Here are 100 books that I'm Not Scared fans have personally recommended if you like
I'm Not Scared.
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I have published seven books, all set in the West, including an anthology,West of 98: Living and Writing the New American West, that features writers from every state west of the Mississippi. For four years now, I have been doing a podcast called Breakfast in Montana, where my partner Aaron Parrett and I discuss Montana books. I also published a book in 2016 called56 Counties, where I traveled to every county in Montana and interviewed people about what it means to live in this state. So I have a good feel for the people of this region and for the books they love.
Winter Wheat, published in 1944, tells the story of Ellen Webb, a young woman coming of age on a farm in Montana. Walker moved from back east to Great Falls, Montana in 1933, and she is one of many writers who adopted Montana as their home state and wrote very eloquently about the unique challenges of growing up in such isolation, living a life so focused on hard work and basic survival. Walker published several excellent novels, but Winter Wheatwas her tour de force.
For this Bison Books edition, James Welch, the acclaimed author of Winter in the Blood (1986) and other novels, introduces Mildred Walker's vivid heroine, Ellen Webb, who lives in the dryland wheat country of central Montana during the early 1940s. He writes, "It is a story about growing up, becoming a woman, mentally, emotionally, spiritually, within the space of a year and a half. But what a year and a half it is!" Welch offers a brief biography of Walker, who wrote nine of her thirteen novels while living in Montana.
I’ve been a fan of amateur sleuths since my first foray into our local library. Reading opened a whole world to me, and I devoured each new story with relish, imagining myself in the role of the hero and how I might deal with the perils that befell them. I raced through each book series in a matter of weeks, from The Famous Five and The Hardy Boysto Alfred Hitchcock’s The Three Investigators. I remember the thrill of moving to the library's adult section and discovering even more books where humble heroes were dragged into murder mysteries, unexpected adventures, and thrilling chases across dangerous landscapes. Woo-Hoo!
What I love about this book is that it is beautifully told by two different women in alternating narratives, mixing a local legend with a more modern tale.
I really like the way the author presents two distinct voices and yet retains the richness of her language in each. The setting of the watermill, too, is superb, and the author’s ability to describe each scene perfectly adds to the tension as each aspect of the story snowballs its way to a thrilling conclusion.
A twisty and propulsive read, this dark psychological thriller of sibling rivalry, love, betrayal, and the dire consequences of family fallout brilliantly plays on our fears of loneliness and abandonment, harkening to the modern gothic bestsellers by Ruth Ware and Liz Nugent.
Is a story ever just a story?
Mac, a retired academic and writer, is working on a new collection of folktales, inspired by local legends, and at the insistence of her only child, Arthur, she hires a young assistant, Lucie, to live in a cottage on her property and help her transcribe them. What Arthur doesn’t know is…
I believe that good Jewish stories are important tools in building Jewish identity. But when I first taught preschoolers, the books were either too didactic or written for older children. One day, when the children in my class were enthusiastically discussing the Christmas display at the mall, the idea came to me that maybe an eight-legged Spider celebrating the eight days of Hanukkah could compete with Frosty the Snowman. When Sammy Spider asks to spin a dreidel, he is told, “Spider’s don’t spin dreidels. Spiders spin webs.” The response became a favorite with Jewish children and a form of the phrase is part of all the Sammy Spider holiday and values books.
This is one of my favorite stories and it allows the reader to observe the process of making matzah. Through the eyes of a little mouse, we watch the care that is taken from growing and harvesting the wheat, to transporting it to the matzah factory, and finally, baking it into matzah. I think this story more than any other inspired my writing. I wanted to create a relatable character that would engage young children – a character who exhibits childlike curiosity and who wants to discover and participate in the events occurring around him.
Dr. Wesley Britton is the author of four non-fiction books—Spy Television, Beyond Bond: Spies in Fiction and Film, Onscreen and Undercover: The Ultimate Book of Movie Espionage, and The Encyclopedia of TV Spies. He's also the author of eight Beta-Earth Chronicles sci-fi stories. For seven years, he was co-host of online radio’s Dave White Presents. He earned his doctorate in American Literature at the University of North Texas. In 2016 he retired from teaching English at Harrisburg Area Community College, after 33 years as an instructor. He lives with his wife, Grace, their dog Joey and their cat Molly in Harrisburg, Pennsylvania. Wesley also has a Radio show and podcast called Remember When.
One of the most prolific thriller writers of the early 20th century, Edgar Wallace wasn't alone in writing speculative fiction employing new technology that reflected concerns over the First World War. He wasn't alone in fearing biological weapons as in the Green Rust in which Germany planned to use to release germs that would wipe out much of earth's wheat, giving Germany domination after their surrender at the end of the Great War.
