100 books like Memoirs of a Breton Peasant

This is the first book of a fictionalized family history, starting with the omniscient narrator’s maternal grandparents and paternal aunt, who are all born in the late 1880s: the World War I generation. The story takes place near Nantes, which until 1956 was part of Brittany, but then was administratively moved to a new department, the Loire Atlantic—though most people in Nantes and Brittany continue to believe the Nantois are Breton. As with many things French, the issue is far from settled.

Rouaud creates character through vignettes—and they’re wonderful: grandpa smoking; grandpa driving; grandma complaining about grandpa smoking and driving; their car—the infamous, uncomfortable, 2CV, deux chevaux—in the rain, the wind, on hills, having to wipe the windshield by hand to see, clearing grandma’s side, not grandpa’s, whose vision is blocked by pouring rain, streaking mud, and cigarette smoke. The rain leaks through the windows, the vents, and canvas roof.… show more.

A twenty year old American woman goes to Paris to paint, meets a French artist, marries, has a child, and together buy a farmhouse and make a summer home and art studios in rural Brittany: that story. A memoir. 

The book was published in 2008, but the story takes place in the early 1960s when rural Brittany was closer to the 19th century than the 21st. I was in Paris in 1967, and it was still possible to rent a hotel room for under five dollars a night, to travel in Europe for ten dollars a day. In 1967, you could not safely drink the water in France, including in Paris, and you had to have proof of a typhus vaccine to return to the U.S. It was still more Henry Miller’s Paris than Macron’s.

This was the time of the last of every day berets, blue… show more.

In 2000, angry at the state of the world, a fifty five year old acclaimed Swedish writer, sells her home and most of her belongings, leaves her homeland, and drives west with no destination in mind. She’s alone, but not lonely, searching for peace and freedom and a break with the past. She stops where the land ends, at the end of the world, Finistère, Brittany, where she buys a house, meets Madame C, and plants a garden. 

“It’s so wonderful here that one should write a book about it,” she tells Madame C, and spends the rest of the book refusing to write it, because to do so, she says, will diminish, simplify, and transform everything she loves about her new home. She’s like the banker who thinks money is filth and saves it; she’s the writer who distrusts words and writes—a memoir.

She writes about planting, tending, thinking,… show more.

Pierre-Jakez picks up where Jean-Marie Déguignet left off. This book is essentially a continuation of the story, a 20th century account of peasant family life in an area not far from where Déguignet lived a century earlier—except this book celebrates and revels and respects Breton culture, life, people, music, food, history, etc. It was published in 1975 and is part of the world-wide movement of identity politics, when ethnic groups, genders, religions, and nationalities are discovering their roots, history, beauty, and genius.

This book is a paean to Breton life and culture, and Pierre-Jakez becomes a cultural icon and hero for writing it. By the end of his life (1914-95), he is honored throughout Brittany. I saw and heard (but couldn’t understand) him at the huge, (thousands of people) annual Festival de Cornouaille in Quimper, where he was the guest of honor. 

This book is a mirror image of… show more.

This is a book I think should be required reading as it delves into Sarah Smarsh’s upbringing in rural Kansas and her experiences breaking her family’s cycle of poverty. As a memoir, we get a deep look at Smarsh’s life, spanning multiple generations of financial, physical, and mental struggles.

I identified so much with this book and appreciated that Smarsh bares so much of herself in order to get readers to understand the challenges that rural communities are going through. She is truly a fierce female, and I want everyone to read this memoir!

Frank McCourt's classic book, the memoir of his childhood, is proof in the pudding that the origin of humor is the suffering of the low-status character. And that’s only one reason why I love it.

He had me at “Above all -- we were wet.” His descriptions of the impossible and undignified conditions of his childhood, where children had absolutely no control over anything and adults were at the mercy of life itself, brought me so close to him that I think I started believing we were actually related and scribbled him into the family tree as a long-lost uncle.

McCourt captures the hapless quality of gullible, unsupervised children let loose on an unforgiving world with a buoyancy that comes through every sentence and rises above the brutal conditions of his childhood. 

And the truth he finds in the details, from the brutality of religious authority figures to the abject… show more.

The author’s account of grinding, unrelentless poverty and neglect, set against her eventual, miraculous escape to a different life made me cheer.

Bravely, Kerry Hudson returns to the scenes of many crimes committed against her to really understand why the past refuses to let her go and whether anything has changed for deprived families in those rundown British towns she grew up in.

In an early chapter the author recalls being pushed between two adults across a table. She thought it was a game, but her parents were in fact arguing over who should keep her. Neither was willing.

This is an important and shameful piece of British social history and an unflinching examination of a dysfunctional family with different recollections of the past. 

I enjoy myth-busting.

A favorite message from the economic profession is that free trade is good for everyone, and that those who do not agree are either misguided or defending vested interests of their own. In this book, Williamson shows that this view is false.

The welfare gap between the West and the rest of the world developed during the 19th and 20th centuries in large part because of trade-induced division of labor that led to de-industrialization, increased inequality, and volatile revenues in the losing countries—factors that all contributed to retarding economic growth and social development in countries that are now poor.

More recently, the free movement of capital has had similarly negative effects on developing and emerging economies, a fact that is now recognized also in organizations such as the IMF.

Oh wow, the world in this book was as amazing as it was scary and realistic. The country is ruined by climate change and ruled by a ruthless, technocratic government that sacrifices the poor to finance a utopia for the rich. So two poor, revolutionary girls from the streets work with a politician’s son (and secret hacker) to change that. I really enjoyed reading about these kick-ass heroines!

As economic inequality has grown exponentially over the past five decades, some of the dispossessed have rebelled. 

Focusing on mobilizations in Brazil, Mexico, and Salvador, Gledhill demonstrates how struggles for social justice are transformed into “threats” to national security, which require “securitization” measures. Through intricate ethnographies, the book documents the deployment of the police, military, and paramilitary to quell domestic disputes.

Protests by students, laborers, migrants, Indigenous, the poor, environmentalists, and human rights activists are subjected to police “pacification” involving state violence, criminalization, incarceration, and sometimes death.

Situating securitization in the context of transnational and global relations generated by capitalist uneven development, Gledhill argues that the logic of capitalist accumulation in the current era is inseparable from repressive violence against “inconvenient” populations.