Here are 100 books that Hollywood Westerns and American Myth fans have personally recommended if you like
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I’m a historian, with a special interest in the 20th century. I’ve written about Freud’s Vienna, the aftermath of the First World War, strikes in the 1920s and 1930s in America’s cotton South, the plot to assassinate Hitler, and the notorious 1940s gangsters nicknamed “Murder, Inc.”. What intrigues me about the 20th century are the era’s underlying values and the shocking and violent collisions among them. In Casablanca’s Conscience, I use the great film as a lens with which to take another look at the tumultuous times just a generation ago.
Isenberg has explored all the Hollywood archives and has produced a delightful and fascinating story of the actors, the director and producer, the writers, and all the technicians who created the film. A splendid guide to Casablanca and a great example of an in-depth, how-it-was-made history of a single film.
Casablanca is "not one movie," Umberto Eco once quipped; "it is 'movies.'" Film historian Noah Isenberg's We'll Always Have Casablanca offers a rich account of the film's origins, the myths and realities behind its production, and the reasons it remains so revered today, over seventy-five years after its premiere.
I’m a historian, with a special interest in the 20th century. I’ve written about Freud’s Vienna, the aftermath of the First World War, strikes in the 1920s and 1930s in America’s cotton South, the plot to assassinate Hitler, and the notorious 1940s gangsters nicknamed “Murder, Inc.”. What intrigues me about the 20th century are the era’s underlying values and the shocking and violent collisions among them. In Casablanca’s Conscience, I use the great film as a lens with which to take another look at the tumultuous times just a generation ago.
Kracauer was a German film critic in the Weimar years. This classic text, first published in 1947, relates the crisis of German culture in the 1920s and 1930s–which climaxed in Hitler and Nazism–to famous Weimar films, like The Cabinet of Dr. Caligari, and M. Kracauer’s effort to track Germany’s cultural zeitgeist in the movies. This relation is not without controversy.
His book remains a fine example of the struggle to see mass psychology in the movies and the movies in the context of mass psychology.
An essential work of the cinematic history of the Weimar Republic by a leading figure of film criticism
First published in 1947, From Caligari to Hitler remains an undisputed landmark study of the rich cinematic history of the Weimar Republic. Prominent film critic Siegfried Kracauer examines German society from 1921 to 1933, in light of such movies as The Cabinet of Dr. Caligari, M, Metropolis, and The Blue Angel. He explores the connections among film aesthetics, the prevailing psychological state of Germans in the Weimar era, and the evolving social and political reality of the time. Kracauer makes a startling…
I’m a historian, with a special interest in the 20th century. I’ve written about Freud’s Vienna, the aftermath of the First World War, strikes in the 1920s and 1930s in America’s cotton South, the plot to assassinate Hitler, and the notorious 1940s gangsters nicknamed “Murder, Inc.”. What intrigues me about the 20th century are the era’s underlying values and the shocking and violent collisions among them. In Casablanca’s Conscience, I use the great film as a lens with which to take another look at the tumultuous times just a generation ago.
Blake’s book explores the way in which a distinctly Catholic sensibility shaped the cinematic imaginations of Alfred Hitchcock, Martin Scorsese, John Ford, Francis Ford Coppola, and Brian De Palma.
Blake’s point is not that these filmmakers were pious or even believers. He does demonstrate, though, that the Catholic cultures in which these filmmakers grew up significantly influenced both the stories they told and the images they created.
Blake, a noted film critic, reveals a Catholic imagination at work in the films of Martin Scorsese, Alfred Hitchcock, Frank Capra, John Ford, Francis Ford Coppola, and Brian De Palma. Their movies are permeated with such Catholic ideas as sacramentality (the sacred is present in the profane things of the world), mediation (God works in our lives through specific people and things), and communion (salvation depends on belonging to a community).
I’m a historian, with a special interest in the 20th century. I’ve written about Freud’s Vienna, the aftermath of the First World War, strikes in the 1920s and 1930s in America’s cotton South, the plot to assassinate Hitler, and the notorious 1940s gangsters nicknamed “Murder, Inc.”. What intrigues me about the 20th century are the era’s underlying values and the shocking and violent collisions among them. In Casablanca’s Conscience, I use the great film as a lens with which to take another look at the tumultuous times just a generation ago.
Yes, of course, just about everyone has heard of Roger Ebert (d. 2013), the great film critic for the Chicago Sun-Times and co-host, with Gene Siskel of the PBS program Sneak Previews. But have you ever read any of his reviews? They’re delightful–smart, funny, touching, and thoroughly readable.
