Here are 100 books that Jane fans have personally recommended if you like
Jane.
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Before I turned twenty-five, I lost my father to illness, my brother to a car accident, and a cousin to murder. Experiencing this string of tragedies so young profoundly changed me. As a writer, I’ve often worried that my naked grief on the page would come across as soft, cloyingly sentimental, and wholly without bite. Over the years, I have looked to examples of books that deal with death, grief, and mourning with a kind of brutal honesty. I sought out writing that conveyed the reality of loss in all its messiness. Reading these beautiful, honest accounts of grief have always made me feel less alone in mine.
This book is a classic for a reason. It’s a sobering (and deeply entertaining) look at the industry of death.
With so few universal truths, one would imagine that humanity’s shared capacity to understand our own mortality would be a source of connection. Instead, it feels like the mechanics of death and everything surrounding it, get shoved under the carpet in our desperation to avoid the topic.
As Mitford lifts the veil on the funeral industry, it becomes apparent how important it is to shine a light on the things we’re most afraid of.
Only the scathing wit and searching intelligence of Jessica Mitford could turn an exposé of the American funeral industry into a book that is at once deadly serious and side-splittingly funny. When first published in 1963, this landmark of investigative journalism became a runaway bestseller and resulted in legislation to protect grieving families from the unscrupulous sales practices of those in "the dismal trade."
Just before her death in 1996, Mitford thoroughly revised and updated her classic study. The American Way of Death Revisited confronts new trends, including the success of the profession's lobbyists in Washington, inflated cremation costs, the…
I am an artist, writer, and director of The Wellspring Studio, LLC. When my husband and creative partner, the singer/songwriter Garrison Doles, died unexpectedly just a few years after we were married, I found that I very much did not want to read about grief. I especially did not want to read about managing it or coping with it. Still, there were books that mysteriously found their way to me and drew me in, not with strategies for getting through the grief but with creative, poetic, artful, sometimes offbeat tellings of living with sorrow. These are some of my favorites among them.
I first met this book on the last visit Gary and I made to a beloved bookstore in Seattle. After he died, I remembered it and tracked it down. It is an accordion book, its folded pages nested in a sturdy box. It was made, Carson writes, as an epitaph for her brother.
Among the folds, we find ephemera evoking his memory, and hers: fragments of notes, torn photos, drawings, paintings, scribbles. Running through the pages—a portion appears on the left side of each spread—is Carson’s translation of a poem by the Latin poet Catullus, written after the death of his own brother. The result is an assemblage that testifies to the chaos of grief and the curious beauty it can hold.
Nox is an epitaph in the form of a book, a facsimile of a handmade book Anne Carson wrote and created after the death of her brother. The poem describes coming to terms with his loss through the lens of her translation of Poem 101 by Catullus "for his brother who died in the Troad." Nox is a work of poetry, but arrives as a fascinating and unique physical object. Carson pasted old letters, family photos, collages and sketches on pages. The poems, typed on a computer, were added to this illustrated "book" creating a visual and reading experience so…
Before I turned twenty-five, I lost my father to illness, my brother to a car accident, and a cousin to murder. Experiencing this string of tragedies so young profoundly changed me. As a writer, I’ve often worried that my naked grief on the page would come across as soft, cloyingly sentimental, and wholly without bite. Over the years, I have looked to examples of books that deal with death, grief, and mourning with a kind of brutal honesty. I sought out writing that conveyed the reality of loss in all its messiness. Reading these beautiful, honest accounts of grief have always made me feel less alone in mine.
Susan Howe always asks her reader to participate, to really show up.
That This is comprised of three sections. The first is an essay about the death of her husband. I love the way you can witness her grieving mind at work as it seeks connection and meaning. Then, the narrative gives way to sections of the book which become more abstracted.
Her focus, form, and topic shift, but the book is solidly grounded in the introductory essay so that you must navigate these more complex waters through the lens of grieving she has given you. I find That Thisremarkably comforting in its honesty and patience.
"What treasures of knowledge we cluster around." That This is a collection in three pieces. "Disappearance Approach," an essay about Howe's husband's sudden death-"land of darkness or darkness itself you shadow mouth"-begins the book with paintings by Poussin, an autopsy, Sarah Edwards and her sister-in-law Hannah, phantoms, and elusive remnants. "Frolic Architecture," the second section-inspired by visits to the vast 18th-century Jonathan Edwards archives at the Beinecke and accompanied by six photograms by James Welling-presents hauntingly lovely, oblique type-collages of Hannah Edwards Wetmore's diary entries that Howe (with scissors, "invisible" Scotch Tape, and a Canon copier) has twisted, flattened, and…
A retired English teacher has come home to Appalachia, a land of industrial disaster and natural beauty. He has been enticed with stories of Wildcat’s transformation: of the collective action embodied in Hotel Wildcat as well as the artisanal pursuits springing to life in the old iron mill. But in returning, he must confront his dark memories: the lost love of his hippie chic girlfriend not to mention the lost trust between his middle-class family and working-class Wildcat.