The biological weapon in the Green Rust wasn't Wallace's first use of a concept that would be employed countless times ever since; his 1913 The Fourth Plague had an Italian gang called the Red Hand blackmailing England with their own biological threat much in the spirit of what Blofeld and his Spectre would try out in the thrillers of Ian Fleming.
Later, Wallace’s Little Green Man and Other Stories also anticipated the technology of the future, including…
The chase is on to stop Dr. Van Heerden before he can release the threat of the Green Rust and take over the world in this exciting page-turner, originally published in 1919, from the undisputed "King of Thrillers, " Edgar Wallace.
I love writing and illustrating all sorts of children's stories. The only thing my stories have in common is that none of their heroes eat meat, drink milk, or take part in the egg and spoon race. I write the kind of stories I want to read. I don't want to read about sex or violence. And I don't want to read foul language. I want something meaningful, something with a concluding note of optimism. Consequently, well-written children's stories often appeal to me. In fact, I've come to the conclusion that these are not just children's stories, they're good stories that anyone can enjoy.
My favourite of all the Little House books - I can't tell you how many times I've read it. The Ingalls family have to move off their isolated homestead and into town to survive a freezing, seven-month winter. Their resourcefulness is hugely inspiring. Depleted of supplies, they make lamps out of buttons, string, and axle grease; they spend hours every day grinding wheat in a little coffee mill in order to have enough flour to make a small loaf of bread; and they get blisters twisting hay into sticks for the fire. The danger from sudden blizzards makes the short walk home from school potentially fatal. A perilous expedition for desperately needed supplies is too scary for most. And a hazardous, unnecessary journey undertaken by Laura, reveals just how much she misses her family.
Classic tales by Laura Ingalls Wilder about life on the frontier and America's best-loved pioneer family.
When a blizzard cuts the town of De Smet off from the railroad, the community is left for weeks without food or fuel deliveries and the Ingalls family are forced to eke out the last of their supplies.
As the terrible winter drags on, things begin to look desperate, until Almanzo Wilder and his friend brave the icy storms in search of help from another settlement.
The timeless stories that inspired a TV series can now be read by a new generation of children.…
My choice of books reflects a lifelong passion for literature and the natural world. I’ve always enjoyed travelling, to cities or more remote locations, learning as much as I can about the people that live there, and my first published article was about a hotel in Mali, photographed by my sister. Ten years later we published our first book, The Foraged Home. With Living Wild we wanted to look more deeply at how people lived, not just where, focussing not only on day-to-day life and their work, but their relationship with the surrounding landscape, asking big questions about our place in the world.
A gorgeous meditation on friendship, the English countryside, art, and beauty.
Two men spend the spring and summer of 1989 creating crop circles in Wiltshire, working during the ‘arcane mystery of the humming night’ to ‘fuel the myth and strive for beauty, yes, but never the reveal the truth’ of their identities. It’s lyrical and life-affirming, yes, but also a warning.
As Calvert, an ex-soldier, remarks: ‘it’s about the land...getting people to learn to love it so that they don’t take it for granted, and then feel compelled to protect it.'
Summer 1989, deep in the English countryside — during a time of mass unemployment, class war, and rebellion . . . .
Over the course of a burning hot summer, two very different men — Calvert, an ex-soldier traumatized by his experience in the Falklands War, and his affable freind Redbone — set out nightly in a decrepit camper van to undertake an extraordinary project.
Under cover of darkness, they traverse the fields of rural England in secret, forming crop circles in elaborate and mysterious patterns, painstakingly avoiding damaging the wheat to yield designs so intricate that their overnight appearances…
Food and architecture have been dual passions in my life for as long as I can remember. My grandparents had a hotel in Bournemouth, and I can still recall my fascination with the way everything changed as I passed through the green baize doors between the service areas and the public rooms. I became an architect, but food was always there in the background, and much later, I realised how I could bring the two together in order to describe the world in a completely new way. This led to my first book, Hungry City,and its follow-upSitopia,both of which have changed the way I see the world.
This was the first book I read when I started researching my first book, and it turned out to be a very lucky choice, since it opened my eyes more than any other book to the power of food to shape our cultures and customs and ways of seeing the world.
It describes in fascinating detail how European food cultures developed according to landscape and climate, and how various differences – such as the Mediterranean propensity to eat lots of vegetables and drink wine in moderation, compared with the northern tendency to eat lots of meat and get drunk on beer or spirits – not only endure today, but continue to shape the way we live, behave and see ourselves and others.
This book is about the history of food in Europe and the part it has played in the evolution of the European cultures over two millennia. It has been a driving force in national and imperial ambition, the manner of its production and consumption a means by which the identity and status of regions, classes and individuals have been and still are expressed. In this wide--ranging exploration of its history the author weaves deftly between the classes, regions and nations of Europe, between the habits of late antiquity and the problems of modernity. He examines the interlinked evolutions of consumption,…
I’m a historian who wrote a book on antifascism. In a way, I decided to write a book on the history of antifascism because I thought it was a good way to make sense of the history of fascism. Something along the lines of: Nobody knows you like your worst enemies. But I also thought that more books on the history of antifascism itself would be a good thing. There are many books on fascism and relatively few on anti-fascism. Ultimately, I decided to write Everything Is Possible because I thought that the first antifascists had useful lessons to share about how to turn the world toward something better than the one you’ve been given.
