Here are 100 books that Let's Tell This Story Properly fans have personally recommended if you like
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The Cold War has never been a passion for me, but rather a kind of horror. It was ongoing all through my childhood, and I had nightmares about nuclear attacks and Soviet spies. We lived in the middle of a Suffolk pine forest during the 60s and 70s. There was an American air base on the edge of the forest, surrounded by a tall wire fence. It seemed a spooky place with its concrete bunkers and keep-out signs. Later, as an author on the lookout for good stories, I remembered my childhood terrors and the atmosphere of menace surrounding the base. It gave me an idea for a story set in a similar airbase.
While doing research into Ruby’s backstory, I discovered this book. It reads like a novel but tells the stories of four real women who married American servicemen and left war-torn Britain for the more lavish lifestyle available to Americans in the 50s. But the arduous journey by sea, the intrusive and humiliating health examinations waiting on the other side, and the strangeness of a strange land provided challenges and difficulties. Each woman’s experience is different, but each is determined not to give up on their dream. An epilogue tells of how their marriages and lives worked out. Fascinating.
From the bestselling authors of The Sugar Girls, G.I. Brides weaves together the real-life stories of four women who crossed the ocean for love, providing a moving true tale of romance and resilience.
The 'friendly invasion' of Britain by over a million American G.I.s caused a sensation amongst a generation of young women deprived of male company during the Second World War. With their exotic accents, smart uniforms and aura of Hollywood glamour, the G.I.s soon had the local girls queuing up for a date, and the British boys off fighting abroad turning green with envy.…
I was in my 40s before I began exploring the topic of the British Empire. It came after I realised it explained so much about me (my Sikh identity, the emigration of my parents, my education) and so much about my country (its politics, psychology, wealth…) and yet I knew very little. It turned out that millions of people feel the same way… and I hope I provide an accessible introduction and summary of the massive topic.
In peerless prose, Winder proffers a simple thesis: that Britain is a nation of immigrants.
Despite our German royal family, and all those businesses created by Jews and Indians, we have long been a nation in denial about the immigrant blood flowing through our veins. To such a degree in the Windrush Scandal we have seen actual British citizens being threatened with deportation to countries they barely know.
This important book also challenges the dominant political narrative of my lifetime: that immigrants come here uninvited to take advantage of British hospitality.
If there was one book I could wish onto the National Curriculum, it would be this.
Immigration is one of the most important stories of modern British life, yet it has been happening since Caesar first landed in 53 BC. Ever since the first Roman, Saxon, Jute and Dane leaped off a boat we have been a mongrel nation. Our roots are a tangled web. From Huguenot weavers fleeing French Catholic persecution in the 18th century to South African dentists to Indian shopkeepers; from Jews in York in the 12th century (who had to wear a yellow star to distinguish them and who were shamefully expelled by Edward I in 1272) to the Jamaican who came…
I was Site Supervisor at the Jamestown Rediscovery Project in the late 1990s and early 2000s. My fondness for the people involved with the archaeological excavations is only rivaled by my love for the subject matter that involves the collision of cultures as Chesapeake Algonquians, Spanish Jesuits, and English colonists first encountered one another during the 16th and 17th centuries. Though I have been fortunate to write many books, my first book was on Jamestown, and this topic will always hold a special place in my scholarly heart (there is such a thing, I swear!).
Jennifer Potter’s The Jamestown Brides: The Story of England’s Maids for Virginia is a fascinating account of 56 young English women who left their homes to join the struggling Jamestown Colony in 1621. Though Jamestown is one of the most well-researched historical settlements in the New World, this book offers important new insights into the first permanent English settlement in the Americas and into daily life for women in 17th-century England.
The extraordinary story of the British women who made the perilous journey to Jamestown, Virginia, to become wives for tobacco planters in the New Colony.
In 1621, fifty-six English women crossed the Atlantic in response to the Virginia Company of London's call for maids 'young and uncorrupt' to make wives for the planters of its new colony in Virginia. The English had settled there just fourteen years previously and the company hoped to root its unruly menfolk to the land with ties of family and children.
While the women travelled of their own accord, the company was in effect selling…
My interest in exploration and cross-cultural encounters is rooted in the experience of travel itself, which rests on the disorienting appeal of unfamiliar places and peoples. Exploration was also conducted for more practical reasons; sponsoring agencies sought to open up new markets, access new resources, and gain other material benefits. What interests me about the subject, then, is both its experiential and its instrumental dimensions. What doesn’t interest me is the myth of the explorer as a romantic hero, which was invented mainly to distract from these grubbier aspects of exploration.
Clendinnen’s book is a pleasure to read because it personalizes the first encounter between explorers and indigenous peoples, causing me to care about the two parties and sympathize with the challenges they faced.