Written in the lyrical grit so characteristic of America’s Rust Belt, Wildcat: An Appalachian Romance is a testament to the redemptive potential…
Journey into Appalachia's Heart: Love, Loss, and the Resilience of a Forgotten Land
Discover the captivating allure of the Appalachian region as Jeffrey Dunn skillfully weaves a tale of love, loss, and redemption in his exquisitely crafted literary fiction masterpiece, Wildcat: An Appalachian Romance. Immerse yourself in the depths of the rust belt's rugged landscapes, where the echoes of industrial disaster intertwine with the sublime beauty of nature, all while the characters navigate the delicate dance between past and future.
In this poignant narrative, our protagonist, a retired English teacher, returns to his roots, lured back to the once-shuttered Hotel…
Before I turned twenty-five, I lost my father to illness, my brother to a car accident, and a cousin to murder. Experiencing this string of tragedies so young profoundly changed me. As a writer, I’ve often worried that my naked grief on the page would come across as soft, cloyingly sentimental, and wholly without bite. Over the years, I have looked to examples of books that deal with death, grief, and mourning with a kind of brutal honesty. I sought out writing that conveyed the reality of loss in all its messiness. Reading these beautiful, honest accounts of grief have always made me feel less alone in mine.
In I, Afterlife, Prevallet writes, “The text that is grieving has no thesis: only speculations.”
This short, sturdy book has been something of a roadmap for me when writing about grief. After her father commits suicide, Prevallet is left with many unanswerable questions, so she presents for her reader the questions, big and small, along with her speculations.
The subtitle, Essay in Mourning Time,points toward what I find so compelling about this work. The book is written from the place of grief—the way it shifts our relationship to time and truth and objects—and in the voice of mourning.
Poetry. Essays. Much admired by her contemporaries for her experiments in poetic form, Kristin Prevallet now turns those gifts to the most vulnerable moments of her own life, and in doing so, has produced a testament that is both disconsolate and powerful. Meditating on her father's unexplained suicide, Prevallet alternates between the clinical language of the crime report and the lyricism of the elegy. Throughout, she offers a defiant refusal of east consolations or redemptions. Driven by "the need to extend beyond the personal and out the toward the intolerable present," Prevallet brings herself and her readers to the chilling…
As a cozy mystery lover with a sweet tooth, I devour dozens of mystery novels every year (many featuring food) and I love to sample new series while also following my long-time favorites. I have also written and published more than 15 cozy mysteries of my own, many of which have a culinary theme. Although I grew up in Vancouver, British Columbia, I now live in a small town and I have a particular fondness for cozy small-town mysteries set by the ocean, as well as those featuring scrumptious treats.
All Fudged Upfeatures one of the most charming real-life settings I’ve come across in cozy mysteries.
The series takes place on the delightful Mackinac Island, where there are horse-drawn carriages instead of cars and plenty of historic buildings like the McMurphy Hotel and Fudge Shop.
The main character, Allie McMurphy, spends her days whipping up batches of fudge, keeping the hotel running, and solving murders whenever her sweet puppy finds a body.
Welcome to the Historic McMurphy Hotel and Fudge Shop--where life is sweet, revenge is sweeter, and murder is here to to stay. . .
You Can't Fudge An Alibi
Allie McMurphy is up to her neck in renovations at the grand old hotel that's been in her family for generations. With its quaint Victorian charm--and world-famous fudge shop--the place is one of Mackinac Island's most beloved landmarks.
Sure, every family has a skeleton or two in the closet. But Allie didn't expect to find an actual corpse inside hers, especially one Joe Jessup, who had a long-running feud with her…
I love escaping into a story I know will have a dependably happy ending. I’m an avid reader of cozy mysteries because life is hard. I don’t need my fiction to be a mirror image of the horrors of the daily news. I like puzzling through the clues, trying to solve the mysteries before the characters reach the solution. Series are fun because you really get to know the protagonist and the people in his or her world. They become old friends. The best cozy mystery authors rise above the formula and create unique characters, plots, and settings.
I love my local library and its bookmobile. This cozy mystery series has both. Even better, it has a clever cat. I enjoy getting a behind-the-scenes look at library operations.
Eddie, the cat, begins as a stowaway on the Michigan bookmobile and quickly becomes a huge attraction for library patrons. Minnie Hamilton and Eddie are in a unique position to discover bodies on their rural bookmobile route. There is a long romance arc in the series that slowly builds to a sweet conclusion. In a unique living situation, Minnie lives on a houseboat during the summer and in her aunt’s B&B during the winter.
I like how Eddie is involved with uncovering the mysteries in a perfectly logical way, considering he is a cat.
As an ex-police officer, I have experienced many of the things that I write about, albeit in the modern age: I’ve investigated scenes of sudden and violent death, attended post-mortems, and chased the odd suspected criminal through the streets. After a few years on the beat, I left the force and went to university as a mature student, where I received a PhD for my research into early modern law and literature. I now combine my love of all things true crime with my passion for early modern legal history in the books I write about historical crime, murder, and violent death.
