Fans pick 100 books like How to Train Your Goblin King

As someone who writes fairy tale retellings where everyone shares one world as we all do now, I always love the tales that my own characters don’t get to interact with. That’s where A Land of Never After comes in. Featuring a pirate queen a strong-willed Wendy, and a trans Peter Pan. I think the diversity different people expand on is what makes humans so magical in the first place.

This book is a Robin Hood retelling. While both our Robin’s fight for social change and the poor while falling in love along the way, S.L. Prater’s has a gender swap twist as features a thieving witch pestering the sheriff of Nottingham. I believe Robin being a woman subverts expectation and by seeing the known in a new light like that makes the world a bit more empathic to each other. I think the old and known can change and still hold so much heart.

While my series tend to be on the shorter end, if you want something to really sink your teeth into try Angela J. Ford’s interracial romance collection full of action, adventure, and steam. Celtic Mythology is the theme for this six standalone novel collection that tops out at over 600 hundred pages! In a world like it is now, sometimes I just want to escape into a fantasy world a fantasy series is so perfect for that.

Sometimes you simply want all, I get it. That’s part of the reason why so many fairy tale characters know each other in my series, so why not try a brand-new fantasy romance anthology? Featuring 20 different short stories and authors, Once Upon A Forbidden Desire is bound to be magical. If you are anything like me, you have a long to-do list and there never seems like enough time. Short stories are the perfect thing for that in my opinion. I always savor them like an advent calendar’s candy.

George MacDonald’s mystical adoration of nature shines through all his writings. His books take place in Nineteenth-Century Scotland and England, in an obviously much quieter age. His insights into the living chorus of the natural world transcend any I have ever read.

His characters walk everywhere and absorb the natural world as if through a loving relationship with another soul. I consider George MacDonald my teacher, as did C.S. Lewis. This was written for children, or the childlike in all of us. I read it every year and have dedicated my book, Whippoorwill Willingly to MacDonald.

Wolves and Roses is a fun and snarky start to a big series in which humans exist in a modern world alongside shifters, witches, and fairies. Sounds fun, right?

Bryar Rose is expected to follow the Sleeping Beauty story template for her life. Unfortunately, something glitched in her personality, because no part of that story appeals to who she truly is, or what she wants out of life. When Bryar meets Knox, a powerful werewolf shifter in the midst of his own identity crisis, sparks fly.

If you enjoy strong, rebellious female leads and bad-boy heroes (yes, please!), this book has all those vibes, plus intrigue, witty banter (my fave), and action. Fans of alternate-history fantasy, paranormal romance, and modern-set fairy tale retellings should add this book to their TBR.

I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."

It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child," and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.

Napoli is a master at rewriting fairy tales and other classic stories, and Zel might just be my favorite of her works. A young adult retelling of Rapunzel from three perspectives, it sticks to the original tale’s basic plot points but deeply expands the reader’s understanding of each character, particularly Rapunzel’s mother, whose feelings and motivations are written with exquisite nuance. Though it’s written for a YA audience, I still enjoy this story as much now as I did when I first read it at age 13, and now that I’m a mother myself, I experience it on an entirely different level. This is a deceptively simple book that really has layers upon layers to unwrap. 

This book is so much fun. I loved how Jane was determined to fall in love with all the romance tropes and they backfire. It felt like a reverse fairy tale, which made me laugh and swoon.

And when the main characters finally got together, I was kicking my feet in delight. Such a fun story set in the small-town island of Sunset Harbor.

These stories run deep in my blood! I remember my Mum reading "Cinderella," "Hansel and Gretel," "Rapunzel," and "Snow White," to name a few, and being totally enthralled, captivated, and scared all at once.

Reading this edition as an adult evokes the same feelings, but I also experienced a sense of wonder and intrigue as I read the lesser-known stories such as "The Boy Who Left Home to Find Out About the Shivers," "The Girl with No Hands," "The Nixie of the Millpond," and "Hans-my-Hedgehog." 

I loved discovering these stories, closer to the originally published ones in their first collection, Children's and Household Tales in 1812, as they are much darker and scarier in nature than modern versions, and reading what Philip Pullman says about each one is an unexpected delight!