Clendinnen tells the story of the first British fleet to arrive in New South Wales, Australia, and the subsequent efforts by Britons and Aborigines to comprehend one another and find grounds of mutual interest. Perhaps her greatest achievement is to provide real insight into the views and aims of the Aborigines, even though they, unlike the British, left no first-hand record of this seminal event.
By humanizing both parties, Clendinnen made me more emotionally invested in this encounter’s tragic outcome.
In January 1788 the First Fleet arrived in New South Wales and a thousand British men and women encountered the people who would be their new neighbors. Dancing with Strangers tells the story of what happened between the first British settlers of Australia and the people they found living there. This 2005 book offers a reading of the earliest written sources, the reports, letters, and journals of the first British settlers in Australia. It reconstructs the difficult path to friendship and conciliation pursued by Arthur Phillip and the local leader 'Bennelong' (Baneelon); and then traces the painful destruction of that…
It’s great for me, personally, that queermeans both strangeand gay, in some way, because I’m both. I love writing stories that are zany, bizarre, and supernatural, but still grounded in the real world; giving detail to the strangeness makes it feel more real, like something that could have happened to a friend of a friend. I’m particularly moved by stories that work on both the literal and metaphorical level – being a werewolf is a metaphor for being queer and chronically ill, but my werewolf, Brigid, is also a chronically ill lesbian. Here are five of my favorite books that capture both definitions of the word queer.
Natasha Pulley’s grounded historical novel marries detailed research of late-19th-century England and Japan with something stranger and more fantastical – but these elements together heighten the narrative. Clerk Thaniel Steepleton’s relationship with clockwork-maker Keita Mori centers the story – they change one another in ways that even fate can’t completely anticipate. There’s a lot of tenderness between them, and it captures the way that falling in love can feel like meeting someone again, instead of for the first time. Also, there’s a pet clockwork octopus. That’s vital.
SHORTLISTED FOR THE AUTHORS' CLUB BEST FIRST NOVEL AWARD 2016
SHORTLISTED FOR THE BETTY TRASK PRIZE 2016
FINALIST FOR THE LOCUS FIRST NOVEL AWARD 2016
An International Bestseller - A Guardian Summer Read - An Amazon Best Book of the Month - A Goodreads Best Book of the Month - A Buzzfeed Summer Read - A Foyles Book of the Month - AHuffington Post Summer Read - A Yorkshire Post Book of the Week
In 1883, Thaniel Steepleton returns to his tiny flat to find a gold pocketwatch on his pillow. But he has worse fears than generous burglars; he…
All of my novels explore, in some way, how the characters are affected by trauma or loss, and how they respond to these difficulties over time. This comes partly from my impatience with the notion of “closure” and with the idea that we can ever truly find it after a traumatic event or a significant loss. I’m drawn to fiction and nonfiction that doesn’t shy away from the messiness of finding a way to live with these difficulties, or trying to. In addition to writing fiction, I’ve spent nearly ten years recommending novels and story collections through my Small Press Picks website.
This memoir is one of the most compelling accounts of confronting trauma that I’ve ever read. In the case of the author, the traumas are multiple: fear of deportation due to her “illegal” status; years of sexual abuse by her paternal grandfather; and later in life, the discovery that she carries a gene that leaves her susceptible to breast and ovarian cancer. I was moved as I learned how Talusan found the words—both as a writer and as a daughter, a sister, an aunt, a romantic partner, and a citizen—to speak of these difficulties. Her writing about this journey is both spare and powerful, and it bears re-reading and deep reflection. Whenever I return to this book, I find inspiration.
Winner of The Restless Books Prize for New Immigrant Writing, Grace Talusan’s critically acclaimed memoir The Body Papers, a New York Times Editors’ Choice selection, powerfully explores the fraught contours of her own life as a Filipino immigrant and survivor of cancer and childhood abuse.
Born in the Philippines, young Grace Talusan moves with her family to a New England suburb in the 1970s. At school, she confronts racism as one of the few kids with a brown face. At home, the confusion is worse: her grandfather’s nightly visits to her room leave her hurt and terrified, and she learns…
The refugee story is deeply rooted in my family, as my (great-/) grandparents fled Europe for a safer life in America. I grew up listening to their stories of escape and trying to integrate in their new land. Human rights were also a focus of my graduate studies – and later in founding the Human Rights Watch Committee NL and joining the Save the Children Board of Trustees. I am a writer and poet, Board member, and former strategy consultant who always wanted to write refugee stories for children. Their stories are difficult. But children should understand that although the world is not always safe or fair, there is always hope.
A non-fiction picture book that reads like poetry, this gorgeous book describes the author’s own journey from Mexico to the U.S. with her young son. The illustrations are as poetic as the language, which infuses English with Spanish words, simple words with more challenging ones, and words of pain with those of pride, resilience, and creativity. The book explores not only the refugee’s journey, but also, and most especially, the challenges and small victories of integrating and trying to make a new life in a new land. I also love the central role that books, words, and libraries play in paving the way toward this new life. Language is power, but it is also magic.
