Here are 100 books that Kingdom of Characters fans have personally recommended if you like
Kingdom of Characters.
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My career has given me the chance to travel around China and see parts that most foreigners do not get to see. Having studied Chinese in Oxford and Taiwan, working in China for a metal trading company in the 1980s gave me a chance to travel widely around the country when access to foreigners–especially diplomats and journalists–was highly restricted. Later, I became an early investor in the domestic stock market, focusing on smaller, entrepreneurial companies, which involved a lot of travel. I have now visited nearly every province except Hainan. Planting a vineyard and building a Scottish castle in Shandong introduced me to rural China and the local Communist Party.
Most Western reports about China concentrate on its economic growth or political system. This book is unusual in that it examines religion in China and what the Chinese actually believe (and what they are prepared to suffer to practice those beliefs). The collapse of the traditional ethical frameworks lies behind a number of scandals in modern China.
'Masterfully opens up a little explored realm: how the quest for religion and spirituality drives hundreds of millions of Chinese' Pankaj Mishra
'A fascinating odyssey ... a nuanced group portrait of Chinese citizens striving for non-material answers in an era of frenetic materialism' Julia Lovell, Guardian
'The reappearance and flourishing of religion is perhaps the most surprising aspect of the dramatic changes in China in recent decades...this is a beautiful, moving and insightful book' Michael Szonyi
In no society on Earth was there such a ferocious attempt to eradicate all trace of religion as in modern China. But now, following…
My career has given me the chance to travel around China and see parts that most foreigners do not get to see. Having studied Chinese in Oxford and Taiwan, working in China for a metal trading company in the 1980s gave me a chance to travel widely around the country when access to foreigners–especially diplomats and journalists–was highly restricted. Later, I became an early investor in the domestic stock market, focusing on smaller, entrepreneurial companies, which involved a lot of travel. I have now visited nearly every province except Hainan. Planting a vineyard and building a Scottish castle in Shandong introduced me to rural China and the local Communist Party.
Due to strict censorship, Professor Qiu decided to use the detective story genre and his hero, Detective Chen, to be able to publish a critical view on developments in modern Chinese society without getting locked up. Another device commonly used by Chinese authors is to deal with contemporary issues using historical settings or science fiction.
Qiu Xiaolong's Anthony Award-winning debut introduces Inspector Chen of the Shanghai Police.
A young “national model worker,” renowned for her adherence to the principles of the Communist Party, turns up dead in a Shanghai canal. As Inspector Chen Cao of the Shanghai Special Cases Bureau struggles to trace the hidden threads of her past, he finds himself challenging the very political forces that have guided his life since birth. Chen must tiptoe around his superiors if he wants to get to the bottom of this crime, and risk his career—perhaps even his life—to see justice done.
My career has given me the chance to travel around China and see parts that most foreigners do not get to see. Having studied Chinese in Oxford and Taiwan, working in China for a metal trading company in the 1980s gave me a chance to travel widely around the country when access to foreigners–especially diplomats and journalists–was highly restricted. Later, I became an early investor in the domestic stock market, focusing on smaller, entrepreneurial companies, which involved a lot of travel. I have now visited nearly every province except Hainan. Planting a vineyard and building a Scottish castle in Shandong introduced me to rural China and the local Communist Party.
This is a controversial insider’s view of the tottering Ching court. But how much is true, and how much can be ascribed to Backhouse’s clearly well-developed imagination? If not, how did Backhouse, a self-proclaimed lover of the dowager empress Cixi, uncover such intimate and florid detail?
In 1898 a young Englishman walked into a homosexual brothel in Peking and began a journey that he claims took him all the way to the bedchamber of imperial China’s last great ruler, the Empress Dowager Tz’u Hsi. Published now for the first time, the controversial memoirs of Sinologist Sir Edmund Backhouse provide a unique and shocking glimpse into the hidden world of China’s imperial palace, with its rampant corruption, grand conspiracies, and uninhibited sexuality. Backhouse was made notorious by Hugh Trevor-Roper’s 1976 bestseller Hermit of Peking, which accused Backhouse of fraudulence and forgery. This work, written shortly before Backhouse’s…
My career has given me the chance to travel around China and see parts that most foreigners do not get to see. Having studied Chinese in Oxford and Taiwan, working in China for a metal trading company in the 1980s gave me a chance to travel widely around the country when access to foreigners–especially diplomats and journalists–was highly restricted. Later, I became an early investor in the domestic stock market, focusing on smaller, entrepreneurial companies, which involved a lot of travel. I have now visited nearly every province except Hainan. Planting a vineyard and building a Scottish castle in Shandong introduced me to rural China and the local Communist Party.