Ebert must have seen every film ever made (his reviews are arranged in these collections alphabetically by film title). In each short review he offered, not just his opinion of the film in question, but striking insights into the film’s themes, meanings, symbols, and underlying philosophy.
Any film lover should immediately obtain all four collections.
America’s most trusted and best-known film critic Roger Ebert presents one hundred brilliant essays on some of the best movies ever made.
Roger Ebert, the famed film writer and critic, wrote biweekly essays for a feature called "The Great Movies," in which he offered a fresh and fervent appreciation of a great film. The Great Movies collects one hundred of these essays, each one of them a gem of critical appreciation and an amalgam of love, analysis, and history that will send readers back to that film with a fresh set of eyes and renewed enthusiasm–or perhaps to an avid…
I am a journalist who spent 15 years reporting from all over the world – Kabul, Baghdad, New Delhi, Beijing, Washington D.C. – returning to London in 2015 to report on the UK’s relations with Europe. Then Brexit happened. As a reporter, I’d chronicled the rise of China and India after 9/11 and the 2008 financial crisis, but I’d failed to understand how far Britain had been consumed by the forces of populism that have roiled all Western democracies. I’ve spent the last eight years reporting on the fallout, from both sides of the English Channel; trying to unpack what went wrong, and see what we can do about it.
A profound analysis of why the apparently global triumph of Western liberalism in 1989 turned sour for millions of those who believed they were joining a new world order – but came away disappointed.
This book traces how, following the collapse of the Soviet Union, the hubris of Western elites helped spawn the populist and opportunistic leaders – from Russia’s Putin, to Hungary’s Orban and Donald Trump in the US – that emerged after the 2008 global financial crisis.
That systemic failure cracked the veneer of the competence of Western capitalism (which had long masked rising inequality and flat middle-class wages) and opened the door to a politics of chaos that seeks to capitalise on that world of chaos, not fix it.
*Winner of the 2020 Lionel Gelber Prize* FINANCIAL TIMES, ECONOMIST, PROSPECT and EVENING STANDARD BOOK OF THE YEAR PICK
A landmark book that completely transforms our understanding of the crisis of liberalism, from two pre-eminent intellectuals
Why did the West, after winning the Cold War, lose its political balance?
In the early 1990s, hopes for the eastward spread of liberal democracy were high. And yet the transformation of Eastern European countries gave rise to a bitter repudiation of liberalism itself, not only in the East but also back in the heartland of the West.
A philosophy professor, my central interest has always been something historical: what is going on in this strange modern world we live in? Addressing this required forty years of background work in the natural sciences, history, social sciences, and the variety of contemporary philosophical theories that try to put them all together. In the process, I taught philosophy courses on philosophical topics, social theory, and the sciences, wrote books, and produced video courses, mostly focused on that central interest. The books listed are some of my favorites to read and to teach. They are crucial steps on the journey to understand who we are in this unprecedented modern world.
Best recent book examining human morality from a scientific, psychological point of view.
Darwinians used to think humans had to be selfish and immoral. Contemporary evolution argues the opposite, that humans evolved moral limits on our selfishness in order to live together. Haidt’s is the best book presenting this new evolutionary psychology.
But it goes further to connect those scientific issues with contemporary politics, explaining why people from “red” and “blue” states cannot understand each other: they each embody a short list of human moral values, but different ones. This is a great book for thinking carefully about human morality and contemporary politics. Students love it, and so do I.
'A landmark contribution to humanity's understanding of itself' The New York Times
Why can it sometimes feel as though half the population is living in a different moral universe? Why do ideas such as 'fairness' and 'freedom' mean such different things to different people? Why is it so hard to see things from another viewpoint? Why do we come to blows over politics and religion?
Jonathan Haidt reveals that we often find it hard to get along because our minds are hardwired to be moralistic, judgemental and self-righteous. He explores how morality evolved to enable us to form communities, and…
I am researching how elites and societies in Russia and East Central Europe have adapted to the social, political, and economic transformation processes following the end of Communism. What fascinates me about this topic is understanding why many of these countries continued to fall back to the same patterns of re-autocratization as they did during the Communist times. My answer is that it is because many institutions and elites in these regions have continued certain policies and behaviors from Communist times, which are still affecting their politics and economics. I also examine the impact of the transformational shock on Russia's international revisionism and democratic backsliding across the region.
This is one of my favorite books on the topic: it explains how and why electorates in postcommunist Europe became disillusioned with the promises of modernization and liberalization following the collapse of the Communist system. It shows how naïve and cheerful they were at first and how skeptical and disillusioned they’ve subsequently become.
