100 books like Hollywood Westerns and American Myth

I’m a historian, with a special interest in the 20th century. I’ve written about Freud’s Vienna, the aftermath of the First World War, strikes in the 1920s and 1930s in America’s cotton South, the plot to assassinate Hitler, and the notorious 1940s gangsters nicknamed “Murder, Inc.”. What intrigues me about the 20th century are the era’s underlying values and the shocking and violent collisions among them. In Casablanca’s Conscience, I use the great film as a lens with which to take another look at the tumultuous times just a generation ago.

I’m a historian, with a special interest in the 20th century. I’ve written about Freud’s Vienna, the aftermath of the First World War, strikes in the 1920s and 1930s in America’s cotton South, the plot to assassinate Hitler, and the notorious 1940s gangsters nicknamed “Murder, Inc.”. What intrigues me about the 20th century are the era’s underlying values and the shocking and violent collisions among them. In Casablanca’s Conscience, I use the great film as a lens with which to take another look at the tumultuous times just a generation ago.

I’m a historian, with a special interest in the 20th century. I’ve written about Freud’s Vienna, the aftermath of the First World War, strikes in the 1920s and 1930s in America’s cotton South, the plot to assassinate Hitler, and the notorious 1940s gangsters nicknamed “Murder, Inc.”. What intrigues me about the 20th century are the era’s underlying values and the shocking and violent collisions among them. In Casablanca’s Conscience, I use the great film as a lens with which to take another look at the tumultuous times just a generation ago.

I’m a historian, with a special interest in the 20th century. I’ve written about Freud’s Vienna, the aftermath of the First World War, strikes in the 1920s and 1930s in America’s cotton South, the plot to assassinate Hitler, and the notorious 1940s gangsters nicknamed “Murder, Inc.”. What intrigues me about the 20th century are the era’s underlying values and the shocking and violent collisions among them. In Casablanca’s Conscience, I use the great film as a lens with which to take another look at the tumultuous times just a generation ago.

A philosophy professor, my central interest has always been something historical: what is going on in this strange modern world we live in? Addressing this required forty years of background work in the natural sciences, history, social sciences, and the variety of contemporary philosophical theories that try to put them all together. In the process, I taught philosophy courses on philosophical topics, social theory, and the sciences, wrote books, and produced video courses, mostly focused on that central interest. The books listed are some of my favorites to read and to teach. They are crucial steps on the journey to understand who we are in this unprecedented modern world.

I am a journalist who spent 15 years reporting from all over the world – Kabul, Baghdad, New Delhi, Beijing, Washington D.C. – returning to London in 2015 to report on the UK’s relations with Europe. Then Brexit happened. As a reporter, I’d chronicled the rise of China and India after 9/11 and the 2008 financial crisis, but I’d failed to understand how far Britain had been consumed by the forces of populism that have roiled all Western democracies. I’ve spent the last eight years reporting on the fallout, from both sides of the English Channel; trying to unpack what went wrong, and see what we can do about it.

A university professor for 40 years (now emerita), I focused my most recent research on moral psychology. I am also a political junkie, so perhaps it is no surprise that I have combined these two interests. As both a social psychologist and political psychologist, I have conducted numerous studies on the moral underpinnings of our political ideologies. In addition to two books, I have published over 90 papers, many devoted to morality and/or politics, and I was awarded a generous three-year National Science Foundation grant to study the two moralities that are discussed in my book.   

I have long been fascinated by what makes us human. Great art is about the human condition. We are very quick to reject art that gets that human condition wrong. I’m a poet, a playwright, and a scientist.  While my science has found itself at the center of fields such as computational psychiatry and neuroeconomics, I find myself turning again and again to the insights from great novels to understand the subtleties of the human condition. So to complement the scientific questions of morality (because morality is all about the human condition), one should start with great novels that ask who we are and why we do what we do.  

As a writer, I’ve always been interested in ambiguity and ambivalence. How does that apply to the self? What does it mean to present myself to others? How do I appear to the world and how close is that to what I see myself to be? Are we ever truly seen—or willing to be seen? In a world where cameras exist everywhere and we are encouraged to record rather than simply be, how do we look in a mirror? Hannah Arendt said that we could tell reality from falsehood because reality endures. But I feel that nothing I experience endures; nothing remains the same, including the reflection. If anything lasts, it may be my own make-believe. Everything I write is, in some way, this question. Who is that?

I’m fascinated by the question of where people get their values, particularly in our secular age. If you have a religion, the question is easy to answer: just point to your church or faith. For the unchurched like me, however, it’s tricky. We feel there’s something we should be able to point to, but what? As a professor of politics and philosophy, I’ve been exploring this question for more than a decade. My latest book argues that liberalism has become a comprehensive worldview and may be the key to who you and I are deep down.