100 books like Kingdom of Characters

The classic study by Alan Watts with calligraphy and preface by Al Chung-liang Huang. This, Alan Watts’s final book, takes the reader on an exploration of Taoist philosophy, focusing on the world view inherent in the Chinese language, the dynamic balance of yin and yang, and the power of wu-wei, the art of flowing with the process. Watts’ insights and passion make the book a valued and enduring introduction to the world of Tao.

Writers often struggle to think of themselves as “writers” because the world has us believing that we can only carry that title if we are successfully published, and of course words such as “success” and even “published” can be fraught with subjective controversy. One of the lessons I learned from Brenda Ueland, among other great thinkers, is that we need to focus first on our own authenticity and only much, much later dare we think about what the world might have to say. This allowed me to let go and move on and trust myself on my writing path. It wasn’t easy, but as emphasized in If You Want to Write, we will be all right if we believe in our inner richness.  

Ok, you caught me. I recommended the first edition of this book in a previous list. But this, my friends, is the second edition which, as the cover art indicates, is 10% funnier than the first.

Ann’s work is a testament to the power of honing your unique voice in a way that makes your work easy to identify, clearly differentiated, and dang near impossible to recreate well. Now that we’re battling it out against generative AI, not just other writers, this book serves as both an instructional guide and a case study on developing a distinct voice, in and of itself. 

Without having to query Google that serves up writers in a single file, this book is a delightful repository of the entire “who’s who” of literature, particularly of little-known factoids, served up as a rich smorgasbord that you want to devour without end. It proves that “the pen is the tongue of the mind,” even though “writing is a dog’s life,” and is a comfort to writers to know that others, more famous than them, have skirted the edges of penury, fame, and madness. You will also laugh a lot, in relief, I think.

Writing professor Gabriele Rico knows how to take the fear out of writing, which is why this book became such a powerful best-seller and why I love to read and recommend it. Among the many strategies and techniques she offers in Writing the Natural Way, one of my favorites is her brainstorming strategy called clustering, which gives us permission to wander and bypass the critical censorship we are often hindered by. In turn, this fuels creativity and prompts us to make associations among ideas, memories, and feelings that are otherwise seemingly diverse or disorganized. She also firmly believes that, although writing can be a painful process, it’s not what hurts us that matters but rather it’s how we deal with the pain, and it’s through an honest expression of our truth that we can grow and heal.

We’ve all got one of those life stories that we end up telling over and over again. Research has confirmed that those stories hold power. Meg Files in Writing What You Know offers us a path to transform those stories from the telling onto the page, and just maybe into the larger world. I credit Files’ workshops for helping me refine work that was later published. While you might notice that she draws on her teaching, conference creating, and publishing experience, she also writes with the voice of a supportive, nurturing friend. She reminds us not to be too self-critical, gives us the questions to get started, and challenges us with many opportunities to be “Jumping into the Abyss.”

Although I’m a Brit, I joined the Mystery Writers of America early in my career and benefited enormously from the friendships I made. This newly published volume is a virtual encyclopedia of the advice their experts are willing to share. With more than seventy contributors, it covers the field and more, including mysteries for children, graphic novels, and true crime. None of it is treated as gospel. I laughed out loud when I found the chapter "Always Outline" by Jeffery Deaver, followed by "Never Outline" by Lee Child. Even the follow-up process of reaching out to readers is explained in "Building Your Community" by Louise Penny. This is a must-visit workshop for anyone serious about the craft.

When I sat down to write my first novel I knew I wanted to model my characters on George’s Lynley and Havers but I couldn’t even start writing because I had no idea how to structure a novel, particularly a mystery. As fate would have it, George released her book on writing, Write Away, around that time. In it, she described her process with examples from her own books and it was exactly what I needed. This book provided the essential tools I needed to write. 

I first came across Georges Perec via his novels. Many (most) of these are experimental – a word that often puts me off – but their cleverness is additional to great writing and storytelling. One of his novels, for example – La Disparition (A Void) – is written entirely without the letter ‘e’ as, remarkably, is the English translation! Species of Spaces is a collection of non-fiction essays in which he encourages us to look, to observe what is around us, to become anthropologists of the everyday. What might we find? Yes, we lie on beds. But, as Perec observes, this is highly unusual as they’re one of the very few places where we adopt a horizontal posture, and the only general one (the others are things like operating tables, beaches, psychiatrists’ couches. Perec focuses on what he calls the ‘infra-ordinary’ (as opposed to extraordinary)  and offers something remarkable on… show more.

Erin Lebacqz is an experienced business writing teacher, and her practical and practiced bent shows in this book. It offers solid advice for clear and effective writing, covering topics like word choice, sentence structure, and more. The numerous examples will serve people new on the job as well as those who simply want to sharpen their skills and tighten their prose.

Even as someone who writes about writing, I found fresh approaches and ideas in this book. For example, Lebacqz suggests that as writers, we should act like “hosts” for our readers. I love that.