The reforms were painful, and the results of those reforms were not always as expected. This disillusionment led to the rise of populism across the region. The authors also trace similar dynamics in Russia and the United States, which led to the rise of Putin and Trump, respectively.
Why did the West, after winning the Cold War, lose its political balance?
In the early 1990s, hopes for the eastward spread of liberal democracy were high. And yet the transformation of Eastern European countries gave rise to a bitter repudiation of liberalism itself, not only there but also back in the heartland of the West.
In this brilliant work of political history, Ivan Krastev and Stephen Holmes argue that the supposed end of Communism turned out to be only the beginning of the age of the autocrat. Reckoning with the history of the last thirty years, they show that…
A university professor for 40 years (now emerita), I focused my most recent research on moral psychology. I am also a political junkie, so perhaps it is no surprise that I have combined these two interests. As both a social psychologist and political psychologist, I have conducted numerous studies on the moral underpinnings of our political ideologies. In addition to two books, I have published over 90 papers, many devoted to morality and/or politics, and I was awarded a generous three-year National Science Foundation grant to study the two moralities that are discussed in my book.
Social Psychologist John Jost is a giant in the field of political psychology. In this book the reader is treated to a collection of his superb essays on political ideology.
From neuroscience to psychology and sociology, Jost draws on research to present a complete picture of the nature, role, and implications of our political ideologies. Anyone interested in politics, and political psychology in particular, would benefit from the knowledge and insights Jost offers in this book.
This book brings together for the first time an updated, revised collection of influential essays and articles that capture some of the most exciting scientific and scholarly contributions to the topic of political ideology. John Jost tackles fundamental questions about how psychology, neuroscience, and societal factors impact political attitudes and group divisions. In what sense, if any, are ordinary citizens "ideological"? Is it useful to locate political attitudes on a single dimension of representation? Are there meaningful differences in the beliefs, opinions, and values of leftists and rights-or liberals and conservatives? How are personality traits related to ideological preferences? What…
I blame my mother. She took us to the public library every week and let us check out as many books as we could carry. Consequently, reading was a joy rather than a burden. The writing came after I got over my false assumptions about English Lit and Modern Poetry. As a screenwriter, I craft silly stories to make audiences laugh. That’s why I watch movies after an exhausting week. As an author, I gravitate towards non-fiction–trying to reconcile my artistry with my faith. I’ve written about movies, music, video games, technology, and art–with an eye toward lifting our spirits and comforting our aching souls.
I’m so sick of the culture wars in America. That’s why Makoto Fujimura’s call towards Culture Care was so refreshing and encouraging.
He acknowledges how artists may end up as border walkers, gaining inspiration by living on the edges of society. But mere rebellion isn’t enough. I was so inspired by his encouragement to see cultural care as comparable to environmental work. How do we create estuaries where new growth and ideas can emerge? As a painter, Mako brings his visions to life on canvas. Yet, this book challenged me to usher more beauty into my community through any medium.
Outreach Magazine Resource of the Year Christianity Today's Book of the Year Award of Merit
"Culture is not a territory to be won or lost but a resource we are called to steward with care. Culture is a garden to be cultivated."
Many bemoan the decay of culture. But we all have a responsibility to care for culture, to nurture it in ways that help people thrive. In Culture Care artist Makoto Fujimura issues a call to cultural stewardship, in which we become generative and feed our culture's soul with beauty, creativity, and generosity. We serve others as cultural custodians…
I first became intrigued by secret societies when a student who I worked with suggested that the French Upper Paleolithic painted caves might have been decorated and used by secret societies. I subsequently enlisted another student to study the spatial use of the paintings from this perspective. Combined with the observations of Robert Hare on the motivations of psychopaths and sociopaths to control others, I realized that secret societies plausibly constituted powerful forces promoting certain cultural changes that appeared later and continued into our own modern societies. I found the prospects for understanding our own cultures fascinating and wanted to document how this all came about in my own book.
Mircea Eliade is one of the foremost historians of religion,The Sacred and the Profane is probably his most readable book. It clearly describes what traditional (oral) religions are like and how they differ from global (book) religions. Traditional religions provide critical background for understanding some contemporary ritual practices, but most importantly for me, traditional religions provide a context for understanding the emergence of secret societies. This will be a good read for anyone interested in traditional religions, whether native American, Australian, African, or pre-Christian Europe. I highly recommend it.
In The Sacred and the Profane, Mircea Eliade observes that while contemporary people believe their world is entirely profane or secular, they still at times find themselves connected unconsciously to the memory of something sacred. It's this premise that both drives Eliade's exhaustive exploration of the sacred—as it has manifested in space, time, nature and the cosmos, and life itself—and buttresses his expansive view of the human experience.
