100 books like Miss Sophie's Diary and Other Stories

Objectively, Severance fits into many lists, being a masterpiece of literary fiction, as well as a speculative, near-future puzzle, as well as an intimate and moving portrait of survival both physical and metaphorical.

But it’s also an office novel, one that through sheer coincidence depicted the surrealism of white collar office work while a deadly pandemic enacts devastating change across the planet at exactly the same time it was happening in reality. The book is one of my favorites of all time. Every read offers something different.

Musashi is the first Asian superhero I read.

It’s about a young guy, Takezo” looking for adventure in war and ends up nearly killed, confused, and lost. He finds rebirth in discipline and study with a mysterious monk who starts him on his study of the ways of the sword. He goes on a quest to master the sword and ways of Buddhist truth, a quest where we watch this village kid become “Musashi.”

Its fight scenes are among the best I’ve ever read. And while the feeling of the story being propaganda lurks in the back of the mind (like every Hollywood action film), this was the very first novel that I read cover to cover.

Waylaid is a bawdy coming-of-age novel about a Chinese American teenage boy working in his parents’ seedy motel – a vibrating bed kind of place – in New Jersey.

He broods about how to lose his virginity. He learns about the adult world from the patrons: Johns, sex workers, the families kicked out of their homes, and the rest of the down and out of American life. I gravitated to Waylaid because it isn’t wholesome yet doesn’t fall into the spirals of toxicity of a Bukowski poem.

It speaks to how sex is used to distract us from the working-class problems all around us, many of which our young are well aware of, but still holds onto this little flame of hope that even in such dark and down-and-out spots, we can find light.

When I really started writing, I sought out books with punchy prose that connected to some of my experiences.

Don Lee’s Yellow was one of the few books of short stories I found that did that. What’s cool about the title story “Yellow” is that it talks about an Asian guy who learns to box who is known to be sexy, and grapples with issues of courage.

Growing up as a young Asian guy, I was never handed a story about an Asian guy struggling to be a man like all other guys growing up in America. Reading this collection changed that and changed my own perceptions of what stories are possible when you’re coming to age as an Asian in America. 

I was reviewing Qu Leilei’s Everyone’s life is an Epic at the Ashmolean when a chance encounter changed my life. While writing Qu's profile, I learned about the first contemporary art movement in China - the Stars in Beijing in 1979 - and spent three years interviewing him for the background to Brushstrokes in Time. 

Leilei’s art is imbued with deep humanity but he is also a fine teacher- hence my recommending The Tao of Sketching. Daoism influenced traditional Chinese art and is a focus for meditation. The empty space is important. If you want to get into that cultural mindset, try Leilei’s books.

Chun Sue is like the literary little sister to Mian Mian and Wei Hui, copying her elder sisters and trying to follow in their footsteps – but stumbling because their heels were still too big for her to wear. In fact, despite its derivative nature, Beijing Doll did quite well, landing Chun on the cover of Time Magazine in 2004 and turning her into a pseudo-celebrity for her punky, tough-girl persona (a stark contrast to Wei’s slinky, sexy image). Western adult readers may roll their eyes at the melodramatic musings of middle-school heartbreak, but read within the context of its confining culture, Beijing Doll is no less an important addition to the annals of Chinese literature.

This expertly translated Chinese novel tells the compelling story of a family in Beijing with an aging patriarch. Narrated largely from the perspective of the rural nurse hired to care for him, Longevity Park reveals the many difficulties facing Chinese individuals as they age as well as the difficulties facing Chinese families with an aging loved one. These challenges resonate with those of individuals and families globally, including pervasive stigmas against the elderly, particularly those who are not as agile mentally or physically as they once were; and the particular hurdles facing family members with their own mental health and other concerns. Zhou’s novel also eloquently describes the many hurdles facing healthcare providers.

The great Chinese British powerhouse writes about her childhood in a poor coastal village in post-Mao’s China where she’s made to live with her grandparents and life is rough and hard, especially for a girl. It’s a very atmospheric tale, that paints a vivid picture of this incredible society. It’s also a Cinderella story, about a suffering child that, thanks to incredible stubbornness and stamina, rises up to become one of the twelve (out of a million or so) applicants that are accepted into the Chinese Film School in Beijing each year. She later moves to England and her descriptions of the west are super fresh and priceless.

Here we have the most politically incorrect of novels, an unflinchingly vicious take on China by a Westerner, though Party Members (pun on the second word) does have an acknowledged precursor in fellow Englishman Ralph Townsend’s Ways That Are Dark, an equally unsentimental account of China published in 1933. We follow the faceless bureaucrat protagonist, Yang Wei, as he inventively combines his passions for sex and KFC (China’s comfort food of choice) at one and the same time, and eggs on the state-sanctioned thugs who set his mother’s house on fire to clear it for developers – with her inside. To be fair, China is evolving out of the nasty pre-2008 Olympics era Meursault is documenting and this is after all satire. But the novel is not only very funny, it’s required reading precisely due to its pariah status.

Books on Chinese cities by foreigners have long lamented the redevelopment juggernaut’s steamrolling of old buildings and neighborhoods (Juliet Bredon’s Peking for one). Meyer’s exhaustively researched study of the Beijing neighborhood in which he lived in the early 2000s takes this a step further to a grassroots political call for action, before “replicas replace architectural heritage across China.” By illuminating his neighbors’ lives and their histories and reaching back into the city’s past, Meyer attempts to immortalize the disappearing Dashilar neighborhood literally in the form of a book, which if nothing else will be of future documentary value. Driving the old-vs.-new dichotomy too hard, however, obscures the more interesting question of how Chinese cities today are creatively blending the old and the new, as again they have long done in the past. As a longtime Beijing resident, I am stuck with the present and nonetheless find that history doesn’t stop… show more.