4
authors picked
Dreamers
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
5,
6, and
7.
What is this book about?
We are resilience. We are hope. We are dreamers.
Yuyi Morales brought her hopes, her passion, her strength, and her stories with her, when she came to the United States in 1994 with her infant son. She left behind nearly everything she owned, but she didn't come empty-handed.
Dreamers is a celebration of making your home with the things you always carry: your resilience, your dreams, your hopes and history. It's the story of finding your way in a new place, of navigating an unfamiliar world and finding the best parts of it. In dark times, it's a promise that…
I was born and raised as both an anglophone Canadian and a diaspora Jew. After living in Montreal, Jerusalem, and New York for a total of about 15 years, I returned to my hometown of Toronto and took up the position of the J. Richard Shiff Chair for the Study of Canadian Jewry at York University, where I work as a professor of history. I teach undergraduate students, graduate students, fellow academics, community leaders, and the wide public about all sorts of dimensions of this very religiously diverse, culturally diverse, socio-economically diverse, and politically diverse community of 400,000+ souls, with its 260+-year-old history.
Ravvin has written excellent works of fiction and literary scholarship. His book is a masterful blend of two genres: family biography and social history.
I found this book to be so engrossing I could barely put it down. It traces the author’s grandfather’s dogged saga to emigrate from Poland to Canada, to find some mooring amidst the precarity of being a new immigrant, a foreigner, and a Jew, and to try desperately to bring over his wife during a time when Canada’s immigration gates were closing.
I love this book’s ability to seamlessly alternate between deep archives-based history (how did the immigration labyrinth actually work and why was it designed that way?) and personal/ancestral memoir (what was it like for one human–of existential consequence for the author–to navigate that labyrinth?).
It's a remarkable story of one immigrant crisscrossing the country in the era that immediately preceded the much more frequently…
One man's immigration to the Canadian Prairies in the early 1930s reveals the character of Canada today as sharply as it did long ago. In 1930, a young Jewish man, Yehuda Eisenstein, arrived in Canada from Poland to escape persecution and in the hopes of starting a new life for himself and his young family. Like countless other young European men who came to Canada from "non-preferred" countries, Yehuda was only granted entry because he claimed to be single, starting his Canadian life with a lie. He trusted that his wife and children would be able to follow after he…
I live in California and write novels based on my grandmother’s stories of our female ancestors. I love tales of everyday women who lived normal lives (according to them) but were quite remarkable to my 21st-century eyes. I wrote The Aloha Spirit about my husband’s grandmother, who was an amazing woman. His family is from Hawaii, and we visit there frequently. Anyone who spends time in the islands experiences the warm welcome of the people, which we know as the aloha spirit. I know Grandma had a difficult life, and I wrote the novel to explore how she might have overcome those difficulties to find her aloha spirit.
This is one of three historical novels by Alan Brennert set in Hawaii. I like this one best because it is set in 1914, not long before my own novel opens in Honolulu. It portrays a very different side of the city, however. Brennert’s novel features a Korean picture bride who is married off to a poor laborer who mistreats her. She and her fellow picture brides come together to improve their lives, resulting in a unique portrayal of Waikiki before the highrises, of the tenements in Chinatown, and the plantations before powerful unions.
'In Korea in those days, newborn girls were not deemed important enough to be graced with formal names, but were instead given nicknames, which often reflected the parents' feelings on the birth of a daughter: I knew a girl named Anger, and another called Pity. As for me, my parents named me Regret.' "HONOLULU" is the rich, unforgettable story of a young 'picture bride' who travels to Hawai'i in 1914. Instead of the affluent young husband and chance at an education that she has been promised, she is married off to a poor, embittered labourer who takes his frustrations out…
I have always been a lover of love stories, yet it can be difficult to find “love stories” that aren’t put into other boxes or aren’t genre romances. My debut is also a family drama that spans sixty years of the twentieth century, but it’s a love story at its core. It’s sometimes classified as a romance because it’s a love story set on a beach. Still, it doesn’t quite fit into typical romance frameworks, which have characters meet and pulled apart before finally ending up back together. My book, instead, explores the reality of loving someone over decades and building a life together.
I read the book originally in college as part of a Jewish Literature course, and I was struck by the love story inside. The title drew me in immediately, and it was one of those beautifully heartbreaking stories with lines that will stick with you for a lifetime.
“Once upon a time, there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering.” I will never be over this one.
Leo Gursky taps his radiator each evening to let his upstairs neighbor know he's still alive. But it wasn't always like this: in the Polish village of his youth, he fell in love and wrote a book...Sixty years later and half a world away, fourteen-year-old Alma, who was named after a character in that book, undertakes an adventure to find her namesake and save her family. With virtuosic skill and soaring imaginative power, Nicole Krauss gradually draws these stories together toward a climax of "extraordinary depth and beauty" (Newsday).