This is a dazzling mix of theory, sociology, and history. Falasca-Zamponi is attentive to the myths, rituals, festivals and ceremonies, symbols, and recurring images of Italian fascism—and she is attentive, too, to the political power that Mussolini relentlessly drew from such cultural forms.
With tremendous analytical imagination, Falasca-Zamponi unpacks the significance of the fascist salute, Mussolini’s balcony poses, all the axe-and-bundle imagery, those omnipresent black shirts, and the fascists’ distinctive “passo romano” marching style. For me, the heart of the book is its intense analysis of fascist violence as spectacle. Not just spectacle, though. Falasca-Zamponi also makes the case that for the early fascists violence—“great, beautiful, inexorable violence,” in Mussolini’s words—was sublime, regenerative, glorious, salvific.
The early fascists made violence, Falasca-Zamponi suggests, as if it were art.
A cultural history of Italian fascism, this work traces the narrative path that accompanied the making of a regime and the construction of Mussolini's power. The author reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism. Linking Mussolini's elaboration of a new ruling style to the shaping of the regime's identity, she finds that in searching for symbolic means and forms that would represent its political novelty, fascism in fact brought itself into being, creating its own power and history. Falasca-Zamponi aregues that an aesthetically founded notion of politics guided fascist power's historical unfounding…
I am passionate about the written word and effective communication. My articles and reviews have been published in major newspapers and magazines and for two decades I taught writing on the university level. Travel writing is a subset of my experience as editor of the best-selling In Mind literary anthologies and editor and writer for more than a dozen guidebooks. In addition, I have been “first reader” and editor for prospective authors and shepherded several books to publication, the most recent Red Clay Suzie by first-time novelist Jeffrey Lofton (publication January 2023).
Eric Newby Is one of my favorite travel writers. He worked his way into situations that were bizarre, funny, and sometimes dangerous. His wife, Wanda, was often at his side, the sardonic counterpoint to his irrepressible optimism. Love and War in the Apennines is a memoir of the beginning of their love story. During World War II Newby, an escaped British prisoner of war, was kept alive in the Italian mountains by a courageous group of partisan peasants that included the heroic Wanda. Despite ever-present danger, Newby fell in love with Italy and also with the Italians who risked their lives to save his.
Hailed as Newby's 'masterpiece', Love and War in the Apennines is the gripping real-life story of Newby's imprisonment and escape from an Italian prison camp during World War II.
After the Italian Armistice of 1943, Eric Newby escaped from the prison camp in which he'd been held for a year. He evaded the German army by hiding in the caves and forests of Fontanellato, in Italy's Po Valley. Against this picturesque backdrop, he was sheltered for three months by an informal network of Italian peasants, who fed, supported and nursed him, before his eventual recapture.
Growing up I was fanatical about football - playing, watching, reading and talking about it. I was also a little obsessed with its numbers, and apparently liked to recalculate league tables and goal differences in my head as the results came in on the BBC vidiprinter. Fast forward to University in the 1980s - a time when studying football’s business aspects was not common - I wrote my dissertation on the ‘Capital structure of Scottish football’. A Scottish perspective has remained present in much of my work, and I hope it also allows a little more distance when reflecting on the success and challenges faced by football in England.
I was fortunate to be on sabbatical in Italy in 2005, not long after thesalva calcio (save football) decree was passed by Silvio Berlusconi, then Italian Prime Minister and owner of AC Milan.
The legislation was essentially a form of legalised creative accounting which sought to legitimize clubs’ poor financial positions and performance by inflating player asset values on balance sheets.
Jones’ book is not just about football.
But within a fascinating critique of Berlusconi’s Italy, there is brilliant insight into calcio in all its forms – the beauty and joy of what happens on the field, the poetic and intelligent language with which frequently it is discussed in stadiums, cafes, and TV stations, its cultural significance, and, of course, its myriad of political, financial and governance scandals. Andiamo.
An essential guide to the strange, sometimes sinister culture of contemporary Italy.
When Tobias Jones first travelled to Italy, he expected to discover the pastoral bliss described by centuries of foreign visitors and famous writers. Instead, he discovered a very different country, besieged by unfathomable terrorism and deep-seated paranoia, where crime is scarcely ever met with punishment.
Now, in this fascinating travelogue, Jones explores not just Italy's familiar delights (art, climate, cuisine), but the livelier and stranger sides of the bel paese: language, football, Catholicism, cinema, television and terrorism. Why, he wonders, do bombs still explode every time politics start…