This series of exciting short detective stories is set in Imperial China. Judge Dee is a kind of Chinese Sherlock Holmes who ingeniously solves a variety of crimes and mysteries.
Although the story is based over one thousand years ago, from my own experience, the description of a Tang magistrate’s workings also gives a clue as to how China is still governed at the local level.
Judge Dee presided over his Imperial Chinese court with a unique brand of Confucian justice. A near-mythic figure in China, he distinguished himself as a tribunal magistrate, inquisitor, and public avenger. Long after his death, accounts of his exploits were celebrated in Chinese folklore and later immortalized by Robert van Gulik in his electrifying mysteries. These lively and historically accurate tales, written by a Dutch diplomat and scholar during the 1950s and '60s and brought back into print to critical acclaim in the 1990s, have entertained a devoted following around the world. Van Gulik's Judge Dee stories often based on…
Diane Dreher is the author of The Tao of Inner Peace, The Tao of Personal Leadership, and The Tao of Womanhood. She has been fascinated by Eastern philosophy since her childhood in the Philippine Islands. In addition to her doctoral degree in English from UCLA and master’s in counseling from Santa Clara University, she has studied Taoism, trained in aikido, and become a reiki master. She enjoys applying the lessons of Tao in her teaching, consulting, and international coaching practice.
The classic study by Alan Watts with calligraphy and preface by Al Chung-liang Huang. This, Alan Watts’s final book, takes the reader on an exploration of Taoist philosophy, focusing on the world view inherent in the Chinese language, the dynamic balance of yin and yang, and the power of wu-wei, the art of flowing with the process. Watts’ insights and passion make the book a valued and enduring introduction to the world of Tao.
Following Alan Watts' acclaimed book on Zen Buddhism The Way of Zen, he tackles the Chinese philosophy of Tao.
The Tao is the way of man's cooperation with the natural course of the natural world. Alan Watts takes the reader through the history of Tao and its interpretations by key thinkers such as Lao-Tzu, author of the Tao Te Ching. Watts goes on to demonstrate how the ancient and timeless Chinese wisdom of Tao promotes the idea of following a life lived according to the natural world and goes against our goal-oriented ideas by allowing time to quiet our minds…
I write the NYPD Detective Chiara Corelli Mystery series featuring Corelli and her partner Detective P.J. Parker. Most mysteries have a single main character so I’m passionate about finding other authors who write mysteries with two professional investigators as main characters. It’s fascinating to see how authors writing the same type of characters handle them and what they do about character growth over the course of the series. To me, watching two characters react to each other, seeing their relationship change over the course of a book or a series is much more interesting than reading about a single detective.
When I sat down to write my first novel I knew I wanted to model my characters on George’s Lynley and Havers but I couldn’t even start writing because I had no idea how to structure a novel, particularly a mystery. As fate would have it, George released her book on writing, Write Away, around that time. In it, she described her process with examples from her own books and it was exactly what I needed. This book provided the essential tools I needed to write.
Elizabeth George is one of the most successful writers of crime fiction in the world. Her twelve novels have appeared on bestseller lists in the UK, USA and Australia, and several of them have been dramatised by BBC Television as the Inspector Lynley Mysteries. She has also written a collection of short stories and edited a crime anthology.
Now she shares this wealth of experience with would-be novelists, and with crime fiction fans. Drawing extensively on her own work, and that of other bestselling writers including Stephen King, Harper Lee, Dennis Lehane and many others, she illustrates her points about…
As a kid, I loved how words on a page transported me. Later, I was astounded by how the words I wrote myself could help me solve problems, deepen my understanding, and expand my thinking. Over time, that writing offered clarity and built my confidence. And in my most challenging times, writing has saved me over and over again. Learning to observe like a writer or an artist continues to help me be more present in my life. Sharing expressive writing experiences with others, during a 35-year career as a writer and workshop facilitator, allowed me to witness how this creative engagement offers a respite while building resilience and joy in others too.
We’ve all got one of those life stories that we end up telling over and over again. Research has confirmed that those stories hold power. Meg Files in Writing What You Know offers us a path to transform those stories from the telling onto the page, and just maybe into the larger world. I credit Files’ workshops for helping me refine work that was later published. While you might notice that she draws on her teaching, conference creating, and publishing experience, she also writes with the voice of a supportive, nurturing friend. She reminds us not to be too self-critical, gives us the questions to get started, and challenges us with many opportunities to be “Jumping into the Abyss.”
