the thousands of individuals who made up the regiments and battalions, focusing not on what they had in common, but on how they were different from each other, part of a military society but each with their own lives and experiences. They made the history happen.
Books on the war’s campaigns usually aggregate large numbers of people into bland terms like “regiments” and “refugees,” singling out only a few key players as individuals.
This book takes a refreshingly different approach, examining one of the war’s major operations from the level of participants of all sorts, from senior government officials down to the soldiers, civilians, and spies caught up in the fighting. The campaign itself has heretofore been almost entirely overlooked, or seen only in terms of a few of the battles that were part of it.
The result is a vivid account of the many components of a major campaign, and the legions of individuals involved.
After two years of defeats and reverses, 1778 had been a year of success for George Washington and the Continental Army. France had entered the war as the ally of the United States, the British had evacuated Philadelphia, and the redcoats had been fought to a standstill at the Battle of Monmouth. While the combined French-American effort to capture Newport was unsuccessful, it lead to intelligence from British-held New York that indicated a massive troop movement was imminent. British officers were selling their horses and laying in supplies for their men. Scores of empty naval transports were arriving in the…
In 2006, I told a friend I wanted to write a book about grieving the death of a friend. Despite the fact that I’d never written a book before, she gave me her enthusiastic approval. Six months later she was dead. She inspired me to turn that book idea into a series of little books: the Friend Grief series. Just as I was finishing the last one, I began work on a full-length book that took me back to my work in the early days of AIDS. When COVID began, I returned to writing about friend grief. And I lost over a dozen friends while I wrote the book.
One of the many wistful and beautiful photos in this book caught my eye in an exhibit at the New York Historical Society in 2021.
Her photography, and the attendant essays, evoke not only the isolation of quarantine, but the ways we rediscovered the desire for human connection. What could be easier than meeting a friend, careful to stay 6’ apart? Or sadder?
In April 2020, when New York was in lockdown and the epicentre of the pandemic, Renate Aller created the project side walk. She hosted friends and neighbors on her sidewalk or visited them in their street, her camera in self timer mode, recording these masked encounters at a safe 6 feet distance. With voices muted by masks we learn to communicate with our eyes and body language, finding our bearings in a new emotional landscape. These sidewalk visits created a deep sense of community where community had been forced apart. This project is in the spirit of Rainer Maria Rilke:…
I have spent my professional career attempting to reform the justice system and create safer communities. For nearly two decades, I served as the executive director of the Center for Court Innovation (now the Center for Justice Innovation). Now, I co-edit a policy journal called Vital City that attempts to spark new thinking about how to achieve public safety. Over the years, I have worked with numerous city, state, and federal officials. I have seen that most of the people working within government are trying their best in difficult circumstances. I have also seen that it is enormously difficult to change government systems and solve complicated social problems.
Like many New Yorkers, I am fascinated by the history of the city.
The Cost of Good Intentionsdetails the run-up to a crucial turning point for the city: the fiscal crisis of 1975.
Written by a high-ranking city official after the fact, the book is an insightful analysis of how local government, particularly under Mayor John Lindsay, attempted to respond to a range of significant challenges, including the civil right movement, rising crime, and changing economic conditions.
Despite the best of intentions, the administration’s reach ended up exceeding its grasp, laying the groundwork not only for the fiscal crisis and for an era of declining public trust in government.
This book is about public policy making in New York during the zenith of the great liberal experiment, from 1960, Mayor Robert Wagner's third term, through John V. Lindsay, Abraham Beame, and, finally, to Edward Koch and the inevitable return of fiscal conservatism.
The bigger they come the harder they fall. When New York City fell and its intricate, often exotic, budget gimmickry came unstuck, they foundations of every other large city in America shook. If we are not to relive this history it is important to learn the lessons taught so cogently and entertainingly in this book.