I’ll never forget this book because it put me front and center of a murder trial from the perspective of the victim’s family.
Imagine sitting in court and looking into the eyes of the man who killed your nearest and dearest. What would that feel like? How would I even begin to process that experience?
I found this story really opened a whole new perspective in the genre of true crime writing.
Selected as a Book of the Year 2017 in the Guardian
'Maggie Nelson's short, singular books feel pretty light in the hand... But in the head and the heart, they seem unfathomably vast, their cleverness and odd beauty lingering on' Observer
In 1969, Jane Mixer, a first-year law student at the University of Michigan, posted a note on a student noticeboard to share a lift back to her hometown of Muskegon for spring break. She never made it: she was brutally murdered, her body found a few miles from campus the following day.
I’m a nerd by temperament (raised by a psychologist and a librarian, what else could I be?) and by profession (decades working as a U.S. diplomat and an academic administrator honed my people-watching faculties to a fine edge). So, of course, I’ve always been drawn to my opposite: that cynical loner whose pursuit of justice requires hard fists and a bent moral compass. Private eye mysteries are my perfect place. In them, I can exercise my passion for intellectual puzzles and my love for thrilling action. I enjoy the combination of social commentary and sheer entertainment I find when I dive into reading (or writing) a private eye mystery.
Ex-cop August Snow scrabbles through the rubble of his beloved Detroit to solve a twisted murder case no one wants him to pursue. Snow is everything I like in my PIs: witty, empathetic, combat-ready, and damaged by life’s cruel blows. The action is extremely gritty, the social commentary dark and biting. The flavorful descriptions of Snow’s Mexicantown neighborhood and its contrast with the snooty suburbs tugged at my Midwestern heart.
From the wealthy suburbs to the remains of Detroit’s bankrupt factory districts, August Snow is a fast-paced tale of murder, greed, sex, economic cyber-terrorism, race and urban decay.
Tough, smart, and struggling to stay alive, August Snow is the embodiment of Detroit. The son of an African-American father and a Mexican-American mother, August grew up in the city’s Mexicantown and joined the police force only to be drummed out by a conspiracy of corrupt cops and politicians. But August fought back; he took on the city and got himself a $12…
I love a good, clean mystery/suspense story that's light enough to be escape fiction but has enough heart that I engage with the characters. Let me root for them and watch them grow. Give me hope and a happy ending. Bonus if there are some quirky ones who make me smile or some snappy dialogue. Double bonus if it's Christian fiction with an organic, non-preachy faith element and characters who grow spiritually. Why leave faith out of our fiction if it's part of our lives? I hope you'll make some new imaginary friends in the books I've listed!
I love how nothing fazes Nicole, even when she gets into awkward situations. Her novelty socks (so not lawyerly) and occasional geeky lines make me smile, and I like the friends she finds in the middle of trying to prove—and solve—her uncle's murder.
I always take sides with characters whose parents have manipulated their life's path, so I feel Nicole's conflict over her profession and the distance it causes within her family. She comes into this story feeling like a failure, and I want to see her succeed. Plus, I like the potential for romance with the county medical examiner.
**Mystery/Cozy Gold Medalist in the 2018 IPPY Awards**
**Grand Prize Winner of the 2018 Writer's Digest Ebook Awards**
Sometimes the truth can be a sticky thing…
Nicole Fitzhenry-Dawes feels like she’s the only failure amid a family of high achievers. Her last serious boyfriend turned out to be married and her career as a criminal defense attorney is in tatters. When her uncle passes away and leaves her his maple syrup farm in Michigan, she thinks it might be time for a career change—hopefully one that allows her to stay as far away from murderers and liars as possible.
Like many, I am a sucker for a Happy Ever After. I want to drift upon the clouds of peaceful surrender. But let's face it, we hurdle back to reality and face plant. And because of that, I write romance with the heartache of truth. I gravitate toward contemporary romance because of the tough topics characters face as they find love. I’ve written seven romance novels and one YA. I run three writing groups and work for Munchkin Lane developing/designing Early Childhood Readers. I have a master’s degree in creative writing with an emphasis in Young Adult and a bachelor's in creative writing.
I love that this story is set around cherry harvest. The description and storytelling were done in broad strokes of imagery. This story stayed with me because of the grief and longing one of the main character struggles with. Seeing through the perspective of the little girl was entertaining. All the characters had extraordinary personalities. I loved this book because it was a universal truth. Life is a hill with boulders of various sizes, set on fire, headed straight for you. Staying put is only going to get you knocked the F@#! Out.
“A stunning story about family and hope that unfolds unexpectedly but beautifully, like a Michigan summer sunset over an orchard.” —Viola Shipman, bestselling author of The Clover Girls and The Secret of Snow
In cherry season, anything is possible…
Everything Hope knows about the Orchard House is from the stories of her late mother. So when she arrives at the northern Michigan family estate late one night with a terrible secret and her ten-year-old daughter in tow, she’s not sure if she’ll be welcomed or turned away with a shotgun by the aunt she has never met.