It's easy for people to write about their feelings in a journal. It's more difficult, however, to convert personal experiences into stories worthy of publication fiction, non-fiction, or poetry. Filled with engaging exercises, Write from Life guides writers in identifying story-worthy material and transforming their raw material into finished pieces, through conquering fears associated with personal exposure, determining a story's focus, shaping the material into a cohesive whole, and editing and revising as needed. Writers working in any form will find this book invaluable for supplying them with the inspiration and practical instruction they need to get their experiences and…
I’m a criminologist who is increasingly at least as interested in social order as I am in crime. In part I think this can be expressed as a concern with what glues us together rather than what pulls us apart. What particularly makes me smile, and draws me in, is the ability that some writers and researchers have to find the fascinating and the remarkable in the everyday. Whether it be what we wear, how we speak, or when we sleep, there is just as much to learn about our contemporary society from such matters as there is from who’s in parliament or how our financial institutions are behaving.
I first came across Georges Perec via his novels. Many (most) of these are experimental – a word that often puts me off – but their cleverness is additional to great writing and storytelling. One of his novels, for example – La Disparition (A Void) – is written entirely without the letter ‘e’ as, remarkably, is the English translation! Species of Spacesis a collection of non-fiction essays in which he encourages us to look, to observe what is around us, to become anthropologists of the everyday. What might we find? Yes, we lie on beds. But, as Perec observes, this is highly unusual as they’re one of the very few places where we adopt a horizontal posture, and the only general one (the others are things like operating tables, beaches, psychiatrists’ couches. Perec focuses on what he calls the ‘infra-ordinary’ (as opposed to extraordinary) and offers something remarkable on…
Georges Perec produced some of the most entertaining and spirited essays of his age. His literary output was amazingly varied in form and style and this generous selection of Perec's non-fictional work also demonstrates his characteristic lightness of touch, wry humour and accessibility.
I have been a writer for more than twenty years and have favored pursuing “truth in fiction” rather than “money in formula.” As author Edward St. Aubyn quotes: “Money has value because it can be exchanged for something else. Art only has value because it can’t.” I find books about writers are closer to my lived experience and connect me intimately with both the characters and their author.
Without having to query Google that serves up writers in a single file, this book is a delightful repository of the entire “who’s who” of literature, particularly of little-known factoids, served up as a rich smorgasbord that you want to devour without end. It proves that “the pen is the tongue of the mind,” even though “writing is a dog’s life,” and is a comfort to writers to know that others, more famous than them, have skirted the edges of penury, fame, and madness. You will also laugh a lot, in relief, I think.
A witty round-up of writers' habits that includes all the big names, such as Dickens, Flaubert, Tolstoy, Hemingway At public events readers always ask writers how they write. The process fascinates them. Now they have a very witty book that ranges around the world and throughout history to answer their questions. All the great writers are here — Dickens, dashing off his work; Henry James dictating it; Flaubert shouting each word aloud in the garden; Hemingway at work in cafés with his pencil. But pencil or pen, trusty typewriter or computer, they all have their advocates. Not to mention the…
Professionally, I’ve been a journalist, author, speaker, marketer, adjunct professor, consultant, startup founder, and more; but at my core, I’m a storyteller and a lifelong student. I read voraciously about creativity, writing, media, marketing, psychology, and design, and I’m fascinated by drawing connections between these things. (I’m still allowed to say “read” when I mostly consume audiobooks, right?) I’m currently focused on helping other creators and storytellers master their craft, refine their big ideas, and figure out their unique differentiators, through The Creator Kitchen, the mastermind program I run with fellow creator Jay Acunzo.
Ok, you caught me. I recommended the first edition of this book in a previous list. But this, my friends, is the second edition which, as the cover art indicates, is 10% funnier than the first.
Ann’s work is a testament to the power of honing your unique voice in a way that makes your work easy to identify, clearly differentiated, and dang near impossible to recreate well. Now that we’re battling it out against generative AI, not just other writers, this book serves as both an instructional guide and a case study on developing a distinct voice, in and of itself.
Finally a go-to guide to creating and publishing the kind of content that will make your business thrive. Everybody Writes is a go-to guide to attracting and retaining customers through stellar online communication, because in our content-driven world, every one of us is, in fact, a writer. If you have a web site, you are a publisher. If you are on social media, you are in marketing. And that means that we are all relying on our words to carry our marketing messages. We are all writers. Yeah, but who cares about writing anymore? In a time-challenged world dominated by…
